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The Norwegian Theater (Det Norske Teatret)

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The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
The Norwegian Theater (Det Norske Teatret)
Phone:
+47 22 47 38 00

Hours:
SundayClosed
Monday11am - 5pm
Tuesday11am - 7:30pm
Wednesday11am - 7:30pm
Thursday11am - 7:30pm
Friday11am - 7:30pm
Saturday11am - 5:30pm


The Black Rider: The Casting of the Magic Bullets is a self-billed musical fable in the avant-garde tradition created through the collaboration of theatre director Robert Wilson, musician Tom Waits, and writer William S. Burroughs. Wilson, in the original production, was largely responsible for the design and direction. Burroughs wrote the book, while Waits wrote the music and most of the lyrics. The project began in about 1988 when Wilson approached Waits. The story is based on a German folktale called Der Freischütz, which had previously been made into an opera by Carl Maria von Weber. It premiered at Hamburg's Thalia Theatre on 31 March 1990, and was performed at Paris's Théâtre du Châtelet on 9 October 1990. November Theatre produced its world English-language premiere in 1998 at the Edmonton International Fringe Festival in Canada. Det Norske Teatret in Oslo staged a Norwegian version in 1998, with Lasse Kolsrud as Pegleg. Only the dialogue was translated, the songs were performed in English. Waits recorded much of the music from the play in different arrangements under the eponymous title, The Black Rider.
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