Hurricane Katrina Documentary(2) OFFICIAL.
Directed by Spike Lee
Theme music composer Terence Blanchard
Country of origin United States
Original language(s) English
Production
Producer(s) Spike Lee
Samuel D. Pollard
Editor(s) Geeta Gandbhir
Cinematography Cliff Charles
Running time 240 minutes total for part 1 & 2.
Production company(s) 40 Acres and a Mule Filmworks
Release
Original channel HBO
Original release
August 23, 2010
If God Is Willing and da Creek Don't Rise is a 2010 documentary film directed by Spike Lee, as a follow-up to his 2006 HBO documentary film, When the Levees Broke: A Requiem in Four Acts. The film looks into the proceeding years since Hurricane Katrina struck the New Orleans and Gulf Coast region, and also focuses on the 2010 BP oil spill in the Gulf of Mexico and its effect on the men and women who work along the shores of the gulf. Many of the participants in Levees were also featured in this documentary.
It won a Peabody Award in 2010 for ambitiously chronicling one of the hugest disasters in American history, interrogating the well-known narratives and investigating other stories that could have easily fallen through the cracks.[1]
You Bet Your Life: Secret Word - Car / Clock / Name
Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.
Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.
Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).
Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.
On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.
Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.
In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.
Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.
In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.
In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.
The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.
German Americans | Wikipedia audio article
This is an audio version of the Wikipedia Article:
00:02:44 1 History
00:03:29 1.1 Colonial era
00:04:49 1.1.1 Palatines
00:06:49 1.1.2 Louisiana
00:08:47 1.1.3 Southeast
00:10:49 1.1.4 New England
00:11:23 1.1.5 Pennsylvania
00:13:54 1.2 American Revolution
00:14:53 1.3 19th century
00:16:09 1.3.1 Jews
00:17:09 1.3.2 Northeastern cities
00:17:25 1.3.3 Cities of the Midwest
00:19:08 1.3.4 Deep South
00:19:22 1.3.5 Texas
00:21:29 1.3.6 Germans from Russia
00:24:18 1.3.7 Civil War
00:25:53 1.3.8 Farmers
00:28:05 1.3.9 Politics
00:30:20 1.4 World Wars
00:30:28 1.4.1 Intellectuals
00:31:41 1.4.2 World War I anti-German sentiment
00:33:56 1.4.3 World War II
00:35:47 1.5 Contemporary period
00:37:35 2 Demographics
00:38:17 2.1 German-American communities
00:38:47 2.1.1 Communities with highest percentages of people of German ancestry
00:40:45 2.1.2 Large communities with high percentages of people of German ancestry
00:41:38 2.1.3 Communities with the most residents born in Germany
00:45:22 3 Counties by percentages of Germans
00:54:17 4 Culture
00:55:39 4.1 Music
00:58:24 4.2 Turners
00:59:31 4.3 Media
01:02:03 4.4 Athletics
01:02:55 4.5 Religion
01:06:27 4.6 Language
01:09:01 5 Assimilation
01:09:10 5.1 Introduction
01:09:29 5.2 The apparent disappearance of German American identity
01:22:22 5.3 Factors making German Americans susceptible to assimilation
01:31:32 5.4 Persistence of unassimilated German Americans
01:34:12 6 German-American influence
01:38:24 7 Education
01:38:55 8 Notable people
01:42:46 8.1 German-American presidents
01:43:32 9 See also
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Voice name: en-AU-Wavenet-C
I cannot teach anybody anything, I can only make them think.
- Socrates
SUMMARY
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German Americans (German: Deutschamerikaner) are Americans who have full or partial German ancestry. With an estimated size of approximately 44 million in 2016, German Americans are the largest of the self-reported ancestry groups by the US Census Bureau in its American Community Survey. German-Americans account for about one third of the total ethnic German population in the world.None of the German states had American colonies. In the 1670s, the first significant groups of German immigrants arrived in the British colonies, settling primarily in Pennsylvania, New York, and Virginia. Immigration continued in very large numbers during the 19th century, with eight million arrivals from Germany. Between 1820 and 1870 over seven and a half million German immigrants came to the United States. By 2010, their population grew to 49.8 million German Americans, reflecting a jump of 6 million people since 2000.
There is a German belt that extends all the way across the United States, from eastern Pennsylvania to the Oregon coast. Pennsylvania has the largest population of German-Americans in the U.S. and is home to one of the group's original settlements, Germantown (Philadelphia), founded in 1683 and the birthplace of the American antislavery movement in 1688, as well as the revolutionary Battle of Germantown. The state of Pennsylvania has 3.5 million people of German ancestry.
They were pulled by the attractions of land and religious freedom, and pushed out of Germany by shortages of land and religious or political oppression. Many arrived seeking religious or political freedom, others for economic opportunities greater than those in Europe, and others for the chance to start fresh in the New World. The arrivals before 1850 were mostly farmers who sought out the most productive land, where their intensive farming techniques would pay off. After 1840, many came to cities, where Germania—German-speaking districts—soon emerged.German Americans established the first kindergartens in the United States, introduced the Christmas tree tradition, and introduced popular foods such as hot dogs and hamburgers to America.The great majority of people with some German ancestry have become Am ...
Calling All Cars: Cop Killer / Murder Throat Cut / Drive 'Em Off the Dock
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.