Sylt: Living History im Morsum des 17. + 18. Jajrhunderts
Lebendiger kann man Geschichte nicht präsentieren als es gestern Abend in der St. Martin Kirche in Morsum auf Sylt geschah. Laienschauspieler entführten die vielen Zuschauer in der überfüllten St. Martin Kirche in ein Leben das hart war und voller Entbehrungen. Die Männer fuhren auf See und viele kehrten niemals zurück, während die Frauen ein hartes Leben auf der Insel Sylt führten, was geprägt war durch Arbeit, Religiösität und eine hohen Kindersterblichkeit, also wahrlich kein Zuckerschlecken. Die vielen Zuschauer waren sicher froh im hier und jetzt zu leben.
Monatsgruß 12 2017
Ein Grußwort von Superintendent Hans Hentschel für den Dezember 2017 aus der St. Martin Kirche in Bramsche
Ignaz Netzer - Walk On - Morsum (Sylt) 2017
Aufgenommen am 3. Mai 2017 im Muasem Hüs in Morsum auf Sylt. Der Song stammt ursprünglich von Sonny Terry und Brownie McGhee.
St.Severin in Keitum erstrahlt im neuen Glanz
Die umfassende Sanierung und Renovierung der Keitumer St.Severin Kirche ist fast abgeschlossen.
Rantum auf Sylt: Läuten der Glocke der ev.-luth. St. Peter-Kirche
Die evangelisch-lutherische Reetdachkirche St. Peter liegt am dichtesten am Weststrand gleich hinter dem ersten Dünenzug. Sie ist diejenige, die das schmalste Stück Land um sich hat.
Weitere Informationen zur Kirchengemeinde:
Herzlichen Dank für die Hilfe an Jürgen Borstelmann.
Rantum (friesisch: Raantem) ist ein Ortsteil der Gemeinde Sylt auf der Insel Sylt, südlich von Westerland im Kreis Nordfriesland.
Rantum (Sölring Frisian: Raantem) is a village and a former municipality on the island of Sylt in the district of Nordfriesland, in Schleswig-Holstein, Germany. Since 1 January 2009, it is part of the municipality Sylt.
Rantum is een plaats in de Duitse deelstaat Sleeswijk-Holstein, en maakt deel uit van het district Noord-Friesland. Rantum (Sylt) telt 562 inwoners.
Rantum é um município da Alemanha, localizado no distrito de Nordfriesland, estado de Schleswig-Holstein.
Rantum binon zif in fedalän: Schleswig-Holstein, in Deutän.
Рантум (Зильт) — коммуна в Германии, в земле Шлезвиг-Гольштейн.
Rantum (Frizce: Raantem), Almanya'nın kuzeyinde Schleswig-Holstein eyâletinde, Nordfriesland iline bağlı yerleşim yeri.
Weitere Informationen zu den Dreharbeiten auf Sylt:
Chasing trains - Sylt Shuttle
Timelapse video of famous Sylt Shuttle
Crosswindlanding on runway 14 Sylt (EDXW)
IFR flight from Teuge to Sylt with a strong crosswind from the south. Note the turbulence generated by the wind rushing over the dunes and houses.
4K Ultra HD Camera Pan: Hamburg, Germany - Waltershof, Othmarschen, Harbor, Elbe, Container Cranes
Video Image 4K Channels:
Videobilder Channels:
Camera: Panasonic Lumix GH4
with Rode Stereo VideoMic Pro
Original recordings:
4K Ultra HD 3840x2160p / 100 Mbit/s / 30fps
You-Tube upload quality:
4K Ultra HD 3840x2160p / 50 Mbit/s / 30fps
Video Editing Software:
Magix Video Pro X6
Schleswig-Holstein Wadden Sea National Park | Wikipedia audio article
This is an audio version of the Wikipedia Article:
00:01:42 1 Geography
00:01:51 1.1 National park area
00:04:40 1.2 Protection areas of the National Park
00:06:38 1.3 Water, land and mudflat
00:09:10 2 Flora and Fauna
00:09:52 2.1 Plants
00:12:06 2.2 Animals
00:12:14 2.2.1 Mammals
00:13:09 2.2.2 Insects
00:14:16 2.2.3 Birds
00:16:42 2.2.4 Fishes, mussels and shellfishes
00:18:08 3 The National Park
00:18:17 3.1 History
00:20:22 3.1.1 First National Park law
00:22:55 3.1.2 Ecosystem synthesis report, discussion and protests
00:25:40 3.1.3 Second national park law
00:27:43 3.2 Administration
00:31:03 3.3 Other conservation measures
00:33:18 4 Human utilisation of the National Park
00:34:34 4.1 Approval of the Wadden Sea National Park by locals and tourists
00:37:04 4.2 Coastal defence
00:38:11 4.3 Tourism
00:39:30 4.3.1 North Sea tourism in the Wadden Sea National Park area
00:40:53 4.3.2 National Park tourism
00:43:08 4.3.3 National Park partner initiative of the Wadden Sea National Park
00:45:20 4.4 Fishery, hunting and agriculture
00:46:21 4.4.1 Shrimp fishery
00:47:22 4.4.2 Mussel fishery
00:49:18 4.4.3 Aquaculture and hunting
00:49:48 4.4.4 Agriculture
00:51:26 4.5 Transport and infrastructure
00:53:46 4.6 Oil, offshore wind power and sand
00:55:55 4.7 Military
00:57:39 5 See also
00:57:57 6 Literature
00:59:52 7 Filmography
01:00:19 8 External links
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There is only one good, knowledge, and one evil, ignorance.
- Socrates
SUMMARY
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The Schleswig-Holstein Wadden Sea National Park (German: Nationalpark Schleswig-Holsteinisches Wattenmeer) is a national park in the Schleswig-Holstein area of the German Wadden Sea. It was founded by the Parliament of Schleswig-Holstein on 1 October 1985 by the National Park Act of 22 July 1985 and expanded significantly in 1999. Together with the Lower Saxon Wadden Sea National Park, the Hamburg Wadden Sea National Park and those parts of Elbe estuary which are not nature reserves, it forms the German part of the Wadden Sea.
The national park extends from the German-Danish maritime border in the north down to the Elbe estuary in the south. In the North Frisian area, it includes the mudflats around the geest-based and marsh islands and the Halligen (undyked islands). There the mudflats are 40 km wide in places. Further south lie areas of mudflats which contain particularly large sandbanks. In addition to the plants and animals that are typical of the entire Wadden Sea, especially large numbers of porpoise, shelduck and eelgrass may be seen in the Schleswig-Holstein part.
With an area of 4410 km ² it is by far the largest national park in Germany. Some 68% of its area is permanently under water and 30% is periodically dry. The land element consists mainly of salt marshes. Since 1990, the national park, including the North Frisian Halligen, has been designated as a UNESCO recognised biosphere. Together with other German and Dutch Wadden Sea areas it became a UNESCO World Heritage Site on 26 June 2009.
[Vorspann] Doctor Snuggles (1979-1980) - Zeichentrick - Kinderserie - FSK: ohne Altersbeschränkung
Mehr Infos und Videos:
Songtext deutsch:
Doctor Snuggles, Freund von allem was lebt, Doctor Snuggles, träumt von dem besseren Morgen, Doctor Snuggles, die Arbeit wartet, fang an!
Doctor Snuggles, fliegt zu den Sternen mit ihm, Doctor Snuggles, er weiß den Weg auch zum Regenbogen, Doctor Snuggles, bau 'ne Maschine für uns!
Songtext Englisch:
Doctor Snuggles, friend of the animal world. Doctor Snuggles, dreaming of better Tomorrows Doctor Snuggles, you'd better start working today Doctor Snuggles, flying away to the stars Doctor Snuggles, finding a path to the rainbow Doctor Snuggles, build us a clever machine.
JW & BR Lagerfilm 2014 Intro
Suspense: The 13th Sound / Always Room at the Top / Three Faces at Midnight
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
The Great Gildersleeve: Apartment Hunting / Leroy Buys a Goat / Marjorie's Wedding Gown
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Calling All Cars: Hot Bonds / The Chinese Puzzle / Meet Baron
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Words at War: White Brigade / George Washington Carver / The New Sun
George Washington Carver (January 1864 -- January 5, 1943), was an American scientist, botanist, educator, and inventor. The exact day and year of his birth are unknown; he is believed to have been born into slavery in Missouri in January 1864.
Carver's reputation is based on his research into and promotion of alternative crops to cotton, such as peanuts, soybeans and sweet potatoes, which also aided nutrition for farm families. He wanted poor farmers to grow alternative crops both as a source of their own food and as a source of other products to improve their quality of life. The most popular of his 44 practical bulletins for farmers contained 105 food recipes using peanuts.[3] He also developed and promoted about 100 products made from peanuts that were useful for the house and farm, including cosmetics, dyes, paints, plastics, gasoline, and nitroglycerin. He received numerous honors for his work, including the Spingarn Medal of the NAACP.
During the Reconstruction-era South, monoculture of cotton depleted the soil in many areas. In the early 20th century, the boll weevil destroyed much of the cotton crop, and planters and farm workers suffered. Carver's work on peanuts was intended to provide an alternative crop.
He was recognized for his many achievements and talents. In 1941, Time magazine dubbed Carver a Black Leonardo.[4]
George Washington Carver reputedly discovered three hundred uses for peanuts and hundreds more for soybeans, pecans and sweet potatoes. Among the listed items that he suggested to southern farmers to help them economically were adhesives, axle grease, bleach, buttermilk, chili sauce, fuel briquettes (a biofuel), ink, instant coffee, linoleum, mayonnaise, meat tenderizer, metal polish, paper, plastic, pavement, shaving cream, shoe polish, synthetic rubber, talcum powder and wood stain. Three patents (one for cosmetics; patent number 1,522,176, and two for paints and stains; patent numbers 1,541,478 and 1,632,365) were issued to George Washington Carver in the years 1925 to 1927; however, they were not commercially successful.[40] Aside from these patents and some recipes for food, Carver left no records of formulae or procedures for making his products.[41] He did not keep a laboratory notebook.
Carver's research was intended to provide replacements for commercial products, which were generally beyond the budget of the small one-horse farmer. A misconception grew that his research on products for subsistence farmers were developed by others commercially to change Southern agriculture.[42][43] Carver's work to provide them with resources for more independence from the cash economy foreshadowed the appropriate technology work of E.F. Schumacher.
Words at War: It's Always Tomorrow / Borrowed Night / The Story of a Secret State
Jan Karski (24 April 1914 -- 13 July 2000) was a Polish World War II resistance movement fighter and later professor at Georgetown University. In 1942 and 1943 Karski reported to the Polish government in exile and the Western Allies on the situation in German-occupied Poland, especially the destruction of the Warsaw Ghetto, and the secretive German-Nazi extermination camps.
In November 1939, on a train to a POW camp in General Government (a part of Poland which had not been fully incorporated by Nazi Germany into The Third Reich), Karski managed to escape, and found his way to Warsaw. There he joined the ZWZ -- the first resistance movement in occupied Europe and a predecessor of the Home Army (AK). About that time he adopted a nom de guerre of Jan Karski, which later became his legal name. Other noms de guerre used by him during World War II included Piasecki, Kwaśniewski, Znamierowski, Kruszewski, Kucharski, and Witold. In January 1940 Karski began to organize courier missions with dispatches from the Polish underground to the Polish Government in Exile, then based in Paris. As a courier, Karski made several secret trips between France, Britain and Poland. During one such mission in July 1940 he was arrested by the Gestapo in the Tatra mountains in Slovakia. Severely tortured, he was finally transported to a hospital in Nowy Sącz, from where he was smuggled out. After a short period of rehabilitation, he returned to active service in the Information and Propaganda Bureau of the Headquarters of the Polish Home Army.[citation needed]
In 1942 Karski was selected by Cyryl Ratajski, the Polish Government's Delegate at Home, to perform a secret mission to prime minister Władysław Sikorski in London. Karski was to contact Sikorski as well as various other Polish politicians and inform them about Nazi atrocities in occupied Poland. In order to gather evidence, Karski met Bund activist Leon Feiner and was twice smuggled by Jewish underground leaders into the Warsaw Ghetto for the purpose of showing him first hand what was happening to the Polish Jews. Also, disguised as a Ukrainian camp guard, he visited what he thought was Bełżec death camp. In actuality, it seems that Karski only got close enough to witness a Durchgangslager (sorting and transit point) for Bełżec in the town of Izbica Lubelska, located midway between Lublin and Bełżec.[4] Many historians have accepted this theory, as did Karski himself.[5]
From 1942 Karski reported to the Polish, British and U.S. governments on the situation in Poland, especially on the destruction of the Warsaw Ghetto and the Holocaust of the Jews. He had also carried out of Poland a microfilm with further information from the underground movement on the extermination of European Jews in German-occupied Poland. The Polish Foreign Minister Count Edward Raczynski provided the Allies on this basis one of the earliest and most accurate accounts of the Holocaust. A note by Foreign Minister Edward Raczynski entitled The mass extermination of Jews in German occupied Poland, addressed to the governments of the United Nations on 10 December 1942, would later be published along with other documents in a widely distributed leaflet.[6]
Karski met with Polish politicians in exile including the Prime Minister, as well as members of political parties such as the Socialist Party, National Party, Labor Party, People's Party, Jewish Bund and Poalei Zion. He also spoke to the British Foreign Secretary Anthony Eden, giving a detailed statement on what he had seen in Warsaw and Bełżec. In 1943 in London he met the well-known journalist Arthur Koestler, the later author of Darkness at Noon. He then traveled to the United States and reported to President Franklin D. Roosevelt. In July 1943 Karski again personally reported to Roosevelt about the situation in Poland.
Karski met with many other government and civic leaders in the United States, including Felix Frankfurter, Cordell Hull, William Joseph Donovan, and Stephen Wise. Frankfurter, skeptical of Karski's report, said later I did not say that he was lying, I said that I could not believe him. There is a difference.[7] Karski presented his report to media, bishops of various denominations (including Cardinal Samuel Stritch), members of the Hollywood film industry and artists, but without result. His warning about the Yalta solution and the plight of stateless peoples became an inspiration for the formation of the Office of High Commissioner for Refugees after the war.[8] In 1944 Karski published Courier from Poland: The Story of a Secret State (with a selection featured in Collier's six weeks before the book's release[9][10]), in which he related his experiences in wartime Poland. The book was a major success (a film of it was planned but never realized) with more than 400,000 copies sold alone in the United States up to the end of World War II.