Visite Tunnel de lave - île de la Réunion *Envergure*
Tunnel de lave à la Reunion avec Envergure Réunion Une équipe de moniteurs diplômés d'état en spéléologie vous encadre à la découverte d'un tunnel de lave. Vivez une expérience unique, sous le piton de la Fournaise.
Des grottes sous le volcan...
Lors des éruptions volcaniques, les laves cordées (liquides) permettent la formation de cavernes. Les coulées refroidies, les tunnels deviennent accessibles, offrant un décor surprenant stalactites, stalagmites, parois vitrifiées, vastes salles....
EXPLORE LA RÉUNION dans un tunnel de lave !
Suivez Jahiro conseiller de l'Office de tourisme de l'Est dans les entrailles de l'île, à la découverte d'un tunnel de lave !
Pour tout savoir et réserver c'est auprès de l'office de tourisme de l'Est ! #explorelareunion #estreunion
Tunnel de lave Ile de la Réunion 27.05.12 N°1.
Visite des Tunnels de lave Ile de la Réunion 27.05.12
Randonnée dans les tunnels de lave du piton de la fournaise (île de la réunion)
découvrez les tunnels de lave du piton de la fournaise (île de la réunion)
rando-volcan.com
RFO Tunnel de lave 4 Novembre 2012
tunnel de lave, Piton de la fournaise. (court)
tunnel de lave
Sous la coulée de lave de 2007, au sud de la Réunion, en compagnie d'Alain Bertile, volcanologue amateur et de scientifiques de l'université, pour un dossier de l'Express consacré aux baroudeurs de l'île.
Volcan ile de la Reunion 2007
Marche sur la derniere coulé eruptive 2007 du piton de la fournaise ile de la Reunion.
Quelques mètres sous la lave
A la Réunion, il y a des dizaines de tunnels de lave, d'imposants corridors de magma froid qui courent au coeur des coulées. Plus ou moins profonds et plus ou moins longs selon les endroits, ils offrent tous un spectacle d'un autre monde. Plongée dans l'un d'entre eux du côté de Saint-Philippe.
Guy Abalain
le 04/08/08
Tunnel lave
Premier tunnel de lave de l'ouest ouvert au public....
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MA NATURE, C'EST LE SPORT !
Venez découvrir les activités multisports et de pleine nature dans l'Ouest de la Réunion.
De 3 à 15 ans
a2loisir.re
A2LOISIR
Sortie moto rdv974 - route des laves - Île de la Réunion
Sortie avec le moto club: rdv974
Plongée Les grottes de Maharany- Ile de la Réunion
Une plongée spéciale grottes de Maharany. Dans cette plongée, nous passons dans plusieurs grottes,certaines pas mal sombres, d'autres bien étroites !!! Un vrai plaisir ( pour moi ! )
J'espère que cette vidéo vous plaira, n'hésitez pas à laissez un pouce bleu et me dire ce que vous en pensez !
Vous pouvez également avoir de nouvelles infos sur ma page Facebook :
Passionate Diving : Passionnée de plongée
Piton De La Fournaise Éruption Du 11 Au 18 Septembre 2016 Deuxième Éruption De L'année
Éruption Du 11 septembre Au 18 septembre 2016 Elle À Duré 7 jours L'éruption se trouver au niveau nord du cratère Dolomieu. L'éruption est visible depuis les pitons de Partage et des Basaltes. Le 17 septembre, les coulées atteignent les Grandes Pentes, ce qui rend l'éruption visible depuis Sainte-Rose (La Réunion).
Retrouver Toute L'actualité Du Piton De La Fournaise Sur Cette Page Facebook Sur Le Lien En Dessous
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Retrouver Toute L'actualité Du Piton De La Fournaise Sur Notre Compte Instagram Sur Le Lien En Dessous
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Île De La Réunion
BALLADE DANS LES ENTRAILLES DE LA FOURNAISE.mp4
Progression dans des tunnels de lave
St Pierre...Capitale du Sud 974 (Île De La Réunion)
Highline aux 3 salazes
Highline sur la crète entre Cilaos et Mafate ( La Réunion ).
Suspense: Dead Ernest / Last Letter of Doctor Bronson / The Great Horrell
On the second presentation of July 22, 1940, Forecast offered a mystery/horror show titled Suspense. With the co-operation of his producer, Walter Wanger, Alfred Hitchcock received the honor of directing his first radio show for the American public. The condition agreed upon for Hitchcock's appearance was that CBS make a pitch to the listening audience about his and Wanger's latest film, Foreign Correspondent. To add flavor to the deal, Wanger threw in Edmund Gwenn and Herbert Marshall as part of the package. All three men (including Hitch) would be seen in the upcoming film, which was due for a theatrical release the next month. Both Marshall and Hitchcock decided on the same story to bring to the airwaves, which happened to be a favorite of both of them: Marie Belloc Lowndes' The Lodger. Alfred Hitchcock had filmed this story for Gainsborough in 1926, and since then it had remained as one of his favorites.
Herbert Marshall portrayed the mysterious lodger, and co-starring with him were Edmund Gwenn and character actress Lurene Tuttle as the rooming-house keepers who start to suspect that their new boarder might be the notorious Jack-the-Ripper. [Gwenn was actually repeating the role taken in the 1926 film by his brother, Arthur Chesney. And Tuttle would work again with Hitchcock nearly 20 years later, playing Mrs. Al Chambers, the sheriff's wife, in Psycho.] Character actor Joseph Kearns also had a small part in the drama, and Wilbur Hatch, head musician for CBS Radio at the time, composed and conducted the music specially for the program. Adapting the script to radio was not a great technical challenge for Hitchcock, and he cleverly decided to hold back the ending of the story from the listening audience in order to keep them in suspense themselves. This way, if the audience's curiosity got the better of them, they would write in to the network to find out whether the mysterious lodger was in fact Jack the Ripper. For the next few weeks, hundreds of letters came in from faithful listeners asking how the story ended. Actually a few wrote threats claiming that it was indecent and immoral to present such a production without giving the solution.
Suspense: 19 Deacon Street / A Week Ago Wednesday / The House in Cypress Canyon
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Dragnet: Eric Kelby / Sullivan Kidnapping: The Wolf / James Vickers
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.
Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters (Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor). Gradually, Friday's deadpan, fast-talking persona emerged, described by John Dunning as a cop's cop, tough but not hard, conservative but caring. (Dunning, 210) Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a longtime radio actor. After Yarborough's death in 1951 (and therefore Romero's, who also died of a heart attack, as acknowledged on the December 27, 1951 episode The Big Sorrow), Friday was partnered with Sergeant Ed Jacobs (December 27, 1951 - April 10, 1952, subsequently transferred to the Police Academy as an instructor), played by Barney Phillips; Officer Bill Lockwood (Ben Romero's nephew, April 17, 1952 - May 8, 1952), played by Martin Milner (with Ken Peters taking the role for the June 12, 1952 episode The Big Donation); and finally Frank Smith, played first by Herb Ellis (1952), then Ben Alexander (September 21, 1952-1959). Raymond Burr was on board to play the Chief of Detectives. When Dragnet hit its stride, it became one of radio's top-rated shows.
Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated and sparse, influenced by the hardboiled school of crime fiction. Scripts were fast moving but didn't seem rushed. Every aspect of police work was chronicled, step by step: From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. The detectives' personal lives were mentioned but rarely took center stage. (Friday was a bachelor who lived with his mother; Romero, a Mexican-American from Texas, was an ever fretful husband and father.) Underplaying is still acting, Webb told Time. We try to make it as real as a guy pouring a cup of coffee. (Dunning, 209) Los Angeles police chiefs C.B. Horrall, William A. Worton, and (later) William H. Parker were credited as consultants, and many police officers were fans.
Most of the later episodes were entitled The Big _____, where the key word denoted a person or thing in the plot. In numerous episodes, this would the principal suspect, victim, or physical target of the crime, but in others was often a seemingly inconsequential detail eventually revealed to be key evidence in solving the crime. For example, in The Big Streetcar the background noise of a passing streetcar helps to establish the location of a phone booth used by the suspect.
Throughout the series' radio years, one can find interesting glimpses of pre-renewal Downtown L.A., still full of working class residents and the cheap bars, cafes, hotels and boarding houses which served them. At the climax of the early episode James Vickers, the chase leads to the Subway Terminal Building, where the robber flees into one of the tunnels only to be killed by an oncoming train. Meanwhile, by contrast, in other episodes set in outlying areas, it is clear that the locations in question are far less built up than they are today. Today, the Imperial Highway, extending 40 miles east from El Segundo to Anaheim, is a heavily used boulevard lined almost entirely with low-rise commercial development. In an early Dragnet episode scenes along the Highway, at the road to San Pedro, clearly indicate that it still retained much the character of a country highway at that time.