Guan Gong Birthday Festival, Batu 11 Cheras, June 28, 2015
Blessed prayer to the deity, Guan Gong / Guan Yu / Yun Chang. Read this link on history of Guan Gong.
《国家宝藏》第二季 吴磊演绎最暖小王子实力护妹 黄轩变硬汉上演休妻闹剧 20190120 | CCTV综艺
本期节目主要内容：本期节目中，由甘肃省博物馆携驿使图画像砖、铜奔马、人头形器口彩陶瓶三件国宝震撼亮相。杜淳变身侠气飞扬的“杜掌柜”，在深处漫漫黄沙中上演了一段驿途传奇；“张掖县长”黄轩带领将士征战沙场，一曲荡气回肠的《天马来》唱尽家国情怀；“三石弟弟”吴磊变身守护妹妹的“金阳哥哥”，温情阐释了藏在星空背后的思念之情与人类对未来的美好想象。
05:42 铜奔马 国宝守护人：黄轩；
09:17 “张掖县长”黄轩带兵出征 平羌乱 守大汉；
18:23 荡气回肠《天马来》 唱尽家国情怀；
20:54 马踏飞燕——铜奔马；
22:14 黄轩：一匹匹骏马背后包含着无数华夏将士守卫疆土的壮志豪情；
23:41 如果说铜奔马是大汉军事强盛的象征 那么航母便是现代最强大的综合作战平台；
26:58 发展航空母舰——刘华清一生的梦想；
29:17 航母研发路漫漫 试飞帅气手势引发全民模仿热潮；
32:18 航载机每一次帅气的起降都是刀尖上的舞蹈；
36:49 驿使图画像砖 国宝守护人：杜淳；
40:25 “杜掌柜”八年相守逆旅 竟只为赎罪；
53:36 烽火岁月中的期盼 一封家书是奢望亦是渴望；
55:05 家书抵万金 中国通信人；
56:44 古今传承 为中国基站点赞；
59:54 基站 发送的不仅仅是信号 它是改善百姓生活的曙光 是生的希望；
01:00:39 见证通讯变迁 冲向超低时延；
01:05:43 人头形器口彩陶瓶 国宝守护人：吴磊；
01:09:11 “三石弟弟”吴磊变身“金阳哥哥” 温情阐释藏在星空背后的思念；
01:19:12 “万物有灵” 难得的艺术珍品——人头形器口彩陶瓶；
01:20:26 长发存灵魂 彩陶瓶寄相思；
01:21:33 张朋川：让美生生不息；
01:23:15 被机缘巧合救下的“鬼罐子”；
01:24:29 彩陶瓶：含蓄之美 姿态万千；
01:29:33 祖国大地孕育各色陶土 黄土地产出最美彩陶。
《国家宝藏》第二季，每集以一个博物馆为主题，亮相三件文物，每件文物绑定一位与之气质相符的明星嘉宾，他们或娓娓道来文物传奇的前世，或打扮成古人的形象演绎宝藏诞生的故事，带领观众进入一个神秘的探寻空间。
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Shifan music 东韩村拾幡古乐 from Donghan village, Baoding, Hebei, China
A video about Donghan village shifan ancient music (东韩村拾幡古乐), a genre of traditional music from Donghan village (东韩村), Lingyunce Hui and Manchu Ethnic Township (凌云册回族满族乡), Yi County (易县), Baoding (保定市), Hebei province, northern China. This music, which was originally called shifanhui (十番会), is performed by large ensembles comprising a wide variety of wind, string, and percussion instruments, and numbering up to 108 musicians. It is most often performed for holiday festivals and temple fairs. It is divided into two main categories: wu shifan (武十番) which is more martial in sound, dominated by wind instruments and percussion, and wen shifan (文十番), which is quieter and uses more string instruments. The music in this video represents the latter category. The repertoire is divided into three categories: zhi qu (只曲, individual pieces), lian qu (联曲, suites made up of two or more individual qupai), and tao qu (套曲, longer suites).
Probably filmed in Donghan village (东韩村), Lingyunce Hui and Manchu Ethnic Township (凌云册回族满族乡), Yi County (易县), Baoding (保定市), Hebei province, northern China, c. 2015.
Donghan village shifan ancient music is a tradition of great significance, in large part because its repertoire was inherited directly from the court music of the Qing Dynasty. Gu Xun (顾勋; style name: Shantang, 善堂), a native of Donghan who served as a palace musician during the Qianlong period, handed down the palace music to the village folk musicians after returning home, organizing them to study and perform the music for the local community. Donghan village shifan ancient music has been handed down over nine generations and has a history of nearly 200 years.
The rise of Donghan village shifan ancient music is related to the building of the Tailing Tomb (泰陵), the largest of the Western Qing tombs (清西陵) in Yi County, this project, undertaken between 1730 and 1736 during the reign of the Yongzheng emperor (r. 1722-1735), attracting many Manchu people and Han Bannermen (汉军旗人) to settle there.
In 2007, the tradition of Yi County Donghan village shifan ancient music (易县东韩村拾幡古乐), centering on Yi County, Baoding, Hebei province, northern China, was included in the second batch of traditions inscribed in Hebei's Provincial List of Intangible Cultural Heritage (河北省第二批省级非物质文化遗产名录).
In 2008, the tradition of Donghan village shifan ancient music (东韩村拾幡古乐), a variety of Jizhong shengguanyue (冀中笙管乐) centering on Yi County, Baoding, Hebei province, northern China, was additionally acknowledged by its addition to the Expansion Project for the First Batch of China's National List of Intangible Cultural Heritage (第一批国家级非物质文化遗产扩展项目名录). Jizhong shengguanyue (冀中笙管乐) is a collection of sheng-guan ensemble traditions found across the Central Hebei Plain (which is bounded to the north by Beijing, to the east by Tianjin, and to the south by Cangzhou and Dingzhou, including nearly 30 cities and counties of Hebei province).
燕赵寻宝东韩村拾幡古乐
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Chinese Art - 4 Tang, Liao and Song
Fourth video about the Chinese Art serie. Any doubt? Send me a message.
Historia del Arte:
Land of the Art:
China is the main cultural center of Asia, centered near the rivers Hoang-ho and Yang-tse-kiang. With the introduction of buddhism, indian art influenced them, but soon they would transform it to their culture. They valuated equally calligraphy, ceramics, silk and porcelain as literature, architecture, sculpture and painting. Confucianism and Taoism are the main philosophical movements.
Tang: from 618-907. This is one of the most important periods of chinese art. The landscape painting started, and poetry reached the peak of all arts. It began with emperor Daizong along with his wife Wu Zetian. The capital city is Chang’an. Buddhism mahayana is the influence.
Ceramic figures: painted with colors, perfection and expressiveness, influence of the old mingqi. The riders are playing the polo, a sport. There are also figures of musicians, traders, and women of the court
Mirrors: a luxury item, essential for the women of the court
Ceramic plates: with three colors (Sancai) and flower motives
Golden bowl: with shape of lotus flower
Painting: landscape painting and also aristocratic representations. Calligraphy is an essential part too. Wen Ren Hua is the kind of painter that was more interested in personal expression and knowledge, more than the representation of beauty. Two kinds of landscapes: done with ink and water, and done with colors. Landscape as vehicle of expression of poetry. Shan shui is the kind of landscape that focus in the representation of natural landscapes using ink and water instead of conventional paint. Art of brush
Zhan Ziqian: painter under the Sui dynasty, probably the first landscape painter of the world. Walking in spring
Jing Hao: painter and theoric of painting, the three rules are the yuan (distances) and there are six principles for the taoist aesthetic tthat the Wen Ren Hua must follow. Mount Kuanglu
Wu Daozi: 87 celestial persons (same painting, details)
Han Gan: Rider, Horse
Yan Liben: Emperor Taizong, Thirteen Emperors (with details), Emperor Taizong receiving the emissary of Tibet
Li Zhaodao: impressive details. Walking at the mountains in spring, Journey of emperor Ming Huang Shu
Dong Yuan: Rivers Xiao and Xiang (2 details), Mountain Dongtian, Wintry Groves and Layered Banks
Zhang Xuan: Courtesans preparing silk (with details), Spring in the Tang court
Poetry: very important, with poets as Li Bai (the image is calligraphy by him), Du Fu and Wang Wei, among others as Bai Juyi, Cui Hao, Meng Haoran and Zhang Jiuling
Pagoda: building of various levels built mainly with wood, where sacred relics were saved. They are very strong structurally, due to the dougong
Pagoda of Songyue: from Wei dynasty
Pagoda of the Wild Goose: to save buddhist writtings
Mount Wutai Temples: buddhist temples with the typology of homes. Foguang (4 images), Xiatong, Wenshu
Islamic Mosques: a mix between chinese style (mainly) and islamic style. Mosques of Huaisheng, Xi’an and Hangzhou
Great Buddha of Leshan: a rock statue
Liao: from 907-1125. It was a foreign dynasty that ruled great part of the northeast territory.
Pagoda of Yingxian
Song: from 960-1279. Culture reached a new level. It began with emperor Taizu.
Ying Tsao Fa Shih: an architecture treaty written by Li Chieh, that describes the techniques and materials to use in chinese architecture
Pagoda Liaodi: from Kaiyuan monastery in Dingzhou, to preserve buddhist writtings
Pagoda of Kaifeng: in Henan, also known as the Iron Pagoda, because its color
Guo Xi: Early spring, Autumn in the valley river
Zhang Zeduan: Along the river in Qingming festival (details), it shows a lot of chinese society
Li Cheng: Solitary temple among peaks, Forest between far away peaks
Mugi Fuchang: Guanyin monkey and crane
Liang Kai: Li Bai reciting a poem
Guan Tong: Autumn shadow in the mountain, Walking among the mountains
Qian Xuan: Wang Xizhi, Emperor Taizu playing cuju, Yang Guifel mounting a horse, Dwelling at the floating mountains of Jade
Bodhisattva Avalokitesvara (Guanyin)
Arhat: or Luohan Tamrabhadra, he reached the Nirvana
Porcelain: great development and many types
Qingzi: divided in the Five Famous Kilns. Ru, Guan, Ge, Jun and Ding, each of different characteristics and for a determinated social class
Yue: for the shih
Jian: for buddhists, for tea
Longquan
Cizhou: for daily use. Meiping vases
Music: Don't Decorate Your Dreams 不装饰你的梦 by Huang Jiang Qin
Photos taken in Google images.
No copyright infringement intended.
Peking Opera - Ying Tai Kang Hun - Yingtai Resists Marriage
Starring Li Haiyan, Zhen Jianhua and the featuring the First Troupe of China National Peking Opera Company.
Yingtai Resists Marriage was adapted by a master of Peking opera Cheng Yanqiu and was his final work. It has been likened to Romeo & Juliet. Zhu Yingtai, from Shangyu, is a beautiful women who disguises herself as a man travelling to Hangzhou to attend an academy. On the way she meets Liang Shanbo, who was a school friend of hers. The two become lovers for three years, the fact Zhu is a women, unbeknown to the other students. Wishing to marry, Zhu arranges the marriage of Liang with her ficticious sister, which he accepts. However, Zhu's parents arrange her marriage to another man, which she at first refuses, but later begrungingly accepts. Liang Shanbo then turns up and proposes, but Zhu declines and explains her situation. A few days later Liang dies from a broken heart. On the way to her future husband's home she visits the grave of Liang Shanbo. She jumps into the cracked tomb and dies. A pair of butterflies take to the air, representing Liang and Zhu, reunited again.
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The imperial city of Southern Song dynasty documentary film HD
In 1138 AD, the Southern Song Dynasty set up its capital in Lin'an, the current Hangzhou, leaving us with an imperial history of more than 150 years. The present Town of Southern Song Imperial City, with over 1000 years of cultural deposit, has been the booming commercial heart of Hangzhou all the way from Sui dynasty to modern times. As the political center of the Southern Song Dynasty, it is embedded with the Hangzhou's rich cultural past and constitutes the roots of its temperament of an imperial capital.
Coronavirus: Timelapse shows speedy hospital construction in Wuhan, China
In footage released by People's Daily, the groundwork and initial building stages can be seen as builders race to build a Coronavirus treatment hospital.
China promised to build the hospital with 1,000 new hospital beds within six days. This would beat the current record-holding purpose built SARs hospital which was build in Beijing in 2003.
For the latest on this story click here:
Telegraph.co.uk and YouTube.com/TelegraphTV are websites of The Telegraph, the UK's best-selling quality daily newspaper providing news and analysis on UK and world events, business, sport, lifestyle and culture.
West Lake Love
Once upon a time, a white snake and a green snake who had magical power in the Mountain Er-Mei and had transformed into two beautiful young ladies, on white, one green. They met a man named Hsu Sheng at the West Lake of Hang-Zhou city. The white snake fell in love with Hsu Sheng at first sight. They got married soon after.
Comic The Lady White helped her husband to open an herbal medicine store by writing the prescriptions. Patients unable to pay were given free treatment and medicine. The store quickly became well known and popular. One day a monk called Fa Hai saw the couples and warned Hsu Sheng that his wife was a white snake.
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Hangzhou World Leisure Expo-Along the River During the Qingming Festival
Riverside Scene at Qingming Festival
Along the River During the Qingming Festival (simplified Chinese: 清明上河图; traditional Chinese: 清明上河圖; pinyin: Qīngmíng Shànghé Tú) is a panoramic painting by Song Dynasty artist Zhang Zeduan (1085--1145). It captures the daily life of people from the Song period at the capital, Bianjing, today's Kaifeng. The theme celebrates the festive spirit and worldly commotion at the Qingming Festival, rather than the holiday's ceremonial aspects, such as tomb sweeping and prayers. The entire piece was painted in hand scroll format and the content reveals the lifestyle of all levels of the society from rich to poor as well as different economic activities in rural areas and the city. It offers glimpses of period clothing and architecture.
Song Dynasty's female dancers in Kaifeng, China
Liangzhu Neolithic Jade Cong
The Liangzhu culture (3400–2250 BC) was the last Neolithic jade culture in the Yangtze River Delta of China. The culture was highly stratified, as jade, silk, ivory and lacquer artifacts were found exclusively in elite burials, while pottery was more commonly found in the burial plots of poorer individuals. This division of class indicates that the Liangzhu Period was an early state, symbolized by the clear distinction drawn between social classes in funeral structures. A pan-regional urban center had emerged at the Liangzhu city-site and elite groups from this site presided over the local centers.[1] The Liangzhu culture was extremely influential and its sphere of influence reached as far north as Shanxi and as far south as Guangdong.[2] The type site at Liangzhu was discovered in Yuhang County, Zhejiang and initially excavated by Shi Xingeng in 1936. A 2007 analysis of the DNA recovered from human remains shows high frequencies of Haplogroup O1 in Liangzhu culture linking this culture to modern Austronesian and Tai-Kadai populations. It is believed that the Liangzhu culture or other associated subtraditions are the ancestral homeland of Austronesian speakers.[3] The Liangzhu Culture entered its prime about 4000 ~ 5000 years ago, but suddenly disappeared from the Taihu Lake area about 4200 years ago when it reached the peak. There are almost no traces in the following years ever found in this area.[4] Recent research has shown that the development of human settlements was interrupted several times by rising waters. This led researchers to conclude the demise of the Liangzhu culture was brought about by extreme environmental changes such as floods, as the cultural layers are usually interrupted by muddy or marshy and sandy–gravelly layers with buried palaeotrees.[5] Some evidence implicates that the Taihu lake was formed as an impact crater only 4500 years ago, which could help explaining the disappearance of the Liangzhu culture.[6]
[Ming giáo subteam] Trailer 3' Tinh Trung Nhạc Phi ~ Jing Zhong Yue Fei
All subs are purely free fansubs. No copyright infringement is intended. Ming giáo subteam does not receive or expect any profit to be made out of our videos, so please don't delete our videos or account Youtube! We merely sub in order to spread the love of Huang Xiao Ming to those who do not understand the Chinese language.
Vietsub by Ming giáo subteam @ Dienanh.net
fighting between Song and Jin(Yuan Dynasty)
a performance show the history of Yuefei fight against Jin in South Song (hangzhou)
Zhao Yun's Temple
Located in Zhengding, Hebei in China, this is the real deal.
A dream finally realized... I thought I'd never have the opportunity to visit this place. Needless to say, I was floored when I found out we had to travel to China this year. It was truly amazing. =)
There was originally music to go with this, but Youtube was being a royal pain in the ass with just about every song that was suited for it, so I left it silent. Also, please forgive my noobish camera skills. A lot of the artifacts being displayed were in a poorly lit area and I didn't have a chance to become familiar with my cam. Just like my other vids, rude and insensitive comments are not tolerated, so play nice. There are a few photos that need clarification, so feel free to let me know.
** A note on the last pic... if it weren't for the horse's face, I wouldn't have uploaded it. Such perfect timing... xD
:03 - :05 == Zhao Yun's statue at the main entrance
:05 - :08 == Main entrance
:08 - :10 == Same statue, but with me... =X
:10 - :20 == Not sure of the exact name of this one. You buy a token and try to throw it through the hole and hit the bell. A successful hit, and you supposedly are protected by the spirit of Zhao Yun. =P
:20 - :30 == Courtyard
:30 - :35 == Marble wall covered in Chinese script
:36 - :38 == Stone plaque
:39 - :41 == I think this was one of several large scrolls within one of the smaller temple buildings
:42 - :44 == Might just be the name of the temple, but unsure. x_x Clarification needed.
:45 - :50 == Supposedly this dirt was from where Zhao Yun was buried
:51 - :56 == No, not a toilet.. xD Some type of cauldron
:57 - 1:02 == I believe this was a kind of weight that Zhao Yun used to work out with
1:03 - 1:20 == Random pottery, possibly found nearby Zhao Yun's grave. Could use some clarification on this though.
1:21 - 1:23 == Not sure what the hell this was... o_O Looked like a small ribcage.
1:24 - 1:32== Pieces of Zhao Yun's spear. This was one artifact I was definatly hoping to see. =)
1:33 - 1:38 == Zhao Yun's helmet (one might think they would have corrected the misspelling by now x_X)
1:39 - 1:44 == Random pottery
1:45 - 1:47 == Ancient Chinese coins taken by camera noob =P There was such dim lighting and it was difficult to get a decent angle. =(
1:48 - 1:56 == Random artifacts
1:57 - 1:59 == Tablets (?) Need clarification on this.
2:00 - 2:11 == Several wall murals. I believe the second one is where Zhao Yun is pledging to serve Liu Bei. Not too sure who he's fighting in the pic after that; could use clarification.
2:11 - 2:14 == The sign says it all. An unexpected, but pretty nifty surprise. =)
2:15 - 2:22 == Outer courtyard
2:23 - 2:26 == Inner temple. There were 2 large incense pots - one inside, and the one outside. Here, people could offer incense, pray, and pay their respects to Zhao Yun. Unfortunately, I was told cameras were forbiddin inside... =(
2:27 - 2:29 == Offering incense
2:30 - 2:32 == Plaque for the Hall of Four Brothers
2:33 - 2:35 == Banners
2:36 - 2:38 == From left to right - Zhao Yun, Guan Yu (?), Liu Bei, Zhang Fe
2:39 - 2:41 == From left to right - Zhang Fei, Guan Yu, Liu Bei
2:42 - 2:44 == Liu Bei, Zhuge Liang, Zhao Yun
2:45 - 2:50 == Ma Chao with plaque
2:51 - 3:00 == Zhao Yun with and without plaque
3:01 - 3:08 == Wall script
3:08 - 3:11 == Heh, very awkward pose trying to emulate Zhao Yun. Just outside of the temple, there were a couple of men who seemed to be decently skilled in martial arts. They had a small weapon rack and allowed visitors to choose a weapon and take pictures with it, or just to get a feel for it. They'll also show you proper stances and attack forms.
3:12 - 3:14 == Just outside of the temple were horses that people could take a trail with. This is my daughter and I. She did pretty well considering this was her first time riding one. =)
3:18 - 3:21 == Er... yeah. I've already explained this one.. xD
China Travel - Lóngmén Grottoes
Longmen Grottoes are world famous 12 km south of Luoyang, Longmen where Xiang hill Hill and standing facing each other. Wav Yi River bathes its north through the throat. Taken a distant view, Longmen Grottoes like a pair of towers of the Chinese door. So during the Zhou and Qin dynasties, it was called Yi (Yi River Gate). Later, when the Sui established its capital in Luoyang, the palace gate was facing Yi Que, hence the name Longmen which means Dragon Gate. These caves are considered one of the three great sculptural treasures in China. The other two are the Mogao Caves in Dunhuang (Gansu Province) and the Yungang Grottoes in Datong (Shanxi Province), the precursor of Longmen.) In general, the limestone is harder in Longmen in YUNGANG, and caves of the river closer, so it is easy to discern the details, but harder to see the caves as a whole. In 2000, Longmen Grottoes was listed by UNESCO as a World Cultural Heritage Site.
More Info Visit:
ongmen caves ap art history
longmen caves function
yungang grottoes
longmen grottoes map
longmen caves khan academy
gold and jade crown
longmen grottoes wikitravel
white horse temple
shaolin temple to longmen grottoes
kunming longmen grottoes
luoyang longmen grottoes tour
longmen grottoes pdf
luoyang longmen grottoes
longmen grottoes unesco
longmen grottoes china map
zhengzhou to longmen grottoes
Warriors of the Yang Clan (Yang Men Hu Jiang) Cut Scene
*A scene cut from the China Version.
*Between Yang Liu Lang and Chai Jun Zhu
A CHINESE MUSICAL JOURNEY - XI’AN [Naxos 2.110554]
Naxos DVD Trailer: A Cultural Tour with Traditional Chinese Music
The capital of Shaanxi Province, Xi'an, its name translating as 'Western Peace', was the Chinese capital during the Tang dynasty (618-906 A.D.). The Big Wild Goose Pagoda, completed in 704 on the orders of the Empress Wu Zetain during her period of rule as Empress of the Zhou dynasty, soon replaced by the restored Tang, is one of the oldest such structures in China. Of particular interest is the tomb of the Emperor Huang, regarded as the founder of the unified Chinese nation, and the remarkable terracotta warriors and horses discovered around the mausoleum of Qin Shi Huang Di, founder of the Qin dynasty who died in 210 B.C.. The tour ends with vies of the precipitous Huashan (Flower Mountain), so called from its five peaks, groups in the shape of a great flower.
The music chosen for this tour of Xi'an is played on traditional Chinese instruments. The excerpts include, to accompany the terracotta warriors, a contemporary composition inspired by Zhang Ji's poem 'Night at the Maple Bridge' giving particular prominence to the zhongruan, a form of Chinese lute of ancient origin. Other instruments heard are the Chinese transverse bamboo flute, the dizi, the Chinese plucked zither, the guqin, and the Chinese lute, the pipa. A glimpse of operatic stage performance finds a place for a Shaanxi opera tune, an example of the music to be heard in the many regional forms of Chinese opera.
(Naxos 2.110554)
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Trip to China (Hangzhou)
Trip to China (Hangzhou)
XI'AN - CINA
XI'AN - ED IL MUSEO DELL'ESERCITO DI TERRACOTTA
XI'AN - AND THE TERRACOTTA ARMY (LONG DOCUMENTARY)