Abilene Town- Randolph Scott
Abilene Town- Randolph Scott
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If you get a chance check out my blog - Stories, poems, photographs and more. From the Sanctuary On The Hill in Tennessee -
Free to Play: The Movie (US)
FREE TO PLAY is a feature-length documentary that follows three professional gamers from around the world as they compete for a million dollar prize in the first Dota 2 International Tournament. In recent years, E Sports has surged in popularity to become one of the most widely-practiced forms of competitive sport today. A million dollar tournament changed the landscape of the gaming world and for those elite players at the top of their craft, nothing would ever be the same again. Produced by Valve, the film documents the challenges and sacrifices required of players to compete at the highest level.
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Lil Nas X, Billy Ray Cyrus, Diplo - Old Town Road (Diplo Remix) (Official Audio)
Lil Nas X, Billy Ray Cyrus, Diplo - Old Town Road (Diplo Remix) (Official Audio)
Listen to Old Town Road (Diplo Remix):
Lyrics:
Yeah, I'm gonna take my horse to the old town road
I'm gonna ride 'til I can't no more
I'm gonna take my horse to the old town road
I'm gonna ride 'til I can't no more (Kio, Kio)
I got the horses in the back
Horse tack is attached
Hat is matte black
Got the boots that's black to match
Ridin' on a horse, ha
You can whip your Porsche
I been in the valley
You ain't been up off that porch, now
Can't nobody tell me nothin'
You can't tell me nothin'
Can't nobody tell me nothin'
You can't tell me nothin'
Ridin' on a tractor
Lean all in my bladder
Cheated on my baby
You can go and ask her
My life is a movie
Bull ridin' and boobies
Cowboy hat from Gucci
Wrangler on my booty
Can't nobody tell me nothin'
You can't tell me nothin'
Can't nobody tell me nothin'
You can't tell me nothin'
Yeah, I'm gonna take my horse to the old town road
I'm gonna ride 'til I can't no more
I'm gonna take my horse to the old town road
I'm gonna ride 'til I can't no more
I got the
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Cop Out
Veteran detective Jimmy Monroe (Bruce Willis) needs to cash in on his perfect Pafko in order to pay for his daughter's upcoming wedding, but in the tradition of everything that can go wrong...it's pilfered before he has a chance to collect. Paul Hodges (Tracy Morgan) is Jimmy's partner-against-crime, whose preoccupation with his wife's alleged infidelity makes it hard for him to keep his eye on the ball, or his mind on the crime. Already in trouble and with nothing left to lose, Jimmy and Paul will have to break all the rules--including enlisting the aid of stoner thief Dave (Seann William Scott), who's working Paul's last nerve as Paul and Jimmy try to work the case. But before they can recover the prized `52 Pafko, they must first rescue a Mexican beauty who holds the key to millions of dollars in off-shore bank accounts--and who has already witnessed one high-profile murder because of them. MPAA Rating: R For pervasive language including sexual references, violence and brief sexuality. © 2010 Warner Bros. Entertainment Inc. All Rights Reserved.
Yogi Bear
This new adaptation of Hanna-Barbera's classic cartoon will star Academy Award® nominee Dan Aykroyd (Driving Miss Daisy) as the voice of Jellystone Park's most famous troublemaker, Yogi Bear. Two-time Emmy Award winner (Saturday Night Live) and six-time Grammy Award winner Justin Timberlake will star as the voice of Boo Boo, Yogi's faithful pal and co-conspirator in his tireless schemes to separate Jellystone Park patrons from their lunches. Jellystone Park has been losing business, so Mayor Brown has decided to shut it down and sell the land. That means families will no longer be able to experience the natural beauty of the outdoors—and, even worse, Yogi and his pal Boo Boo will be tossed out of the only home they've ever known. Faced with his biggest challenge ever, Yogi must prove that he really is smarter than the average bear as he and Boo Boo join forces with Ranger Smith to find a way to save the park from closing forever.
The Great Gildersleeve: Marjorie's Boy Troubles / Meet Craig Bullard / Investing a Windfall
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Kent Hovind - Seminar 4 - Lies in the textbooks [MULTISUBS]
Creation Seminar 4: Lies in the Textbooks by Dr. Kent Hovind
WITH SUBTITLES:
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Dr. Hovind shows how public school textbooks are permeated with fraudulent information in order to convince students that evolution is true.
Topics included: the geologic column, the Grand Canyon, vestigial organs, the deception of Haeckel's embryonic research, DNA, and many more. Enjoy this point-by-point, entertaining demonstration of scientific evidence used to shed light on each of the lies still being pushed upon our culture. Learn active steps you can take to impact your public school system!
No ratings enabled because truth is not based on majority opinion.
King Creole
Elvis Presley gives Bourbon Street a new beat in King Creole. He plays a troubled youth whose singing sets the French Quarter rockin'. With a sweet girl to love him and nightclubbers cheering, it looks like Elvis will shake off his past and head for the top. But will a mobster (Walter Matthau) and his man-trap moll (Carolyn Jones) snare him in a life of crime?
Kent Hovind - Seminar 3 - Dinosaurs in the Bible [MULTISUBS]
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Many skeptics try to use dinosaurs as a weapon to fight against the faith of Christianity. Can the Bible withstand the onslaught of all of the overwhelming evidence? How is it possible to mix the Bible with the existence of these so-called prehistoric creatures?
Dinosaurs and the Bible, part three of the creation seminar series, pursues the Biblical and historical references to an explanation that just may surprise you. Follow the clues and find out how dinosaurs trace back to the original Creation. See how they survived the flood. Listen to first hand Biblical accounts and see the impact of the possibility of a few dinosaurs still being alive today? Discover the truth about dinosaurs and how God is using them to bring glory to His name.
Dr. Kent Hovind, founder of Creation Science Evangelism, is dedicated to proclaiming scientific evidence which supports the Biblical account of a literal six-day creation. As guest lecturer for public and private schools, universities, churches, camps, debates, and TV and radio programs, he has been traveling internationally giving seminars on creation verses evolution since 1989. His extensive study and research make Dr. Hovind one of the world's foremost authorities on science and the Bible.
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The War of the Worlds Audiobook by H.G. Wells | Audiobook with subtitles
The War of the Worlds (Version 3) H. G. WELLS
No one would have believed, in the last years of the nineteenth century, that the Earth was being scrutinised and studied from across the gulf of space. With infinite complacency, humanity went about its little affairs, serene in its assurance of its empire over matter. It is possible that the micro-organisms we watch under a microscope, do the same. Few people gave thought to the idea of life on other planets, and none imagined that it could be so vastly superior in intellect to ourselves. No one considered the possibility of extra-terrestrial danger. Yet the eyes that regarded our planet were envious and unsympathetic, and slowly and surely drew their plans against us. (Cori Samuel, adapted from Chapter One.)
Genre(s): Science Fiction
Chapters:
0:44 | Chapter 1.The Eve of the War
16:57 |Chapter 2.The Falling Star
26:10 | Chapter 3.On Horsell Common
33:03 |Chapter 4.The Cylinder Opens
41:28 |Chapter 5.The Heat-ray
52:22 |Chapter 6.The Heat-ray in the Chobham Road
58:19 |Chapter 7.How I Reached Home
1:07:44 |Chapter 8.Friday Night
1:14:27 |Chapter 9.The Fighting Begins
1:27:47 |Chapter 10.In the Storm
1:42:39 |Chapter 11.At the Window
1:56:15 |Chapter 12.What I Saw of the Destruction of Weybridge and Shepperton
2:22:02 |Chapter 13.How I Fell In with the Curate
2:34:26 |Chapter 14.In London Audio Book Audiobooks All Rights Reserved. This is a Librivox recording. All Librivox recordings are in the public domain. For more information or to volunteer visit librivox.org.
Calling All Cars: Escape / Fire, Fire, Fire / Murder for Insurance
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling Bravo! in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.)
Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality.
Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely.
And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)