Conegliano a Casa di Giambattista Cima da Conegliano
La casa del pittore Giovanni Battista Cima è uno dei musei di Conegliano. E’ situata nel centro storico, dietro al duomo.
E’ anche sede della fondazione dedicata al Cima da Conegliano, con arredamento d’epoca.
Cima da Conegliano & Giovanni Antonio Boltraffio: 104 Paintings (HD) [High Renaissance]
Cima da Conegliano & Giovanni Antonio Boltraffio: 104 Paintings (HD) [High Renaissance]
Cima da Conegliano
#Cima da #Conegliano
Giovanni Battista Cima
- Born: c.1459; Conegliano, Italy
- Died: c.1517; Conegliano, Italy
- Nationality: Italian
- Art Movement: High Renaissance
- Painting School: Venetian School
- Field: painting
Wikipedia: en.wikipedia.org/wiki/Cima_da_Cone
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Giovanni Battista Cima, also called Cima da Conegliano (c. 1459 – c. 1517), was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school, though he was also influenced by Antonello da Messina, in the emphasis he gives to landscape backgrounds and the tranquil atmosphere of his works. Once formed his style did not change greatly. He mostly painted religious subjects, often on a small scale for homes rather than churches, but also a few, mostly small, mythological ones.
He often repeated popular subjects in different versions with slight variations, including his Madonnas and Saint Jerome in a Landscape. His paintings of the Madonna and Child include several variations of a composition that have a standing infant Jesus, which in turn are repeated several times.
In 1488 the young painter was at work at Vicenza; in 1492 he established himself at Venice, but by the summer of 1516 he had returned to his native place. Cima married twice, his first wife, Corona, bore him two sons, the older of whom took Holy orders at Padua. By Joanna, his second wife, he had six children, three being daughters.
His oldest painting inscribed with a date is the Madonna of the Arbour (1489; now in Museum of Vicenza). This picture is done in distemper and savours so much of the style of Bartolomeo Montagna, who lived at Vicenza from 1480, as to make it highly probable that Cima was his pupil. Even in this early production Cima gave evidence of the serious calm, and almost passionless spirit that so eminently characterized him. Later he fell under the influence of Giovanni Bellini and became one of his ablest successors, forming a happy, if not indispensable link between this master and Titian.
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Giovanni Antonio Boltraffio
#Giovanni #Antonio #Boltraffio
- Born: c.1466; Milan, Italy
- Died: 1516; Italy
- Nationality: Italian
- Art Movement: High Renaissance
- Painting School: Lombard School
- Field: painting
- Teachers: Leonardo da Vinci
Wikipedia: en.wikipedia.org/wiki/Giovanni_Antonio_Boltraffio
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Giovanni Antonio Boltraffio (or Beltraffio) (1466 or 1467 – 1516) was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci. Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan
His major painting of the 1490s is the Resurrection (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A Madonna and Child in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento.
In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he produced his masterwork, the Pala Casio for the Church of the Misericordia (Louvre Museum); it depicts a Madonna and Child with John the Baptist and Saint Sebastian and two Kneeling Donors, Giacomo Marchione de' Pandolfi da Casio and his son, the Bolognese poet Girolamo Casio,[3] who mentioned Boltraffio in some of his sonnets. Boltraffio's portrait of Girolamo Casio is at the Pinacoteca di Brera, Milan.
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Cima da Conegliano
Mostra di Giovanni Battista Cima, maestro del colore, a Conegliano nel Palazzo Sarcinelli dal 26 Febbraio al 2 Giugno 2010. Verranno esposte opere provenienti dai musei di tutto il mondo
Gallerie dell'Accademia di Venezia - Acervo Permanente
A L'Accademia di Belle Arti di Venezia foi fundada em 1750 pelo Senado Veneziano como sendo a escola de pintura, escultura e arquitetura de Veneza. É conhecida simplesmente como Accademia. Seu primeiro presidente foi Giambattista Piazzetta, junto com o conselheiro Giambattista Pittoni. A intenção era reproduzir a mesma Accademia que já existia em outras cidades, como Roma (Accademia di San Luca), Milão e Bolonha (Accademia Clementina). Foi a primeira instituição a estudar a restauração de obras de arte em 1777. Entre seus professores estiveram Tiepolo, Hayez, Arturo Martini, Carlo Scarpa e Emilio Vedova.
A Accademia apresenta obras de vários artistas, entre eles: Giambattista Tiepolo, Giovanni Battista Pittoni, Tintoretto, Tiziano, Vasari, Leonardo da Vinci, Gentile Bellini, Giovanni Bellini, Bernardo Bellotto, Canaletto, Carpaccio, Rosalba Carriera, Cima da Conegliano, Fetti, Luca Giordano, Francesco Guardi, Giorgione, Johann Liss, Charles Le Brun, Pietro Longhi, Lorenzo Lotto, Mantegna, Michele Marieschi, Antonello da Messina, Piazzetta, Preti,Veronese (Paolo Caliari), Alvise Vivarini e Giuseppe Zais.
Músicas: Grupo Medusa (LP Ferrovias - Gravadora Som da Gente)
Mostra Giorgio Celiberti - I Crittogrammi dell'Anima
La mostra raccoglie opere di Giorgio Celiberti dai mari alle finestre fino ad arrivare alle stele, sparse in tutta la città di Conegliano (TV).
La mostra è organizzata dall'Associazione culturale prospettive che è nata a Conegliano (Tv) nel 2001 per dare risalto agli artisti contemporanei e non del nostro territorio.
La Mostra di Giorgio Celiberti apre l'8 Aprile 2006 e si conclude il 21 Maggio 2006, presso la Casa Museo del Cima.