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Strategikon - The blond-haired peoples
Today we talk about the Strategikon of Pseudo-Maurice, the vastly famous Roman military treatise dated at the end of the VI century, rich in precious details not only on the imperial army but also on the warfare of the peoples who fought against the Empire at the time, epitomizing the highly refined synthesis of technical knowledge and ethnographic intelligence typical of the Byzantine world. The Strategikon sums up the practical experience of the most advanced army of the West at the time, which today we put at the service of our interest towards those who in the treaty are called the blond-haired peoples, that is the Germans, and more specifically, Longobards and Franks.
In the second half of the VI century the Byzantine army was deeply aware of the tactics of the Ostrogoths, now defeated, and those of the Longobards who had just entered Italy: the latter, while fighting fiercely against the Romans in the Po valley, were also being in part integrated en masse as symmachoi/foederati of Costantinople, and employed as valid auxiliaries in every corner of the Empire. In the chapter dedicated to the Germanic peoples, the unknown author of the treaty informs us in detail not only on the tactics and military customs of the Germanic peoples, but he also describes their independent mentality and warlike ethic, double-edged characteristics that made these peoples the most courageous and impetuous on the battlefield among all those known in the world, but at the same time suffering from the indiscipline arising from their individualistic attitudes and the still primitive logistical means caused by their almost non-existent political centralization.
In the last part of the video we also talk about another little Strategikon's chapter treating the so called Italian tactic, which among all those listed in the treaty is recalled as the most practical and usual in the Roman army at the time, based on two lines of battle and probably tested in the current war practice to more easily face the Germanic peoples in the difficult Italian theater. The tactic was characterized by feints/skirmishes and a discrete flexibility and, for its training the Byzantine commanders were invited to simulate sub-organic conditions to strengthen the autonomous capacities of the two arrays uin emergency situations.
In the background picture, a Longobard noble cavalryman of the end of the VI century, a perfect example of the blond-haired warriors described by the Strategikon.
Da Rock drops some fuckin' big room shit @ Blankò Music Club - Morcone - ITA - 03.05.2014 - 2.0
One of my biggest dream
since I started to produce and play electronic music,
was ever to leave the console for some seconds,
go in the middle of the crowd and scream :
1,2,3 ... FUCKIN' JUMP,NOW !
Yesterday night I realized it ...
Thank you Blankò Music Club,once again !
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Italian literature | Wikipedia audio article
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Italian literature
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The only true wisdom is in knowing you know nothing.
- Socrates
SUMMARY
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Italian literature is written in the Italian language, particularly within Italy. It may also refer to literature written by Italians or in Italy in other languages spoken in Italy, often languages that are closely related to modern Italian. An early example of Italian literature is the tradition of vernacular lyric poetry performed in Occitan, which reached Italy by the end of the 12th century. In 1230, the Sicilian School is notable for being the first style in standard Italian. Dante Alighieri, one of the greatest of Italian poets, is notable for his Divine Comedy. Petrarch did classical research and wrote lyric poetry. Renaissance humanism developed during the 14th and the beginning of the 15th centuries. Humanists sought to create a citizenry able to speak and write with eloquence and clarity. Early humanists, such as Petrarch, were great collectors of antique manuscripts. Lorenzo de Medici shows the influence of Florence on the Renaissance. Leonardo da Vinci wrote a treatise on painting. The development of the drama in the 15th century was very great. The fundamental characteristic of the era following Renaissance is that it perfected the Italian character of its language. Niccolò Machiavelli and Francesco Guicciardini were the chief originators of the science of history. Pietro Bembo was an influential figure in the development of the Italian language and an influence on the 16th-century revival of interest in the works of Petrarch.
In 1690 the Academy of Arcadia was instituted with the goal of restoring literature by imitating the simplicity of the ancient shepherds with sonnets, madrigals, canzonette and blank verse. In the 17th century, some strong and independent thinkers, such as Bernardino Telesio, Lucilio Vanini, Bruno and Campanella turned philosophical inquiry into fresh channels, and opened the way for the scientific conquests of Galileo Galilei, who is notable both for his scientific discoveries and his writing. In the 18th century, the political condition of Italy began to improve, and philosophers throughout Europe in the period known as The Enlightenment. Apostolo Zeno and Metastasio are two of the notable figures of the age. Carlo Goldoni, a Venetian, created the comedy of character. The leading figure of the literary revival of the 18th century was Giuseppe Parini.
The ideas behind the French Revolution of 1789 gave a special direction to Italian literature in the second half of the 18th century. Love of liberty and desire for equality created a literature aimed at national object. Patriotism and classicism were the two principles that inspired the literature that began with Vittorio Alfieri. Other patriots included Vincenzo Monti and Ugo Foscolo. The romantic school had as its organ the Conciliatore established in 1818 at Milan. The main instigator of the reform was Manzoni. The great poet of the age was Giacomo Leopardi. History returned to its spirit of learned research. The literary movement that preceded and was contemporary with the political revolution of 1848 may be said to be represented by four writers - Giuseppe Giusti, Francesco Domenico Guerrazzi, Vincenzo Gioberti and Cesare Balbo. After the Risorgimento, political literature becomes less important. The first part of this period is characterized by two divergent trends of literature that both opposed Romanticism, the Scapigliatura and Verismo. Important early-20th-century writers include Italo Svevo and Luigi Pirandello (winner of the 1934 Nobel Prize in Literature). Neorealism was developed by Alberto Moravia. Umberto Eco became internationally successful with the Medieval detective story Il nome della rosa (The Name of the Rose, 1980).