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Stephen Foster Folk Culture Center State Park

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Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Stephen Foster Folk Culture Center State Park
Phone:
+1 386-397-4331

Hours:
Sunday8am - 5pm
Monday8am - 5pm
Tuesday8am - 5pm
Wednesday8am - 5pm
Thursday8am - 5pm
Friday8am - 5pm
Saturday8am - 5pm


Stephen Collins Foster , known as the father of American music, was an American songwriter known primarily for his parlor and minstrel music. Foster wrote over 200 songs; among his best-known are Oh! Susanna, Hard Times Come Again No More, Camptown Races, Old Folks at Home , My Old Kentucky Home, Jeanie with the Light Brown Hair, Old Black Joe, and Beautiful Dreamer. Many of his compositions remain popular more than 150 years after he wrote them. His compositions are thought to be autobiographical. He has been identified as the most famous songwriter of the nineteenth century and may be the most recognizable American composer in other countries. His compositions are sometimes referred to as childhood songs because they have been included in the music curriculum of early education. Most of his handwritten music manuscripts are lost, but copies printed by publishers of his day can be found in various collections.
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