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Art Museum Attractions In Thuringia

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Thuringia , officially the Free State of Thuringia , is a state of Germany. Thuringia is located in central Germany covering an area of 16,171 square kilometres and a population of 2.29 million inhabitants, making it the sixth smallest German state by area and the fifth smallest by population. Erfurt is the state capital and largest city, while other major cities include Jena, Gera, and Weimar. Thuringia is surrounded by the states of Bavaria, Hesse. Lower Saxony, Saxony-Anhalt, and Saxony. Most of Thuringia is within the watershed of the Saale, a left tributary of the Elbe, and has been known as the green heart of Germany from the late 19th century du...
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Art Museum Attractions In Thuringia

  • 1. Bauhaus-Museum Weimar
    The construction of the New Bauhaus Museum is a project by the Klassik Stiftung Weimar. The planned museum is being built near the Weimarhallenpark and will present the Weimar collections of the State Bauhaus, which was founded in Weimar in 1919. The museum is scheduled to open on 6 April 2019.
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  • 5. Nietzsche-Archiv Weimar
    The Nietzsche Archive is the first organization that dedicated itself to archive and document the life and work of the philosopher Friedrich Nietzsche, all sourced from Elisabeth Förster-Nietzsche, the philosopher's sister behind the belief that Nietzsche was one of the inspirers of Nazism and the concept of the higher race: Between subterfuge and fraternal love, inquiry into a disproportionate ambition there [1]. The Nietzsche Archive was founded in 1894 in Naumburg, Germany, and found a permanent location at Weimar. Its history until the middle of the 20th century was closely tied to its founder and chief for many years, Elisabeth Förster-Nietzsche, the philosopher's sister. Though from its inception the archive came under much criticism for doctoring, or even forging, documents to sup...
    From Wikipedia, the free encyclopedia.
  • 6. Neues Museum Weimar Weimar
    The New Objectivity was a movement in German art that arose during the 1920s as a reaction against expressionism. The term was coined by Gustav Friedrich Hartlaub, the director of the Kunsthalle in Mannheim, who used it as the title of an art exhibition staged in 1925 to showcase artists who were working in a post-expressionist spirit. As these artists—who included Max Beckmann, Otto Dix, George Grosz, and Jeanne Mammen—rejected the self-involvement and romantic longings of the expressionists, Weimar intellectuals in general made a call to arms for public collaboration, engagement, and rejection of romantic idealism. Although principally describing a tendency in German painting, the term took a life of its own and came to characterize the attitude of public life in Weimar Germany as we...
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