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Zanabazar Museum of FIne Art

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Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Zanabazar Museum of FIne Art
Phone:
+976 9904 9965

Address:
Ulaanbaatar, Mongolia, Ulaanbaatar, Mongolia

Öndör Gegeen Zanabazar, born Eshidorji, was the sixteenth Jebtsundamba Khutuktu and the first Bogd Gegeen, or supreme spiritual authority, of the Gelugpa lineage of Tibetan Buddhism in Outer Mongolia.The son of a Mongol Tüsheet Khan, Zanabazar was declared spiritual leader of Khalkha Mongols by a convocation of nobles in 1639 when he was just four years old. The 5th Dalai Lama later recognized him as the reincarnation of the Buddhist scholar Taranatha and bestowed on him the Sanskrit name Jñānavajra meaning thunderbolt scepter of wisdom. Over the course of nearly 60 years, Zanabazar advanced the Gelugpa school of Buddhism among the Mongols, supplanting or synthesizing Sakya or Red Hat Buddhist traditions that had prevailed in the area, while strongly influencing social and political developments in 17th century Mongolia. His close ties with both Khalka Mongol leaders and the devout Kangxi Emperor facilitated the Khalkha's submission to Qing rule in 1691. In addition to his spiritual and political roles, Zanabazar was a polymath – a prodigious sculptor, painter, architect, poet, costume designer, scholar, and linguist, who is credited with launching Mongolia's seventeenth century cultural renaissance. He is best known for his intricate and elegant Buddhist sculptures created in the Nepali-derived style, two of the most famous being the White Tara and Varajradhara, sculpted in the 1680s. To aid translation of sacred Tibetan texts, he created the Soyombo script from which sprang the Soyombo that later became a national symbol of Mongolia. Zanabazar used his artistic output to promote Buddhism among all levels of Khalkha society and unify Khalkha Mongol tribes during a time of social and political turmoil.
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