Carillon music at Yale University New Haven, Ct.
Both Carillon & Player sound great
The TITLES - No Love
This video was filmed by Heather RaVell Strafach of Originals Only Showcase at THE I AM FESTIVAL held in New London, CT; September 2007.
The New Haven, CT based band The Titles performs their song No Love. To view more photos and music of theirs you can visit them at myspace.com/Titles
Originals Only Showcase is the longest running public access tv show in CT ( featuring video of the original artist) - now in its 20th year!
myspace.com/OriginalsOnlywww
Originals Only Showcase is created and produced by Mark Wydler
MUSIC MAN IN NEW HAVEN - YALE
Arriving at 10am in New Haven CT from Hartford CT, I walk across New Haven Green to the Old Campus of Yale University on College Street, amidst the arrival of dozens Fresher greeted by ample security and excited fraternity groups. Having been informed that busking is not permitted on the college campus, but is allowed in Chapel Street (around the corner), I checked out the pitch then return to explore one of America's most famous educational institutions.
Jordan Kuspa – Cats out of the Bag
Cats Out of the Bag (2012, rev. 2014) by Jordan Kuspa
Performed by Sandbox Percussion: Jonny Allen, Victor Caccese, Ian Rosenbaum, Terry Sweeney
17 November 2016 at Morse Recital Hall, Yale University, New Haven, CT.
More information including program notes at
Sandbox Percussion:
Bikini Kill - 3/3/1996 New Haven (Connecticut)
MORSE DINING HALL, YALE.
The Music and Culture of Connecticut's Early Settlers
New Haven’s Early Music and more!
Narration by artistic director Mark Bailey and associate artistic director Kevin Sherwin. All music from live American Baroque Orchestra performances.
The early settlements of Connecticut, dating all the way back to the 1600s, was a time of adventure and exploration — not only in the discovering of new lands, but also in the formation of new cultural identities. Many groups of people left Europe because of religious persecution. In New England, they found religious freedom to form a new life in the way they envisioned.
The music of New England in the 1600s and 1700s expresses the spirit of the time: new chorales were written for groups of people to sing in meetinghouses and for religious expression. These chorales represented the essence and ideals of the new communities that formed in Connecticut and throughout the American colonies. Each person had a voice, and they could join with others in harmony to form what later became, “a more perfect union.”
The colony of New Haven was first formed in 1638 and soon became a cultural center. Today, at the New Haven Museum and Historical Society, one can interact with New Haven’s early history, art, and culture. Many paintings, and even the city plans, reflect an aesthetic priority of beauty in simplicity.
The meetinghouse was at the foundation of the developing colonies —this is where community members met to discuss their ideas and develop their laws. One musical form particularly reflects the institution of the “meetinghouse,” this musical form is called the “fuging tune” — it is where one voice comes in at a time, in an ordered sequence, until all of the voices are playing at the same time in harmony: independent, and yet together. Perhaps this represents how people were supposed to speak at the meetinghouses — expressing their ideas in a civil fashion, and listening to each other so that eventually, they could come up with an agreement that suited New Haven as a whole, and formed the city of New Haven that we now have today.
If one begins searching for music directly from New Haven, the name Daniel Read will come up quite quickly. Daniel Read lived from 1757 to 1836, and today, he can be thought of as New Haven’s first major composer, as well as an important composer of the First New England School. If you knew Daniel Read during his lifetime, you might know him for his general store, where he provided the basic necessities of everyday life to his fellow townspeople. Composing and compiling music throughout his lifetime, he became more and more prominent for his publications including The Columbian Harmonist, The New Haven Collection of Sacred Music, An Introduction to Psalmody, and more. Daniel Read, along with his fellow composers of the First New England School were well trained in many musical practices that were brought over from Europe — but at the same time, Read felt the need to write and teach music in a new way, a way that was distinctly American. The listener can feel an emotional directness that reflects what it must have been like to live in colonial New Haven, where the community was constantly evolving to suit the developing needs of the people.
Through the American Baroque Orchestra, we are excited to be taking a Voyage back in time, but not in place. Our concert, Voyage to the Colonies: Music of the Early Connecticut Settlers, is on Sunday, September 30th, 2018 at 4pm in New Haven, Connecticut, featuring rarely heard music alongside its global inspirations. We hope to see you there!
With support from the Department of Economic and Community Development, Connecticut Office of the Arts, which also receives support from the National Endowment for the Arts, a federal agency.
Visiting Yale Day 1
The American millennial processing his life through a lens.
This was my first day visiting Yale. I took the train from Baltimore to New Haven. The university is amazing and has a vibrant student body. I got to pretend to be a college student so check out what's it like to be a student at Yale.
Follow me on Social Media
Instagram: @mokfrancis
Twitter: @francis_mok97
Yale University Songs on Piano Roll
65-Note Piano Roll
Yale, Medley Overture:
Introducing:
1.) Yale Boola
2.) Undertaker Song
3.) Stars of the Summer Night
4.) My Comrades
5.) Upidee
6.) 'Neath the Elms
7.) Bingo
8.) Mother of Men
9.) Wake, Freshman, Wake
10.) Down the Field
Arranged by George Swift
Patented by the Universal Music Company (early 1900s)
Passion for Performance
This documentary is about a group of high school students from James Hillhouse High School in Connecticut and what they go through day by day living a life surrounded by music and what they love. Not many people who watches them knows what goes inside the band room and I wanted to shed some light onto the subject. Being from the North East, what they and I love about marching band is not really a big thing here vs in the South. They do not let that bring them down.
This one is for y'all, I love y'all and I hope you enjoy it.
- Anisha
The Algorithm of Jazz @Yale: Matt Griffith '14 performs Artie Shaw Concerto for Clarinet
In 2012, William Waite Concerto Competition co-winner Matthew Griffith wowed audiences with a virtuoso performance of Artie Shaw's jazzy Concerto for Clarinet in B Flat.
A life-long musician, Matt has won numerous competitions and performed with world-class ensembles, including the United States Army Field Band and the President's Own United States Marine Band. Matt is currently a junior computer science and music double major at Yale and a member of Trumbull Residential College.
Known as the King of the Clarinet, composer Artie Shaw (1910-2004) was born in New York City and grew up in New Haven, Connecticut. He began playing clarinet at the age of 16 and wrote this particular concerto around the age of 30 (exact date unknown).
Please watch in 1080p or 720p for best quality.
- - -
Produced by Julia Myers '12
Special Thanks to Toshi Shimada, Brian Robinson, Sean Maher, Jeffrey Douma, Austin Kase '11, Emmanuel Quartey '12, Scott Simpson '13, Alex Schurman '14, and Victor Wang '14
--Artie Shaw clarinet concerto used with permission by Music Sales Corporation, NY, NY.--
University of New Haven Homecoming 2014
Hymn - Shall We Gather at the River
Communion Hymn - Shall We Gather at the River
camcorded live 15 March 2009, 3rd Sunday in Lent
1) Shall we gather at the river, where bright angel feet have trod, with its crystal tide forever flowing by the throne of God.
Refrain: Yes, we'll gather at the river, the beautiful, the beautiful river, gather with the saints at the river that flows by the throne of God.
2) On the margin of the river, washing up its silver spray, we will walk and worship ever, all the happy golden day. (Refrain)
3) As we reach the shining river, lay we every burden down; grace our spirits will deliver, and provide a robe and crown. (Refrain)
4) Soon we'll reach the shining river, soon our pilgrimage will cease; soon our happy hearts will quiver with the melody of peace. (Refrain)
Tune: Hanson Place
Text: Robert Lowry, 1864
Wayne Burcham-Gulotta,
Music Director/Organist
J. W. Steere & Son Organ Co., Opus 701, 1918, 3/49
Ernest M. Skinner bought out Steere in 1920 and Skinner ran Steere as a separate company for about a year. Then they brought it into the fold as a separate Skinner factory. For a time organs being built there had the Skinner name but were essentially Steere organs. Much of the great Skinner at Woolsey Hall, Yale University, New Haven, CT, USA is Steere (1915 major enlargement of 1902 Hutchings). Final expansion to the Skinner instrument at Yale we know today was the 1928-1929 rebuild.
Church of the Redeemer, Episcopal
Morristown, NJ, USA
a Redeemer Music Media Production, ©2009 all rights reserved
MORSE ACADEMY STRING SEPTET: Flight of the Bumblebee (Yale Peabody Museum Concert)
Morse Academy string septet is one of the ensemble established for the New Haven Public Schools students who participate in the summer music program developed by Yale School of Music. The program is called Morse Summer Music Academy, runs for a whole month of July and it's on its 6th year. The septet performed Nikolai Rimsky-Korsakov's composition called FLIGHT OF THE BUMBLEBEE from The Tale of Tsar Saltan at Yale Peabody Museum. The concert was one of the mini concerts the academy performed throughout several place of interests in New Haven.
MORSE ACADEMY STRING SEPTET:
Violin I
Emily Adji, Cristofer Zunun
Violin II
Rosemarie Webster, Anakaren Zempoalteca
Violin III
Darian Bayu Adji
Cello
Audrey Adji
Double bass
Italo Beltran
Conductor
Danielle Burke (Yale teaching artist/coach)
Yale Memorial Carillon
A carillon of 54 bells in Harkness Tower at Yale University, New Haven, Connecticut.
Yale Bells Play Beyonce
New Haven, CT. April 4, 2009. Recorded for the sound.
The de Waardts play some R & B!
Dutchmen Richard and Gerard de Waardt visited New Haven, Conn. and played a concert on the Yale Carillon in Harkness tower on Friday evening, Aug. 16. WSHU Public Radio's Mark Herz caught up with them practicing that afternoon. This was an exclusive performance just for us!
Jason Bischoff-Wurstle on the History of New Haven and New England
For more on the Road to Now:
In part 2 of our visit to New Haven, Connecticut, Bob speaks with Jason Bischoff-Wurstle about the history of New Haven and the events that have shaped it into the city that it is today. In our interview, Jason covers an impressive number of topics, from New Haven’s settlement in the 1630s, to the city’s role in the American Revolutionary War, to the forces that remade the city in the 20th century. Jason also brings to light the many ways that New Haven has both shaped, and been shaped by, major events in American history, including the Civil War and World War II.
Jason Bischoff-Wurstle is Director of Photographic Archives at the New Haven Museum, and a leading figure in the city’s public history scene. He hosts the podcast This Day in New Haven History through WNHH 103.5fm, as well as The Relay, an all-vinyl music broadcast heard monthly on WPKN.
1. Introduction
Listening to Music (MUSI 112)
Professor Wright introduces the course by suggesting that listening to music is not simply a passive activity one can use to relax, but rather, an active and rewarding process. He argues that by learning about the basic elements of Western classical music, such as rhythm, melody, and form, one learns strategies that can be used to understand many different kinds of music in a more thorough and precise way -- and further, one begins to understand the magnitude of human greatness. Professor Wright draws the music examples in this lecture from recordings of techno music, American musical theater, and works by Mozart, Beethoven, Debussy and Strauss, in order to introduce the issues that the course will explore in more depth throughout the semester.
00:00 - Chapter 1. Introduction to Listening to Music
03:23 - Chapter 2. Why Listen to Classical Music?
12:14 - Chapter 3. Course Requirements and Pedagogy
21:11 - Chapter 4. Diagnostic Quiz
33:56 - Chapter 5. Pitch
42:04 - Chapter 6. Rhythm
Complete course materials are available at the Yale Online website: online.yale.edu
This course was recorded in Fall 2008.
Parranda en new haven ghetto
Puerto Rico
MORSE ACADEMY STRING SEPTET: Passacaglia (Yale Peabody Museum)
Morse Academy string septet is one of the ensemble established for the New Haven Public Schools students who participate in the summer music program developed by Yale School of Music. The program is called Morse Summer Music Academy, runs for a whole month of July and it's on its 6th year. The septet performed George Handel's composition called PASSACAGLIA at Yale Peabody Museum. The concert was one of the mini concerts the academy performed throughout several place of interests in New Haven.
MORSE ACADEMY STRING SEPTET:
Violin I
Emily Adji, Cristofer Zunun
Violin II
Rosemarie Webster, Anakaren Zempoalteca
Violin III
Darian Bayu Adji
Cello
Audrey Adji
Double bass
Italo Beltran