“Aggrediti nel quartiere ebraico di Roma, dopo avere strappato un manifesto di Sharon”
La denuncia di quattro ragazzi un anno dopo l'aggressione contro gli attivisti del Teatro Valle: “Erano in 15 tutti armati di spranghe. Ci hanno minacciati di morte e poi picchiati”. Tante le similitudini con l'episodio del 2012
L'istituto paritario San Benedetto di Tarquinia si presenta
Descrizione
Hacking the kitchen | Davide Cassi | TEDxMilano
Hackeraggi in cucina.
Sugar, salt and hacking in the kitchen: if technology at first simplified our lives, today it inspires and creates a new way of conceiving food.
We need continuous innovation for what we eat and science can and must contribute to making us feel good, even in spirit. Davide Cassi takes us on a journey full of knowledge to understand how technology changes the kitchen with scientific gastronomy.
This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at
Zucchero, sale e hackeraggi in cucina: se prima la tecnologia semplificava, oggi ispira e crea una nuovo modo di concepire il cibo.
C'è bisogno di innovazione continua per quello che mangiamo e la scienza può e deve contribuire a farci stare bene, anche nello spirito. Davide Cassi ci porta in un viaggio ricco di conoscenza per capire come la tecnologia cambia la cucina con la gastronomia scientifica.
Questo intervento è stato presentato a un evento TEDx che utilizza il format della conferenza TED, ma è stato organizzato in maniera indipendente da una comunità locale. Per maggiori informazioni, visita il sito
Davide Cassi is professor of Soft Matter Physics at Parma University, where he founded and directs the Laboratory of Gastronomic Physics and the spin-off Future Cooking Lab. At the same university, he was the first president of the first Degree course in Gastronomic Sciences of the Italian University.
For over 20 years he has collaborated with the best chefs and pastry chefs in the world, inventing new cooking techniques.
In 2002 he introduced the idea of molecular cooking, later defined in the book “Il gelato estemporaneo ed altre invenzioni gastronomiche” (2005), the first manual on the theme worldwide (translated into Spanish with the title La ciencia en los fogones).
He has participated in numerous public events and radio and television broadcasts, collaborates with Italian and foreign magazines and curates the blog Il Gastronomo Scientifico (gastronomoscientifico.blogspot.it).
For his research on science and gastronomy he was awarded the International Prize Caterina de' Medici, the Tarlati Prize and the Grand Prix de la Science de l'Alimentation dell'Académie Internationale de la Gastronomie. This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at
NORMALE #lavita - Documentario breve I HD
«Sono il papà di una bambina ricoverata in rianimazione. Vorrei portare mia figlia a morire a casa!»
Documentario breve NORMALE #lavita di GIUSEPPE ALESSIO NUZZO.
Normale #lavita racconta la straordinaria e commovente storia di vita di una giovane ragazza, Federica Paganelli, affetta da una rara e poco conosciuta patrologia, l’Atrofia muscolare spinale o morbo di Werdnig-Hoffmann; Federica esce, lavora, fa volontariato nonostante sia l'unica ragazza al mondo a convivere a 20 anni con questa malattia che provoca la morte degli affetti dopo solo due anni di vita.
“Normale #lavita” è il primo episodio della trilogia del docu-experience “Normale”, raccontare il sociale attraverso l’audiovisivo firmato dal regista partenopeo Giuseppe Alessio Nuzzo.
Bio-filmografia del regista Giuseppe Alessio Nuzzo:
Classe 1989; regista, autore e produttore, è attuale direttore generale del “Social World Film Festival”, mostra internazionale del cinema sociale di Vico Equense.
Docente per l'Università del Cinema e collaboratore esterno presso la Scuola di Cinema di Napoli, scrive di critica cinematografica su vari periodici.
Ha diretto numerosi cortometraggi (“Lettere a mia figlia” con Leo Gullotta), documentari (“Primitivamente” con Giancarlo Giannini e le musiche di Enzo Avitabile ed Adriano Aponte) e spot a tematica sociale (“Corri” con Anna Falchi in onda sulle reti Rai e Mediaset) per i quali ha ricevuto premi dal Presidente della Repubblica Italiana Giorgio Napolitano e dal Premio Nobel Rita Levi Montalcini, dall’Unione Europea e da Pubblicità Progresso.
È, inoltre, giurato a svariati festival cinematografici internazionali tra cui Festival, ora Festa, del Film di Roma per il premio Marc’Aurelio Esordienti (al fianco di Caterina D'Amico, già amministratore delegato di Rai Cinema) e Giffoni Film Festival.
Nell’ottobre 2011 è tra le dieci eccellenze del cinema giovane italiano a Los Angeles per la Presidenza del Consiglio dei Ministri.
Nel 2013 ha ideato e fatto realizzare il primo ed unico monumento al cinema in Italia, The Wall of Fame, a Vico Equense (Costiera Sorrentina).
Nel 2014 fonda la società di prodizione “Pulcinella Film” e nello stesso anno è sua l’idea di istituire a Vico Equense un Museo del cinema del territorio e della Penisola Sorrentina all’interno del quale ha donato centinaia tra manifesti, fotobuste, locandine, proiettori ed altri cimeli dall’800 ai giorni nostri.
A dicembre 2015, in occasione dei 120 anni dalla prima proiezione cinematografica a Parigi dei fratelli Lumière, pubblica il suo primo libro “Cinema è sogno - Antologia delle citazioni cinematografiche: le frasi dei più celebri film italiani dal 1930 ad oggi” con le conclusioni dell’attore e docente universitario Enzo Decaro e l’autorevole prefazione del Presidente dei David di Donatello Gian Luigi Rondi nella quale definisce l’opera “monumentale”.
A febbraio 2016 dirige il suo primo lungometraggio, “Le verità”, primo thriller psicologico prodotto in Italia che vede nel cast tra i tanti Francesco Montanari, Nicoletta Romanoff, Anna Safroncik, Maria Grazia Cucinotta, Fabrizio Nevola, Luigi Diberti, Sergio Solli, Renato Scarpa.
Studia produzione ed organizzazione cinematografica al Lab della Scuola Nazionale di Cinema - Centro Sperimentale di Cinematografia di Roma.
Laureato con massimi voti in Odontoiatria, è stato Consigliere della Facoltà di Medicina presso il Secondo Ateneo di Napoli.
il Primo Scherzo Telefonico Della Storia (Germania 1902)
Ringrazimo il Museo Meucci di Torino per la registrazione affidataci
TWN34 - Ed. del 5/12/2008 - Museo della Frutta
Appuntamento settimanale con la cultura in città - Trascrizione della puntata su comune.torino.it/youtorino - Per visualizzare i sottotitoli cliccare sulla freccia in basso a destra sul player.
Torino 1902 - Esposizione Internazionale d'arte decorativa moderna
Con questa esposizione inizia in anche Italia a diffondersi l'architettura Liberty che nei vari paesi, ma per alcuni termini anche in Italia, è conosciuta con altri nomi: floreale, Art Nouveau (Arte Nuova), Art Déco, Jugendstil (Stile giovane) ecc
Per maggiori informazioni
Una delle caratteristiche più importanti dello stile liberty è l'ispirazione alla natura, di cui studia gli elementi strutturali, traducendoli in una linea dinamica e ondulata, con tratto «a frusta». Semplici figure sembravano prendere vita e evolversi naturalmente in forme simili a piante o fiori.
Nonostante i miei sforzi è possibile che ci siano degli errori riguardo la posizione di alcuni padiglioni, cioè se erano parte del edificio centrale della esposizione. Purtroppo non ho una mappa leggibile che mi consenta d'evitare certi sbagli.
ITIS da Vinci - Parma - Orientamento scolastico
Negli ultimi dieci anni in Italia sono venuti a mancare 400.000 diplomati tecnici e oggi le aziende fanno fatica a trovare periti industriali. Se avete un figlio in terza media pensateci.
Conferimento dell’Ordine del Cherubino - Università di Pisa
12 Aprile 2019: Cerimonia di Conferimento dell’Ordine del Cherubino per gli anni 2018 e 2019
BCFN - CONFERENZA STAMPA VILLA D'ESTE CERNOBBIO
Domande e riflessioni dal pubblico. Discover more at
Suspense: Will You Make a Bet with Death / Menace in Wax / The Body Snatchers
There were several variations of program introductions. A typical early opening is this from April 27, 1943:
(MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG)
THE MAN IN BLACK: Suspense!
This is The Man in Black, here again to introduce Columbia's program, Suspense.
Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in Citizen Kane - The Magnificent Ambersons in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, Salute to the Marines.
Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called The Diary of Sophronia Winters.
The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with The Diary of Sophronia Winters and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in...
(MUSIC: ... UP, DRAMATICALLY)
THE MAN IN BLACK: ... Suspense!
On the Run from the CIA: The Experiences of a Central Intelligence Agency Case Officer
Agee stated that his Roman Catholic social conscience had made him increasingly uncomfortable with his work by the late 1960s leading to his disillusionment with the CIA and its support for authoritarian governments across Latin America. About the book:
He and other dissidents took encouragement in their stand from the Church Committee (1975-76), which cast a critical light on the role of the CIA in assassinations, domestic espionage, and other illegal activities.
In the book Agee condemned the 1968 Tlatelolco massacre in Mexico City and wrote that this was the immediate event precipitating his leaving the agency.
While Agee claimed that the CIA was very pleased with his work, offered him another promotion and his superior was startled when Agee told him about his plans to resign, the anti-communist journalist John Barron claims that Agee's resignation was forced for a variety of reasons, including his irresponsible drinking, continuous and vulgar propositioning of embassy wives, and inability to manage his finances.
Agee was accused by U.S. President George H. W. Bush of being responsible for the death of Richard Welch, a Harvard-educated classicist who was murdered by the Revolutionary Organization 17 November while heading the CIA Station in Athens. Bush had directed the CIA from 1976 to 1977.
Inside the Company identified 250 alleged CIA officers and agents. The officers and agents, all personally known to Agee, are listed in an appendix to the book. While written as a diary, it is actually a reconstruction of events based on Agee's memory and his subsequent research.
Agee writes that his first overseas assignment was in 1960 to Ecuador where his primary mission was to force a diplomatic break between Ecuador and Cuba, no matter what the cost to Ecuador's shaky stability, using bribery, intimidation, bugging, and forgery. Agee spent four years in Ecuador penetrating Ecuadorian politics. He states that his actions subverted and destroyed the political fabric of Ecuador.
Agee helped bug the United Arab Republic code room in Montevideo, Uruguay, with two contact microphones placed on the ceiling of the room below.
On December 12, 1965 Agee explains how he visited senior Uruguayan military and police officers at a Montevideo police headquarters. He realized that the screaming he heard from a nearby cell was the torturing of a Uruguayan, whose name he had given to the police as someone to watch. The Uruguayan senior officers simply turned up a radio report of a soccer game to drown out the screams.
Agee also ran CIA operations within the 1968 Mexico City Olympic Games and he witnessed the events of the Tlatelolco massacre.
Agee stated that President José Figueres Ferrer of Costa Rica, President Luis Echeverría Álvarez (1970--1976) of Mexico and President Alfonso López Michelsen (1974--1978) of Colombia were CIA collaborators or agents.
Following this he details how he resigned from the CIA and began writing the book, conducting research in Cuba, London and Paris. During this time he alleges he was being spied on by the CIA.
Subways Are for Sleeping / Only Johnny Knows / Colloquy 2: A Dissertation on Love
Subways Are for Sleeping is a musical with a book and lyrics by Betty Comden and Adolph Green and music by Jule Styne. The original Broadway production played in 1961-62.
The musical was inspired by an article about subway homelessness in the March 1956 issue of Harper's and a subsequent 1957 book based on it, both by Edmund G. Love, who slept on subway trains throughout the 1950s and encountered many unique individuals. With the profits from his book, Love then embarked on a bizarre hobby: over the course of several years, he ate dinner at every restaurant listed in the Manhattan yellow pages directory, visiting them in alphabetical order.
After two previews, the Broadway production, directed and choreographed by Michael Kidd, opened on December 27, 1961 at the St. James Theatre, where it ran for 205 performances. The cast included Orson Bean, Sydney Chaplin, Carol Lawrence, Gordon Connell, Grayson Hall, and Green's wife Phyllis Newman (whose costume, consisting solely of a towel, was probably Freddy Wittop's easiest design in his distinguished career), with newcomers Michael Bennett and Valerie Harper in the chorus.
Subways Are for Sleeping opened to mostly negative reviews. The show already was hampered by a lack of publicity, since the New York City Transit Authority refused to post advertisements on the city's buses and in subway trains and stations for fear they would be perceived as officially sanctioning the right of vagrants to use these facilities as overnight accommodations. Producer David Merrick and press agent Harvey Sabinson decided to invite individuals with the same names as prominent theatre critics (such as Walter Kerr, Richard Watts, Jr. and Howard Taubman) to see the show and afterwards used their favorable comments in print ads. Thanks to photographs of the seven critics accompanying their blurbs (the well-known real Richard Watts was not African American), the ad was discovered to be a deception by a copy editor. It was pulled from most newspapers, but not before running in an early edition of the New York Herald Tribune. However, the clever publicity stunt allowed the musical to continue to run and it eventually turned a small profit.
Newman won the Tony Award for Best Featured Actress in a Musical, and nominations went to Bean for Best Featured Actor and Kidd's choreography.
carlo levi 5cl().mp4
pariamiento in 5cl carlo levi