Places to see in ( Vicenza - Italy ) Torre Bissara
Places to see in ( Vicenza - Italy ) Torre Bissara
The Torre Bissara , also known as Torre di Piazza , is a civic tower that overlooks Piazza dei Signori in Vicenza , flanking the famous Basilica Palladiana . With its 82 meters it is one of the tallest buildings in the city. The first news dates back to 1174 when the tower was built, at the behest of the Bissari family , next to their building. Between 1211 and 1229 the municipality of Vicenza bought both the building (with the intention of making it the seat of the podestà ) and the tower. Escaped from the terrible earthquake of 25 January 1348 , it was elevated towards the middle of the fifteenth century reaching the current height. Inside were relics of saints and the five bells. There were numerous interventions that, over the centuries, followed one another to maintain the stability and beauty of the tower. At the base there was a triumphal arch with the war memorial, surmounted by a coat of arms and the sculptural group of the crowned Madonna, enthroned with the child and two saints. The marble bas-relief of the Lion of San Marco is placed a little higher up. On the sides there are commemorative plaques and in a niche there is a headless painting by Pallas Athena, perhaps from the Roman era.
On March 18, 1945, the tower (together with the Basilica Palladiana) was hit by an Anglo-American bombardment . The top of the tower burned and the dome fell to the ground; so the tower presented itself to the Vicentini, the next day, cut off. The bells were also detached, destroying themselves on the pavement of the square. Together with the Basilica in the following years the tower was rebuilt, not without controversy concerning the form, partly different from the original one. Not all the bells were also replaced so that the sphere indicating the lunar phases that was placed under the watch was not replaced.
In 2002 the project for a radical conservative restoration of the tower was approved. The intervention moved in two directions: a part concerning static consolidation (a problem always present in Vicenza given the rich presence of water in the subsoil), another concerning the restoration of surfaces, friezes and decorations. The dial has been painted cobalt blue (as it was originally thought), the sphere of the lunar phases has been repositioned (thanks to the donation of a well-known jewelery) and the bells have been repositioned (donated by the Rotary Club Vicenza Berici).
In addition to the normal sound of the hours and mid-hours, the characteristic of the tower is also the ninth hour. This is a particular melody composed by Maestro Valtinoni (restored only in 2005 ) that you hear playing seven minutes before midday and seven minutes before eighteen (originally in place of 18 played at 24). The main bell , in tone of Mi , was made in 1663 by the founder Cristoforo Murari.
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Vicenza
Vicenza, ripresa da un punto di vista insolito...quando ancora si poteva...
Video realizzato qualche anno fa ma ancora attuale.
Ponte degli Angeli
Palazzo Chiericati
Basilica Palladiana
Torre Bissara
Piazza dei Signori
Ponte San Michele
Duomo di Vicenza
San Lorenzo
Porta Castello
Ponte Pusterla
Riprese effettuate da IBG96 Videoproduzioni - Tutti i diritti riservati
Places to see in ( Vicenza - Italy ) Piazza dei Signori
Places to see in ( Vicenza - Italy ) Piazza dei Signori
In the center of Vicenza you will find, Piazza dei Signori, a rectangular square measuring 28-meters wide by 122-meters long, it’s surrounded by architectural masterpieces including Andrea Palladio’s Basilica Palladian and the Loggia del Capitaniato, along with Palazzo del Monte di Pietà, Chiesa di San Vincenzo, Torre Bissara and the Lion of St. Mark and Christ the Redeemer columns.
The City of Vicenza is a UNESCO World Heritage Site. Piazza dei Signori is the perfect place to begin getting acquainted with Vicenza, the “City of Palladio.” In 2012, the City of Vicenza re-opened the Basilica Palladian and now allows, at no charge, the public to explore the rooftop and the wrap-around loggia created by Andrea Palladio. This is a not-to-be-missed opportunity to take a few bird’s-eye view photos of the classic square of Vicenza.
This piazza was originally named the Foro Romano when the city was ruled from afar by the Roman Empire, then changed to Piazza Grande during the Middle Ages, and finally to Piazza dei Signori during the Renaissance when Vicenza fell under the control of the Signoria, the governing body of the Republic of Venice.
Piazza dei Signori hosts the weekly Tuesday and Thursday open-air markets, fills the night with concerts in a variety of musical genres throughout the year, showcases festivals for just about every occasion, and is the center for many Vicentini out for a stroll passagati or a pre-dinner aperitivo (cocktail) with friends.
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Campane di Vicenza - Torre Bissara - Piazza dei Signori
Tipica suonata tradizionale, la Nona. In origine doveva essere suonata all'ora nona, ovvero alle 15 ma nel tempo si è modificata l'usanza e per secoli ha suonato un motivetto a meno 7 minuti a mezzogiorno e mezzanotte. Colpita la torre durante la seconda guerra mondiale e perse alcune campane (tra le quali la campana Santa) ed il meccanismo solo nel 2005 si è riusciti a recuperare il tradizionale suono. Visti i problemi di disturbo nelle ore notturne ad oggi suona alle 11.53 e 17.53. Questa aria è stata composta dal M° P. Valtinoni.
Palladian Basilica, Vicenza, Veneto, Italy, Europe
The Basilica Palladiana is a Renaissance building in the central Piazza dei Signori in Vicenza, north-eastern Italy. The most notable feature of the edifice is the loggia, which shows one of the first examples of what have come to be known as the Palladian window, designed by a young Andrea Palladio, whose work in architecture was to have a significant effect on the field during the Renaissance and later periods. Since 1994, the Basilica Palladiana, together with other Palladian buildings in and around Vicenza, has been part of the UNESCO World Heritage Site City of Vicenza and the Palladian Villas of the Veneto. The building was originally constructed in the 15th century and was known as the Palazzo della Ragione, having been designed by Domenico da Venezia to include two pre-existing public palazzi. The building, which was in the Gothic style, served as the seat of government and also housed a number of shops on the ground floor. The 82-metre (269 ft)-tall Torre Bissara precedes this structure, as it is known from as early as 1172; however, its height was increased on this occasion, and its pinnacle was finished in 1444. It has five bells in the chord of E. The 15th-century edifice had an upside-down cover, partly supported by large archivolts, inspired by the one built in 1306 for the eponymous building of Padua. The Gothic façade was in red and gialletto marble of Verona, and is still visible behind the Palladio addition. A double order of columns was built by Tommaso Formenton in 1481-1494 to surround the palace. However, two years after its completion, the south-western corner collapsed. In the following decades, the Vicentine government called in architects such as Antonio Rizzo, Giorgio Spavento, Antonio Scarpagnino, Jacopo Sansovino, Sebastiano Serlio, Michele Sanmicheli and Giulio Romano to propose a reconstruction plan. However, in 1546 the Council of One Hundred chose a 40-year-old local architect, Palladio, to reconstruct the building starting from April 1549. Palladio added a new outer shell of marble classical forms, a loggia and a portico that now obscure the original Gothic architecture. He also dubbed the building a basilica, after the ancient Roman civil structures of that name.
The Basilica was an expensive project and took a long time to complete. Palladio received for the work an income of 5 ducats a month for most of his life. In 1614 thirty years after his death the building was completed, with the finishing of the main façade on Piazza delle Erbe. Drawings by Palladio, from his original proposal of 1546 to the final construction, have been preserved. His solution, which also encompasses the necessary measure to adapt the addition to the pre-existing structure, is based on the so-called serliana: this is a repetitive structure in which the round arcades are flanked by two rectangular openings; the latter were of different size, in order to match the variable size of the internal bay. In the angular arcades, the architrave openings become very narrow. The serliana had been already used in the Veneto some years before by Jacopo Sansovino for his Biblioteca Marciana (1537), as well as in the reconstruction of the Polirone Abbey by Giulio Romano (1540).
The loggias in the lower floor were in the Doric order; the associated entablature has a frieze which alternates metope and triglyphs. The upper-floor loggias, by contrast, are in the Ionic order, with a continuous frieze entablature. The parapet has statues by Giovanni Battista Albanese, Grazioli and Lorenzo Rubini. The clocktower has five bells in the chord of E major. Since 1994 the Basilica has been protected as part of the World Heritage Site also including the other Palladian buildings of Vicenza. The building now often hosts exhibitions in its large hall used for civic events. A large restoration project started in 2007. In 2014 it won the European Union Prize for Cultural Heritage / Europa Nostra Award.
Places to see in ( Vicenza - Italy ) Basilica Palladiana
Places to see in ( Vicenza - Italy ) Basilica Palladiana
The Basilica Palladiana is a Renaissance building in the central Piazza dei Signori in Vicenza, north-eastern Italy. The most notable feature of the edifice is the loggia, which shows one of the first examples of what have come to be known as the Palladian window, designed by a young Andrea Palladio, whose work in architecture was to have a significant effect on the field during the Renaissance and later periods.
The building was originally constructed in the 15th century and was known as the Palazzo della Ragione, having been designed by Domenico da Venezia to include two pre-existing public palazzi. The building, which was in the Gothic style, served as the seat of government and also housed a number of shops on the ground floor. The 82-metre (269 ft)-tall Torre della Bissara (or dei Bissari) precedes this structure, as it is known from as early as 1172; however, its height was increased on this occasion, and its pinnacle was finished in 1444. It has five bells in the chord of E. The 15th-century edifice had an upside-down cover, partly supported by large archivolts, inspired by the one built in 1306 for the eponymous building of Padua. The Gothic façade was in red and gialletto marble of Verona, and is still visible behind the Palladio addition.
A double order of columns was built by Tommaso Formenton in 1481-1494 to surround the palace. However, two years after its completion, the south-western corner collapsed. In the following decades, the Vicentine government called in architects such as Antonio Rizzo, Giorgio Spavento, Antonio Scarpagnino, Jacopo Sansovino, Sebastiano Serlio, Michele Sanmicheli and Giulio Romano to propose a reconstruction plan. However, in 1546 the Council of One Hundred chose a 40-year-old local architect, Palladio, to reconstruct the building starting from April 1549. Palladio added a new outer shell of marble classical forms, a loggia and a portico that now obscure the original Gothic architecture. He also dubbed the building a basilica, after the ancient Roman civil structures of that name.
The Basilica was an expensive project (some 60,000 ducats once finished) and took a long time to complete. Palladio received for the work an income of 5 ducats a month for most of his life. In 1614—thirty years after his death—the building was completed, with the finishing of the main façade on Piazza delle Erbe.
Drawings by Palladio, from his original proposal of 1546 to the final construction, have been preserved. His solution, which also encompasses the necessary measure to adapt the addition to the pre-existing structure, is based on the so-called serliana: this is a repetitive structure in which the round arcades are flanked by two rectangular openings; the latter were of different size, in order to match the variable size of the internal bay. In the angular arcades, the architrave openings become very narrow. The serliana had been already used in the Veneto some years before by Jacopo Sansovino for his Biblioteca Marciana (1537), as well as in the reconstruction of the Polirone Abbey by Giulio Romano (1540).
The loggias in the lower floor were in the Doric order; the associated entablature has a frieze which alternates metope (decorated by dishes and bucrania) and triglyphs. The upper-floor loggias, by contrast, are in the Ionic order, with a continuous frieze entablature. The parapet has statues by Giovanni Battista Albanese, Grazioli and Lorenzo Rubini. The clocktower has five bells in the chord of E major.
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CROLLA A TERRA LA CORONA IN MEMORIA DELLA TORRE BISSARA | A3 NEWS Veneto 16/03/2019
VICENZA -
Crollata a terra nel cuore della notte la corona in memoria ai caduti del 1848 della Torre Bissara in Piazza dei Signori a Vicenza. E' intervenuta la polizia. Il sindaco Rucco in sopralluogo
- Servizio Chiara Gaiani, montaggio Simone Squarcina - Segui Antennatre anche sul digitale terrestre! Visita il sito antennatre.it per ulteriori informazioni.
Top 15 Things To Do In Vicenza, Italy
Cheapest Hotels To Stay In Vicenza -
Best Tours To Enjoy Vicenza -
Cheap Airline Tickets -
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Here are top 15 things to do in Vicenza, Italy
All photos belong to their rightful owners. Credit next to name.
1. Parco Querini -
2. Vicenza Museo Civico -
3. Torre Bissara -
4. Basilica Palladiana - Shutterstock
5. Villa Valmarana -
6. Vicenza Cathedral - Shutterstock
7. La Rotonda - Shutterstock
8. Corso Andrea palladio -
9. Chiesa di Santa Corona -
10. Teatro Olimpico - Shutterstock
11. Piazza dei Signori - inalex / Shutterstock.com
12. Museo Palladiano -
13. Ponte San Michele -
14. Santuario di Monte Berico - Shutterstock
15. Take a day trip to Verona - Shutterstock
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Pronti Partenza...Via - VICENZA e le architetture palladiane #documentario
In questa puntata di Pronti Partenza ...Via viene presentata VICENZA, città veneta tutelata dall'UNESCO per le sue architetture, in buona parte opera di Andrea Palladio.
Il centro storico è abbellito da numerosi eleganti palazzi rinascimentali e in stile gotico veneziano. Il cuore della città è la Basilica Palladiana, con il suo doppio loggiato a serliane e la copertura a carena di nave rovesciata, che insieme alla cupola del Duomo e la snella Torre Bissara rendono inconfondibile il profilo di Vicenza.
Uno dei gioielli custoditi in città è il Teatro Olimpico, progettato da Palladio e terminato da Vincenzo Scamozzi, dotato di una straordinaria scena lignea fissa che da l'illusione prospettica della profondità; è il teatro stabile coperto più antico d'Europa.
Una realizzazione di Fabrizio Vaghi e Paolo Vaghi
Testi, grafica, montaggio e regia di Fabrizio Vaghi
Una produzione Vaghi per il mondo
Puntata condotta da Fabrizio Vaghi e Alessandra Frassoni,
con le immagini esclusive della città vista dalla terrazza della Basilica e dell'interno del Teatro Olimpico, per cui si ringrazia il Comune di Vicenza.
Tutti i diritti riservati, Vaghi per il mondo, 2013 -
Vietata la duplicazione e la diffusione non autorizzata al di fuori del canale
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Guarda altre puntate di Pronti Partenza...Via, alla scoperta delle più belle città d'arte in Italia:
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Campane di Vicenza-Torre Bissara
Campane della Torre Bissara (o Torre di Piazza), Piazza dei Signori, Vicenza (Vicènsa in lingua veneta).
Rintocchi delle 9:00.
Dati:
Concerto di 5 campane in Mi3 fisse.
I-Mi3, fusa da Cristoforo Murari di Vicenza nel 1663.
II-La3, fusa da Giovanni Colbachini di Vicenza nel 1843.
III-Si3, fusa dalla Fonderia Colbachini di Padova nel 2005.
IV-Do#4, fusa dalla Fonderia Colbachini di Padova nel 2005.
V-Re4, fusa dalla Fonderia Colbachini di Padova nel 2005.
In sottofondo i rintocchi del Duomo (vedi video precedente).
Con i suoi 82 metri risulta essere l'edificio più alto della Città di Vicenza, e una tra le più alte torri del Veneto e d'Italia.
Ringrazio Flavioswing per i dati.
Video dedicato a Bellringer Deveà dato che è stato fatto nel giorno del suo compleanno.
Places to see in ( Vicenza - Italy ) Duomo di Vicenza
Places to see in ( Vicenza - Italy ) Duomo di Vicenza
Vicenza Cathedral is a Roman Catholic cathedral in Vicenza, Veneto, northern Italy. It is the seat of the Bishop of Vicenza, and is dedicated to the Annunciation of the Virgin Mary. Construction of the cathedral was begun in 1482, to plans by Lorenzo of Bologna, and completed in the 1560s. The cupola was planned by Andrea Palladio and probably the north doorway also.
Only the original façade survived the bombing of World War II; the rest of the present building has been reconstructed. The maestri di cappella include Fra Ruffino d'Assisi (1525–31), Nicola Vicentino (1563–65), Giammateo Asola and his pupil Leone Leoni (1588-1627).
The original facade is Gothic and attributed to Domenico da Venezia 16th century. It is divided into four sections: the lower one has five arches in transoms, the second with arches in the center of an oculus, the third is smooth, the fifth is decorated with five statues (and two pinnacles added in 1948).
It is slightly detached from the church and placed in the street that runs along the south side of the cathedral. It rests on a 10th-century stone base, the bell tower dates from the twelfth century and has five bells, in the chord of Eb, the oldest still in place was cast in the seventeenth century.
The first chapel on the left, Thiene chapel with funerary monument to Lavinia Thiene, by Giulio Romano (1544) and on the right wall, a cenotaph with the arms of the Thiene family and Saint Cajetan.
Second chapel on the left, an oil on canvas by Alessandro Maganza: Adorazione della Vergine con gli Angeli 1581
Third chapel on the left dedicated to the Loschi family. Above the altarpiece are the arms of the family. Tombstones of Alfonso Loschi and Antonio Loschi. The fourth chapel on the left shows an oil on canvas Madonna col bambino tra le Sante Maddalena e Lucia, by Bartolomeo Montagna. Fifth chapel on the left : Chapel of the Incoronata or Gonfalone built in 1426 by the ancient fraglia of S. Maria, transformed around 1591 in the Confraternity of the Gonfalone.
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Vicenza - Piazza dei Signori e Basilica Palladiana
Piazza dei Signori
Piazza delle Erbe
Basilica Palladiana
2007-12: Campane a carillon di Vicenza - Torre Bissara
Carillon serale dall'antica Torre Bissara. -
Vicenza 2017-3 Cattedrale di Santa Maria Annunciata - Rosano
Vicenza 2017-3 - Cattedrale di Santa Maria Annunciata.
Vicenza: la terrazza della Basilica Palladiana (settembre 2013)
Vicenza: la terrazza della Basilica Palladiana / Vicenza: the terrace of the Basilica Palladiana / Vicence: la terrace de la Basilique Palladienne / Vicenza: die Terrasse der Basilica Palladiana / Vicenza: la terraza de la Basílica Palladiana / Vicenza: het dakterras van de Basilica Palladiana
The Torre di Piazza and the Basilica
The Torre di Piazza and the Basilica in Vicenza. Torre di Piazza e Basilica palladiana, Picture of Vicenza, Province of Vicenza.
Places to see in ( Vicenza - Italy ) Loggia del Capitaniato
Places to see in ( Vicenza - Italy ) Loggia del Capitaniato
The palazzo del Capitaniato, also known as loggia del Capitanio or loggia Bernarda, is a palazzo in Vicenza, northern Italy, designed by Andrea Palladio in 1565 and built between 1571 and 1572. It is located on the central Piazza dei Signori, facing the Basilica Palladiana. Palazzo del Capitaniato, floor plan (Pereswet-Soltan, 1969). The palazzo is currently used by the town council. It was decorated by Lorenzo Rubini and, in the interior, with frescoes by Giovanni Antonio Fasolo. Since 1994 the palace has been part of the UNESCO World Heritage Site of the City of Vicenza and the Palladian Villas of the Veneto.
When one compares the Gothic arches of the Palazzo Ducale in Venice with the loggias of Palladio’s Basilica, inspired by the classical language of ancient Rome (and even more if one compares the 16th-century (Cinquecento) palazzi of Vicenza with those on the Grand Canal), the Vicentines’ desire to emphasise their cultural autonomy from the architectural models of La Serenissima becomes quite clear. Nevertheless, twenty years later, when the Citizen Council commissioned for the same piazza the refacing of the official residence of the Venetian Captain (the military head in charge of the city on behalf of the Venetian Republic), it would again fall to Palladio to undertake the work, and the contest, if any, was between two extraordinary architectures rising one in front of the other.
It is extremely rare for any architect to have the opportunity to intervene twice in the same place, after an interval of twenty years. The young architect of the Basilica, then still under the supervision of Giovanni da Porlezza, had by now become the celebrated creator of several important buildings: churches, palaces and villas for the dominant élite of the Veneto. Palladio chose not to have the two buildings converse: against the purism of the Basilica’s double-storey arcades, we find the Loggia’s colossal engaged composite columns, and while the Basilica was executed in white stone and devoid of decoration (if one ignores the design of architectural elements like the frieze, keystones and statues), the Loggia abounds in rich stucco decorations.
Both the use of the giant order and this decorative richness are twin traits peculiar to Palladio’s architectural idiom in the last decade of his life. However, the chromatic contrast between the white of the stone and the red of the brick (even though desired by Palladio in the Convento della Carità in Venice) is only the product of the original surfaces’ degradation: ample remains of the light stucco which once covered the bricks are still quite visible, just below the great Composite capitals.
The Palladian loggia replaced an analogous building which had stood on the same site from the Middle Ages, and which had already been reconstructed at least twice during the Cinquecento: a covered public loggia on the ground floor and an audience hall on the upper storey. The new construction became economically viable in April 1571 and works began immediately. Palladio supplied the last drawings for the moulding templates in March 1572 and by the end of that year the building would have been roofed, since Giannantonio Fasolo could paint the lacunars of the audience hall while Lorenzo Rubini could execute the stuccoes and statues.
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Piazza dei Signori - Vicenza, Italy
A UNESCO World Heritage Site, Piazza dei Signori is the perfect place to stretch your legs and begin getting acquainted with the City of Vicenza, one of the Veneto region's crown jewels.
TG VICENZA (21/05/2018) - PIAZZA DEI SIGNORI . LA BELLEZZA, TRA MODA E MOTORI DEL PASSATO
TG VICENZA (lunedì 21 maggio 2018) - Eccoci a “spiare” nel back-stage, gli ultimi preparartivi prima dell'avvio della manifestazione “C'era una volta l'arte e la moda”. Auto e stile del secolo scorso abbinati. Una scelta precisa che ha richiesto una grande preparazione.
Ed ecco l'avvio della manifestazione. Ora tocca alla giuria esaminare ogni dettaglio di ciascuna delle 25 auto, esposte da Astego Motori.
Presenti i blasoni prestigiosi, che hanno fatto la Storia dell'auto. Uno spettacolo che ha coinvolto tutto il centro storico. Un omaggio a Vicenza. Da Piazza dei Signori, il giro d'onore ha attraversato Corso Palladio.
Ed eccoci alle premiazioni. 2° posto Ex-equo per una Vauxall del '29 e una Chevrolet Indipendence del 1930. Al primo posto..
Si conclude cosi la sesta edizione di questa manifestazione, premiata anche dal Meteo favorevole. Ma qual'è il collante, il segreto che tenuto insieme queste persone che desiderano continuare questa tradizione. (