Yaiyoi Kusama exhibition at the Victoria Miro Gallery
Idris Khan | Conflicting Lines | Victoria Miro Mayfair
Idris Khan's show - Conflicting Lines at Victoria Miro Mayfair - is a play on the palimpsest, only this time the traces are his own.
Doug Aitken | Victoria Miro Mayfair
Preview of Doug Aitken's exhibition at Victoria Miro Mayfair
Private view: 11 June. Continues until 31 July 2015
This specific constellation of five key works has been conceived for the Mayfair gallery by the artist.
This summer marks a significant moment in the American artist's career, with two important European institutions celebrating his work: Station to Station opens at London's Barbican on 27 June, and a major survey exhibition opens at the Schirn Kunsthalle Frankfurt on 9 July.
Celia Paul and Hilton Als Victoria Miro Gallery
Impact Video were asked to record this live discussion between art critic Hilton Als and artist Celia Paul for Victoria Miro Gallery.
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Impact Video Production is an East London-based video production company creating films for the arts and culture industries. Our approach is defined by our in-house team's creativity and passion for filmmaking and digital marketing. We begin with a unique creative concept that speaks clearly to your audience, and we tell your organisation's story with stunning video production.
We produce a variety of video content for our arts clients including: promotional video, documentary, theatre trailer, vox pops, corporate video. Current Impact Video clients include: Shakespeare's Globe, Young Vic Theatre, WWF, Victoria Miro Gallery, London Philharmonic Orchestra, Sadler's Wells, The Roundhouse.
Get in touch to discuss your next video production.
Email: marliese@impactvideoproduction.co.uk
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Meet the Expert with Victoria Miro Gallery - TEFAF New York Spring 2019
Solitude of the Earth by Yayoi Kusama is an installation of two white chairs, a table and a cabinet covered in objects and white netting. Watch Matt Carey-Williams, Senior Director of Sales at Victoria Miro, describe why the piece is unique.
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Victoria Miro Gallery
Yayoi Kusama
Solitude of the Earth (1994)
Mixed media, table, two chairs and cabinet
2x chairs: 102 x 45 x 52 cm
Table 100 x 75 x 77 cm
Cabinet 177.5 x 82 x 44 cm
We are the World & Moonspoon Saloon - Fashion Performance Show - Part 2 of 3
Live performance - We are the world and fashion show - Moonspoon Saloon in the Victoria Miro Gallery, London, 2009
Richard Long - Red Slate Circle - Tate Britain - London - September 2016
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Celia Paul & Hilton Als talk
Award winning American writer and critic Hilton Als talks to Celia Paul about her work, followed by a book signing of her new catalogue which includes an essay by Als. This event took place on 8 July on the occasion of Celia Paul's first exhibition at Victoria Miro, London.
Celia Paul & Hilton Als | 'desdemona for celia by hilton'
Celia Paul and Hilton Als discuss their collaborative exhibition, 'desdemona for celia by hilton', at Gallery Met, New York, organised by Dodie Kazanjian on the occasion of The Metropolitan Opera's production of 'OTELLO'.
A Curator's Reading List: Playing to the Gallery
Fortnightly feature where I talk about books that are great reads for those interested in art and culture.
This week's book: Playing to the Gallery (2014) by Grayson Perry.
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Music: Far Behind by Silent Partner
(from Youtube's audio library)
Kaleidoscope ex - Saatchi Gallery - London - March 2019
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Spotify playlist of nearly all the erasedculture videos bonus tracks, Tarquin claims it’s a musical education:
Instagram #Arthack by marjan Moghaddam, FriezeNY2016. Looped
#Frieze hack No3, the last one. #marjanmoghaddam #frieze art #hack #friezeny #frieze2016 #digitalart #cg #3dart #3d #AR #VR #MR #3d #mocap #contemporaryart #artexhibition #davidzwirner #yayoikusama #mariangoodman #victoriamirogallery #becausecapitalism #gallery #lightwave3d #newmedia #glitch #videogram #artwork #3dartist #render #technofeminism
Inka Essenhigh: A Fine Line at the Virginia Museum of Contemporary Art
In celebration of Inka Essenhigh: A Fine Line solo exhibition at the Virginia Museum of Contemporary Art (MOCA), March 17 - August 19, 2018. Kalamazoo Institute of Arts, September 15, 2018 - January 6, 2019.
Inka Essenhigh creates beautiful paintings through a studio practice that emphasizes experimentation and exploration. Since Essenhigh’s emergence into the art world during the late 1990’s, she has consistently questioned and redefined her relationship with her media. She moved from using enamel paint to traditional oils and back; creating hybrids of the two. Her substrates include paper, canvas, and panels. Throughout each phase of experimentation, Essenhigh creates dialogues with her work, navigating how the media and brush interact. It is through this approach that her dazzling works are borne.
Inka Essenhigh received her Bachelor of Fine Arts degree in 1992 from Columbus College of Art & Design in Columbus, OH, and her Master of Fine Arts degree in 1994 from School of Visual Arts in New York, NY. She has exhibited in museums and galleries around the world. 2018 includes a featured solo exhibition at the Miles McEnery Gallery, New York, NY and a recently completed mural for The Drawing Center, New York, NY.
Essenhigh’s work is included in the permanent collections of Albright-Knox Art Gallery, Buffalo, NY; Denver Art Museum, Denver, CO; Museum of Contemporary Art, North Miami, North Miami, FL; Museum of Modern Art, New York, NY; San Francisco Museum of Modern Art, San Francisco, CA; Seattle Art Museum, Seattle, WA; Tate Modern, London, England; and the Whitney Museum of American Art, New York, NY.
She is represented by Miles McEnery Gallery in New York, Kavi Gupta in Chicago, Baldwin Gallery in Aspen and Victoria Miro Gallery in London. Essenhigh lives and works in New York City.
Organized by the Virginia Museum of Contemporary Art. Inka Essenhigh: A Fine Line is made possible by generous support from TowneBank and major support from Capital Group Companies. Generous grants were provided by the City of Virginia Beach Arts and Humanities Commission, the Virginia Commission for the Arts, and the Business Consortium for Arts Support.
VirginiaMOCA.org
Video by Flagship Visuals.
Idris Khan Blue Rhythms
IDRIS KHAN: Blue Rhythms
MAY 4 – JUNE 22, 2019
OPENING RECEPTION: Friday, May 3, 6-8pm
Artist walkthrough and breakfast: Saturday, May 4, 11am
Sean Kelly is delighted to present Idris Khan’s second solo exhibition with the gallery, Blue Rhythms, featuring a new body of paintings, photographs and sculpture that continue the artist’s investigation into the passage and collapse of time and its use within textual, musical and visual bodies. There will be an opening reception on Friday, May 3, 6-8pm. The artist will be present.
The density and precision of Khan’s compositions, defined by his technique of imposing multiple layers of image, text and music upon one another, allude to the excessive proliferation of information in the technical age whilst simultaneously advocating for a slower, more considered way of looking. Retaining traces of what has gone before or what has been left behind, Khan’s works speak to a layering of experience that harbors palimpsests of the past whilst suggesting entirely new possibilities. Inspired by the writing of poets including Emily Dickinson, T.S. Elliot and Phillip Larkin, to create one group of paintings Khan obsessively stamped his own writings repeatedly onto heavily gessoed aluminum panels, ultimately eradicating the meaning of the original text to construct an abstract and universal visual language.
Perhaps best known for his monochromatic work in all media, for this body of work Khan has used more color, specifically blue. Each of the works in the exhibition is unified by a palette limited to varying shades of blue. In Rhythms, a monumental work consisting of thirty-six paintings on enlarged panels of sheet music, the artist sharply masked out the musical notations with dense passages of blue oil paint. Revealing only the vivid white lines between the bars of music, which creates a new rhythmic language that alludes to a shifting horizon line running throughout the larger body of work. For Khan, the significance of the color blue lies in how “it can have an immediate effect on emotion. I think it can have a positive or negative effect on the eye.” In these new works, color becomes a major protagonist, mapping an emotional context onto images that compress into a single frame many passages of experience and time.
This is clearly articulated in Khan’s new sculpture entitled my mother, 59 years. To produce this work, Khan compiled every printed photograph he could find of his late mother taken in her lifetime (around 360), and cast the group in jesmonite to form an abstract monument that collapses memory and time into a singular column. Later this year, a parallel sculpture will be installed as a major public installation in London. Constructed in the same fashion as my mother, 59 years, although finally cast in aluminum, this work will be made with photographs produced by Khan over the past five years of his own life: it will number over sixty-five thousand images. This startling contrast serves as a record not only of Khan’s own obsessive image making, but a marker indicating our restless society’s collective obsession with documenting every moment of its quotidian lives.
Idris Khan lives and works in London, United Kingdom. Khan has been the subject of major solo exhibitions at international museums including The New Art Gallery Walsall, Walsall, United Kingdom; the Whitworth Gallery, the University of Manchester, United Kingdom; Gothenburg Konsthall, Sweden; the Museum of Contemporary Canadian Art, Toronto, Canada; Kunsthaus Murz, Murzzuschlag, Austria and K20, Dusseldorf, Germany. He has also been featured in numerous group exhibitions at the Solomon R. Guggenheim Museum, New York; Tate Britain, London, England; the Hayward Gallery, London, England; Espace Culturel Louis Vuitton, Paris, France; Baibakov Art Projects, Moscow, Russia; the Institute of Contemporary Arts, London, England; the San Francisco Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Helsinki Kunsthalle, Finland, amongst others. Idris Khan’s design for Abu Dhabi’s memorial park, Wahat Al Karama was awarded the 2017 American Architecture Prize. He was appointed an OBE for services to Art in the 2017 Queen’s Birthday Honours List. His work is in the permanent collections of many institutions worldwide including the British Museum, London; the National Gallery of Art, Washington, D.C; the San Francisco Museum of Modern Art; the Solomon R. Guggenheim Museum, New York; the Tel Aviv Museum of Art, Israel; the Art Gallery of New South Wales, Sydney, Australia; the Philadelphia Museum of Art; the de Young Museum, San Francisco; and the Centre Georges Pompidou, Paris, France.
Rashid Alkhalifa The Artist - Saatchi Gallery London - Penumbra
October 2018: Bahraini Artist Rashid Khalifa triumphs. 'One of the most popular exhibitions Saatchi Gallery has witnessed' (From the Management). So much so, it was extended twice, beyond all expectations.
It was a stunning surprise for many who know and greatly respect this gentle man not only for his incredibly amicable nature, but his dexterity when it comes to art. It was not what most expected! 'Rashid Khalifa The Artist - Penumbra Exhibition Saatchi Gallery London'. The physical nature of the work for start, slightly confused those who are used to seeing Rashid's other well known works.
The full title is: 'Penumbra: Textured Shadow, Coloured Light' and to see what that is all about, one really does have to absorb themselves within the gallery and walk around the display a few times. Each time one does, the exhibition grabs hold and a realization that this is 'quite brilliant'. Hopefully this video will give that insight.
Magical Pumpkin World
Statis takes a little time out of his work schedule to revert back to one of his first loves, Art. He takes a trip to the Victoria Miro Art Gallery, situated between Old Street & Angel, to experience the Yayoi Kusama exhibition being held there. The exhibition consists of a mixture of paintings, sculptures and installations by the hugely influential Japanese octogenarian artist and writer. Statis joins the queues and waits to get inside the amazing spaces which include a room full of infinite pumpkins, infinite chandeliers and infinite stars (or small LED lights more likely). Surrounding these installations are more sculptures of pumpkins, paintings and numerous oversized ball bearing like silver balls installed onto the pond in the gallery. After soaking up some culture Statis' belly starts to rumble so he stops off at Spitalfields Market to indulge in another of his passions.......burgers. This time stopping off to re-visit Bleecker Street Burgers and grab a standard cheese burger and fries before heading back to the studio.
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The Backward Glance - An exhibition of new paintings by Bernard Canavan
Venue 12 Star Gallery, Europe House, 32 Smith Square, London SW1P 3EU
19-28th March. Viewing daily 10-6pm. Curated by The Barbara Stanley Gallery and supported by The Embassy of Ireland , London and The European Commission
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Artists from FBA Futures 2019 at Mall Galleries discuss their art
Every year Minerva sponsors the FBA Futures exhibition of new graduate art at the Mall Galleries in London. This year we worked with a partner to interview a selection of the artists to hear about their art and what drives them. Artists included: Larry Amponsah, Keziah Greenwood, Emma Fineman, Qian Qian, Gabriel Chaim, Tomi Olopade.
Ed Fornieles Modern Family at Chisenhale Gallery London, pt 3
Greater London Authority - Apprentice Program
Impact Video produced a series of videos for the Greater London Authority (GLA) around their national apprenticeship program. This video is a compilation of all the apprentice interviews we carried out.
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Impact Video Production is an East London-based video production company creating films for the arts and culture industries. Our approach is defined by our in-house team's creativity and passion for filmmaking and digital marketing. We begin with a unique creative concept that speaks clearly to your audience, and we tell your organisation's story with stunning video production.
We produce a variety of video content for our arts clients including: promotional video, documentary, theatre trailer, vox pops, corporate video. Current Impact Video clients include: Shakespeare's Globe, Young Vic Theatre, WWF, Victoria Miro Gallery, London Philharmonic Orchestra, Sadler's Wells, The Roundhouse.
Get in touch to discuss your next video production.
Email: marliese@impactvideoproduction.co.uk
Website:
Tel: +44 (0) 207 729 5978