Taormina
Focusing on Taormina, Jewel of Sicily, presented by Alessandro Sorbello the Sensational Sicily Series of Films showcase one of the most beautiful regions on earth, rich in history, Sicily formed part of the cradle of civilization.
A project born from a collaboration between the Region of Sicily The Italian Chamber of Commerce, New Realm Media and Alessandro Sorbello Productions.
Taormina (Greek: Ταυρομένιον - Tauromenion; Latin Tauromenium) is a comune and small town on the east coast of the island of Sicily, Italy, in the Province of Messina, about midway between Messina (ancient Messana) and Catania (ancient Catana). Taormina has been a very popular tourist destination since the 19th century. It has popular beaches (accessible via an aerial tramway) on the Ionian sea, which is remarkably warm and the has a high salt content. Taormina can be reached via highways (autostrada) from Messina from the north and Catania from the south.
Comuni of the Province of Messina in Sicily.
Acquedolci | Alcara li Fusi | Alì | Alì Terme | Antillo | Barcellona Pozzo di Gotto | Basicò | Brolo | Capizzi | Capo d'Orlando | Capri Leone | Caronia | Casalvecchio Siculo | Castel di Lucio | Castell'Umberto | Castelmola | Castroreale | Cesarò | Condrò | Falcone | Ficarra | Fiumedinisi | Floresta | Fondachelli-Fantina | Forza d'Agrò | Francavilla di Sicilia | Frazzanò | Furci Siculo | Furnari | Gaggi | Galati Mamertino | Gallodoro | Giardini-Naxos | Gioiosa Marea | Graniti | Gualtieri Sicaminò | Itala | Leni | Letojanni | Librizzi | Limina | Lipari | Longi | Malfa | Malvagna | Mandanici | Mazzarrà Sant'Andrea | Merì | Messina | Milazzo | Militello Rosmarino | Mirto | Mistretta | Mojo Alcantara | Monforte San Giorgio | Mongiuffi Melia | Montagnareale | Montalbano Elicona | Motta Camastra | Motta d'Affermo | Naso | Nizza di Sicilia | Novara di Sicilia | Oliveri | Pace del Mela | Pagliara | Patti | Pettineo | Piraino | Raccuja | Reitano | Roccafiorita | Roccalumera | Roccavaldina | Roccella Valdemone | Rodì Milici | Rometta | San Filippo del Mela | San Fratello | San Marco d'Alunzio | San Pier Niceto | San Piero Patti | San Salvatore di Fitalia | Santa Domenica Vittoria | Sant'Agata di Militello | Sant'Alessio Siculo | Santa Lucia del Mela | Santa Marina Salina | Sant'Angelo di Brolo | Santa Teresa di Riva | San Teodoro | Santo Stefano di Camastra | Saponara | Savoca | Scaletta Zanclea | Sinagra | Spadafora | Taormina | Terme Vigliatore | Torregrotta | Torrenova | Tortorici | Tripi | Tusa | Ucria | Valdina | Venetico | Villafranca Tirrena
History - Taormina 's coastal location, facing Greece, between the powerful cities of Syracuse and Catana to the south, and Messana (and behind it, mainland Italy) to the north, determined much of its history. It is only about 5 km from the site of the ancient Naxos, and there is no doubt that Tauromenium did not exist as a city till after the destruction of Naxos by Dionysius I of Syracuse, 403 BCE; but the circumstances connected with its foundation are somewhat confused and uncertain.
It appears, however, from Diodorus that after the destruction of Naxos, the remaining inhabitants of that city were driven into exile, and its territory was assigned by Dionysius to the neighbouring Siculi. These, however, did not re-occupy the site of the ancient city, but established themselves on a hill to the north of it, which was called the hill of Taurus (ὁ λόφος ὁ καλούμενος Ταῦρος). Here they at first constructed only a temporary camp (in 396 BCE), but afterwards erected walls and converted it into a regular fortress or town, to which they gave the name of Tauromenium. (Diod. xiv. 58, 59.)
The place was still in the hands of the Siculi in 394 BCE, and they held it against the efforts of Dionysius, who besieged the city in vain for a great part of the winter, and though he on one occasion forced his way within the walls by a nocturnal surprise, was again driven out and repulsed with heavy loss. (Id. 87, 88.) But by the peace concluded in 392 BCE, it was expressly stipulated that Tauromenium should be subject to Dionysius, who expelled the greater part of the Siculi that had settled there, and supplied their place with his own mercenaries. (Id. 96.)
From this time we hear no more of Tauromenium till 358 BCE, when we are told that Andromachus, the father of the historian Timaeus, brought together all the remains of the exiled Naxians, who were still scattered about in different parts of Sicily, and established them all at Tauromenium. (Id. xvi. 7.) This is related by Diodorus as if it were a new foundation, and even as if the name had then first been applied to the city, which is in direct contradiction with his former statements. What had become of the former inhabitants we know not, but there is little doubt that the account of this resettlement of the city is substantially correct, and that Tauromenium now for the first time became a Greek city, which was considered as taking the place of Naxos, though it did not occupy the same site. (Wesseling, ad Diod. xiv. 59.) Hence Pliny's expression, that Tauromenium had formerly been called Naxos (Plin. iii. 8. s. 14) is nearly, though not strictly, correct.
The new settlement seems to have risen rapidly to prosperity, and was apparently already a considerable town at the time of the expedition of Timoleon in 345 BCE. It was the first place in Sicily where that leader landed, having eluded the vigilance of the Carthaginians, who were guarding the Straits of Messina, and crossed direct from Rhegium (modern Reggio di Calabria) to Tauromenium. (Diod. xvi. 68; Plut. Timol. 10.) The city was at that time still under the government of Andromachus, whose mild and equitable administration is said to have presented a strong contrast with that of the despots and tyrants of the other Sicilian cities.
He welcomed Timoleon with open arms, and afforded him a secure resting place until he was enabled to carry out his plans in other parts of Sicily. (Diod. l. c.; Plut. l. c.) It is certain that Andromachus was not deprived of the chief power, when all the other tyrants were expelled by Timoleon, but was permitted to retain it undisturbed till his death. (Marcellin. Vit. Thucyd. § 27.)
We hear, however, very little of Tauromenium for some time after this. It is probable that it passed under the authority of Agathocles, who drove the historian Timaeus into exile; and some time after this it was subject to a domestic despot of the name of Tyndarion, who was contemporary with Hicetas of Syracuse and Phintias of Agrigentum. (Diod. xxii. Exc. H. p. 495.) Tyndarion was one of those who concurred in inviting Pyrrhus into Sicily (278 BCE), and when that monarch landed with his army at Tauromenium, joined him with all his forces, and supported him in his march upon Syracuse. (Diod. l. c. pp. 495, 496.)
A few years later we find that Tauromenium had fallen into the power of Hieron of Syracuse, and was employed by him as a stronghold in the war against the Mamertines. (Id. p. 497.) It was also one of the cities which was left under his dominion by the by the treaty concluded with him by the Romans in 263 BCE. (Diod. xxiii. p. 502.) This is doubtless the reason that its name is not again mentioned during the First Punic War.
There is no doubt that Tauromenium continued to form a part of the kingdom of Syracuse till the death of Hieron, and that it only passed under the government of Rome when the whole island of Sicily was reduced to a Roman province; but we have scarcely any account of the part it took during the Second Punic War, though it would appear, from a hint in Appian (Sic. 5), that it submitted to Marcellus on favorable terms; and it is probable that it was on that occasion it obtained the peculiarly favored position it enjoyed under the Roman dominion. For we learn from Cicero that Tauromenium was one of the three cities in Sicily which enjoyed the privileges of a civitas foederata or allied city, thus retaining a nominal independence, and was not even subject, like Messana, to the obligation of furnishing ships of war when called upon. (Cic. Verr. ii. 6. 6, iii. 6, v. 19.)
But the city suffered severe calamities during the Servile War in Sicily, 134-132 BCE, having fallen into the hands of the insurgent slaves, who, on account of the great strength of its position, made it one of their chief posts, and were able for a long time to defy the arms of the consul Rupilius. They held out until they were reduced to the most fearful extremities by famine, when the citadel was at length betrayed into the hands of the consul by one of their leaders named Sarapion, and the whole of the survivors put to the sword. (Diod. xxxiv. Exc. Phot. p. 528; Oros. v. 9.) Tauromenium again bore a conspicuous part during the wars of Sextus Pompeius in Sicily, and, from its strength as a fortress, was one of the principal points of the position which he took up in 36 BCE, for defence against Octavian.
It became the scene also of a sea-fight between a part of the fleet of Octavian, commanded by the triumvir in person, and that of Pompeius, which terminated in the defeat and almost total destruction of the former. (Appian, B.C. v. 103, 105, 106-11, 116; Dion Cass. xlix. 5.) In the settlement of Sicily after the defeat of Pompey, Tauromenium was one of the places selected by Augustus to receive a Roman colony, probably as a measure of precaution, on account of the strength of its situation, as we are told that he expelled the former inhabitants to make room for his new colonists. (Diod, xvi. 7.)
Strabo speaks of it as one of the cities on the east coast of Sicily that was still subsisting in his time, though inferior in population both to Messana and Catana. (Strab. vi. pp. 267, 268.) Both Pliny and Ptolemy assign it the rank of a colonia (Plin. iii. 8. s. 14; Ptol. iii. 4. § 9), and it seems to have been one of the few cities of Sicily that continued under the Roman Empire to be a place of some consideration. Its territory was noted for the excellence of its wine (Plin. xiv. 6. s. 8), and produced also a kind of marble which seems to have been highly valued. (Athen. v. p. 207.) Juvenal also speaks of the sea off its rocky coast as producing the choicest mullets. (Juv. v. 93.)
The Itineraries place Tauromenium 32 miles from Messana, and the same distance from Catana. (Itin. Ant. p. 90; Tab. Peut.) It continued after the fall of the Roman Empire to be one of the more considerable towns of Sicily, and from the strength of its position was one of the last places that was retained by the Greek emperors; but it was taken by the Saracens in 906 after a siege of two years, and totally destroyed.
In the late 19th century Taormina gained some prominence as the place where Wilhelm von Gloeden worked most of his life as a photographer of predominantly male nudes. Also credited for making Taormina popular was Otto Geleng, best known in his hometown of Berlin for his fine paintings, which he composed and painted in Italy but exhibited in Germany.
What distinguishes Geleng, however, is his choice to depict the more southern regions where he captured the spectacular views and light of Sicily. He often painted the area's Greek colonial ruins, including Taormina .Taormina 's first important tourist was Johann Wolfgang Goethe who dedicated exalting pages to the city in his book entitled Journey to Italy, but perhaps it was Geleng's views that made its beauty talked about throughout Europe and turned the site into a famous tourist center. The artist arrived in Sicily at the age of 20 in search of new subjects for his paintings.
On his way through Taormina he was so enamoured by the landscape that he decided to stop for part of the winter. Geleng began to paint everything that Taormina offered: ruins, sea, mountains, none of which were familiar to the rest of Europe. When his paintings were later exhibited in Berlin and Paris, many critics accused Geleng of having an 'unbridled imagination'. At that, Geleng challenged them all to go to Taormina with him, promising that he would pay everyone's expenses if he were not telling the truth.
During the early 20th century the town became a colony of expatriate artists, writers, and intellectuals. D. H. Lawrence stayed here at the Fontana Vecchia from 1920 to 1922, and wrote a number of his poems, novels, short stories, and essays, and a travel book, Sea and Sardinia. Charles Webster Leadbeater, the theosophical author, found out that Taormina had the right magnetics fields for Jiddu Krishnamurti to develop his talents, so the young Krishnamurti dwelt here from time to time. Halldór Laxness, the Icelandic author, worked here on the first modern Icelandic novel, Vefarinn mikli frá Kasmír.
Ruins and archaeology
The teatro greco, the Greek theatre, the present town of Taormina occupies the ancient site, on a lofty hill which forms the last projecting point of the mountain ridge that extends along the coast from Cape Pelorus to this point. The site of the old town is about 300 m above the sea, while a very steep and almost isolated rock, crowned by a Saracen castle, rises about 150 m higher: this is undoubtedly the site of the ancient Arx or citadel, the inaccessible position of which is repeatedly alluded to by ancient writers. Portions of the ancient walls may be traced at intervals all round the brow of the hill, the whole of the summit of which was evidently occupied by the ancient city. Numerous fragments of ancient buildings are scattered over its whole surface, including extensive reservoirs of water, sepulchres, tesselated pavements, etc., and the remains of a spacious edifice, commonly called a Naumachia, but the real destination of which it is difficult to determine.
But by far the most remarkable monument remaining at Taormina is the ancient theatre (the teatro greco, the Greek theatre), which is one of the most celebrated ruins in Sicily, on account both of its remarkable preservation and of the surpassing beauty of its situation. It is built for the most part of brick, and is therefore probably of Roman date, though the plan and arrangement are in accordance with those of Greek, rather than Roman, theatres; whence it is supposed that the present structure was rebuilt upon the foundations of an older theatre of the Greek period.
With a diameter of 109 metres (after an expansion in the 2nd century), this theatre is the second largest of its kind in Sicily (after that of Syracuse); it is frequently used for operatic and theatrical performances and for concerts. The greater part of the original seats have disappeared, but the wall which surrounded the whole cavea is preserved, and the proscenium with the back wall of the scena and its appendages, of which only traces remain in most ancient theatres, are here preserved in singular integrity, and contribute much to the picturesque effect, as well as to the interest, of the ruin. From the fragments of architectural decorations still extant we learn that it was of the Corinthian order, and richly ornamented. Some portions of a temple are also visible, converted into the church of San Pancrazio, but the edifice is of small size.
Culture and tourism
The David di Donatello Taormina Film Festival has been held for over fifty years, with international film stars viewing films on a screen erected in the Greek theatre.
Just south of Taormina is the Isola Bella, a nature reserve. Tours of the Capo Sant' Andrea grottos are also available. Taormina is built on an extremely hilly coast, and is approximately a forty-five minute drive away from Europe's largest active volcano, Mount Etna.
In 1927 the young Icelandic writer Halldór Laxness (born 1902) published his first major novel, Vefarinn mikli frá Kasmír (The Great Weaver of Kashmir), a panorama of social, literary, religious and sexual issues of his times. Laxness, who won the Nobel prize for literature in 1955, wrote most of his novel in Taormina which he then praised highly in his book of autobiographical essays, Skáldatími (The Time of the Poet) from 1963.
Economy
Much of Trapani's economy still depends on the sea. Fishing and canning are an important local industries, with fishermen using the mattanza technique to catch tuna. Coral is also an important export, along with salt, marble and marsala wine. The nearby coast is lined with numerous salt-pans.
The city is also an important ferry port, with links to the Egadi Islands, Pantelleria, Sardinia and Tunisia.
Getting in Taormina
By train
Regular trains to and from Messina and Catania However the station (called Taormina -Giardini) is on the seafront 2km below the centre. There are some buses down, but it's often more convenient to take a long-distance bus from the centre straight to or from your destination.
By bus
Regular buses to and from Messina and Catania .
By plane
Look for flights to Catania . There you can rent a car to get to Taormina .
Get around Taormina
By foot
The main street of Taormina is pedestrianised, making it easy to wander around by foot.
By car
If coming in by car, you may enter the town center only to go to a hotel or a rented house: local police may require to see proof of booking. In alternative, it's better to park the car at one of the 2 large public parkings ('Parcheggio Lumbi' or Parcheggio Porta Catania ) that you encounter on the outskirts of the city coming in. From there, either walk to the city center (just 2 min from 'Parcheggio Porta Catania '/around 10 min but uphill from 'Parcheggio Lumbi') or catch the shuttle buses running continously to the center.
However, there are regular shuttle buses down to Giardini-Naxos, the train station, Letojanni and up to Castelmola.
There is also a frequent Cable Car down to the beach at Mazarro.
Main Sights
Cathedral of San Lorenzo built in 1421 then restored and changed in 1748 by architect G.B. Amico with the addition of the side chapels, the choir, the dome, the bell tower and the façade. Inside neoclassical plasters by Girolamo Rizzo and Onofrio Noto and vaulted fresco paintings by Vincenzo Manno, a painting of the Crucifixion attributed to Flemish Van Dyke.
Torre di Ligny in stone and tufa built in 1671 by Viceroy Claudio La Moraldo, prince of Ligny, which hosts the Prehistory Museum.
Castello di Terra, according to the tradition over 2,300 years old, was an important defence post of the city, from its position opposite the other Castello di Mare (called Colombaia) located on an island and built according to the legend by greek hero Amilcares. In 1360 Queen Costanza, the wife of Federico d'Aragona, stayed here. The Castello di Mare has an octagonal plan and dates back to the XVI century.
Villaggio Residence Calispera Ricadi, Ricadi, Calabria - Italy (IT)
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Villaggio Residence Calispera Ricadi, Ricadi, Calabria - Italy (IT)
The Villaggio Residence Calispera is perfectly located for both business and leisure guests to Capo Vaticano. The Villaggio Residence Calispera boasts a convenient location with modern amenities in every guestroom and superb service. In-room facilities include non smoking rooms, air conditioning, daily newspaper, television, shower, separate shower and tub. To suit guests convenience, this Capo Vaticano accommodation offers shops, executive floor, bar/pub, laundry service/dry cleaning, restaurant. To unwind, guests can enjoy the leisure facilities provided on the hotels property, including gym, tennis courts, water sports (non-motorized), outdoor pool, garden. Being one of the good quality hotels in Capo Vaticano, guests staying at this hotel will find its convenient location and tranquil atmosphere pleasurable. To make your reservation at the Villaggio Residence Calispera via our secure online booking form, please submit your visit dates.
Hotel Features
General
Pet Friendly, Air Conditioned, Non-Smoking Rooms, Mini Bar, Cable / Satellite TV, Kitchenette, TV, Shower
Activities
Fitness Room/Gym, Swimming pool, Tennis Courts, Bath / Hot Tub, Garden, Water Activities, Fitness Facilities, Pool Outdoor
Services
Business Center, Dry Cleaning, Safe-Deposit Box, Laundry service, Shops, Desk, Executive Floor, Shops in Hotel
Parking
The hotel has free parking. There is an airport shuttle that runs from the hotel.
Check-in
From 5:00 PM
Check-out
Prior to 10:00 AM
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2DF Germany: Antonio Presti - Fondazione Fiumara d'Arte - Art Hotel Atelier sul Mare
The Tusa Fiumara is the bed of an old river that a long time ago flowed among the Nebrodi mountains fir twenty-one kilometers as far as the ancient Hales, a river which is dry and only in winter has the character of a stream in a landscape that alternates stony desolation and stretches of luxuriant vegetation, and where you climb up to a place that affords remarkable views between the big mountains and the distant sea.
The idea of Fiumara d'Arte arose in 1983, when the sudden death of his father forced Antonio Presti to interrupt a carefree youth and his engineering studies and to go back to Tusa to manage his father's cement works. Burdened with responsibilities and shaken by his loss and the impact with death, Presti, who already collected contemporary art, thought of dedicating a monument to the memory of his father and turned to the sculptor Pietro Consagra, who had already done big works at Gibellina, rebuilt after 1968 earthquake and transformed by its mayor into a town of art. He at once though about making it something more that a merely private matter, a stele in his own garden, and of donating the sculpture to the community and the thought of placing it at the mouth of the torrent, a landscape dear to his childhood and one in which his father had spent his life. The project soon broadened, and although the workers of his firm worked on the construction of the enormous abstract sculpture convinced that it represented two hands joined in prayer, Presti was already thinking about giving life to a sculpture park blending the contemporary with the rugged beauty of the place.
The inauguration of Presti's sculpture, on 12 October 1986, coincided with the announcement of the open-air museum, with the consensus of the mayors of the area who were present with many authorities at the event. However, as a precaution, the Mayor of Tusa, as mentioned, after a report from the Messina Superintendence sent an order to suspend the work.
Meanwhile Presti had already contacted another sculptor, Paolo Schiavocampo, from whom he commissioned a sculpture to place at the junction of the road leading to Castel di Lucio and an old country road, and the added it as an urban feature to the project for remaking the road for which his firm had a contract.
He also involved the painter Tano Festa: during a visit to the latter, he discovered his sketch for Monument to a Dead Poet, dedicated to his brother Francesco Lo Savio, which he decided to realize in a monumental size on the seafront at Margi, to the enthusiasm of the already sick artist and with the consensus of the council of Reitano, which with a deliberation authorized the construction because of the renown of the artists and the boosting of the territory with a work entirely at the expense of the proposing.
Schiavocampo's work had a fascinating title. A Curve Thrown at the Back of Time [Una curva gettata alle spalle del tempo] on 30 January 1988, at the same time as a sculpture competition for artists aged under forty organized by Presti, who got together an international jury made up of Manfredi Fath, the director of the Mannheim museum, Fath Oriol Bohigas, a renowned Spanish architect, Elisabeth Gall, a town planner from Barcelona, Hélène Lassalle of the direction of French museums, Giovanni Joppolo, Parigi editor of the art Magazine Opus Intérnational, Lucia Matino of PAC in Milan, the Messina critic Lucio Barbera and the architect Patrizia Merlino. Fifty-five sketches were submitted. The ones chosen were the one by the Sicilian Carlo Lauricella -- this was not actually done because of opposition from the Council of Santo Stefano di Camastra where it should have been placed -- and those of Antonio Di Palma (Florence) and Italo Lanfredini (Mantova).