Meals With Medina -Wapiti Colorado Pub
Sit down with the owners of Wapiti Colorado Pub in Estes Park Colorado - Where Elk roam through town and Rocky Mountain State Park sits on the edge of town.
BERENICE!!! I apologize for spelling your name wrong in this video!
Grandmas Cookies Commercial
Commercial for Simply Kitchens and Baths.
Jerry Saltz - Clarice Smith Distinguished Lecture Series - Smithsonian American Art Museum
Since 2007, Jerry Saltz has been the Senior Art Critic for New York Magazine. Before that, starting in 1998, he was Senior Art Critic for the Village Voice. He is a two-time Finalist for the Pulitzer Prize in Criticism and has had two volumes of criticism published. The 2007 winner of the Frank Jewett Mather Award in Art Criticism from the College Art Association, he has lectured widely including at Harvard, the Museum of Modern Art, the Guggenheim Museum, the Whitney Museum of American Art, and many others. He has taught at Columbia University, Yale, RISD, The School of the Art Institute of Chicago, among many others. In addition to having written for Frieze, Parkett, Art in America, and many other publications, he was recently ranked #57 “Most Powerful Person in the Art World” by ArtReview Magazine—one ahead of Jasper Johns.
This talk is part of the American Art Museum’s annual speaker series, the Clarice Smith Distinguished Lectures in American Art.
San Marcos High School Graduation - Class of 2017
San Marcos High School Graduation - Class of 2017
Graduation ceremony starts at 6:00 P.M. P.ST.
60 minutes! COLORS & WORLD ANIMALS ★ Best Educational Learning Songs ★ Nursery Babies Toddlers Kids
60 minutes of colorful, interactive, child-friendly, safe content from an Emmy Award-winning team featuring great works of art, engaging animation, and beautiful classical music!
Little Laureate's My World Colors & My World Adventure
* VOTED BEST VIDEO SERIES FOR SMALL CHILDREN OF ALL TIME BY READERS OF PARENTS MAGAZINE
* Parenting magazine Video of the Year
* National Parenting Publications Association's Gold Award
* Created by an EMMY Award™-winning team
MY WORLD COLORS
Celebrate a Kaleidoscope of Art and Color with Your Child!
Learn the colors of the rainbow – a kindergarten requirement! -- in English, French and Spanish with Star! Bizet's Carmen brings magical masterpieces and places to life, from Cezanne's Oranges to the blue domes of Greece.
MY WORLD ADVENTURE
Join Star on a global adventure of culture, creativity, and conservation. Art, architecture and animals dance off the screen to Mozart symphonies, African tribal rhythms and Chinese lullabies. Share the wonders of our world through art, music and foreign language (how to say I Love You in 5 different languages!).
** Visit for more info **
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ALL RIGHTS SECURED
Music licensing information available here:
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TRANSCRIPT
NARRATOR: This is Star. Hello, Star.
CHILD: Hi, Star.
NARRATOR: What are you doing?
CHILD: Coloring!
NARRATOR: What are you coloring?
CHILD: A rainbow!
NARRATOR: That’s a wonderful rainbow, Star. You just have to color it in. You want us to help you? Fantastic! What’s the first color, Star?
CHILD: Red!
NARRATOR: You’re right! The first color of the rainbow is red!
In Spanish, “red” is “rojo.” Can you say “rojo”?
CHILD: Rojo!
NARRATOR: In French, “red” is “rouge.” Can you say “rouge”?
CHILD: Rouge!
NARRATOR: Red is an energetic color often associated with love, happiness and good luck. This is the Chinese character for “love.” Many things are red. Do you know what this is?
CHILD: A fire truck!
NARRATOR: Well done! And what about this?
CHILD: An apple!
NARRATOR: Let’s see what other red things we can find.
NARRATOR: This is Star. Hello, Star. And this is Star’s little sister, Starlette.
CHILD: Hi, Starlette.
NARRATOR: Is Starlette going to help us find the colors of the rainbow? Great! What color is next?
CHILD: Orange!
NARRATOR: That’s right. Orange is the next color in the rainbow.
In Spanish, “orange” is “anaranjado.”
CHILD: Anaranjado!
NARRATOR: In French, orange is “orange.”
CHILD: Orange!
NARRATOR: Orange is a warm, happy color associated with energy, Autumn and Halloween.
NARRATOR: There are lots of orange fruits and vegetables.
Oranges and peaches, carrots, cantaloupe, mangoes and sweet potatoes. How many other orange things can you find?
NARRATOR: This is Star. Hello, Star.
CHILD: Hi, Star.
NARRATOR: Star, you look very excited.
Are you excited about the next color?
Is it your favorite color?
What is the next color in the rainbow?
CHILD: Yellow!
NARRATOR: Yes! It is yellow! I can see why yellow is Star’s favorite color. Can you? What color is Star?
CHILD: Yellow!
NARRATOR: That’s right. In Spanish, “yellow” is “amarillo.”
CHILD: Amarillo!
NARRATOR: In French, yellow is “jaune.”
CHILD: Jaune!
NARRATOR: Yellow is very happy color, like our friend Star.
Yellow is also the color of bananas, corn and baby chicks.
What other yellow things do you think we’ll see?
NARRATOR: Hello, Starlette.
CHILD: Hi, Starlette.
NARRATOR: Have you found our next color?
CHILD: Green!
NARRATOR: That’s right! The next color of the rainbow is green.
In Spanish, “green” is “verde.”
CHILD: Verde!
NARRATOR: In French, “green” is pronounced “vert.”
CHILD VOICE: Vert!
NARRATOR: Green is a wonderful color frequently found in nature.
Trees and leaves are green. Grass is green.
In fact, “green” is the word used to describe someone that cares about nature and our planet. Do you know what this symbol means?
CHILD: Recycle!
NARRATOR: That’s right! Let’s see how many more green things we can spot.
CHILD: Blue!
NARRATOR: “Azul” is how you say blue in Spanish.
CHILD: Azul!
NARRATOR: Blue sounds almost the same in English, as it does in French: “Bleu.”
CHILD: Bleu!
NARRATOR: Blue is a calming color.
It’s the color of water and of the sky.
It’s also the color of peace.
NARRATOR: Hello, Star. Are you ready for our last color?
CHILD: Purple!
NARRATOR: In Spanish, purple is pronounced “morado.”
CHILD: Morado!
NARRATOR: In French, purple is “violet.”
CHILD: Violet!
NARRATOR: Purple is a very special color
because you have to mix two other colors to get it:
red and blue.
CHILD: Grandma and Grandpa!
NARRATOR: Yes, purple is the color of
grandparents.
NARRATOR We’ve collected all the colors of the rainbow.
There’s Red, Orange, Yellow, Green, Blue, Purple. We’ve colored in the rainbow!
Calling All Cars: Murder in the Back Room / Blood-Stained Saw / Missing 100 Dollar Nightgown
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Suspense: Library Book / The Earth Is Made of Glass / Death on Highway 99
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Lady Bird
Christine “Lady Bird” McPherson (Saoirse Ronan) fights against but is exactly like her wildly loving, deeply opinionated and strong-willed mum (Laurie Metcalf), a nurse working tirelessly to keep her family afloat after Lady Bird’s father (Tracy Letts) loses his job. Lady Bird is an affecting look at the relationships that shape us, the beliefs that define us, and the unmatched beauty of a place called home. - ( Original Title - Lady Bird )
Suspense: They Call Me Patrice / Thing in the Window / Philomel Cottage
Ancient epic poems such as the Epic of Gilgamesh, Homer's Odyssey and the Mahābhārata use similar narrative techniques as modern thrillers. In the Odyssey, the hero Odysseus makes a perilous voyage home after the Trojan War, battling extraordinary hardships in order to be reunited with his wife Penelope. He has to contend with villains such as the Cyclops, a one-eyed giant, and the Sirens, whose sweet singing lures sailors to their doom. In most cases, Odysseus uses cunning instead of brute force to overcome his adversaries.
Little Red Riding Hood (1697), an early example of a psycho-stalker story, is a fairy tale about a girl who walks through the woods to deliver food to her sick grandmother. A wolf wants to eat the girl but is afraid to do so in public. He approaches Little Red Riding Hood and she naively tells him where she is going. He suggests the girl pick some flowers, which she does. In the meantime, he goes to the grandmother's house and gains entry by pretending to be the girl. He swallows the grandmother whole (in some stories, he locks her in the closet) and waits for the girl, disguised as the grandma.
The Three Apples, a tale in the One Thousand and One Nights (Arabian Nights), is the earliest known murder mystery[19] and suspense thriller with multiple plot twists[20] and detective fiction elements.[21] In this tale, a fisherman discovers a heavy locked chest along the Tigris river and he sells it to the Abbasid Caliph, Harun al-Rashid, who then has the chest broken open only to find inside it the dead body of a young woman who was cut into pieces. Harun orders his vizier, Ja'far ibn Yahya, to solve the crime and find the murderer within three days. This whodunit mystery may be considered an archetype for detective fiction.[19][22]
The Count of Monte Cristo (1844) is a swashbuckling revenge thriller about a man named Edmond Dantès who is betrayed by his friends and sent to languish in the notorious Château d'If. His only companion is an old man who teaches him everything from philosophy to mathematics to swordplay. Just before the old man dies, he reveals to Dantès the secret location of a great treasure. Shortly after, Dantès engineers a daring escape and uses the treasure to reinvent himself as the Count of Monte Cristo. Thirsting for vengeance, he sets out to punish those who destroyed his life.
The Riddle of the Sands (1903) is the first modern thriller, according to Ken Follett, who described it as an open-air adventure thriller about two young men who stumble upon a German armada preparing to invade England.
Heart of Darkness (1903) is a first-person within a first-person account about a man named Marlowe who travels up the Congo River in search of an enigmatic Belgian trader named Kurtz. Layer by layer, the atrocities of the human soul and man's inhumanity to man are peeled away. Marlowe finds it increasingly difficult to tell where civilization ends and where barbarism begins. Today this might be described as a psychological thriller.
The Thirty-Nine Steps (1915) is an early thriller by John Buchan, in which an innocent man becomes the prime suspect in a murder case and finds himself on the run from both the police and enemy spies.
The Manchurian Candidate (1959) is a classic of Cold War paranoia. A squad of American soldiers are kidnapped and brainwashed by Communists. False memories are implanted, along with a subconscious trigger that turns them into assassins at a moment's notice. They are soon reintegrated into American society as sleeper agents. One of them, Major Bennett Marco, senses that not all is right, setting him on a collision course with his former comrade Sergeant Raymond Shaw, who is close to being activated as an assassin.
The Spy Who Came in from the Cold (1963) by John le Carré is set in the world of Cold War espionage and helped to usher in an era of more realistic thriller fiction, based around professional spies and the battle of wits between rival spymasters.
The Bourne Identity (1980) is one of the first thrillers to be written in the modern style that we know today. A man with gunshot wounds is found floating unconscious in the Mediterranean Sea. Brought ashore and nursed back to health, he wakes up with amnesia. Fiercely determined to uncover the secrets of his past, he embarks on a quest that sends him spiraling into a web of violence and deceit. He is astounded to learn that knowledge of hand-to-hand combat, firearms, and trade craft seem to come naturally to him.
Suspense: I Won't Take a Minute / The Argyle Album / Double Entry
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
The Great Gildersleeve: The First Cold Snap / Appointed Water Commissioner / First Day on the Job
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Terra! O Filme (Documentário-2009)
[Ativar legenda abaixo do vídeo] — Ajude a disseminar o Conhecimento Científico, se inscreva no Canal e faça parte da Revolução Científica !
► Sinopse: TERRA! O filme -- leva você a conhecer as maravilhas do solo. O filme conta a história da fonte de fertilidade mais valiosa e esquecida da Terra, de sua origem milagrosa à sua degradação intensa.
As cenas iniciais mergulham na beleza do solo. Constituído dos mesmos elementos que as estrelas, as plantas, os animais e nós mesmos, a terra está muito viva. No entanto, na corrida industrial moderna por lucros e recursos naturais, nossa conexão com o solo e o respeito por ele foram perdidos. Enchentes, secas, mudanças climáticas e até mesmo guerras estão diretamente ligadas ao modo como tratamos a terra.
TERRA! O filme traz à vida os impactos ambientais, econômicos, sociais e políticos do solo. Compartilha histórias de especialistas do mundo inteiro que mostram a beleza e o poder de um relacionamento respeitoso e mutuamente benéfico com o solo.
TERRA! O filme é simplesmente um filme sobre terra. A verdadeira mudança reside em nossa noção do que é a terra. O filme ensina que quando os seres humanos chegaram, há 2 milhões de anos, tudo mudou para a terra. E deste ponto em diante, o destino da terra e dos seres humanos tem estado intimamente ligado. Porém, mais do que um filme e as lições que traz, TERRA! O filme é um chamado à ação.
A única solução para pessoas desconectadas do mundo natural é reconectarem-se a ele.
O que destruímos, nós podemos curar.
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My Friend Irma: Memoirs / Cub Scout Speech / The Burglar
My Friend Irma, created by writer-director-producer Cy Howard, is a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films, television, a comic strip and a comic book, while Howard scored with another radio comedy hit, Life with Luigi. Marie Wilson portrayed the title character, Irma Peterson, on radio, in two films and a television series. The radio series was broadcast from April 11, 1947 to August 23, 1954.
Dependable, level-headed Jane Stacy (Cathy Lewis, Diana Lynn) began each weekly radio program by narrating a misadventure of her innocent, bewildered roommate, Irma, a dim-bulb stenographer from Minnesota. The two central characters were in their mid-twenties. Irma had her 25th birthday in one episode; she was born on May 5. After the two met in the first episode, they lived together in an apartment rented from their Irish landlady, Mrs. O'Reilly (Jane Morgan, Gloria Gordon).
Irma's boyfriend Al (John Brown) was a deadbeat, barely on the right side of the law, who had not held a job in years. Only someone like Irma could love Al, whose nickname for Irma was Chicken. Al had many crazy get-rich-quick schemes, which never worked. Al planned to marry Irma at some future date so she could support him. Professor Kropotkin (Hans Conried), the Russian violinist at the Princess Burlesque theater, lived upstairs. He greeted Jane and Irma with remarks like, My two little bunnies with one being an Easter bunny and the other being Bugs Bunny. The Professor insulted Mrs. O'Reilly, complained about his room and reluctantly became O'Reilly's love interest in an effort to make her forget his back rent.
Irma worked for the lawyer, Mr. Clyde (Alan Reed). She had such an odd filing system that once when Clyde fired her, he had to hire her back again because he couldn't find anything. Useless at dictation, Irma mangled whatever Clyde dictated. Asked how long she had been with Clyde, Irma said, When I first went to work with him he had curly black hair, then it got grey, and now it's snow white. I guess I've been with him about six months.
Irma became less bright as the program evolved. She also developed a tendency to whine or cry whenever something went wrong, which was at least once every show. Jane had a romantic inclination for her boss, millionaire Richard Rhinelander (Leif Erickson), but he had no real interest in her. Another actor in the show was Bea Benaderet.
Katherine Elisabeth Wilson (August 19, 1916 -- November 23, 1972), better known by her stage name, Marie Wilson, was an American radio, film, and television actress. She may be best remembered as the title character in My Friend Irma.
Born in Anaheim, California, Wilson began her career in New York City as a dancer on the Broadway stage. She gained national prominence with My Friend Irma on radio, television and film. The show made her a star but typecast her almost interminably as the quintessential dumb blonde, which she played in numerous comedies and in Ken Murray's famous Hollywood Blackouts. During World War II, she was a volunteer performer at the Hollywood Canteen. She was also a popular wartime pin-up.
Wilson's performance in Satan Met a Lady, the second film adaptation of Dashiell Hammett's detective novel The Maltese Falcon, is a virtual template for Marilyn Monroe's later onscreen persona. Wilson appeared in more than 40 films and was a guest on The Ed Sullivan Show on four occasions. She was a television performer during the 1960s, working until her untimely death.
Wilson's talents have been recognized with three stars on the Hollywood Walk of Fame: for radio at 6301 Hollywood Boulevard, for television at 6765 Hollywood Boulevard and for movies at 6601 Hollywood Boulevard.
Wilson married four times: Nick Grinde (early 1930s), LA golf pro Bob Stevens (1938--39), Allan Nixon (1942--50) and Robert Fallon (1951--72).
She died of cancer in 1972 at age 56 and was interred in the Columbarium of Remembrance at Forest Lawn Cemetery in Hollywood Hills.
The Great Gildersleeve: Gildy's Campaign HQ / Eve's Mother Arrives / Dinner for Eve's Mother
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Colorado Martini | Tube Life S01 * E50 on Puša Studios
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895 Legends of the Rainbow Lady , Multi-subtitles
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清海無上師簡介
為了那一點點愛，我們上天下地探索，只為尋獲那一點點愛，
將此愛與眾生分享，無論他們在世上哪個角落。
—— 清海無上師
在無數與清海無上師相遇的人眼中，無上師可說是「愛」的化身！
她是一位知名的慈善家、藝術家和靈性導師。她的愛心和奉獻超越文化與種族的藩籬，嘉惠世界各地數以百萬計的人們。其中包括：窮困的人、醫學研究機構、孤苦的老人、身心障礙者、難民，以及遭受地震、水患等受難者，只要人們有需求，她便無私地奉獻所有。
經由這些善舉，我們見證「源源不絕的慈悲心」正是這位深具愛心女士的標誌。而「世界會」會員，也依循著她的愛心典範，成長茁壯。
清海無上師出生於悠樂中部。小時候，她總是盡其所能地幫助醫院裏的病人和窮苦的人。長大後，她到歐洲留學，擔任義務護理人員，以及為紅十字會翻譯。很快地，清海無上師便發現，痛苦存在於所有文化和世界上每個角落。因此，找尋解除這些苦難的方法，成為她生活中最重要的目標。
清海無上師曾與一位德國醫生結婚，過著幸福美滿的婚姻生活。儘管「分離」對他們來說，是個極為困難的抉擇，然而為了無上師高雅的理想，她的先生最後還是同意分離。隨後，清海無上師便展開靈性追尋之旅。
經過一段漫長旅程，最後，她在印度喜馬拉雅山的深山裡，找到一位開悟的明師，傳授她「觀音法門」——觀內在光和音的打坐法門。經過一段時間的精進修行之後，她達到完全證悟的境界。
“你必須把時間留給自己，往內靜思、回歸自己的本性，記起自己內在的本質，並發展它，讓自己像個藝術家般閒情逸致、滿懷愛心、沒有壓力，然後你才能給予。如果你不了解快樂，你就無法給予快樂；如果你沒有和平，你就無法給予和平。
—— 清海無上師
離開喜馬拉雅山後不久，在眾人的誠摯懇求下，清海無上師將「觀音法門」傳授給渴求真理的人們，鼓勵求道者往內找尋自己偉大的品質。
社會各階層的人士，經由修行「觀音法門」後，發現他們生活更滿足、平靜，充滿喜悅。隨後，美國、歐洲、亞洲、南美洲以及聯合國，均邀請清海無上師蒞臨演講，並傳授「觀音法門」。
“我們能分享什麼就開始分享，然後就可以感受到內在的微細變化，我們的意識會注入更多的愛力，這就是一個起步。我們來到這裡是為了學習成長，也為了學習使用我們無限的愛力和創造力，讓我們所處的任何環境變得更好！
—— 清海無上師
清海無上師本身是一位善行義舉的典範，同時她也鼓勵大家美化我們所居住的世界。
經由修行觀音法門，清海無上師發展出多樣渾然天成的才華，透過繪畫、音樂、詩作、珠寶和服裝設計等藝術創作，將來自天國的靈思融入生活之中。
1995年，在大眾的懇求下，首度在國際各流行重鎮，展開服裝設計巡迴展，其中包括倫敦、巴黎、米蘭和紐約等地。清海師父用這些藝術創作的收入從事慈善工作，以獨立的資金來源展現她的務實觀－－我們都應該靠自己的力量幫助他人。
雖然清海無上師不追求外界的認可，但世界各國的官方和私人組織，為表揚她的無我奉獻，在諸多場合頒發給她各式獎項，包括：「世界和平獎」、「顧氏和平獎」、「世界精神領袖獎」、「世界公民人道獎」以及服務大眾傑出人士和提升人權方面的獎章。
她以愛心消弭世上的仇恨，她為絕望的人帶來希望，
她以寛容化解誤會，她散發出偉人光芒，
她是全人類的慈悲天使。
—— 前夏威夷檀香山市長花士先生
清海無上師是當代致力於幫助他人發現及創造美好未來的人士之一。如同許多歷史上的偉人一樣，無上師也有她自己的夢想：
我有一個夢想
我夢想全世界和平
我夢想世界不再有殺生，小孩們可以過著和諧安樂的生活
我夢想國際間能彼此握手言和、互相保護、互相幫助
我夢想這個幾千百萬億年愛心造就的美麗的星球不會被摧毀
我夢想它將會在和平、美麗與愛中延續下去
Suspense: World of Darkness / The Locked Room / The Sisters
In the earliest years, the program was hosted by The Man in Black (played by Joseph Kearns or Ted Osborne) with many episodes written or adapted by the prominent mystery author John Dickson Carr.
One of the series' earliest successes and its single most popular episode is Lucille Fletcher's Sorry, Wrong Number, about a bedridden woman (Agnes Moorehead) who panics after overhearing a murder plot on a crossed telephone connection but is unable to persuade anyone to investigate. First broadcast on May 25, 1943, it was restaged seven times (last on February 14, 1960) — each time with Moorehead. The popularity of the episode led to a film adaptation, Sorry, Wrong Number (1948), starring Barbara Stanwyck. Nominated for an Academy Award for her performance, Stanwyck recreated the role on Lux Radio Theater. Loni Anderson had the lead in the TV movie Sorry, Wrong Number (1989). Another notable early episode was Fletcher's The Hitch Hiker, in which a motorist (Orson Welles) is stalked on a cross-country trip by a nondescript man who keeps appearing on the side of the road. This episode originally aired on September 2, 1942, and was later adapted for television by Rod Serling as a 1960 episode of The Twilight Zone.
After the network sustained the program during its first two years, the sponsor became Roma Wines (1944--1947), and then (after another brief period of sustained hour-long episodes, initially featuring Robert Montgomery as host and producer in early 1948), Autolite Spark Plugs (1948--1954); eventually Harlow Wilcox (of Fibber McGee and Molly) became the pitchman. William Spier, Norman MacDonnell and Anton M. Leader were among the producers and directors.
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Our Miss Brooks: Business Course / Going Skiing / Overseas Job
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
My Friend Irma: Acute Love Sickness / Bon Voyage / Irma Wants to Join Club
My Friend Irma, created by writer-director-producer Cy Howard, is a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films, television, a comic strip and a comic book, while Howard scored with another radio comedy hit, Life with Luigi. Marie Wilson portrayed the title character, Irma Peterson, on radio, in two films and a television series. The radio series was broadcast from April 11, 1947 to August 23, 1954.
Dependable, level-headed Jane Stacy (Cathy Lewis, Diana Lynn) began each weekly radio program by narrating a misadventure of her innocent, bewildered roommate, Irma, a dim-bulb stenographer from Minnesota. The two central characters were in their mid-twenties. Irma had her 25th birthday in one episode; she was born on May 5. After the two met in the first episode, they lived together in an apartment rented from their Irish landlady, Mrs. O'Reilly (Jane Morgan, Gloria Gordon).
Irma's boyfriend Al (John Brown) was a deadbeat, barely on the right side of the law, who had not held a job in years. Only someone like Irma could love Al, whose nickname for Irma was Chicken. Al had many crazy get-rich-quick schemes, which never worked. Al planned to marry Irma at some future date so she could support him. Professor Kropotkin (Hans Conried), the Russian violinist at the Princess Burlesque theater, lived upstairs. He greeted Jane and Irma with remarks like, My two little bunnies with one being an Easter bunny and the other being Bugs Bunny. The Professor insulted Mrs. O'Reilly, complained about his room and reluctantly became O'Reilly's love interest in an effort to make her forget his back rent.
Irma worked for the lawyer, Mr. Clyde (Alan Reed). She had such an odd filing system that once when Clyde fired her, he had to hire her back again because he couldn't find anything. Useless at dictation, Irma mangled whatever Clyde dictated. Asked how long she had been with Clyde, Irma said, When I first went to work with him he had curly black hair, then it got grey, and now it's snow white. I guess I've been with him about six months.
Irma became less bright as the program evolved. She also developed a tendency to whine or cry whenever something went wrong, which was at least once every show. Jane had a romantic inclination for her boss, millionaire Richard Rhinelander (Leif Erickson), but he had no real interest in her. Another actor in the show was Bea Benaderet.
Katherine Elisabeth Wilson (August 19, 1916 -- November 23, 1972), better known by her stage name, Marie Wilson, was an American radio, film, and television actress. She may be best remembered as the title character in My Friend Irma.
Born in Anaheim, California, Wilson began her career in New York City as a dancer on the Broadway stage. She gained national prominence with My Friend Irma on radio, television and film. The show made her a star but typecast her almost interminably as the quintessential dumb blonde, which she played in numerous comedies and in Ken Murray's famous Hollywood Blackouts. During World War II, she was a volunteer performer at the Hollywood Canteen. She was also a popular wartime pin-up.
Wilson's performance in Satan Met a Lady, the second film adaptation of Dashiell Hammett's detective novel The Maltese Falcon, is a virtual template for Marilyn Monroe's later onscreen persona. Wilson appeared in more than 40 films and was a guest on The Ed Sullivan Show on four occasions. She was a television performer during the 1960s, working until her untimely death.
Wilson's talents have been recognized with three stars on the Hollywood Walk of Fame: for radio at 6301 Hollywood Boulevard, for television at 6765 Hollywood Boulevard and for movies at 6601 Hollywood Boulevard.
Wilson married four times: Nick Grinde (early 1930s), LA golf pro Bob Stevens (1938--39), Allan Nixon (1942--50) and Robert Fallon (1951--72).
She died of cancer in 1972 at age 56 and was interred in the Columbarium of Remembrance at Forest Lawn Cemetery in Hollywood Hills.