Places to see in ( Taranto - Italy )
Places to see in ( Taranto - Italy )
Taranto is a coastal city in Apulia, Southern Italy. It is the capital of the Province of Taranto and is an important commercial port as well as the main Italian naval base. Taranto is an important commercial and military port. It has well-developed steel and iron foundries, oil refineries, chemical works, some shipyards for building warships, and food-processing factories. In ancient times around 500 BC the city was one of the largest in the world with population estimates up to 300,000 people.
The Old Town or Città Vecchia is where the Greeks built their acropolis. To date it has the same lay out as it did in 967, when the Byzantines under Nicephorus Phocas rebuilt what the Saracen troops led by the Slavic Sabir had razed to the ground in 927 AD. There are four main arteries (Corso Vittorio II, Via Duomo, Via di Mezzo and Via Garibaldi) which run in a straight direction however the side streets were purposely built narrow and winding to impede the passage of an invading army.
Incorporating the Aragon Castle, Doric Columns and Piazza Fontana, it is situated and entirely enclosed on the artificial island between the Big and Little Seas and is reached from the New Town by crossing the Ponte Girevole from the south and the Ponte di Porta Napoli from the north. Almost rectangular in shape, it is divided into four ''pittaggi'' ( quarters) that are delineated by the cross formed between Via di Mezzo and postiliera Via Nuova. These are Baglio and San Pietro in the upper section which face the Big Sea; and Turipenne and Ponte in the lower part fronting the Little Sea.
The nobility, clergy and military personnel made their homes in Baglio and San Pietro, whilst the artisans and fishermen dwelled in Ponte and Turipenne. An Armenian community was present in the 10th and 11th centuries having arrived in Taranto as troops in the Byzantine Army. The San't Andrea degli Armeni church in Piazza Monteoliveto, located in the Baglio quarter, stands as testimony to the neighbourhood where the Armenians made their homes.
There are a number of 17th and 18th-century palazzi in Old Town. For years, they served as the main residence of local aristocratic families and the clergy. These include Palazzo Calò, Palazzo Carducci-Artenisio (1650), Palazzo Galeota (1728), Palazzo Gallo (17th century), Palazzo Latagliata, Palazzo Lo Jucco (1793) and Palazzo Pantaleo. The 17th century de Beaumont-Bonelli-Bellacicco palace houses the Spartan Museum of Taranto - Hypogeum Bellacicco which extends below street and sea level to the hypogeum that is a crossroads with other hypogeum of Old Town which together form the system of subterranean Taranto.
Churches include the San Cataldo Cathedral (10th century) in Piazza Duomo, San Domenico Maggiore (1302), Sant'Andrea degli Armeni (16th century), San Agostino (1402), San Michele (1763), the Madonna della Salute sanctuary (1752), and San Giuseppe (16th century). Close to the San Agostino church, located near Pendio La Riccia, the buried remains of an ancient Greek temple were discovered.
Beginning in 1934 Benito Mussolini embarked on a project of rejuvenation that involved the demolition of the working class Turipenne pittaggio along the Via Garibaldi and ''Discesa Vasto'' which contained the homes of local fishermen as well as the old Jewish quarter. The demolitions, which also razed the old medieval wall and three churches out of the four within the area, continued until the outbreak of World War II. Modern edifices and apartment blocks were erected to replace the demolished structures.
In addition to the many palazzi, Old Town has myriad arched alleyways, saliti, vicoli and small streets, some of which are closed to traffic. Between 2013 and 2014 two Neapolitan urban artists Cyop and Kaf embarked on a project to decorate derelict buildings, walls and doors in the piazzi and vicoli with 120 representations of street art. It has since become a striking feature of Old Town which is described as the abandoned district of Taranto.
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Top 10 Best Things To Do in Alessandria, Italy
Alessandria Travel Guide. MUST WATCH. Top 10 things you have to do in Alessandria. We have sorted Tourist Attractions in Alessandria for You. Discover Alessandria as per the Traveler Resources given by our Travel Specialists. You will not miss any fun thing to do in Alessandria.
This Video has covered top 10 Best Things to do in Alessandria.
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List of Best Things to do in Alessandria, Italy
La Cittadella di Alessandria
Agriturismo Imarisia
Ponte Meier
Museo del Cappello Borsalino
Museo Etnografico C'era una Volta
Cattedrale di San Pietro
Antonella Dolci
Museo Napoleonico di Marengo
Museo delle Divise Militari
Chiesa Santa Maria Castello
In this episode of The Best of Italy, Alessia shares 10 Fun Facts about Molise. Like this video and leave a comment below if you have any other fun facts to share!
Venice Italy - Tour the Hidden Parts of Veneza Italia
Tour Some of the Hidden Parts of Venice Italy on our Venice Tour of Italy. Our Veneza Italia tour travel guide features some hidden parts of the city of Venezia, Italia as well of some of the mainstream Venice attractions. Venice highlights include the gardens of the Biennale Exhibition of Modern Arts, Palladio’s Church of San Pietro in Castello, the Naval Museum with a model of the Bucintoro (Doge’s Boat) and the Pavilion of Gondolas housing Peggy Guggenheim’s own vessel.
Venice Guide
The Veneto, the mainland province around Venice, takes its name from the Veneti, the pre-Roman inhabitants of the region. The region bore the brunt of fierce and destructive barbarian attacks that began in the 4th century. Fleeing the Goths, the people of the Veneto sought refuge among the wild and uninhabited islands of their marshy coast.
Building on a patchwork of more than 100 low-lying islands in the middle of a swampy lagoon they formed villages and the city of Venice rose in 421 AD. By the 13th century Venice ruled Byzantium. At its height, Venice was one of the greatest military and commercial powers on earth. In population it was four times the size of Rome and London combined. In 1508 the Pope, the kings of France and Spain and the Holy Roman Emperor joined forces to stop the advances of this powerful empire.
Venice Tour Video
Although her expansion was halted, the city of Venice continued to dominate the eastern Mediterranean for another 200 years. In 1846 Venice lost its isolation when a causeway joined the city to the mainland and the Italian rail network. The region's architecture, paintings and way of life reflect the splendor of Venice and the impact she had on the world. In addition to being home to magnificent art and architecture, Venice and the Veneto are laced with an exceptional network of navigable canals and waterways. In the lagoons and canals of Venice, one sails past colourful waterfront houses, under Renaissance bridges and close to magnificent historic sites such as St. Mark's Cathedral.
Known to Venetians as Canalazzo, the Grand Canal weaves its way through Venice's six districts or sestieri following the course of an ancient river bed. The two-mile-long Grand Canal serves as the city's main thoroughfare. Its average depth is 9 feet and the width varies from 120 to 228 feet. On its borders are some of the finest palaces of the Republic
Our Cruise in Venice, Italy
When it comes to river cruises, Italy is a country seemingly designed to host them. Its beautiful canals and rivers pass through diverse landscapes and nature en route, from picturesque lagoon islands with their colourful houses, to wild beach dunes and pine woods with an abundance of birdlife.
These waterways were once the ancient trade routes used by the Romans and the early Mediterranean settlers before them, and cruises around Italy are perfect for gaining a real insight into the many cultures - including Roman, Etruscan, Istrian, Byzantine and of course Renaissance - which have influenced the arts, architecture and history of the region over many centuries.
Throughout the season the 20 passenger La Bella Vita provides Italian river cruises that encompass the romance and architecture of Venice as well as the captivating lakeside setting of the Renaissance city of Mantua. Venice is, of course, the crowning jewel of most Italian river cruises, but Mantua, in central northern Italy, has also been (and still is) a hub of art, culture and music for centuries. The route inland takes you along the River Po and the Bianco Canal through the Po Valley.
Delicious seafood, local culinary specialities, fine wines and attentive service complete the experience of this fairytale adventure, and explain the appeal of our boutique Italian river cruises. Luxuriating in a friendly and relaxing boat environment, travellers have an opportunity for a unique perspective on some magnificent Italian cities.
La Bella Vita is a stylish twenty-passenger vessel offering comfortable, fully air-conditioned accommodation. She has two upper deck junior suites and eight lower deck staterooms, all offering en suite facilities, and a bright, spacious dining room and bar area where delicious Italian specialities will be served. Louvre doors open to the side to give a perfect view. Above, there is a huge sun deck with comfortable loungers to relax on with a drink and a good book, or just watch the world go by.
What is hotel barging?
Despite the growing popularity of cruising, especially on large river vessels, hotel barging is still a little known niche concept. Most hotel barges started life as cargo vessels but have since been painstakingly converted to offer luxury boutique accommodation for small groups of up to 20 passengers.
Guests enjoy an intimate atmosphere, high levels of personal service and immersion into the culture, history and gastronomy of regions.
*Music by Daze Audio -
Places to see in ( Mantova - Italy ) Castello San Giorgio
Places to see in ( Mantova - Italy ) Castello San Giorgio
The castle of San Giorgio is one of the most representative monuments of the city of Mantua and is part of the Reggia dei Gonzaga. Built on the ruins of the church of Santa Maria di Capo di Bove from 1395 and completed in 1406 on commission of Francesco I Gonzaga and designed by Bartolino da Novara , the castle of San Giorgio is a square-shaped building consisting of four corner towers and surrounded by a moat with three doors and relative drawbridges , aimed at defending the city.
The architect Luca Fancelli , in 1459 on the recommendation of the Marquis Ludovico III Gonzaga , who freed the rooms of the Corte Vecchia for the Council promoted by Pius II , restructured the castle that definitively lost its primitive military and defensive function. For many years the manor house was the residence of Isabella d'Este , wife of Francesco II Gonzaga , one of the most famous noblewomen of the Renaissance . Isabella wanted at the court numerous artists and humanists of the time, such as Andrea Mantegna , Perugino , Leonardo da Vinci , Ludovico Ariosto andBaldassarre Castiglione , making Mantua one of the major European courts and artistic and literary center. In the prisons of the castle the condottiere Paolo Vitelli was closed again in 1496 , taken prisoner by Francesco II Gonzaga. The castle, along with other adjacent buildings, remains the prince's residence for about a century, until the time when Guglielmo Gonzaga will move his apartments into the restored Old Court.
In 1810 the Tyrolean patriot Andreas Hofer was imprisoned in the prisons of the manor before being executed. Starting from 1815 with the Austrian occupation of the city, the castle became the maximum security prison in which the opponents were closed. From 1852 in the castle were enclosed the Martyrs of Belfiore and some patriots attached to them ( Ciro Menotti , Teresa Arrivabene ). The earthquake of Emilia in 2012 caused structural damage to the building.
The rooms of the castle :
Sala dei Soli , located on the ground floor and embellished with frescoes of the fifteenth century , was transformed by Giulio Romano in 1531 and then by Giovan Battista Bertani
Sala degli Stemmi , which is accessed by a spiral staircase
Salone degli Affreschi , parallel to the Sala degli Stemmi
Sala delle Sigle , Isabella d'Este's wedding room
Saletta della Grotta , part of the Isabella d'Este apartment in the castle
Sala delle Armi , in which Giulio Romano painted 12 heraldic crests
Chapel of the castle , built by Bertani in 1563
Middle Room
Hall of the Frieze
Sala delle Cappe , with a barrel vault
Sala dello Zodiaco , with traces of paintings by Giulio Romano , where Pietro Frattini , one of the Martyrs of Belfiore and Ciro Menotti , was held prisoner
Camera degli Sposi .
The Camera Picta (Camera degli Sposi), a wonderful room on the main floor of the north-eastern tower of the castle of San Giorgio, is the work of Andrea Mantegna . The Mantegna has made it over a period of nine years, from 1465 (date engraved on the wall) to 1475 (date engraved on the commemorative plaque at the entrance of the hall), and readjusted the narrow space of the cubic room with vaults on lunettes in a succession of reality and fiction giving the environment an en plein air atmosphere (thus giving an idea of being in a false loggia). The space of each wall of the room was divided by the artist into three openingsthat transmit to the spectator, through wide arches, bucolic landscapes and curtains moved by the wind a strong antithesis with the reduced architectural environment. The frescoes have been made either dry (north wall, this technique allows a meticulous care of details) or fresh (south wall, the fresco obliges the painter to opt for a more synthetic taste). There are two painted scenes depicting members of the Gonzaga family , the Scene of the Encounter and the Scene of the Court . With them Mantegna pays tribute to the patrons that so many clients have procured for him. In the room, you can not stand more than 5-10 minutes because (using the technique of dry painting) the humidity and the exhaled air
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Little Europe: The Vatican City
More info about travel to Rome: The Vatican is home to the most glorious church in all Christendom, St. Peter's Basilica, and the Vatican Museum, which displays some of the greatest art of western civilization.
At you'll find money-saving travel tips, small-group tours, guidebooks, TV shows, radio programs, podcasts, and more on this destination.
Places to see in ( Livorno - Italy ) Fortezza Nuova
Places to see in ( Livorno - Italy ) Fortezza Nuova
The Fortezza Nuova is a fortification of Livorno. It represents the ancient Baluardo di San Francesco of the pentagonal city designed by Bernardo Buontalenti and originally also incorporated the Baluardo di Santa Barbera, until it was partly dismantled to make room for the second growth of the New Venice district .
The construction of the Fortezza Nuova dates back to the end of the sixteenth century , when the architect Buontalenti was commissioned by the Medici government to draw up a plan for the new city of Livorno. Around 1576 the architect set up a design for an inhabited area enclosed by a wall and a system of pentagonal ditches ; however, the plan did not yet indicate the presence of a real fortress, but was limited to the simple tracing of a continuous fortified circuit, characterized by five bastions at the top of the pentagon and the center line of the northern side, with the sixth from the pre-existing Fortress Old.
In 1577 , work began on the construction of the city and its defensive system, but only around 1589 it was decided to upgrade the military apparatus with the construction of what would later be called Fortezza Nuova. The project is due to the collaboration between Buontalenti, Don Giovanni de 'Medici and other engineers such as Claudio Cogorano and Alessandro Pieroni . Work began in January 1590 with the first stone throwing ceremony (10 January 1590) adapting two bastions of the buontalentiano project (that of San Francesco, facing north-east and that of Santa Barbara, towards the north) and ending in 1604 .
However, at the end of the seventeenth century the complex was largely dismantled, reducing it to the Bastion of St. Francis alone, in order to obtain new building areas within the city and dismantling about 2/3 of the original surface. The transformation led to the construction of a second defensive system adjacent to the fortress and to the protection of the New Venice district : the Forte San Pietro .
After being used as barracks and warehouse, during the Second World War the Fortezza Nuova was hit hard by aerial bombardments , which destroyed most of the internal constructions. Subsequently it hosted the displaced persons of the city center, to be transformed, later, in a large public park, with a suggestive view on the ditches and on the Piazza della Repubblica
The Fortezza Nuova rises in the middle of a large water basin and is connected to the city by a small bridge and by some mobile piers built in recent years. The curtain wall, substantially intact, has a very complex shape, with all the typical elements of the military architecture of the time, such as the concave hollow sides, the notched cannons and a very pronounced rivellino towards the water mirror in front.
The main entrance is protected by a defensive enclosure surmounted by characteristic corner towers: originally there was a drawbridge, then replaced by a masonry passage. From the enclosure, a tunnel leads to the retreat of the bastion and to the upper floors of the rampart, where there are the ruins of numerous service buildings, now placed inside a public park.
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Rome, the most famous Keyhole in the world in the Aventino Hill (manortiz)
Piazza of Knights of Malta -
Not far from the complex of Sant'Anselmo, high on the Aventine Hill, via di Santa Sabina opens onto the quiet Piazza dei Cavalieri di Malta. Bordered by a high wall, decorated with neoclassical obelisks and military trophies, it leads to a famous and fascinating broad wooden door.
Known affectionately by Romans as the hole of Rome its abiding attraction draws queues of visitors to this peaceable out of the way spot. No key is required: it is sufficient to put an open eye to the keyhole, and focus. With kaleidoscope charm, a vision of St Peter's dome (affectionately known to Romans as the Cuppolone) perfectly in perspective, framed by the tops of trees in the foreground, opens up. Often wrapped in a thin mysterious mist, seems to stand at the end of the garden path, just beyond the door.
Originally, the area was the site of a fortified Palace belonging to Alberico II. In 939 it became a Benedictine monastery run by the abbot Oddone of Cluny. In the Twelfth Century, it passed into the hands of the Knights Templar the famous warrior monks, who in 1312, were violently suppressed by Pope Clement V.
The monastery then became the seat of a priory belonging to the Gerosolimitani (known as The Knights Hospitaller). In the second half of the 1400's, Pope Paul II granted the monastery to the Sovereign Military Order of Malta,
The numerous owners the building has had during its varied history, correspond to the changes in its structure. At the end of the Sixteen Hundreds, Cardinal Benedict Pamphilj even transformed it into a coffee house which, for a spell, became a popular haunt of artists.
The present structure is the work of the famous architect and engraver Giovanni Battista Piranesi who restored the building in the second half of the 1700's.
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The most famous Keyhole in the world in the Piazza of Knights of Malta in Rome HD 1080 manortiz
Not far from the complex of Sant'Anselmo, high on the Aventine Hill, via di Santa Sabina opens onto the quiet Piazza dei Cavalieri di Malta. Bordered by a high wall, decorated with neoclassical obelisks and military trophies, it leads to a famous and fascinating broad wooden door.
Known affectionately by Romans as the hole of Rome its abiding attraction draws queues of visitors to this peaceable out of the way spot. No key is required: it is sufficient to put an open eye to the keyhole, and focus. With kaleidoscope charm, a vision of St Peter's dome (affectionately known to Romans as the Cuppolone) perfectly in perspective, framed by the tops of trees in the foreground, opens up. Often wrapped in a thin mysterious mist, seems to stand at the end of the garden path, just beyond the door.
Originally, the area was the site of a fortified Palace belonging to Alberico II. In 939 it became a Benedictine monastery run by the abbot Oddone of Cluny. In the Twelfth Century, it passed into the hands of the Knights Templar the famous warrior monks, who in 1312, were violently suppressed by Pope Clement V.
The monastery then became the seat of a priory belonging to the Gerosolimitani (known as The Knights Hospitaller). In the second half of the 1400's, Pope Paul II granted the monastery to the Sovereign Military Order of Malta,
The numerous owners the building has had during its varied history, correspond to the changes in its structure. At the end of the Sixteen Hundreds, Cardinal Benedict Pamphilj even transformed it into a coffee house which, for a spell, became a popular haunt of artists.
The present structure is the work of the famous architect and engraver Giovanni Battista Piranesi who restored the building in the second half of the 1700's.
from
Museo Galileo, Florence, Tuscany, Italy, Europe
The Museo Galileo (formerly the Museum of history of science and then Institute and Museum of the History of Science) in Florence is located in Piazza dei Giudici, just behind the square of the Uffizi, in the palace Castellani, a severe medieval building with three floors. Holds one of the most important scientific collections nationally and internationally. On 8 June 2010, after a two-year closure for renovations, the museum of the history of science has reopened to the public with the new name of Museo Galileo. The opening coincides with the 400th anniversary of the Sidereus Nuncius, the work was published in March 1610 with which Galileo Galilei popularized the sensational new show him from the telescope. The building stands on the site of the ancient castle of Altafronte , dating from the late eleventh century , which was the fortress that protected the Arno river port and was part of the circle of the ancient walls of Florence . The name comes from Altafronte family who owned it until 1180, when it was ceded to the powerful Ghibelline family of Uberti . As a result , damaged by the flood of 1333 and now deeply altered , passed to Castellani , who built the present palace . From 1574 to 1841 it housed the Justices of the wheel , to which the signs near the entrance to the walled palace : this is also sometimes referred to as the palace of the Judges, not to be confused with the art palace of Judges and Notaries in the way proconsul . The name judges wheel comes from the fact that they were chosen on a rotating among graduates in law and they sbrigavano civil cases . The palace was the subject of a heavy restoration in the first half of the nineteenth century and for a time it housed the collection of manuscripts in the National Library , up to the 20s . Among the prestigious institutions that have been established in the building we can not forget the Accademia della Crusca and the Deputation of the country's history for Tuscany . Since 1930 the public domain , which owns the building , has awarded the Institute and Museum of the History of Science , which now occupies the whole building . In 1839 it was restored by the architect Francesco Leoni. During some restoration work between 2002 and 2003 have been unearthed in the basement four imposing arches of the foundation stone of the castle Altafronte dating back to Medieval times . Interesting is the loggia on the top floor overlooking the Arno , now backed by windows . The museum was inaugurated in 1930 and collects valuable scientific instruments in part from the collections mediecee, once exhibited at the Museum of the Observatory attiguamente Palazzo Pitti, in part, from the collections Arcispedale of Santa Maria Nuova, partly through purchases from other sources and donations. In fact, if the branch of the Medici Lorenzo the Magnificent and Cosimo the Elder had a great love for the artistic patronage , the branch of the Grand Dukes , who came to power with Cosimo I in 1537 , protected and stimulated the sciences. The objects and equipment on display covering a time span from the Renaissance to the nineteenth century , and although initially the show was a pure display of memorabilia ( such as the famous telescope of Galileo), after the reorganization after the flood (1966) and the renewal of 1991 has become a scientific research institute for Italian and foreign scholars . The exhibition is a thematic basis of twenty rooms . In addition to the aforementioned telescopes belonged to Galileo Galilei , the museum also preserves the thermoscope , the geometric compass military , the inclined plane and a primitive microscope .
It also preserves a collection of instruments of the Accademia del Cimento , founded in 1657, with instruments for experiments on the thermodynamics, the void , the sound and the compressibility of liquids . One of the larger rooms contains a collection of antique globe and celestial spheres , with a great armillary sphere in carved and gilded wood used for complex astronomical calculations , made by Antonio Santucci between 1588 and 1593 .
The museum is also rich in many other instruments from different countries and different eras , including a series of scientific divertissement of the grand-ducal court , such as machines that create optical illusions , games of lenses and also a unique machine that revealed the purity of diamonds, however, because destroying acting on carbon , which are compounds , causing irreparable combustion. Part of the Institute since its founding , the library of the museum is now located on the third floor roof terrace of the building in the old Castellani.