Comment attirer les abeilles au jardin 1/2 HD
Hotel insectes
Dans mes deux vidéos, je donnes des informations qui vous seront utiles.
Une semaine de tournage et des moments merveilleux.
Mettre en grand écran pour ne pas manquer certain détailles.
Avec des images que vous n'avez jamais vues.
Comment aider les abeilles de nos jardins, c'est trop simple.
PHILOSOPHY - René Descartes
Rene Descartes is perhaps the world’s best known-philosopher, in large part because of his pithy statement, ‘I think therefore I am.’ He stands out as an example of what intellectual self-confidence can bring us. Please subscribe here:
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#TheSchoolOfLife
Hamilton: the musical (Animatic version)
EDIT: It's back yeah! WMG (the ones that owe Hamilton) allow this video to exist but they put a lot of adds so they can make money out of it.. I'm not happy with that since the artists should receive it but okay.. the big company wins once again.
So, I basically selected my favourites animatics for each song of Hamilton and I made this video, I really hope you'll all enjoy.
Credits are in the description and in the video
(the credits to all the artists are at the end of the video and in the description, just keep reading :D ).
The songs are a property of Lin Manuel Miranda.
The animations in this video where made by the following artists:
1) ALEXANDER HAMILTON (Galaxyst)
2) AARON BURR, SIR (Szin)
3) MY SHOT (Szin)
4) THE STORY OF TONIGHT (Szin)
5) THE SCHUYLER SISTERS (Szin)
6) FARMER REFUTED (Szin)
7) YOU'LL BE BACK (Captain Sealant)
8) RIGHT HAND MAN (Szin)
9) A WINTER'S BALL (Szin)
10) HELPELESS (Szin)
11) SATISIFIED (Szin)
12) THE STORY OF TONIGHT REPRISE (Szin)
13) WAIT FOR IT (Marzy Meh)
14) STAY ALIVE (Marzy Meh)
15) TEN DUEL COMMANDEMENTS (Szin)
16) MEET ME INSIDE (Szin)
17) THAT WOULD BE ENOUGH (Szin)
18) GUNS AND SHIPS (Szin)
19) HISTORY HAS IT EYES ON YOU (Szin)
20) YORKTOWN (Marzy Meh)
21) WHAT'S COMES NEXT? (Szin)
22) DEAR THEODOSIA (Szin)
23) LAURENS INTELUDE (Szin)
24) NON STOP (Allison Coon)
25) WHAT'D I MISS? (Jasmin McPines)
26) CABINET BATTLE #1 (HuangHYing)
27) TAKE A BREAK (Moo Radish)
28) SAY NO TO THIS (Moo Radish)
29) THE ROOM WHERE IT HAPPENS (SaffeeBear)
30) SHUYLER DEFEATED (Eumnie)
31) DEAR THEODOSIA REPRISE (Chiino)
32) CABINET BATTLE #2 (Avenoir)
33) WASHINGTON ON YOUR SIDE (PillowPon)
34) ONE LAST TIME (OfficialDaelight)
35) I KNOW HIM (Jasmin McPines)
36) THE ADAMS ADMINISTRATION (Exadorlion)
37) WE KNOW (Allison Coon)
38) HURRICANE (ZooshiSushi)
39) THE REYNOLDS PAMPHLETS (Captain Sealant)
40) BURN (Mokodoko)
41) BLOW US ALL AWAY (Ziksua)
42) STAY ALIVE REPRISE (Ziksua)
43) IT'S QUIET UPTOWN (Captain Sealant)
44) THE ELECTION OF 1800 (A homebody)
45) YOUR OBEDIENT SERVANT (Violet - Madness)
46) BEST OF WIVES AND BEST OF WOMEN ( Galactibun Bun)
47) THE WORLD WAS WIDE ENOUGH (Jasmin McPines)
48) WHO LIVES, WHO DIES, WHO TELLS YOUR STORY (Jasmin McPines)
Laura Perrudin - INKS (official music video)
Artist : Laura Perrudin
Director : Damien Bonnaire
Director Of Photography : Antoine Waterkeyn
Dancer : Eva Ndiaye
Water Effects Designer : Charlie Longuet
Make-Up Artist : Violeta Cuadra
Assistants : Gregoire De Villepoix, Clément Lemennicier
With the precious support from Adami and Colore
Poisons & Antidotes (album)
Music and lyrics written, composed, arranged, performed, recorded and produced by Laura Perrudin with her electric chromatic harp and her voice (harp and voice only performance)
Recorded by Laura Perrudin at Cactus-Blockhaus Studio (Paris)
Mixed by Jeremy Rouault at Studio du Faune (Rennes)
Mastered by Valgeir Sigurðsson at Greenhouse Studios (Reykjavik)
Volatine 2017
Vinyl Album :
CD Album :
Digital :
Streaming :
...
Booking / Management :
colore.fr
orotone.fr
laurentcarrier [at] colore.fr
Booking :
julie [at] azimuthprod.com
Presse :
賈曉晨 JJ - 婚紗 Catwalk @ 婚紗展
London HD. London in 4 days. Londres en 4 jours. Londýn za 4 dny. [cz,en,fr]
[cz,en,fr] Ability to enable information subtitles on the screen bottom right. Possibilité d'activer des informations sous-titres sur le droit de fond d'écran. Možnost zapnout informační titulky na obrazovce vpravo dole.
*** Londýn je hlavní město Spojeného království Velké Británie a Severního Irska ležící na jihovýchodě země při ústí řeky Temže. Londýnská City je jedno z největších světových obchodních center. Londýn je společně s městy New York a Tokio jedním z nejdůležitějších měst na světě. Město bylo založeno před více než 2000 lety Římany (Londinium).
*** London is the capital city of England and of the United Kingdom. It is the most populous region, urban zone and metropolitan area in the United Kingdom. Standing on the River Thames, London has been a major settlement for two millennia, its history going back to its founding by the Romans, who named it Londinium.
*** Londres , située au sud-est de la Grande-Bretagne, est la capitale et la plus grande ville du Royaume-Uni ; longtemps capitale de l'Empire britannique. Fondée il y a presque 2 000 ans par les Romains (Londinium), Londres était au XIXe siècle la ville la plus peuplée du monde. Aujourd'hui largement dépassée dans ce domaine par de nombreuses mégapoles, elle reste une métropole de tout premier plan, en raison de son rayonnement et de sa puissance économique considérable, due notamment à son statut de premier centre financier mondial.
Joey Starr met le feu au Foreztival
Our Miss Brooks: Business Course / Going Skiing / Overseas Job
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
My Friend Irma: Psycholo / Newspaper Column / Dictation System
My Friend Irma, created by writer-director-producer Cy Howard, is a top-rated, long-run radio situation comedy, so popular in the late 1940s that its success escalated to films, television, a comic strip and a comic book, while Howard scored with another radio comedy hit, Life with Luigi. Marie Wilson portrayed the title character, Irma Peterson, on radio, in two films and a television series. The radio series was broadcast from April 11, 1947 to August 23, 1954.
Dependable, level-headed Jane Stacy (Cathy Lewis, Diana Lynn) began each weekly radio program by narrating a misadventure of her innocent, bewildered roommate, Irma, a dim-bulb stenographer from Minnesota. The two central characters were in their mid-twenties. Irma had her 25th birthday in one episode; she was born on May 5. After the two met in the first episode, they lived together in an apartment rented from their Irish landlady, Mrs. O'Reilly (Jane Morgan, Gloria Gordon).
Irma's boyfriend Al (John Brown) was a deadbeat, barely on the right side of the law, who had not held a job in years. Only someone like Irma could love Al, whose nickname for Irma was Chicken. Al had many crazy get-rich-quick schemes, which never worked. Al planned to marry Irma at some future date so she could support him. Professor Kropotkin (Hans Conried), the Russian violinist at the Princess Burlesque theater, lived upstairs. He greeted Jane and Irma with remarks like, My two little bunnies with one being an Easter bunny and the other being Bugs Bunny. The Professor insulted Mrs. O'Reilly, complained about his room and reluctantly became O'Reilly's love interest in an effort to make her forget his back rent.
Irma worked for the lawyer, Mr. Clyde (Alan Reed). She had such an odd filing system that once when Clyde fired her, he had to hire her back again because he couldn't find anything. Useless at dictation, Irma mangled whatever Clyde dictated. Asked how long she had been with Clyde, Irma said, When I first went to work with him he had curly black hair, then it got grey, and now it's snow white. I guess I've been with him about six months.
Irma became less bright as the program evolved. She also developed a tendency to whine or cry whenever something went wrong, which was at least once every show. Jane had a romantic inclination for her boss, millionaire Richard Rhinelander (Leif Erickson), but he had no real interest in her. Another actor in the show was Bea Benaderet.
Katherine Elisabeth Wilson (August 19, 1916 -- November 23, 1972), better known by her stage name, Marie Wilson, was an American radio, film, and television actress. She may be best remembered as the title character in My Friend Irma.
Born in Anaheim, California, Wilson began her career in New York City as a dancer on the Broadway stage. She gained national prominence with My Friend Irma on radio, television and film. The show made her a star but typecast her almost interminably as the quintessential dumb blonde, which she played in numerous comedies and in Ken Murray's famous Hollywood Blackouts. During World War II, she was a volunteer performer at the Hollywood Canteen. She was also a popular wartime pin-up.
Wilson's performance in Satan Met a Lady, the second film adaptation of Dashiell Hammett's detective novel The Maltese Falcon, is a virtual template for Marilyn Monroe's later onscreen persona. Wilson appeared in more than 40 films and was a guest on The Ed Sullivan Show on four occasions. She was a television performer during the 1960s, working until her untimely death.
Wilson's talents have been recognized with three stars on the Hollywood Walk of Fame: for radio at 6301 Hollywood Boulevard, for television at 6765 Hollywood Boulevard and for movies at 6601 Hollywood Boulevard.
Wilson married four times: Nick Grinde (early 1930s), LA golf pro Bob Stevens (1938--39), Allan Nixon (1942--50) and Robert Fallon (1951--72).
She died of cancer in 1972 at age 56 and was interred in the Columbarium of Remembrance at Forest Lawn Cemetery in Hollywood Hills.
The Great Gildersleeve: The Grand Opening / Leila Returns / Gildy the Opera Star
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The Great Gildersleeve: Bronco and Marjorie Engaged / Hayride / Engagement Announcement
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The Great Gildersleeve: Gildy Traces Geneology / Doomsday Picnic / Annual Estate Report Due
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.