360 video: Fonte Gaia, Siena, Italy
Finished in 1342, this imposing fountain is now a major tourist attraction of the city of Siena. Be sure to marvel at the exquisite sculptures that adorn the frame of the fountain - depicting Madonna and Child and Cardinal Virtues. It is believed that the name Gaia, or joyous, refers to the general joy over the fact that water system was installed in the city.
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Fonte Gaia - Siena, Italy
Pigeons at the Fonte Gaia in Siena, Italy.
Places to see in ( Siena - Italy ) Fonte Gaia
Places to see in ( Siena - Italy ) Fonte Gaia
The Fonte Gaia is a monumental fountain located in the Piazza del Campo in the center of Siena, Italy. The first fountain in the Piazza del Campo was completed in 1342, after hydraulic construction had led water to the site. Underground pipes brought water to the site from 25 kilometers away. Legend holds that the fountain was met with much joy, thus it was given the name Gaia or joyous.
Others suggest the term Gaia refers to the Latin term for bride, and that the fountain was dedicated to the bride of God and patron of Siena, the Virgin Mary. The fountains, plates, and statues conflate Roman matrons' cardinal virtues, with a central depiction of Mary, curiously framed by stories of Genesis.
In 1419, the fountain had the present decorative frame constructed by Jacopo della Quercia. In 1858, the original marble panels were replaced by copies sculpted by Tito Sarrocchi, under the supervision of architect Giuseppe Partini. The side reliefs depict episodes from Genesis: The Creation of Adam and The Flight from the Garden of Eden. The wolves spouting water, representing the mother-wolf of Remus and Romulus, form part of the reconstructed fountain.
Two nude female figures once adorned the front two columns, traditionally believed to represent Rea Silvia and Acca Larentia, in celebration of Siena’s supposed links to ancient Rome. These were not added in the reconstruction but can be viewed along with the original panels at a museum at Santa Maria della Scala, the old hospital overlooking the Piazza del Duomo. The long section of the fountain is adorned at the centre with a Madonna and Child, surrounded by allegories of the Virtues.
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Siena - Italy . Fontana Gaia
Gaia Fountain, creation :Jacopo di Pietro.1374. Fontana Renaissance. Located Piazza del Campo in Siena, opposite the Palace public.
Siena, Italija - Fonte Gaia
Siena - Fonte Gaia
Fonte Gaia, Siena, a Joyful Fountain for Art
Fonte Gaia, in Siena’s Piazza del Campo, was so beautiful that local artist Jacopo della Quercia (1374-1438) became known as ‘Jacopo della Fonte’ after decorating it with reliefs between 1409 and 1419. The people of Siena always loved this fountain: it is said they nicknamed it “Gaia” (“joyful”) as soon as they tasted its water, upon inauguration in 1346.
According to art historian Luciano Bellosi, Jacopo della Quercia’s work “was a great endeavor, comparable to some of the ones carried out in the 1500s – like Michelangelo’s tomb of Pope Julius II – in terms of design and number of life size statues, although they are almost all in relief” (L. Bellosi, “Come un prato fiorito: studi sull’arte tardogotica”, Jaca Book, Milan 2000). The original sculptures by Jacopo della Quercia are now in the Museum of Santa Maria della Scala.
Art critic Cesare Brandi has highlighted the fact that creating this fountain was a “project with conflicts, interruptions, alterations, and new starts […]. The Fonte is unlike any other, and does not resemble any of the Gothic style fountains in Central Italy – Viterbo and Perugia – nor any of the ones in Siena, which are still Gothic but have an Arab influence […] It is like a great seat with a mirror of water in the center, with sacred images all around like in a church” (C. Brandi, “Tra Medioevo e Rinascimento: scritti sull’arte da Giotto a Jacopo della Quercia”, Jaca Book, Milan 2006).
SIENA FONTE GAIA in Piazza Del Campo: sculture di Tito Sarrocchi + originali di Jacopo della Quercia
Era il 1346 quando in Piazza del Campo zampillò l'acqua di una fonte, e per la gioia spontanea della popolazione fu chiamata Gaia: infatti, una fonte nella piazza principale della città era simbolo di ricchezza e potenza.
Fu il risultato di una grandiosa opera idraulica, ancora oggi funzionante: come le altre fonti medievali di Siena, è alimentata da una serie di condotte sotterraneee scavate nel medioevo, in parte visitabili su prenotazione.
Per incrementare ancora il prestigio di Siena, la fonte venne decorata da una serie di sculture commissionate nel 1409 a Jacopo della Quercia, uno dei più quotati artisti dell'epoca. Fu un'opera magnifica, considerata una delle maggiori espressioni della scultura italiana.
In Piazza il Campo è oggi una copia dell'800, mentre l'originale, deteriorato e restaurato, si trova nel Complesso Museale di Santa Maria della Scala (p.za Duomo).
Jacopo concepì la fonte con la tradizionale vasca rettangolare, circondata da tre lati da sculture a bassorilievo.
Nel lato lungo ha scolpito la Madonna col Bambino, patrona della città, accompagnata dalle allegorie delle Virtù, ispiratrici del Buon Governo: Fede, Carità, Temperanza, Fortezza, Pazienza, Sapienza e Giustizia.
Nei lati corti ha rappresentato la Creazione di Adamo e la Cacciata dall'Eden. Sui pilastri anteriori, ha posto le statue di Rea Silvia e Acca Larenzia, in omaggio alle mitiche origini romane della città.
In tal modo la fonte appare come un grandioso altare che sovrasta Piazza il Campo, centro della vita cittadina.
Il monumento di Jacopo della Quercia subì un intenso degrado, dovuto alla vita quotidiana che si svolgeva in Piazza del Campo ed al debole materiale impiegato per la sua realizzazione, il marmo della Montagnola Senese: una pietra meravigliosa per il suo universo cromatico, ma caratterizzata da una debole struttura che la rende inadatta per elementi decorativi da esporre alle intemperie.
Nel 1859 fu deciso di sostituire la fonte di Jacopo con una copia più resistente in Marmo di Carrara, realizzata dallo scultore senese Tito Sarrocchi.
La vecchia fonte fu smontata e, dopo vari trasferimenti, fu sistemata nel 1904 in una loggia del Palazzo Pubblico, dove il degrado materiale continuò inesorabile, fino a quando fu deciso il restauro.
L'originale della Fonte Gaia originale è esposta dal 2011 nel Complesso Museale del Santa Maria della Scala, dopo un ventennale restauro.
L'allestimento consente di immaginare la grandezza originaria di questo monumento: la Madonna col bambino, le allegorie della virtù, la scena biblica della Creazione di Adamo.
I frammenti sono stati ordinati ed accostati, per confronto, sia ai calchi tratti dalla fonte di Jacopo prima dello smontaggio, sia ai modelli di gesso realizzati da Tito Sarrocchi per eseguire la copia.
La mostra si trova in un antico fienile medievale, che serviva per rifocillare gli animali al termine del trasporto dei materiali occorrenti per il funzionamento dell'enorme complesso ospedaliero.
Peccato solo per la luce giallastra che illumina i bassorilievi, in quanto interferisce col colore naturale del Marmo della Montagnola, impedendo di apprezzare il reale universo cromatico di questa stupenda pietra.
The Fonte Gaia is a monumental fountain located in Siena, Italy
The first fountain in the Piazza del Campo was first competed in 1342, after much hydraulic construction led water to the site. Underground pipes brought water to the site from 25 kilometers away. Legend holds that the fountain was met with much joy, and thus the name Gaia or joyous. Others suggest the term Gaia refers to the Latin term for bride, and that the fountain was dedicated to the bride of God and patron of Siena, the Virgin Mary.The fountains plates and statues conflate Roman Matrons, cardinal virtues, with a central depiction of Mary, though curiosly framed by stories of Genesis. In 1419, the fountain had the present decorative frame constructed by Jacopo della Quercia. In 1858, the original marble panels were replaced by copies sculpted by Tito Sarrocchi, under the supervision of the architect Giuseppe Partini. The side reliefs depict episodes from Genesis: The Creation of Adam and The Flight from the Garden of Eden. The wolves spouting water, and representing the mother-wolf of Remus and Romulus, did form part of the reconstructed fountain. Two nude female figures once adorned the front two columns, traditionally believed to represent Rea Silvia and Acca Larentia, in celebration of Siena’s supposed links to ancient Rome; these were not added in the reconstruction but can be viewed along with the original panels at a museum at Santa Maria della Scala, the old hospital overlooking the Piazza del Duomo. The long section of the fountain is adorned at the centre with a Madonna and Child, surrounded by allegories of the Virtues.
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Siena Toskana Fonte Gaia - Brunnen der Freude
Historische Gebäude - Burgen und Schlösser - Folge 7
Im Zentrum von Siena, in der Toskana in Italien befindet sich die Piazza del Campo , auf der jedes Jahr das Pferderennen Palio ausgetragen wird.
Auf der höheren Seite des Campo steht der großartige Brunnen Fonte Gaia -
der Brunnen der Freude.
Der Künstler Jacopo della Quercia hat ihn von 1409 - 1419 geschaffen.
Brunnen der Freude heißt er, weil es erstmals gelungen ist, Wasser in die Stadt fließen zu lassen.
Die schönen Figuren wurden im Jahre 1858 durch Nachbildungen ersetzt.
In the center of Siena, in Tuscany in Italy is the Piazza del Campo , where every year the Palio horse race is held.
On the higher side of the Campo is the great fountain Fonte Gaia -
the fountain of joy.
The artist Jacopo della Quercia has created him from 1409 to 1419.
Fountain of Joy is it because it is the first time managed to allow water to flow into the city.
The beautiful figures were replaced in 1858 by replicas.
Dans le centre de Sienne, en Toscane en Italie est la Piazza del Campo, où chaque année la course du Palio est maintenu.
Sur le côté supérieur du Campo est la grande fontaine Fonte Gaia -
la fontaine de la joie.
L'artiste Jacopo della Quercia l'a créé de 1409 à 1419.
Fontaine de la joie, c'est parce que c'est la première fois réussi à laisser l'eau s'écouler dans la ville.
Les belles figures ont été remplacés en 1858 par des répliques.
En el centro de Siena, en Toscana en Italia es la Piazza del Campo, donde cada año se celebra la carrera de caballos Palio.
En la parte superior del Campo es la gran fuente Fonte Gaia -
la fuente de la alegría.
El artista Jacopo della Quercia le ha creado desde 1409 hasta 1419.
Fuente de la Alegría es porque es la primera vez logró que el agua fluya en la ciudad.
Las bellas figuras fueron sustituidas en 1858 por réplicas.
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Mini footage - Fonte Gaia on the Piazza del Campo (Siena, Italy)
The Fonte Gaia (Fountain of Joy) was built in 1419 as an endpoint of the system of conduits bringing water to the city's centre, replacing an earlier fountain completed about 1342 when the water conduits were completed. Under the direction of the Committee of Nine, many miles of tunnels were constructed to bring water in aqueducts to fountains and thence to drain to the surrounding fields. The present fountain, a center of attraction for the many tourists, is in the shape of a rectangular basin that is adorned on three sides with many bas-reliefs with the Madonna surrounded by the Classical and the Christian Virtues, emblematic of Good Government under the patronage of the Madonna. The white marble Fonte Gaia was originally designed and built by Jacopo della Quercia, whose bas-reliefs from the basin's sides are conserved in the Ospedale di St. Maria della Scala in Piazza Duomo. The former sculptures were replaced in 1866 by free copies by Tito Sarocchi, who omitted Jacopo della Quercia's two nude statues of Rhea Silvia and Acca Larentia, which the nineteenth-century city fathers found too pagan or too nude. When they were set up in 1419, Jacopo della Quercia's nude figures were the first two female nudes, who were neither Eve nor a repentant saint, to stand in a public place since Antiquity.
Siena, Fonte Gaia
De Fonte Gaia op het Piazza del Campo is een schepping van Jacopo della Quercia.
Casa Surace al Fonte Gaia a Siena
Casa Surace al Fonte Gaia a Siena
2011 Italia Toscana, Siena, Piazza del Campo, Fonte Gaia, Palazzo Pubblico, Torre del Mangia
Source : :
La Piazza del Campo (ou Il Campo) est la place principale de la ville de Sienne. Elle est reconnaissable par sa forme incurvée (comme une coquille St-Jacques) inclinée comme un amphithéâtre, la partie basse donnant sur le Palazzo Pubblico et sa tour la Torre del Mangia haute de 102 m.
Elle est le lieu de la course du célèbre Palio de Sienne.
En décembre 2005, le Project for Public Spaces a choisi la Piazza del Campo comme quatrième meilleure place du monde.
Italy/Siena (Europe's greatest medieval squares) Part 66/84
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Siena's Piazza del Campo:
Piazza del Campo is the principal public space of the historic center of Siena, Tuscany, Italy and is regarded as one of Europe's greatest medieval squares. It is renowned worldwide for its beauty and architectural integrity. The Palazzo Pubblico and its Torre del Mangia, as well as various palazzi signorili surround the shell-shaped piazza. At the northwest edge is the Fonte Gaia.
The twice-a-year horse-race, Palio di Siena, is held around the edges of the piazza.
The open site was a marketplace established before the thirteenth century on a sloping site near the meeting point of the three hillside communities that coalesced to form Siena: the Castellare, the San Martino and the Camollia. Siena may have had earlier Etruscan settlements, but it was not a considerable Roman settlement, and the campo does not lie on the site of a Roman forum, as is sometimes suggested. It was paved in 1349 in fishbone-patterned red brick with ten lines of travertine, which divide the piazza into nine sections, radiating from the mouth of the gavinone (the central water drain) in front of the Palazzo Pubblico. The number of divisions is held to be symbolic of the rule of The Nine (Noveschi) who laid out the campo and governed Siena at the height of its mediaeval splendour between 1292-1355. The Campo was and remains the focal point of public life in the City. From the piazza, eleven narrow shaded streets radiate into the city.
The palazzi signorili that line the square, housing the families of the Sansedoni, the Piccolomini and the Saracini etc., have unified rooflines, in contrast to earlier tower houses — emblems of communal strife — such as may still be seen not far from Siena at San Gimignano. In the statutes of Siena, civic and architectural decorum was ordered :...it responds to the beauty of the city of Siena and to the satisfaction of almost all people of the same city that any edifices that are to be made anew anywhere along the public thoroughfares...proceed in line with the existent buildings and one building not stand out beyond another, but they shall be disposed and arranged equally so as to be of the greatest beauty for the city.
The unity of these Late Gothic houses is effected in part by the uniformity of the bricks of which their walls are built: brick-making was a monopoly of the commune, which saw to it that standards were maintained. (Ingersoll)At the foot of the Palazzo Pubblico's wall is the late Gothic Chapel of the Virgin built as an ex voto by the Sienese, after the terrible Black Death of 1348 had ended.
Fonte Gaia:
The Fonte Gaia (Fountain of Joy) was built in 1419 as an endpoint of the system of conduits bringing water to the city's centre, replacing an earlier fountain completed about 1342 when the water conduits were completed. Under the direction of the Committee of Nine, many miles of tunnels were constructed to bring water in aqueducts to fountains and thence to drain to the surrounding fields. The present fountain, a center of attraction for the many tourists, is in the shape of a rectangular basin that is adorned on three sides with many bas-reliefs with the Madonna surrounded by the Classical and the Christian Virtues, emblematic of Good Government under the patronage of the Madonna.[2] The white marble Fonte Gaia was originally designed and built by Jacopo della Quercia, whose bas-reliefs from the basin's sides are conserved in the Ospedale di St. Maria della Scala in Piazza Duomo. The former sculptures were replaced in 1866 by free copies by Tito Sarrocchi, who omitted Jacopo della Quercia's two nude statues of Rhea Silvia and Acca Larentia, which the nineteenth-century city fathers found too pagan or too nude. When they were set up in 1419, Jacopo della Quercia's nude figures were the first two female nudes, who were neither Eve nor a repentant saint, to stand in a public place since Antiquity.Wikipedia
Notice: (July 2 / Siene Palio) pictures around Piazza del Campo copied from wikipedia and other sites.
Fonte Gaia ☺ - Un salto a Siena a Piazza del Campo!
Dicembre 2014 - Un salto a Siena a Piazza del Campo. Città rinomata in tutto il mondo per la sua bellezza! Come tutti sanno questa piazza è famosa per lo svolgimento del tradizionale Palio due volte l'anno!
In questo video riprendo a 360° gli edifici con i propri coronamenti merlati che sovrastano la Piazza. In ordine abbiamo la Loggia della Mercanzia, le Case De Metz, la Costarella dei Barbieri, Palazzo d'Elci, Palazzo comunale, la Torre del Mangia, Palazzo Chigi-Zondadari, Palazzo Sansedoni.
Sull'area come elencato svetta il Palazzo Comunale costruito tra il 1297 e il 1310. Da notare al centro della facciata spicca un grande disco che presenta il trigramma di Cristo ideato da san Bernardino da Siena. L'opera è Al centro della facciata un grande disco presenta il trigramma di Cristo, ideato da san Bernardino da Siena. L'opera è di Battista di Niccolò dipinta nel 1425.
Bellissima la torre campanaria detta del Mangia così chiamata dal soprannome di mangiaguadagni dato al suo primo custode Giovanni di Balduccio (o di Duccio), noto per apprezzare i piaceri del cibo e sperperare a tavola i propri guadagni. È tra le torri antiche e più alte d'Italia (102 metri fino al parafulmine). Costruita tra il 1325 e il 1348. I quattro angoli sono perfettamente orientati in direzione N-S ed E-O.
All'inizio del video come non citare la bellissima Fonte Gaia Inaugurata nel 1386 per la gioia dei senesi che acquisirono la loro prima fonte pubblica cittadina (da qui il nome Gaia), venne decorata tra il 1409 e il 1419 da statue e rilievi di Jacopo della Quercia, originale sintesi tra la tradizione gotica e innovazioni rinascimentali. I rilievi odierni sono copie ottocentesche.
Che bella la nostra Italia!!!
Colombi a Fonte Gaia in piazza del campo SIENA
INTERKULTUR Report: Ensemble Fonte Gaia (Italy) - Venezia in Musica 2012
Ensemble Fonte Gaia from Italy singing in the Grand Prize Competition of 10th Venezia in Musica, May 2, 2012.
Read more about the event on
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Piazza del Campo, Siena, Tuscany, Italy, Europe
Piazza del Campo is the principal public space of the historic center of Siena, Tuscany, Italy and is regarded as one of Europe's greatest medieval squares. It is renowned worldwide for its beauty and architectural integrity. The Palazzo Pubblico and its Torre del Mangia, as well as various palazzi signorili surround the shell-shaped piazza. At the northwest edge is the Fonte Gaia. The twice-a-year horse-race, Palio di Siena, is held around the edges of the piazza. The piazza is also the finish of the annual road cycling race Strade Bianche. The open site was a marketplace established before the thirteenth century on a sloping site near the meeting point of the three hillside communities that coalesced to form Siena: the Castellare, the San Martino and the Camollia. Siena may have had earlier Etruscan settlements, but it was not a considerable Roman settlement, and the campo does not lie on the site of a Roman forum, as is sometimes suggested. It was paved in 1349 in fishbone-patterned red brick with nine lines of travertine, which divide the piazza into ten sections, radiating from the mouth of the gavinone (the central water drain) in front of the Palazzo Pubblico. The number of divisions is held to be symbolic of the rule of The Nine (Noveschi) who laid out the campo and governed Siena at the height of its mediaeval splendour between 1292-1355. The Campo was and remains the focal point of public life in the City. From the piazza, eleven narrow shaded streets radiate into the city. The palazzi signorili that line the square, housing the families of the Sansedoni, the Piccolomini and the Saracini etc., have unified rooflines, in contrast to earlier tower houses emblems of communal strife such as may still be seen not far from Siena at San Gimignano. In the statutes of Siena, civic and architectural decorum was ordered :...it responds to the beauty of the city of Siena and to the satisfaction of almost all people of the same city that any edifices that are to be made anew anywhere along the public thoroughfares...proceed in line with the existent buildings and one building not stand out beyond another, but they shall be disposed and arranged equally so as to be of the greatest beauty for the city. The unity of these Late Gothic houses is effected in part by the uniformity of the bricks of which their walls are built: brick-making was a monopoly of the commune, which saw to it that standards were maintained. At the foot of the Palazzo Pubblico's wall is the late Gothic Chapel of the Virgin built as an ex voto by the Sienese, after the terrible Black Death of 1348 had ended. The Fonte Gaia (Fountain of the World) was built in 1419 as an endpoint of the system of conduits bringing water to the city's centre, replacing an earlier fountain completed about 1342 when the water conduits were completed. Under the direction of the Committee of Nine, many miles of tunnels were constructed to bring water in aqueducts to fountains and thence to drain to the surrounding fields. The present fountain, a center of attraction for the many tourists, is in the shape of a rectangular basin that is adorned on three sides with many bas-reliefs with the Madonna surrounded by the Classical and the Christian Virtues, emblematic of Good Government under the patronage of the Madonna. The white marble Fonte Gaia was originally designed and built by Jacopo della Quercia, whose bas-reliefs from the basin's sides are conserved in the Ospedale di St. Maria della Scala in Piazza Duomo. The former sculptures were replaced in 1866 by free copies by Tito Sarrocchi, who omitted Jacopo della Quercia's two nude statues of Rhea Silvia and Acca Larentia, which the nineteenth-century city fathers found too pagan or too nude. When they were set up in 1419, Jacopo della Quercia's nude figures were the first two female nudes, who were neither Eve nor a repentant saint, to stand in a public place since Antiquity.