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The Temple in Honor of All Sacred Vladimir Lands

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The Temple in Honor of All Sacred Vladimir Lands
The Temple in Honor of All Sacred Vladimir Lands
The Temple in Honor of All Sacred Vladimir Lands
The Temple in Honor of All Sacred Vladimir Lands
The Temple in Honor of All Sacred Vladimir Lands
The Temple in Honor of All Sacred Vladimir Lands
The Temple in Honor of All Sacred Vladimir Lands
The Temple in Honor of All Sacred Vladimir Lands
The Temple in Honor of All Sacred Vladimir Lands
The Temple in Honor of All Sacred Vladimir Lands
The Temple in Honor of All Sacred Vladimir Lands
The Temple in Honor of All Sacred Vladimir Lands
The Temple in Honor of All Sacred Vladimir Lands
The Temple in Honor of All Sacred Vladimir Lands
The Temple in Honor of All Sacred Vladimir Lands
Address:
Bolshaya Moskovskaya, 68, Vladimir 600000, Russia

An icon is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox Church, Oriental Orthodoxy, the Roman Catholic, and certain Eastern Catholic churches. The most common subjects include Christ, Mary, saints and angels. Though especially associated with portrait style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes. Icons may also be cast in metal, carved in stone, embroidered on cloth, painted on wood, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity are generally not classified as icons, although iconic may be used to describe a static style of devotional image. Eastern Orthodox tradition holds that the production of Christian images dates back to the very early days of Christianity, and that it has been a continuous tradition since then. Modern academic art history considers that, while images may have existed earlier, the tradition can be traced back only as far as the 3rd century, and that the images which survive from Early Christian art often differ greatly from later ones. The icons of later centuries can be linked, often closely, to images from the 5th century onwards, though very few of these survive. Widespread destruction of images occurred during the Byzantine Iconoclasm of 726-842, although this did settle permanently the question of the appropriateness of images. Since then icons have had a great continuity of style and subject; far greater than in the images of the Western church. At the same time there has been change and development.
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