The Charleston - Masonic Hall. Bath, U.K.
The Charleston routine performed at the Masonic Hall in Bath. Themed dance entertainment for events. Dance entertainment for weddings, corporate events and parties. Locations include Bath, Bristol, Cardiff, Bournemouth, London. All of the U.K.
Please contact A.Y. Dance for more information. amyyoung.co.uk.
London and Paris Vacation - Traveling Robert
This is a chronicle of our trip to London and Paris in the spring of 2015. We stay in Greenwich just to east of London, visit several other places in England such as Windsor, Bath and Stonehenge. Also see all the major Paris tourist attractions including a cruise on the Seine River except for the Louvre Museum. It is still a great Paris Travel Guide for a first timer.
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Harry Potter: Hermione Growth Spurt - SNL
The wizards of Hogwarts can't get over Hermione's summer growth spurt. Aired 05/01/04
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The Female Illuminati
The Female Illuminati
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Discovery of Film Camera : Paris to Bombay
Invention and advent of Camera to India
(100 YEARS OF INDIAN CINEMA)
The year 1896 is very significant for India and rest of world as far as the Lumiere Cinematograph is concerned. India was ruled by British Empire with a series of crises like freedom movement, flood in Bombay residency, femine in rest of India, loot of bags of grain in Sholapur, resulting into fire by British Police against looters. In the wake of all the flood,famine and fire,(out) (in)Le Cinematographe Lumiere reached India.
The Lumiere cinematograph was the culmination of long journey that began with the Oriental art of the shadow play and camera obscura developed in Renaissance Itly. early experiments with photography led to recording of humans and animals in motion had surprisingly created the illusion of movement.
In a parallel development, the study of the optical phenomenon of persistence of vision resulted in a series of inventions with Lumiere's Cinematographe that mark the beginning of modern cinema.
Hardly six monhs later the Lumiere brothers, Louis and Auguste, had their first public show in Paris on December 28,1895 at one franc a ticket for watching this interesting show , the Cinematographe made its advent to India.
The programme consisted of films duration of a minute or two, of workers leaving the Lumiere's photographic,producing factory in Lyon, Auguste and Madame Lumiere feeding their babies on a beech that gave a lot of pleasure to the audiences with the marvelous realism of an unmistakably genuine ocean in all its immensity and restlesnes.
The arrival of the train, virtually' on camera' made the audience gasp ,fearing that it would burst through the screen. So amazing it was as one was watching a magic.In just five years Lumiere brothers earned 10 million dollar from their cinematographe.To see the success and huge earnings, they planed a mojor worldwide exploitation of their
invention.
Gradually Lumiere brothers got well equipped and they were sweeping across Europe,South and North Americ,Oceania and the Orient, screening their films as well as shooting fresh material.The local scenes offered a whale amount of delightful with their familiarity and stun them with the speed with which they were included in the next change of programme.Lumiere brothers and team were successful to put their trust in audience that the moving pictures were real reproductions of happenings and persons
On July 7, 1896,Lumiere brother's assistant, Marius Sestier who was on his way to Austrilia, presented the first cinematographe show in Bombay at Watson's Hotel. Watson Hotel was den of Europeans only. Mark Twain was staying at same hotel. He described the building as something like a huge birdcage because of its iron frame structure. An advertisement in the morning's Times of India invited the inhabitants of Bombay to come and witness the marvel of centuary, the wonder of the world.
The first day's programme featured six items .The titles of cinema shown were Entry of Cinematograph,Arrival of train, The Sea Bath,A Demolition,Leaving the factory and Ladies & Soldiers on the wheels.The entire show lasted less than an hour with each film was 17 metres long. The audience watched with bated breath and cheered lustily at the end.
The showings continued at Watson's Hotel for a week.The audience was aroused with zeal and a sea amount of passion and romance enveloped the Bombay audience, resulting into arrangement of show of films, away from Watson Hotel into Novelty Theatre for regular show.It had two shows daily.After a month's profitable run, alternating between Watson's Hotel and Novelty, the Cinematographe's showing came to an end on August 15,1896.
The success of Lumiere's leading business had planted the first seed of a new industry in emerging
Educated middle class of India.
The advent of Lumiere Cinematographe was thus occurred in India.
Our Miss Brooks: Conklin the Bachelor / Christmas Gift Mix-up / Writes About a Hobo / Hobbies
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
Eileen Atkins
Dame Eileen June Atkins, DBE (born 16 June 1934) is an English actress and occasional screenwriter. She has worked in the theatre, film, and television consistently since 1953. She has won several major acting awards, including a BAFTA, an Emmy and three Olivier's. She was appointed Commander of the Order of the British Empire (CBE) in 1990 and Dame Commander of the Order of the British Empire (DBE) in 2001.
Atkins joined the Royal Shakespeare Company in 1957 and made her Broadway debut in the 1966 production of The Killing of Sister George, for which she received the first of four Tony Award nominations for Best Actress in a Play in 1967. She received subsequent nominations for, Vivat! Vivat Regina! in 1972, Indiscretions in 1995 and The Retreat from Moscow in 2004. In the UK, she has won three Olivier Awards, for Best Supporting Performance (for multiple roles) in 1988 and two for Best Actress, for An Unexpected Hour in 2001 and Honour in 2004.
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Minnie Mouse
Minnie Mouse is a funny animal cartoon character created by Ub Iwerks and Walt Disney. She was first drawn by Iwerks in 1928, as was Mickey Mouse. The comic strip story The Gleam (published January 19–May 2, 1942) by Merrill De Maris and Floyd Gottfredson first gave her full name as Minerva Mouse; this full name is seldom used.
The comic strip story Mr. Slicker and the Egg Robbers (published September 22–December 26, 1930) introduced her father Marcus Mouse and her unnamed mother, both farmers. The same story featured photographs of Minnie's uncle Milton Mouse with his family and her grandparents Marshal Mouse and Matilda Mouse. Her best known relatives, however, remain her uncle Mortimer Mouse and her twin nieces, Millie and Melody Mouse, though most often a single niece, Melody, appears. In many appearances, Minnie is presented as the girlfriend of Mickey Mouse, a close friend of Daisy Duck, and usually a friend to Clarabelle Cow.
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Sketches of the Fair Sex, in All Parts of the World | Audiobook with subtitles
Sketches Of The Fair Sex ANONYMOUS ( - )
Sketches of the fair sex, in all parts of the world. To which are added rules for determining the precise figure, the degree of beauty, the habits, and the age of women, notwithstanding the aids and disguise of dress. It is our design to present a pleasing and interesting miscellany, which will serve to beguile the leisure hour, and will at the same time couple instruction with amusement. We have used but little method in the arrangement: Choosing rather to furnish the reader with a rich profusion of narratives and anecdotes, all tending to illustrate the FEMALE CHARACTER, to display its delicacy, its sweetness, its gentle or sometimes heroic virtues, its amiable weaknesses, and strange defects—than to attempt an accurate analysis of the hardest subject man ever attempted to master, viz—WOMAN. (Summary from the book)
Genre(s): Humorous Fiction, *Non-fiction, Psychology
Chapters:
0:20 | 1. In the following pages. The first woman and her antediluvian descendants. Woman in the patriarchal ages. Women of ancient Egypt. Modern Egyptian women. Persian women.
17:02 | 2. Grecian women. Grecian courtesans.
23:50 | 3. Roman women. Laws and customs respecting the roman women.
37:44 | 4. Women in savage life. Eastern women.
50:40 | 5. Chinese woman. African women.
58:36 | 6. Great enterprises of women in the times of chivalry. Other particulars respecting females during the age of chivalry.
1:11:54 | 7. French women. Italian women.
1:22:24 | 8. Spanish women. English women. Russian women.
1:34:42 | 9. The idea of female inferiority. Female simplicity.
1:52:19 | 10. The mild magnanimity of women. Female delicacy. Influence of female society.
2:11:53 | 11. Monastic life. Degrees of sentimental attachment at different periods.
2:28:24 | 12. German women. A view of matrimony in three different lights. Betrothing and marriage.
2:42:20 | 13. Female friendship.
2:48:49 | 14. On the choice of a husband.
3:09:35 | 15. A letter to a new married man. Garrick's advice to married ladies.
3:19:08 | 16. Origin of nunneries. Description of the great convent at Ajuda in Rio Janerio. Ceremony of the initiation of a nun.
3:28:22 | 17. Wedded love is infinitely preferable to variety. Italian debauchery. Naked fakiers. Mahometan plurality of wives.
3:39:26 | 18. Women of otaheite. Crim. Con. Of Claudius and Pompeii. A word to a very nice class of ladies.
3:49:00 | 19. Custom in the moghul empire. Custom of the muscovites. Sale of children to purchase wives. Polygamy and concubinage. Eunuchs. Girls sold at auction. Sale of a wife.
4:05:04 | 20. Punishment of adultery. Anecdote of cæsar. Power of marrying.
4:13:04 | 21. Celibacy of clergy. Desperate act of euthira.
4:19:56 | 22. Luxurious dress of Grecian ladies. Grecian courtship.
4:26:05 | 23. Power of philters and charms. Eastern courtship. Long hair of saxons and danes.
4:33:11 | 24. St. Valentine's day. Courts of love. Immodesty at Babylon. Indecency at Adrianople.
4:41:12 | 25. Ancient Swedish courtship. Lapland and Greenland lady.
4:46:57 | 26. Education of women in Asia and Africa. Religious festivals of the Greeks. The deaths of Lucretia and Virginia. On looking at the picture of a beautiful female.
4:59:06 | 27. Art of determining the precise figure, the degree of beauty, the habits, and the age, of women, notwithstanding the aids and disguises of dress.
5:18:46 | 28. The ideal of female beauty; or a description of the famous statue of the Venus de Medici. The first kiss of love. The death of Cleopatra.
5:35:39 | 29. An essay on matrimony (part 1).
5:51:52 | 30. An essay on matrimony (part 2).
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Religion in ancient Rome | Wikipedia audio article
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Religion in ancient Rome
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SUMMARY
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Religion in Ancient Rome includes the ancestral ethnic religion of the city of Rome that the Romans used to define themselves as a people, as well as the religious practices of peoples brought under Roman rule, in so far as they became widely followed in Rome and Italy. The Romans thought of themselves as highly religious, and attributed their success as a world power to their collective piety (pietas) in maintaining good relations with the gods. The Romans are known for the great number of deities they honored, a capacity that earned the mockery of early Christian polemicists.The presence of Greeks on the Italian peninsula from the beginning of the historical period influenced Roman culture, introducing some religious practices that became as fundamental as the cult of Apollo. The Romans looked for common ground between their major gods and those of the Greeks (interpretatio graeca), adapting Greek myths and iconography for Latin literature and Roman art, as the Etruscans had. Etruscan religion was also a major influence, particularly on the practice of augury. According to legends, most of Rome's religious institutions could be traced to its founders, particularly Numa Pompilius, the Sabine second king of Rome, who negotiated directly with the gods. This archaic religion was the foundation of the mos maiorum, the way of the ancestors or simply tradition, viewed as central to Roman identity.
Roman religion was practical and contractual, based on the principle of do ut des, I give that you might give. Religion depended on knowledge and the correct practice of prayer, ritual, and sacrifice, not on faith or dogma, although Latin literature preserves learned speculation on the nature of the divine and its relation to human affairs. Even the most skeptical among Rome's intellectual elite such as Cicero, who was an augur, saw religion as a source of social order. As the Roman Empire expanded, migrants to the capital brought their local cults, many of which became popular among Italians. Christianity was in the end the most successful of these, and in 380 became the official state religion.
For ordinary Romans, religion was a part of daily life. Each home had a household shrine at which prayers and libations to the family's domestic deities were offered. Neighborhood shrines and sacred places such as springs and groves dotted the city. The Roman calendar was structured around religious observances. Women, slaves, and children all participated in a range of religious activities. Some public rituals could be conducted only by women, and women formed what is perhaps Rome's most famous priesthood, the state-supported Vestals, who tended Rome's sacred hearth for centuries, until disbanded under Christian domination.
Von der Wende bis heute - Das Jahrhundert der Frauen - Teil 1
Das Jahrhundert der Frauen,die Wende.
Die Vereinbarkeit von Familie und Beruf wird in ganz Deutschland zum Thema. Mehr junge Frauen als junge Männer machen hierzulande Abitur. Eine Frau wird Kanzlerin. Aber eine Bankkauffrau in der Bundesrepublik verdient für die gleiche Arbeit auch heute noch statistisch zirka 20 Prozent weniger als ihr Kollege.
Weitere Stichworte dieser Folge: Geburtsvorbereitung für Paare, Schönheitswahn, Ehrenmorde, die erste deutsche Kanzlerin.