St Mary of the Angels in Assisi, 3 Aug 17
St Mary of the Angels in Assisi, 3 Aug 17
Places to see in ( Levanto - Italy )
Places to see in ( Levanto - Italy )
Levanto is a comune in the province of La Spezia in the Italian region Liguria, located about 60 kilometres southeast of Genoa and about 20 kilometres northwest of La Spezia. The town is on the coast at the end of a valley, thickly wooded with olive and pine trees. The ridges on either side of the valley thrust out into the sea as the headlands of Mesco and Levanto. The municipality forms part of the coastal district known as the Comunità Montana della Riviera Spezzina, and part of its territory is included in the Cinque Terre National Park.
In Roman times there was already a small settlement by the name of Ceula on the hills. This constituted an important nodal point due to its location. At the beginning of the 9th century, the bell tower of the present church, the Chiesa di San Siro, served as a watchtower and as a defence against dangers from the sea. From the 13th century, however, the importance of the area began to decline – this to the advantage of Levanto itself, which was expanding by the sea.
Levanto first became the feudal stronghold of the Malaspina, before passing to the Da Passano and then, in 1229, to the Republic of Genoa. In the Middle Ages, the village became a centre of commercial activity, benefiting from maritime and overland communications, the most important of the latter being the via Francigena. In the post-Medieval period, the village saw major development with the construction of the Borgo Nuovo or Stagno on the plain of the Ghiararo. This survives today and is characterised by interesting 17th and 18th century buildings. A further phase of urban development took place at the turn of the 19th and 20th centuries with the opening of two thoroughfares, the present Corso Italia and Corso Roma. From 1950, the village experienced further growth culminating during the 1970s in the present townscape.
Alot to see in Levanto such as :
Medieval castle, built to defend the village and still in a state of perfect conservation.
church of Sant'Andrea (Church of Saint Andrew). An example of 13th century Ligurian Gothic style with its façade decorated in black and white bands, and a magnificent rose window surmounting the main door. The chalice of emperor Henry VII is one of its treasures, and displayed only on special occasions such as the festival of the patron saint.
Church of Santa Maria della Costa' (Church of Saint Mary of the Coast)
Villa Agnelli. Its gardens were landscaped at the beginning of the 20th century.
Piazza della Loggia, characterized by a 13th-century loggia, which in 2007 received from UNESCO the title of monument being evidence of culture and peace.
Piazza Cavour, in earlier times the inner courtyard of the Monastero delle Ordine di Santa Chiara (Monastery of the Order of St Claire). The town hall, the public library and other municipal offices are accommodated under its portico.
Festival Massimo Amfiteatrof, classical and chamber music festival dedicated to Russian born cellist Massimo Amfiteatrof. June/July - September.
Festa di San Giacomo (Feast of St James) and Festa del Mare (Festival of the Sea). 24–25 July.
Festa di Nostra Signora della Guardia Traditional band concert. 29 August.
Sagra del Gattafin (fried pastry stuffed with beets, onions, egg and grated cheese) in June.
Festa Madonna del Soccorso 1–2 July in Fontona (a little village near Levanto)
( Levanto - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Levanto . Through a series of videos we will try to show you recommended places to visit in Levanto - Italy
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Cremona Cathedral, Cremona, Lombardy, Italy, Europe
Cremona Cathedral, dedicated to the Assumption of the Blessed Virgin Mary, is a Roman Catholic cathedral in Cremona, Lombardy, northern Italy. It is the seat of the Bishop of Cremona. Its bell tower is the famous Torrazzo, symbol of the city and tallest pre-modern tower in Italy. Also adjoining is the baptistery, another important medieval monument. Originally built in Romanesque style, the cathedral has been restored and extended several times, with Gothic, Renaissance and Baroque elements. Construction began in 1107, but the works were damaged and halted after an earthquake in 1117. Construction resumed in 1129, and the building was probably finished in 1160-1170. The main altar, dedicated to the city's patron saints Archelaus and Himerius, was consecrated in 1196. The current façade was probably built in the 13th and the early 14th century. In the same period the arms of the transept were also added: the northern in 1288 and the southern in 1348. The main façade, together with the adjoining baptistery, is one of the most important monuments of Romanesque art in Europe. It has a portico with a narthex in the middle, to which a Renaissance loggia with three niches was added in 1491. This is surmounted by a large rose window, flanked by two orders of loggette (small loggias). The portal is probably from the early 12th century. On its side are the figures of the Four Major Prophets, each bearing a roll with the text of their prophecies. The narthex was made by masters from Campione in the following century: it incorporates an older frieze portraying the Labours of the Months (late 12th century, inspired by that in the Baptistery of Parma). The four statues on the upper loggia, portraying the Madonna with Child and two bishops, are of the Tuscan school (1310). The columns of the narthex stand on two lions in Verona marble. The left one is holding a dragon, symbol of Evil, in his paws, while the right one is holding a bear, which in turn is biting a bird's neck. On the façade are also two tombs: the more recent one (mid-14th century) is by Bonino da Campione. The façade of the northern arm of the transept (late 13th century) also has a narthex; and its columns also have two lions at the base. It is characterized by a sequence of mullioned windows and rose windows. The façade of the southern arm of the transept dates from 1342, and is in brickwork, as is typical in Lombard Gothic architecture. Its structure is similar to the northern arm, but has slightly more detailed decoration. The three apses are all surmounted by loggias with small columns, each having a human face stretching out from the capital. The central apse is much higher than the flanking ones. The interior houses important works of art. The oldest are the frescoes of the Stories of Abraham, Isaac, Jacob and Joseph in the southern and northern transept vaults (late 14th-early 15th century). Also from the Renaissance are the arch of the Stories of the Martyrs Marius and Marta, Audifax and Habakkuk, martyrs in Persia (best known as Arch of the Persian Martyrs, 1482), and the relief of Saint Himerius (1481-1484), both works by Giovanni Antonio Amadeo. Also notable is the urn of Saints Marcellinus and Peter, sculpted mostly by Benedetto Briosco (1506-1513), in the crypt. The wooden choir, with inlay work by Platina (1482-1490), and the contemporary large altar cross in silver and gold, by Ambrogio Pozzi and Agostino Sacchi (1478), in the right aisle of the northern transept, are also notable. The most important figurative complex of the cathedral is the fresco decoration on the side walls of the nave (early 16th century), portraying the Life of Mary and Christ. Different painters collaborated to its execution: the first was Boccaccio Boccaccino (with Annunciation to Joachim and Jesus with the Doctors), who, in 1506, had already painted a Redemeer with Cremona's Patron Saints in the apse vault. He was succeeded by Giovan Francesco Bembo (Epiphany and Presentation at the Temple) and Altobello Melone (Flight to Egypt, Massacre of the Innocents and the first four panels of the Passion of Christ), who both adopted a less classicist style. Next came Girolamo Romanino, author of the scenes from Jesus before Pilatus to Ecce Homo, who painted some of his masterworks here. The last scenes of the Passion were executed by Il Pordenone, who was also responsible of the large Crucifixion (1521), the Deposition (1521, counterfaçade) and the Schizzi Altarpiece (before 1523, on the first altar in the right aisles), the latter inspired by Giorgione's style. The complex was completed by Bernardino Gatti with the Resurrection (1529). Other frescoes were added in the mid-16th century by Mannerist painters, including Gatti himself, Bernardino Campi and others. In the 17th century Il Genovesino added the Life of St. Roch in the northern transept.
Lesser bells, Florence, Duomo
Campanile Giotto, Florence Duomo
St. Gemma Galgani HD
St. Gemma Galgani, also known as the Flower of Lucca, was an Italian mystic born on March 12, 1878.
At a very young age, Gemma developed a love for prayer. Throughout her life, she had mystical experiences and special graces. They were often misunderstood and ridiculed by others.
Gemma loved the poor greatly and helped them in any way she could. After her father's death, 19-year-old Gemma became the mother-figure for her seven brothers and sisters.
She wished to become a nun, but her poor health prevented her from being accepted.
On June 8, 1899, Gemma felt an internal warning that some unusual grace was to be granted to her. She felt pain and blood coming from her hands, feet and heart. These were the marks of the stigmata. Each Thursday evening, Gemma would fall into rapture and the marks would appear.
They remained until the following Friday afternoon or Saturday morning. When the bleeding stopped, the wounds closed, and only white marks remained in their place. Gemma's stigmata continued until she prayed for them to stop due to her declining health.
Gemma then went to live where she was allowed more freedom for her spiritual life than she was at home. She was frequently found in a state of ecstasy and on one occasion she was believed to have levitated.
During apostolic investigations into her life, all witnesses testified that there was no artfulness in Gemma's manner.
In January of 1903, Gemma was diagnosed with tuberculosis. At the start of Holy Week in 1903, Gemma began suffering greatly. She died at age 25 on Holy Saturday, April 11.
St. Gemma Galgani was beatified in 1933 by Pope Pius the 11th and canonized in 1940, only 37 years after her death, by Pope Pius the 12th.
She is the patron saint against temptations, the death of parents, of students, of pharmacists, and against tuberculosis. Her feast day is celebrated on April 11.
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St.Mark's Opera Florence
St.Mark's Opera Florence, Romano Martinuzzi as Don Basilio in G.Rossini's The Barber of Seville, I.Act La Calunnia
Sculpting with Color in Renaissance Florence: An Introduction to the Della Robbia Exhibition
6 History Of Hertfordshire Balloon Corner Welham Green
The intrepid Airman had taken off from the Royal Artillery Ground in London soon after 2pm. He carried with him a dog and a cat. He came down to earth again minus the cat at about 4.15pm.
The cat's escape would seem to be explained by the Balloon stone at Welham Green. There is an inscription on the stone which says:
Near this spot at 3.30 in the afternoon on September 15th 1784, Vincenzo Lunardi, the Italian balloonist made his first landing while on his pioneer flight in the English atmosphere. Having handed out a cat and a dog, his partners of the flight from London, he re-ascended and continued north-eastward. As if to reinforce the fact a nearby road is called Vincenzo Close.
Explore Tuscany with Perillo Tours
Enjoy the sights and sounds of the beautiful Tuscany, Italy with Perillo Tours customers and guides.
Assisi Power Journey, Discovering Jesus and the Sacred Feminine
Journey with us to Assisi, to follow in the footsteps of the Christian mystics, St. Francis and St. Clare, and explore their lives through the lens of Jesus and the Divine Feminine. This slideshow captures the Power Journey to Assisi with Ramakrishna Jenkins and Monika Taylor Penukonda, led on September 8-15, 2018.
Participants immersed themselves in the spiritual vibrations of Assisi and the sacred places connected with St. Francis and St. Clare, to learn the story of Jesus, Mother Mary, Mary Magdalene, and the Goddess Mahakali, as written in ancient palm manuscripts from India. The program explored the lives of St. Francis and St. Clare in the same light - as Shiva and Shakti -- the sacred masculine and the sacred feminine.
The Assisi Power Journey was organized by Paramshiva Way in partnership with the Divine Lineage Healing Center.
Learn more about the next power journey and the sacred masculine and feminine:
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Ave Maria
by Vigneshwara & Sabeenamayi
From the album Ave Maria, 2002
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Fr. Paul Keller O.P. & Jimmy Akin: Open Forum - Catholic Answers Live - 12/13/18
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HOUR 1: Fr. Paul Keller O.P. - Open Forum
HOUR 2: Jimmy Akin - Open Forum
Catholic Answers Live - 12/13/18
Tuscany tour 2014
Day 1 - Teaser Film.
Today we have been travelling to Pisa, visiting Montecatini and going for a glorious swim. All pupils have had a fabulous time and are a real credit to Dunblane HS. We are now tucked up in bed ready for a wonderful performance in Pisa Cathedral tomorrow. More videos to follow...
HSN | The List with Colleen Lopez 06.07.2018 - 09 PM
Curator and host Colleen Lopez takes the guesswork out of style by showcasing her weekly favorites.
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✅ TOP 10: Things To Do In Pisa
Things To Do In Pisa Italy, this video breaks down the best things to do in Pisa Italy.
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If you're looking for the top things to do in Pisa, free things to do in Pisa, things to do on a stag weekend in Pisa, weird things to do in Pisa, top 10 things to do in Pisa or the 10 best things to do in Pisa Italy then this video will be of help to you.
We cover both the things to do and see in Pisa Italy and the best things to do in Pisa Italy. If you're wondering what to do in Pisa and are going to visit Pisa then this Pisa travel guide should be of help.
Immaculate Heart of Mary | Wikipedia audio article
This is an audio version of the Wikipedia Article:
Immaculate Heart of Mary
Listening is a more natural way of learning, when compared to reading. Written
language only began at around 3200 BC, but spoken language has existed long ago.
Learning by listening is a great way to:
- increases imagination and understanding
- improves your listening skills
- improves your own spoken accent
- learn while on the move
- reduce eye strain
Now learn the vast amount of general knowledge available on Wikipedia through
audio (audio article). You could even learn subconsciously by playing the audio
while you are sleeping! If you are planning to listen a lot, you could try using
a bone conduction headphone, or a standard speaker instead of an earphone.
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This video uses Google TTS en-US-Standard-D voice.
SUMMARY
=======
The Immaculate Heart of Mary is a devotional name used to refer to the interior life of the Blessed Virgin Mary, her joys and sorrows, her virtues and hidden perfections, and, above all, her virginal love for God the Father, her maternal love for her son Jesus, and her compassionate love for all people.The Eastern Catholic Churches occasionally utilize the image, devotion, and theology associated with the Immaculate Heart of Mary. However, this is a cause of some controversy, some seeing it as a form of liturgical latinisation. The Roman Catholic view is based on Mariology, as exemplified by Pope John Paul II's Apostolic Letter Rosarium Virginis Mariae.Traditionally, the heart is depicted pierced with seven wounds or swords, in homage to the seven dolors of Mary. Also, roses or another type of flower may be wrapped around the heart.
Marian art in the Catholic Church | Wikipedia audio article
This is an audio version of the Wikipedia Article:
00:01:46 1 Blending of art, theology and spirituality
00:07:30 2 The diversity of Marian art
00:08:21 3 Early veneration
00:09:52 4 Mother of God
00:12:11 4.1 Nativity of Jesus
00:14:31 4.2 Madonna
00:16:21 4.2.1 Some key Madonnas
00:17:34 4.2.1.1 Latin America
00:18:35 4.2.1.2 Italy and Spain
00:19:27 4.2.1.3 Central and Northern Europe
00:20:14 4.3 Mary in the Life of Christ
00:22:19 5 Perpetual virginity
00:24:39 6 Immaculate Conception
00:26:34 6.1 Depiction of the Immaculate Conception
00:29:53 7 Assumption of Mary
00:32:07 8 Queen of Heaven
00:33:27 9 Our Lady of the Keys and of the end of Times
00:35:58 10 Apparitions
00:37:54 11 Distinguishing characteristics
00:41:00 12 Galleries of Marian art
00:41:10 12.1 Perpetual virginity
00:41:24 12.2 Birth of Jesus
00:41:37 12.3 Adoration of the shepherds
00:41:51 12.4 Adoration of the Magi
00:42:03 12.5 Madonna paintings
00:42:16 12.5.1 Pre 15th century
00:42:27 12.5.2 15-16th century
00:42:39 12.5.3 Post 16th century
00:42:50 12.6 Madonna frescos
00:43:04 12.7 Madonna statues
00:43:18 12.8 Mary in the Life of Christ
00:43:30 12.9 Immaculate conception
00:43:44 12.10 Assumption into Heaven
00:43:57 12.11 Queen of Heaven
00:44:10 12.12 Apparitions
Listening is a more natural way of learning, when compared to reading. Written language only began at around 3200 BC, but spoken language has existed long ago.
Learning by listening is a great way to:
- increases imagination and understanding
- improves your listening skills
- improves your own spoken accent
- learn while on the move
- reduce eye strain
Now learn the vast amount of general knowledge available on Wikipedia through audio (audio article). You could even learn subconsciously by playing the audio while you are sleeping! If you are planning to listen a lot, you could try using a bone conduction headphone, or a standard speaker instead of an earphone.
Listen on Google Assistant through Extra Audio:
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I cannot teach anybody anything, I can only make them think.
- Socrates
SUMMARY
=======
The Blessed Virgin Mary has been one of the major subjects of Western Art for centuries. Numerous pieces of Marian art in the Catholic Church covering a range of topics have been produced, from masters such as Michelangelo and Botticelli to works made by unknown peasant artisans.Marian art forms part of the fabric of Roman Catholic Marian culture through their emotional impact on the veneration of the Blessed Virgin. Images such as Our Lady of Guadalupe and the many artistic renditions of it as statues are not simply works of art but are a central elements of the daily lives of the Mexican people. Both Hidalgo and Zapata flew Guadalupan flags and depictions of the Virgin of Guadalupe continue to remain a key unifying element in the Mexican nation. The study of Mary via the field of Mariology is thus inherently intertwined with Marian art.The body of teachings that constitute Roman Catholic Mariology consist of four basic Marian dogmas: Perpetual virginity, Mother of God, Immaculate conception and Assumption into Heaven, derived from Biblical scripture, the writings of the Church Fathers, and the traditions of the Church. Other influences on Marian art have been the Feast days of the Church, Marian apparitions, writings of the saints and popular devotions such as the rosary, the Stations of the Cross, or total consecration, and also papal initiatives, and Marian papal encyclicals and Apostolic Letters.
Each of these fundamental Mariological beliefs has given rise to Roman Catholic Marian art that has become part of Mariology, by emphasizing Marian veneration, being celebrated in specific Marian feasts, or becoming part of key Roman Catholic Marian churches. This article's focus is primarily on how the artistic component of Roman Catholic Mariology has represented the fundamental Marian doctrines of the Catholic Church, and has thus interacted with them, creating a force that has shaped Catholic Mariology over the centuries.
Le campane di Firenze
Le campane di Firenze
List of Catholic saints | Wikipedia audio article
This is an audio version of the Wikipedia Article:
List of Catholic saints
Listening is a more natural way of learning, when compared to reading. Written
language only began at around 3200 BC, but spoken language has existed long ago.
Learning by listening is a great way to:
- increases imagination and understanding
- improves your listening skills
- improves your own spoken accent
- learn while on the move
- reduce eye strain
Now learn the vast amount of general knowledge available on Wikipedia through
audio (audio article). You could even learn subconsciously by playing the audio
while you are sleeping! If you are planning to listen a lot, you could try using
a bone conduction headphone, or a standard speaker instead of an earphone.
You can find other Wikipedia audio articles too at:
In case you don't find one that you were looking for, put a comment.
This video uses Google TTS en-US-Standard-D voice.
SUMMARY
=======
This is an incomplete list of people and angels whom the Catholic Church has canonized as saints. According to Catholic theology, all saints enjoy the beatific vision; it is impossible therefore for any list to enumerate them all. Many of the saints listed here are to be found in the General Roman Calendar, while others may also be found in the Roman Martyrology; still others are particular to local places and their recognition does not extend to the larger worldwide church.
Candidates go through the following steps on the way to being declared saints.
Saints acknowledged by the Eastern Orthodox and other churches are listed in Category:Christian saints by century and/or Category:Christian saints by nationality.
This list of Catholic saints is ordered chronologically by date of death.
7th Annual Leon Levy Biography Lecture: Richard Holmes
Richard Holmes has made his mark in two fields, literary biography and science writing. He transfigured the way the Romantic poets are written about with his first book, Shelley: The Pursuit (1974), of which The New York Times noted, “If the art of biography was ever damned, Shelley: The Pursuit redeemed it.” He is best known for his definitive two-volume biography: Coleridge: Early Visions (1989, winner of the Whitbread Book of the Year Award) and Coleridge: Darker Reflections. His other books include Footsteps: Adventures of a Romantic Biographer (which Stacy Schiff has called a book every biographer secretly wishes he'd written), Sidetracks, and Dr. Johnson & Mr. Savage (winner of the James Tait Black Prize). After ten years of teaching, he published his international bestseller, The Age of Wonder, which won the Royal Society Prize for Science Books and the National Book Critics Circle Award. His most recent book is Falling Upwards: How We Took to the Air. Holmes is a Fellow of the Royal Society of Literature and of the British Academy. In 1992, he was awarded the Order of the British Empire (OBE).