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World's Largest Cottonmouth Snake - Mossy Oak
What would you do in this situation? The Mossy Oak crew came across this venomous cottonmouth (water moccasin) while out planting a duck hole in the summer. You just never know what you might run into down here in the south.
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Mossy Oak:
Indiana Weekend - Episode 22 Hoosier Forests/Muncie Civic/Torch Relay
A debate over the future of Indiana’s state forests pits environmentalists against the foresters who say that they need to dramatically increase the amount of logging allowed on public lands. We also take a look at the Decatur Sculpture Tour, a bold new fundraising plan by Muncie Civic Theatre and a video highlight reel of special moments during the Bicentennial Torch Relay across the state.
Our Miss Brooks: Exchanging Gifts / Halloween Party / Elephant Mascot / The Party Line
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
EMISSION MOMENT VERITÉ LE/27/07/2019...PRAN TI CHEZ BAW POUW TANDE KOZE!
UwU Cast - Punching Dicks
UwU Cast Members
● Jon -
● Zero -
Guests
● Cory -
● Punn -
● Coleu -
AIR Dibrugarh Online Radio Live Stream
ALL INDIA RADIO: DIBRUGARH
PROGRAMME SCHEDULE: FOR THURSDAY 26.12.2019
M.W 529.1m/KHz.567 F.M. 101.30 MHz
TRANSMISSION I (05.28 AM to 9.35 AM)
5.28 AIR Signature Tune:
5.30 Vandemataram/Opening Announcement Mangal Badya
5.35 Bhaktigeeti:
6.00 News in Hindi:
6.05 Gandhi Chinta & Programme Summary
6.10 Swasthya Charcha: Interview on “Sit Kalot Hua Sishur Bemar” With Dr. Dilip Kr. Patgiri Part: I
6.15 Teachers Broadcast
6.30 Borgeet: Artist: Sabita Das
6.45 Folk Music: (Prasangia Naam) Artist: Binanda Sonowal & Pty.
7.05 News in Assamese
7.15 Ajir Dinto (Morning Information Service)
7.30 GEETANJALI: 1. Artist: Mitali Goswami Lyc: Geeta Hatikakoti Samay Balit….....
2. Artist: Mrigen Das, Lyc: Sahiruddin Ali Ahmed Mur Gaonr…...3. Artist: Monorama Dutta Burhagohain Lyc: Sailendra Kr. Dutta Juria Ahotor…4. Artist: Mrigen Borkotoky Lyc: Monoranjan Baruah Krishnachurar Panhi…5. Artist: Mrinal Kr. Choudhury Lyc: Birinchi Kr. Medhi Tumar Semeka……..
7.55 Commercial Spot:
8.00 Samachar Prabhat:
8.15 Morning News:
8.30 North East News Bulletin in English:
8.35 “SURAR PANCHOI” (Composite) Assamese Film Songs/
8.50 Puwar Anchalik Batori:
9.00 Jilar Rehrup:
9.05 “ANTARA” (Composite) Hindi Film Songs/
9.35 Weather Report/Time Reading/Closing Announcement Close Down……………….
TRANSMISSION II (11.28 AM to 3.30 PM)
11.58 AIR Signature Tune/Opening Announcement
12.00 News in English
12.05 Bhajan: Artist: Dolly Ghosh Saadhya
12.15 Folk Music: (Lokageet) Artist: Rekha Rani Bora
12.30 GHARJEUTI (Women’s Programme) Asomiya Uponyasor Nari Charitra “Bhanumoti”
Written by Padmanath Gohain Baruah. Radio Adaptation by Prafulla Ch. Bhattachary
1.00 News in English
1.05 News in Hindi
1.10 Troops Programme
1.40 News in Assamese
1.50 Adhunik Geet: Artist: Binapani Dutta
2.00 Singpho Songs
2.10 Vrindagaan:
2.15 Dopahar Samachar
2.30 Western Music:
3.00 Weather Report/Time Reading Closing Announcement Close Down………………
TRANSMISSION III (3.28 PM to 10.30 PM)
3.28 AIR Signature Tune/Opening Announcement
3.30 Mishing Geet: (Oi-Nitom) Artist: Indreswar Doley.
3.45 Programme in Mijumishimi
4.05 Programme in Khampti
4.25 Programme in Wanchoo
4.45 News in Hindi
4.55 News in English
5.00 Programme in Idu
5.20 Programme in Tangsa
5.40 Programme in Nocte
6.00 Anchalik Batori
6.05 Programme Summery
6.10 Vrindagaan:
6.15 LAKHIMI: (Gaya Mahilar Anusthan)Variety Programme Presented by Women Group of Laichang Gaon
6.45 Sandhiyar Anchalik Batori
6.55 Aajir Prasanga
7.00 News in Hindi
7.05 News in Assamese
7.15 “YUVABANI”: (Youth Programme) Tore More Alokare Yatra Featuring Duliajan College
7.45 Adhunik Geet: Artist: Binapani Dutta
8.00 Time & Meter Reading: Sponsored Programme: GYANMALINI Dibrugarh Vishya Vidyalayar Dur-Sikhya Sanchalakya Projojana Kora Sikhayarthir Sokolor Babe Anatar Path Dan Anusthan:
8.30 Ghazal: Spot NDMA (Earthquake) Artist: Asha Bhosle
8.40 Programme Highlight
8.42 Commercial Spot:
8.45 Samachar Sandhya
9.00 News at Nine:
9.15 Commercial Spot:
9.16 Bare Rahania: (Christmas Carol)
9.25 Nichar Anchalik Batori:
9.30 National Prog. Of Play-Regional Version Followed by Classical Music: (Vocal) Artist: Parveen Sultana Raga: Deen Todi & Sarangkauns
10.30 Close Down.
NOTE: SCHEDULE IS SUBJECT TO CHANGE
Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling Bravo! in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.)
Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality.
Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely.
And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)