Places to see in ( Udine - Italy ) Piazza della Liberta
Places to see in ( Udine - Italy ) Piazza della Liberta
Piazza Libertà, also known as Piazza della Libertà is the oldest square in Udine, in Friuli-Venezia Giulia region, Italy. It was previously known as the Piazza Cantarena. Piazza Libertà in Udine is the oldest square in the city. It represents the heart of Udine and is the starting point for many historical-cultural itineraries. It is called the most beautiful Venetian style square on the mainland and is a harmonious complex of Renaissance buildings.
The square, located at the foot of the Castle of Udine, has been repeatedly changed its name. In the Middle Ages, in fact, it was called Piazza del Vino because here there was a dedicated market. In 1350 it assumed the name of Piazza del Comune because at the time it was the seat of the Municipal Council. In 1550, with the arrival of the Venetians, it was called Piazza Contarenain honor of one of the lieutenants; while in 1866, with the unification of Friuli to Italy, it was named after Vittorio Emanuele II. Only after the Second World War was her today's name assigned to her.
Many buildings overlook this charming square. Beginning with the fifteenth-century Loggia del Lionello in Gothic-Venetian style, covered with white and pink bichrome marble. On the embankment, instead, you can admire the Loggia and the Tempietto di San Giovanni . The first was built between 1533 and 1535 on a design by Bernardino da Morcote; the second is dedicated to the fallen for the country.
The nearby Torre dell'Orologio is original, the work of Giovanni da Udine and dated 1527, surmounted by the statues of the two Moors that mark the passage of time inexorably. The Arco Bollani , designed by Palladio, with its rusticated rustication and the Leone Marciano at the top, leads directly to the city's castle.
About halfway up the slope between the Loggia del Lionello and the Arco Bollani, the Monument to Peace , commissioned by Napoleon to commemorate the signing of the Treaty of Campoformido, has been exhibited since 1819 .
At the opposite end of the Monument to Peace is instead the monumental Renaissance fountain of Carrara . Furthermore, the Piazza di San Marco, erected in 1539 and theColumn of Justice dating back to 1614. Finally, look at the Loggia del Lionello, finally, the two seventeenth-century twin statues of Ercole and Caco , friendly to the Udinese Florean and Venturin .
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UDINE piazza Libertà con la loggia di S Giovanni ed il castello
Udine piazza Libertà by night - slideshow
Architetture di piazza Libertà e del castello
• Loggia del Lionello
Affacciata sulla centrale piazza Libertà (anticamente chiamata Contarena), è una loggia pubblica in stile gotico veneziano, i cui lavori iniziarono nel 1448 ad opera di Bartolomeo delle Cisterne su disegno dell'orafo Nicolò Lionello e terminarono nel1457. Nei secoli a seguire subì varie modifiche e, a seguito del rovinoso incendio che la distrusse nel 1876, fu restaurata da Andrea Scala che tenne fede ai disegni originali. Gran parte delle opere che erano presenti all'interno sono ora conservate nel museo della città. Fra queste ricordiamo il ciclo di tele della Serenissima Repubblica di Venezia e la Madonna con bambino di Giovanni Antonio de' Sacchis, datata 1516.
• Loggia e tempietto di San Giovanni
Di fronte alla loggia del Lionello si trovano la loggia ed il tempietto di San Giovanni, erette nel 1533 dall'architetto lombardo Bernardino da Morcote. La loro realizzazione comportò numerosi problemi, sia sul piano urbanistico che pratico. L'opera che ne risultò ha un vago sapore brunelleschiano. La chiesa, anticamente dedicata a san Giovanni, ora è adibita a tempietto ai Caduti. Sempre di fronte alla loggia del Lionello, si ergono le statue di Ercole e Caco, attribuite ad Angelo de Putti.
• Torre dell'Orologio
Inglobata nella loggia di San Giovanni, la torre fu costruita nel 1527 su disegno di Giovanni da Udine che si ispirò alla torre veneziana di piazza San Marco. Alla sua sommità sorgono i due mori che battono le ore su una campana, le attuali sculture in rame risalgono al 1852 ed hanno sostituito quelle originali in legno.
• Arco Bollani e chiesa di Santa Maria in Castello
Da piazza Libertà si prosegue lungo la salita del Castello, dove poi si attraversa l'arco Bollani, del 1556, progettato da Andrea Palladio e sormontato dal leone di San Marco. Si percorre quindi la loggia del Lippomano, datata 1487. Si giunge così alla chiesa di Santa Maria di Castello, la più antica della città. Alla chiesa di Santa Maria è addossata la casa della Confraternita, edificio medievale restaurato nel 1930. Accanto sorge l'arco Grimani eretto nel 1522 in onore del doge omonimo, originariamente situato in via Portanuova e qui ricomposto nel1902, attraverso l'arco si giunge al piazzale del castello.
Arcade of Saint John, Udine, Friuli-Venezia Giulia, Italy, Europe
The arcade of St. John is part of the historical monuments in Piazza Libertà in Udine. Initially, in Piazza Libertà there was the Church of San Giovanni which, after the earthquake of 1511, was demolished and restored by the Lombard architect Bernardino da Morcote. In addition to rebuilding the church, Bernardino da Morcote designed the arcade and the Loggia of the same name, vaguely inspired by Brunelleschi's style. Bernardino da Morcote had to face various urban planning difficulties, because the new Loggia and the church had to lean against the already existing clock tower and allow the ascent to the castle. The church, originally public, was used as a fiscal chamber, chancellery and archive. With Austrian rule it was transformed into a guard post. In this period the archives were closed with an iron gate and by placing two cannons outside, which were removed in 1882 at the expense of private individuals and the municipality of Udine. The Loggia, after years of neglect, was completely restored in the second half of the nineteenth century, returning to its original splendor. In 1917 the Austrians occupied Udine after the defeat of Caporetto and restored the loggia of San Giovanni as a Guardhouse; November 3, 1918 Udine was liberated from Austrian rule. Raimondo D'Aronco in 1921, planned the renovation of the church, transforming it into the Pantheon of the Fallen of the First World War: the works ended in December 1926. Located in Piazza Libertà on the west side under the clock tower, the portico of San Giovanni is made up of a colonnade with a triumphal arch in the center which leads to the Temple of the Fallen. Inside, under the dome, there is a statue by Aurelio Mistruzzi depicting the Vittoria and a fresco by Enrico Miani. The gate that closes the entrance to the small temple was designed by Alberto Calligaris. On the right wing of the colonnade are the busts of the Lieutenants Pietro Capello (1566) and Carlo Corner (1587) with inscriptions and the entrance door to the archive. At the end of the arcade there is a sundial dating back to 1798. It consists of a bronze sun with a hole inside: with the spring and autumn equinoxes, the sun's rays indicate inscriptions on the floor. In the left wing instead there are three busts of Giovanni Battista Cella (1881), Antonino di Prampero, Gabriele Luigi Pecile.
Liberty Square, Udine, Friuli-Venezia Giulia, Italy, Europe
Liberty Square is the oldest square in Udine, in Friuli-Venezia Giulia region, Italy. The square sits in the open space below Udine Castle.
In the square stands the town hall built in 1448–1457 in the Venetian-Gothic style opposite a clock tower resembling that of the Piazza San Marco at Venice. It was begun in 1448 on a project by Nicolò Lionello, a local goldsmith, and was rebuilt following a fire in 1876. The new design was projected by the architect Andrea Scala. Opposite the Loggia del Lionello is the Loggia di San Giovanni, a Renaissance structure designed by Bernardino da Morcote. Other noteworthy monuments in the square are the Fountain by Giovanni Carrara, an architect from Bergamo (1542); the Columns bearing the Venetian Lion and the Statue of Justice (1614), the statues of Hercules and Cacus and the Statue of Peace (1819) which was donated to Udine by Emperor Francis I to commemorate the peace Treaty of Campoformido. The square has been known by a number of names including Plàzze dal Vin, Plàzze dal Común, and Piazza Contarena.
Лоджиа Лионелло. Удине. Италия.
Лоджиа Лионелло находится на площади Свободы (Piazza della Libert), что в 350 метрах к северо-западу от Кафедрального собора. Здание выполнено в стиле венецианских дворцов-лоджий. Это самое знаменитое сооружение города. В 1441 году было решено построить дворец для Городского совета. Проектом занялся зять Джованни да Удине, Бартоломео делле Чистерне. Однако работы продвигались крайне медленно. Тогда Городской совет предпринял решение о покупке нескольких домов, идущих под снос, у которых можно было бы позаимствовать лоджии в качестве строительного материала. 20 мая 1448 года началось возведение галереи. На собрании Городского совета присутствовал ювелир Николо Лионелло, который предложил своей проект лоджии, одобренный 23 голосами против 20. Дворец был завершен в 1456 году, однако декоративные элементы появились лишь в 1548 году. Последние работы осуществлялись по чертежам Джованни да Удине. Над возведением Лоджии работали в основном ломбардские каменотесы. В 1516 году Джованни Антонио Порденоне написал для Лоджии Мадонну с Младенцем. Сейчас картина хранится в городском музее, также как и остальные полотна, некогда украшавшие залы верхнего этажа. Характерный вид зданию бело-розового цвета придают арочные пролеты в стиле венецианской готики. В 1548 году на главном фасаде в центре появилось пятиарочное окно с балконом. По обе стороны от него два трехарочных окна. Левый фасад украшен трехарочным и одноарочным окнами, правый пятиарочным и одноарочным окнами. 19 февраля 1876 года произошел злополучный пожар, практически полностью уничтоживший здание. Работы по восстановлению Лоджии начались спустя месяц и были поручены архитектору Андреа Скала, который заменил простую крышу 15 века на палладианскую, что вызвало ожесточенную полемику. Многие декоративные элементы было выполнены заново по оригинальным чертежам. Некоторые капители 15 века хранятся на холме и площадке перед Замком. В разные времена дворец занимали Городской совет, философская школа, театр, зал для фехтования и гимнастических упражнений, казарма для ландскнехтов и казино.
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Eric Clark's Travel Videos - Udine Italy - 4K Video Great Squares, Churches and an OUSTANDING DUOMO!
Eric Clark's Travel Videos - Udine Italy - Great Squares, Churches and an OUSTANDING DUOMO!
4K Video. Great images.
From Wikipedia
Udine was first attested in medieval Latin records as Udene in 983 and as Utinum around the year 1000. The origin of the name Udine is unclear. It has been tentatively suggested that the name may be of pre-Roman origin, connected with the Indo-European root *ou̯dh- 'udder' used in a figurative sense to mean 'hill'.[3][4] The Slovene name Videm (with final -m) is a hypercorrection of the local Slovene name Vidan (with final -n), based on settlements named Videm in Slovenia.[4] The Slovene linguist Pavle Merkù characterized the Slovene form Videm as an idiotic 19th-century hypercorrection.
During World War I, before the defeat in the battle of Caporetto, Udine became the seat of the Italian High Command and was nicknamed Capitale della Guerra (War Capital). After the battle, it was occupied by the Germans in 1917[8] and Austrians in 1918 until after the Battle of Vittorio Veneto in 1918. After the war it was made capital of a short-lived province (Provincia del Friuli) which included the current provinces of Gorizia, Pordenone and Udine. After September 8, 1943, when Italy surrendered to the Allies in World War II, the city was under direct German administration, which ceased in April 1945.
The old residence of the patriarchs of Aquileia, the palazzo Patriarcale, was erected by Giovanni Fontana in 1517 in place of the older one destroyed by an earthquake in 1511. Under the Austrians it was used as a prison. In the cathedral archives was formerly preserved a recension of the Visigothic code of laws, called the Breviary of Alaric, in a manuscript known as the Codex Utinensis, which was printed before it was lost.
In the 1550s, Andrea Palladio erected some buildings in Udine. The Oratorio della Purità has 18th-century frescoes by Giambattista Tiepolo and his son Giandomenico.
The church dedicated to St. Mary of the Castle is probably the oldest in Udine, judging from extant fragments dating back to the Lombard era. It lost its parish status in 1263, when it was annexed to the larger parish of Saint'Odorico (now the Cathedral). It has been renovated many times over the centuries: the façade, for example, was entirely rebuilt after the 1511 Idrija earthquake. Its three naves preserve the suggestive atmosphere of silence and contemplation, which is often found in old churches. The Venetian Governor, Tommaso Lippomano, commissioned the Venetian Gothic portico with steps and ramps leading down the hill in 1487.
In the principal square (Piazza della Libertà) stands the town hall (Loggia del Lionello) built in 1448–1457 in the Venetian-Gothic style opposite a clock tower (Torre dell'Orologio) resembling that of the Piazza San Marco at Venice. It was begun in 1448 on a project by Nicolò Lionello, a local goldsmith, and was rebuilt following a fire in 1876. The new design was projected by the architect Andrea Scala.
Opposite the Loggia del Lionello is the Loggia di San Giovanni, a Renaissance structure designed by Bernardino da Morcote. Other noteworthy monuments in the square are the Fountain by Giovanni Carrara, an architect from Bergamo (1542); the Columns bearing the Venetian Lion and the Statue of Justice (1614), the statues of Hercules and Cacus and the Statue of Peace (1819) which was donated to Udine by Emperor Francis I to commemorate the peace Treaty of Campoformido.[11]
The Cathedral of Udine is an imposing edifice whose construction started in 1236, on a Latin cross-shaped plan with three naves and chapels along the sides. The church was consecrated in 1335 as Santa Maria Maggiore. At the beginning of the 18th century a radical transformation project involving both the exterior and the interior was undertaken at the request and expense of the Manin family. The Baroque interior has monumental dimensions and contains many works of art by Tiepolo, Amalteo, and Ludovico Dorigny. On the ground floor of the bell tower (built from 1441 over the ancient baptistry) is a chapel which is completely adorned with frescoes by Vitale da Bologna (1349).
The centre of Udine is dominated by the castle, built by the Venetians from 1517 over a Lombard fortification ruined by an earthquake in 1511. The current Renaissance appearance dates from the intervention of Giovanni da Udine, who finished the works starting from 1547. The castle houses one of the most ancient Parliament Halls of Europe.
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Loggia Lionello, Udine, Friuli-Venezia Giulia, Italy, Europe
The loggia of Lionello is one of the oldest and most important historical buildings in Udine, erected in Piazza Libertà it owes its name to the one who had it completed its construction: Nicolò Lionello. Characterized by a majestic structure and the elegance of its marbles, the Loggia gradually became a symbol of the city. The building appears to be composed of two floors and characterized by a covering with alternating bands of pink and white stones. The main façade has ten arches located in the lower part, while at the top there is a central balcony and two side windows, enriched with stone coats of arms that recall the city of Udine. The style of the building, on the whole, refers to the Venetian Gothic style. The upper part of the northern side has a refined pentafora characterized by a frame with denticles and round stones, depicting religious moments such as the Annunciation, and bas-reliefs of the evangelists. The main façade faces the castle hill, the left side faces a group of houses, the right one looks at Via Mercatovecchio, while the rear part forms the back wall of the Loggia. The latter joins the square through an elegant and wide staircase that occupies the two central arches. The origin of the lodge dates back to January 24, 1441, when in pleno consilio the construction of a new town hall was proposed, since all the renowned cities boasted the presence of spectacular palaces in which to carry out the Council of the city, while Udine did not have still of any building used for this function. It was, therefore, the noble deputy Nicolò Savorgnan to propose the construction of this new municipal building. To finance its implementation it was decided to use all the amount coming from the duty on bread and the Council's consent, on 24 January 1441, was almost unanimous. However, it was not until July of the following year that the materials were supplied. The Municipality was entrusted with the task of providing bricks, timber and all the remaining building materials necessary for construction, while the labor was left to the care of the masters of the land. The work plan was in fact modified many times over time, especially in the seventeenth century, when substantial extensions were carried out in the building under construction, which lasted until the nineteenth century, when the Loggia was tragically disfigured by a serious fire. In 1448, the year that marks the beginning of the works, four above the factory were named: Nicolò dei Bombeni, Raimondo della Torre, Giovanni Rainoldi and Nicolò Lionello. These personalities were decisive for the continuation of the works; however the judgments on the various modifications of the Loggia sometimes led to bitter conflicts: it was thus that in the middle of the same year Lionello proposed a new project for the construction of the building, signed by twenty-three Municipal Councilors. A new phase of work in the Loggia began at the end of the fifteenth century, more precisely on 20 March 1492, when the Council approved the acquisition and integration of the houses behind the Lodge as municipal properties. Shortly afterwards the Council decided to demolish these houses, defining this gesture as an act necessary for the enlargement and improvement of the Palace. It was probably the growth of the community's needs to determine the need for such extensions, in fact, the building that appeared at the end of the fifteenth century was very different from today's image.
IL RESTAURO DEI MORI
UDINE - Sono in fase di restauro i due mori che dal 1850 scandiscono l'ora in piazza LIbertà, nel cuore di Udine. I due automi sono stati posizionati nella loggia di San Giovanni, dove saranno riportati ai vecchi fasti davanti agli occhi dei cittadini. torneranno in cima all'orologio a gennaio
- Intervistati: ADALBERTO BURELLI (Direttore dei Lavori) - Servizio di Simonetta D'Este, riprese di Giancarlo Virgilio, montaggio di Giancarlo Virgilio
Places to see in ( Udine - Italy ) Piazza San Giacomo
Places to see in ( Udine - Italy ) Piazza San Giacomo
If you want to understand better history of Friuli with a touch of art combined with a pinch of leisure and relaxation,you can't miss the 'living room' in the heart of the city: we are talking about Piazza Matteotti, better known as Piazza San Giacomo. once a place for the city market.
This square is one of the city's scenery key places: the style of the old school, frames and contains the church of San Giacomo, the sixteenth-century fountain by Giovanni da Udine, the column with the statue of the Virgin and Child, and the countless ancient palaces with lingering traces of frescoes and bright arcades in the other three sides of the square. 1378 is the year of construction of the Church of St. James (Chiesa di San Giacomo), built for the will of the Brotherhood of furriers.
Bernardino da Morcote is the author of the current facade, dating back to 1525, while the side chapel was added after 1650. The clock above the portal is surmounted by a balcony, and a mullioned window surmounts the belfry. Alongside stands the chapel of Souls, with the statues of the four cardinal virtues, made in 1744.
The sophistication of this religious building lies inside, adapted in the Baroque period with decorations by Pietro Venier with Stories of St. James and other artists. Piazza San Giacomo is a place loved by the Udinesi with the pleasure of sipping a tajut (wine drink) with the crostino with friends in one of the several osterie and pubs and bars.
( Udine - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Udine . Through a series of videos we will try to show you recommended places to visit in Udine - Italy
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Giovanni da Udine, pittore, decoratore, architetto. Un inno alla Natura.
Giovanni Nani (Nanni), o Giovanni de' Ricamatori, meglio conosciuto come Giovanni da Udine nacque a Udine nel 1487 e morì a Roma nel 1561. E' stato un importante protagonista della cultura figurativa a Roma all'inizio del XVI secolo. Cominciò la sua formazione presso Giovanni Martino da Udine, poi si stabilì a Venezia presso Giorgione. Nel 1514 entrò a Roma nella bottega di Raffaello di cui è considerato uno dei più brillanti allievi e collaboratori. Di sua mano è, stando a Vasari, la splendida natura morta di strumenti musicali alla base del dipinto di Raffaello: Estasi di Santa Cecilia. Giovanni si specializzò in particolare nelle decorazioni a stucco ed in quelle a grottesca in voga nel primo Cinquecento. Si trattava di uno stile che riprendeva le antiche decorazioni romane, in particolare quelle che gli artisti rinascimentali potevano ammirare calandosi nelle stanze sotterranee della Domus Aurea (il termine grottesca deriva infatti da grotta). Le grottesche delle Logge del Vaticano sono sue creazioni. Le figure sono molto colorate e danno origine a cornici, effetti geometrici, intrecci e quant'altro, ma sempre mantenendo una certa levità e ariosità, per via del fatto che in genere i soggetti sono lasciati minuti, quasi calligrafici, sullo sfondo. L'illustrazione, prevalentemente fantasiosa e ludica, non sempre persegue una funzione puramente ornamentale, ma riveste talvolta anche uno scopo didascalico ed enciclopedico. Vasari, che lo conobbe personalmente, ormai anziano, gli riconosce una particolare maestria nella raffigurazione di elementi naturali, sia vegetali che animali, e di elementi inanimati come ... drappi, vasi, instrumenti, casamenti paesi e verdure.... In particolare ricorda il suo taccuino in cui raffigurava dal vero le varie specie di uccelli con un interesse per la raffigurazione dal vivo che ne fa un precursore del genere della natura morta grazie all' atteggiamento analitico, acutamente descrittivo e quasi scientifico Summa di tali interessi di Giovanni da Udine sono le decorazioni a festoni vegetali della loggia di Psiche nella villa Farnesina a Roma che simulano un pergolato con fiori e frutta: sono rappresentate con ricchezza di dettagli circa duecento specie botaniche, domestiche ed esotiche. La Loggia di Psiche è celebre per il ciclo di affreschi di Raffaello. Dopo la morte di Raffaello Giovanni da Udine lavorò per il cardinale Giulio de Medici assieme a Giulio Romano a villa Madama terminando i lavori ne1525, nell giardino possiamo vedere la sua Fontana dell'elefante che commemora l'elefante indiano Annone, condotto a Roma dall'ambasciatore del Portogallo per la consacrazione di Leone X nel 1514. L'elefante Annone viene successivamente raffigurato anche nella volta di Palazzo Baldassini. Dopo il sacco di Roma nel 1527 Giovanni ritornò a Udine dove gli fu conferita la direzione dei lavori di ricostruzione del Castello, distrutto da un terremoto
nel1511. Nel 1539 concluse il campanile della Chiesa di Santa Maria di Castello. Nel 1547 egli progettò una scala esterna che dal cortile del lato nord permetteva l'accesso al salone centrale del Castello. Progettò anche altri lavori in città, tra questi si ricorda la fontana davanti la Chiesa di San Giacomo, in piazza Matteotti, la Torre dell'Orologio e la Chiesa dei Battuti a Cividale. Nel 1550 ritornò a Roma come pellegrino per il Giubileo. E' sepolto a Roma nel Pantheon, vicino al suo maestro Raffaello.
musica: ho cambiato la musica che avevo postato all' inizio con Suite N 1 water music di Händel, tratta dalla raccolta youtube
Il Castello di Udine
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Places to see in ( Udine - Italy ) Loggia del Lionello
Places to see in ( Udine - Italy ) Loggia del Lionello
The Lionello lodge is one of the oldest and most important historical buildings in Udine , built in Piazza Libertà, owes its name to the one who had it completed: Nicolò Lionello . Characterized by a majestic structure and by the elegance of its marbles, the Loggia progressively became a symbol of the city. The building is made up of two floors and features a covering with alternating bands of pink and white stones.
The main façade has ten arches located in the lower part, while on the upper side there is a central balcony and two lateral three-lancet windows, enriched with coats of arms that recall the city of Udine. The style of the building, on the whole, refers to the Venetian Gothic style. The upper part of the northern side has a refined pentafora characterized by a frame with dentils and rounds in stone, depicting religious moments such as the Annunciation , as well as bas - reliefs by the evangelists.
The major façade faces the castle hill, the left part towards a group of houses, the right side overlooks via Mercatovecchio , while the rear part forms the back wall of the Loggia. The latter joins the square through an elegant and wide staircase that occupies the two central arches.
The origin of the lodge dates back to January 24, 1441, when in pleno consilio was proposed the construction of a new municipal building, since all the famous cities boasted the presence of spectacular buildings in which to play the city council, while Udine did not have still no building used for this function. It was, therefore, the noble deputy Nicolò Savorgnan to propose the construction of this new municipal building. In order to finance its realization, it was decided to use all the amount coming from the duty on bread and the consent of the Council, on 24th January 1441, was almost unanimous.
The extension and embellishment modifications designed by Pietro Lombardo aimed at transforming the Loggia into an independent building, both in terms of height and out-of-scale floors. Another important element concerned its coverage, independent of the building built by Bartolomeo delle Cisterne , based on a design by Nicolò Lionello.
Today the Loggia del Lionello is a unique body with the Palazzo degli Uffici Municipali , the work of architect Raimondo D'Aronco and built in place of the ancient chancellery at the beginning of the twentieth century , in order to meet the needs of citizens. The Loggia del Lionello has a rectangular base that extends for 18.50 meters in width and 35.50 meters in length while, in height, it develops for 15,20 meters. This last building, with its white and pink stones, is the most imposing element of Piazza Libertà. At the center of the main façade there is a pentafora with a balcony placed between two windows; another distinguishing element is undoubtedly the façade that overlooks Piazza della Libertà, accompanied by the inscription in Gothic style UTINUM , representing the Latin name of the city of Udine.
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ROMA - VILLA FARNESINA Gli affreschi di Raffaello - HD
© CLAUDIO MORTINI™◊
La villa Farnesina nel cuore di Trastevere, è una delle più nobili e armoniose realizzazioni del Rinascimento italiano, commissionata da Agostino Chigi a Baldassarre Peruzzi, e affrescata con dipinti ispirati ai miti classici da Raffaello Sanzio, Sebastiano del Piombo, Giovanni da Udine, Giovanni Bazzi detto il Sodoma, Giulio Romano e Giovan Francesco Penni. La villa è oggi sede di rappresentanza della Accademia dei Lincei.
Si possono visitare:
LOGGIA DI GALATEA
LOGGIA DI AMORE E PSICHE
STANZA DEL FREGIO
SALA DELLE PROSPETTIVE
STANZA DELLE NOZZE
GALLERIA DELLE GROTTESCHE
Non va confusa con la Farnesina, sede del Ministero degli Affari Esteri della Repubblica Italiana che si trova tra Monte Mario ed il Tevere nella zona del Foro Italico a Roma.
Antonio Vivaldi - L'Estate - Piano Twelve
L'Estate, concerto dall'op. 3 di Antonio Vivaldi, arrangiamento di Valter Sivilotti per 12 pianoforti.
Piano Twelve - live, 12/09/2010 - Loggia di S. Giovanni, Udine, Italia.
Places to see in ( Vicenza - Italy ) Loggia del Capitaniato
Places to see in ( Vicenza - Italy ) Loggia del Capitaniato
The palazzo del Capitaniato, also known as loggia del Capitanio or loggia Bernarda, is a palazzo in Vicenza, northern Italy, designed by Andrea Palladio in 1565 and built between 1571 and 1572. It is located on the central Piazza dei Signori, facing the Basilica Palladiana. Palazzo del Capitaniato, floor plan (Pereswet-Soltan, 1969). The palazzo is currently used by the town council. It was decorated by Lorenzo Rubini and, in the interior, with frescoes by Giovanni Antonio Fasolo. Since 1994 the palace has been part of the UNESCO World Heritage Site of the City of Vicenza and the Palladian Villas of the Veneto.
When one compares the Gothic arches of the Palazzo Ducale in Venice with the loggias of Palladio’s Basilica, inspired by the classical language of ancient Rome (and even more if one compares the 16th-century (Cinquecento) palazzi of Vicenza with those on the Grand Canal), the Vicentines’ desire to emphasise their cultural autonomy from the architectural models of La Serenissima becomes quite clear. Nevertheless, twenty years later, when the Citizen Council commissioned for the same piazza the refacing of the official residence of the Venetian Captain (the military head in charge of the city on behalf of the Venetian Republic), it would again fall to Palladio to undertake the work, and the contest, if any, was between two extraordinary architectures rising one in front of the other.
It is extremely rare for any architect to have the opportunity to intervene twice in the same place, after an interval of twenty years. The young architect of the Basilica, then still under the supervision of Giovanni da Porlezza, had by now become the celebrated creator of several important buildings: churches, palaces and villas for the dominant élite of the Veneto. Palladio chose not to have the two buildings converse: against the purism of the Basilica’s double-storey arcades, we find the Loggia’s colossal engaged composite columns, and while the Basilica was executed in white stone and devoid of decoration (if one ignores the design of architectural elements like the frieze, keystones and statues), the Loggia abounds in rich stucco decorations.
Both the use of the giant order and this decorative richness are twin traits peculiar to Palladio’s architectural idiom in the last decade of his life. However, the chromatic contrast between the white of the stone and the red of the brick (even though desired by Palladio in the Convento della Carità in Venice) is only the product of the original surfaces’ degradation: ample remains of the light stucco which once covered the bricks are still quite visible, just below the great Composite capitals.
The Palladian loggia replaced an analogous building which had stood on the same site from the Middle Ages, and which had already been reconstructed at least twice during the Cinquecento: a covered public loggia on the ground floor and an audience hall on the upper storey. The new construction became economically viable in April 1571 and works began immediately. Palladio supplied the last drawings for the moulding templates in March 1572 and by the end of that year the building would have been roofed, since Giannantonio Fasolo could paint the lacunars of the audience hall while Lorenzo Rubini could execute the stuccoes and statues.
( Vicenza - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Vicenza . Through a series of videos we will try to show you recommended places to visit in Vicenza - Italy
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La visita del principe Umberto a Udine.
Giornale Luce A0324 del 05/1929
Descrizione sequenze:Il principe Umberto a bordo di una automobile scoperta avanza lungo un viale. Segue un corteo di automobili. Ai lati la folla accorsa. ; Le automobili si fermano nella piazza Contarena. Umberto e il suo seguito scendono dalle automobili, camminano verso il loggiato di San Giovanni ed entrano nell'edificio dove si trova il sacello dedicato ai caduti delle Guerre di Indipendenza. ; Panoramica sulla folla radunatasi. ; Umberto e il suo seguito escono dall'edificio. Umberto saluta ripetutamente. ; Il gruppo si dirige verso il Palazzo Comunale, sul lato opposto della piazza. ; Di fronte al palazzo sono schierati alcuni reparti di camicie nere. Passando di fronte ad essi il principe fa il saluto militare. ; Umberto lascia la piazza a bordo della lussuosa automobile. Al suo passaggio le camicie nere salutano romanamente. ;
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Come in un videogioco: ecco Udine Rebricked, il centro della città ricostruito con i Lego
La Loggia del Lionello, piazza Libertà, il Castello e tutto il centro di Udine ricostruito graficamente con l'animazione Lego: l'idea è di Alberto Bidinot, un infermiere 32enne di Bannia. Ma tra i suoi progetti non c'è solo Udine: Bannia ha ricostruito virtualmente anche Azzano Decismo, Portogruaro, San Vito al Tagliamento e Pordenone
9° Tappa della Staffetta dell'Acqua - UDINE
Mercoledì 12 Ottobre. La corsa simbolica, guidata dal nostro idroforo d'eccezione Pietro Mennea, è partita da Piazza San Cristoforo, preseguendo verso Via Bartolini, per raggiungere, dopo un percorso di circa 450 m, la Piazza della Libertà, dove ha consegnato la borraccia alle autorità.
In piazza S. Cristoforo si allestirà il punto partenza della staffetta con consegna delle magliette agli atleti del dopolavoro AMGA che accompagneranno l'idroforo Pietro Mennea.
Mirabili i palazzi che la circondano: su uno dei lati si erge la loggia del Lionello, storica sede del Comune. Sotto il loggiato sono conservati il termometro a spire bimetalliche di Arturo Malignani.
Sull'altro lato della piazza si trova invece la rinascimentale loggia di San Giovanni con annessa Torre dell'Orologio e la salita al Castello; nella piazza si trova anche una fontana cinquecentesca.
Hanno partecipato all'evento:
Prof. Furio Honsell -- Sindaco di Udine
dott. Lorenzo Croattini -- Assessore alla Qualità della città
ing. Antonio Nonino -- Presidente AMGA Azienda Multiservizi spa
dott. Eddi Gomboso -- Presidente CAFC
dott. Giovanni Cumin -- Vice Presidente CAFC
dott. Alessandro Colautti -- CDA CAFC
dott. Renato Modolo -- CDA CAFC
dott. Cesare Strisino -- CDA CAFC
ing. Massimo Battiston -- Direttore CAFC
dott. Attilio Vuga -- Presidente Consorzio Poiana
dott. Paolo Marseu -- Vice Presidente Consorzio Poiana
dott. Graziano Tilatti -- Membro effettivo Consorzio Poiana
ing. Alessandro Patriarca -- Direttore Consorzio Poiana
dott. Roberto Pittoni -- Presidente Carniacque
ing. Michele Mion -- Amm.Del. Carniacque
dott. Paolo Albano -- CDA Carniacque
dott. Michele De Franceschi -- CDA Cariacque
dott. Fabio Di Bernardo -- CDA Carniacque
dott. Elvio Antoniacomi -- CDA Carniacque
dott. Andrea Zuliani -- Presidente ATO Udine
ing. Massimo Canali -- Direttore ATO Udine
Presidente ATO Gorizia
Dott. Fabio Gabrielcig -- Direttore ATO Gorizia
Presidente ATO Trieste
Direttore ATO Trieste
Dott. Stefano Del Cont Bernard -- Presidente ATO Pordenone
Ing. Marcello Del Ben -- Direttore ATO Pordenone
Dott. Mirio Bolzan -- Presidente Irisacqua Gorizia
Ing. Paolo Lanari -- Direttore Irisacqua Gorizia
Dott. Massimo Paniccia -- Presidente ACEGAS APS Trieste
Dott.ssa Marina Monassi -- Direttore Acegas Aps Trieste
Dott. Cesare Pillon -- Amm.re Delegato Acegas Aps Trieste
Presidente Hydrigea
Direttore Hydrogea
Dott. Pietro Fontanini -- Presidente Provincia Udine
Dott. Enio Decorte -- Assessore all'Ambiente Provincia di Udine
Dott. Renzo Tondo -- Presidente Regione FVG
Dott. Luca Ciriani -- Assessore all'Ambiente Regione FVG
Dott. Giovanni Imbriaco - Presidente CEVI
Legambiente
Dott. Roberto Pizzutti -- Presidente WWF
Presidente Italia Nostra
Dott. Dino Pontisso -- Segretario Generale ADICONSUM
Dott. Wanni Ferrari -- Responsabile Provinciale Federconsumatori
Dott.ssa Rita Bertossi - Federconsumatori
BELLEZZA NASCOSTA, SCORCI VICOLI PIAZZE MUSICA E ARTE ALLA LOGGIA DI S. GIOVANNI
(Agenzia VISTA) - Udine, 11 Ottobre 2015 - Riconoscere la bellezza: simposi, dialoghi ed eventi ad Udine per l'inserimento della Bellezza nella Costituzione Italiana.