MUSEO DE ARTE Y BIBLIOTECA ANTONIO PAREDES CANDIA EN LA CIUDAD DE EL ALTO, LA PAZ - BOLIVIA
PRODUCCIÓN Y REALIZACIÓN
María Rosario Carrasco Patzi
Carlos Contreras Carrasco
DESCRIPCIÓN
El Museo de Arte Antonio Paredes Candia situado en la ciudad de El Alto, La Paz, Bolivia, específicamente en la zona de Ciudad Satélite, fue el proyecto más ambicioso de este ilustre escritor. Tras una lucha de 12 años, se inauguró el 29 de mayo del 2002. En él se expone la colección de pintura y escultura del escritor y su biblioteca personal. El conjunto está formado por más de 300 obras de arte y 11.000 libros.
Las obras que se exponen son de grandes maestros contemporáneos en el campo de la pintura y la escultura, tales como: Pérez Alcalá, Darío Antezana, Gil Imaná, Alfredo Laplaca, Marina Núñez del Prado, Cecilio Guzmán de Rojas, Alfredo Domínguez, Arturo Borda, Víctor Zapana, Gonzalo Condarco, entre muchos otros.
También cuenta con piezas arqueológicas de las culturas Mollo y Tiwanacu, y una vasta hemeroteca que registra hechos desde 1950 tales como la Revolución del 52 y el seguimiento a la guerrilla del Che.
APLICACIÓN EN EDUCACIÓN. Se aplica en varias áreas, especialmente en Artes plásticas y visuales, en Comunicación, lenguajes y en Ciencias Sociales.
El colorido ARTE BOLIVIANO ¡Máscaras! | Musef | BOLIVIA 5 (ENG Subtitles)
El Museo Nacional de Etnografía y Folklore un sitio que recomendamos muchísimo visitar en La Paz, mejor conocido por sus siglas Musef es un museo que expone de manera interactiva, breve y llamativa gran parte de la cultura artística boliviana; no es un museo ordenado cronológicamente (como casi todos los museos del mundo), si no que está organizado en base a cadena operatoria, es decir, por qué se hizo el objeto en un inicio, con qué materiales, cómo es el proceso de elaboración y demás.
A este sitio le asignamos 5 estrellas, ya que está pensado para todo público, si te aburren los museos en este las exposiciones son tan interactivas, llamativas y coloridas que atraen al visitante más apático; si por otro lado eres de los viajeros que disfruta cada historia de museo te atrapará la narrativa en las salas que más allá de ordenar objetos te presentan toda una historia de elaboración del mismo.
El Musef está en todos los mapas para visitantes, no será complicado llegar. Importante resaltar que para llegar a La Calle Jaén debes pasar por el Musef, así que dedica 1 día de tu visita a La Pa para conocer estos dos sitios. Disfrutar todas las salas del Musef implican aproximadamente 2 horas. La entrada para adultos extranjeros (la tarifa más alta) es de 20 Bolivianos. Cualquier consulta entra a musef.org.bo
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Y recuerda, nos vemos ¡A las -5GMT!
Bolivia Tourism: Santa Cruz Regional History Museum
The Regional History Museum (Museo de Historial Regional) in Santa Cruz, Bolivia houses archeological pieces uncovered during the excavation of the Bolivia-Brazil pipeline in the late 1990's. It also contains a library and document archive dating as far back as 1600. Regional refers to the Department of Santa Cruz.
The Museum of Regional History offers various venues to the public in addition to its permanent exhibits including temporary or season exhibits, and shows and concerts in its small theater. Academic and research workshops and seminars are also held here, and it houses a historical archive with documents that date between 1614 and 1910.
Read more:
Selfie museum?
london has announced the opening of a selfie museum featuring 19 local artists.
The Museo del Prado turns 200 years old
The Museo del Prado opened to the public on 19 November 1819 as a Royal Museum of Painting and Sculpture. In 2019, we celebrate our Bicentenary a commemoration that will reveal the path covered since 1819 until today.
More information about The Bicentenary:
Video with english subtitles.
Bolivia Vacation Travel Guide | Expedia
Bolivia – Welcome to the “Rooftop of the World” where you can experience breathtaking landscapes, ancient civilizations and colorful wildlife. Check out the best things to see and do in Bolivia.
When ready, browse vacation packages to Bolivia:
A #vacation to #Bolivia, a landlocked South American country, holds the promise of discovery for adventurous souls. While pretty Sucre is Bolivia’s judicial capital, La Paz is its political capital and also its main tourist hub.
Journey high to the Mirador Laikacota for city views. Deep in the valley below #visit the central Plaza Murillo, home to the most precious buildings: the Presidential Palace, National Congress and Metropolitan Cathedral. Stay near the Plaza San Francisco for its proximity to hidden gems, such as the curious Witches’ Market, the Musical Instrument Museum and the Coca Museum.
Bolivia is a diamond in the rough; relatively undeveloped, but extremely authentic, colorful and cultural. Bolivia’s riches shine through in the country’s high altiplanos, its floating reed islands on Lake Titicaca, the silver mines of Potosi, the infinite salt flats of the Salar de Uyuni and the untamed tropical lowlands in the vast Amazon basin.
For now, we hope you enjoy watching this #travel #guide as much as we enjoyed making it.
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ORIZABA - State Art Museum - (english version)
Originally built as an Oratory and Convent by the citizens of the City of Orizaba, Veracruz, Mexico and the Catholic Philipense Order, with special support of the Church of Ntra. Sra. de Guadalupe's founding Father, Benito Garcia; the convent is inaugurated in 1774.
The Saint Philipe Order was encharged of the Oratory until the year 1859 when the new Leyes de Reforma (Laws of Reform) removed the order from their beautiful building and confiscated it to become part of the nation's property.
On June 14th, 1862, during the war with Mexico, the french troops of Napoleon III invaded the city and took possession of the old Convent turning it into a military hospital for it's more than 5,000 troops stationed in the city.
In 1864, the building was seriously damaged by the numerous earthquakes that plagued the region for two years. The building had been repaired previously after the 1819 earthquake. Part of the structure had to be demolished this time and rebuilt, taking it's new and current inside look.
The buliding was rehabilitated into a Disabled Children's Hospital in 1867; the first Civil Hospital, Ignacio de la Llave in 1873 used the entire building as such until 1910 when the second loggia was turned into a Women's Jail. In 1938, by Lazaro Cardenas's presidential decree, the bulding is officially converted into the newly established Hospital del Seguro Social (Social Security Hospital). Over one hundred years the building operated as a hospital until the morning of August 28th, 1973, when the worst earthquake suffered in the city's history destroyed a great deal of the buliding's structure, forcing the Civil Hospital to leave it's old building. The remains of the salvaged structure was turned into a temporary morgue and a municipal archive warehouse (the ancestor of today's modern City Archive).
By State and Federal decree, the old Oratorio de San Felipe Neri is finally repaired for two years and gloriously rescued to convert it into the Casa de la Cultura (Cultural Center) of Orizaba and later on into the Art Museum of today. The current museum was inaugurated on November 27th of 1992.
The Museum houses a fabulous collection of Veracruz Art from the begining of the XVIII until the middle of the XX Century, with special emphasis on the Orizaba School Painters, such as the great Orizaba's Jose Justo Montiel, the Veracruz painters, Salvador Ferrando, Alberto Fuster and the wonderful Juan Cordero (born in Tezuitlan, Puebla -part of Veracruz in those years-), works of impressive artistic quality, such as those of the Colonial Master Miguel Cabrera and XIX Century's magnificent landscaper Jose Maria Velasco, as well as other great mexican painters, Eugenio Landesio, Carlos Rivera and Carlos Nebel among others.
The museum also houses a collection of paintings from passing artists that made of the Valley of Orizaba the object of their artistic inspitration.
In 2004, the museum added to it's treasures a famous collection of paintings by painter Diego Rivera. Achieving with this last aquisition, the fulfillment of one the most important Art Collections outside Mexico City. Nowadays, the Museo de Arte del Estado de Veracruz is one of the main cultural attractions of the City of Orizaba.
Discover the Art of Veracruz
ORIZABA
the Magic City
This video was made with photographic material taken from the internet, material that belongs -copyrights- to the many artists, of great artistic talent, who took them. With no lucrative purpose, only to promote the beauty of Orizaba.
I want to thank all those who capture the essence of Orizaba and it's people, among those :
Enrique Lopez Tamayo, Rolando Lino Mina, Diane Tatis, Ritter Walder, Mario Fabela, Angeles PT, Rafael Dorantes, Jesus Guzman Moya, Arturo Andrade, Isakun, Sangroncito, Building Demolisher, Marco Antonio Flores Lozano, Andres Jaquez -Paco-, John Todd Jr., David Panofsky, David Smith, Alan Arnette, Cgman, Tim Kuepfer, Andrew Cmu, Cliff Maloney, Kyle C. Hanson, Malacatonche, Carlos-1 Phato, Jonw55, Makai, webmaster, razieldeofilio, Jesus Rodriguez, Hugo Jr, Gerardo Gonzalez Vazquez, chrisgarcis, Jorge Alberto Vega, Angelucho Cancino, Darkfals, Claudio0307, Roverach, Skullkid, LAriabian, Mariel, Desfronter, Hector Castellanos, raicho7, zkrlet, Alma Moncada, Igor Roji, Protaro, Raul Villagrana, KamiKase, cris07, Holly Hayer and many more photographers that without their unique artistic sense and interest in Orizaba, this video could not have been made.
My deepest gratitude
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Coca Museum Part 2.flv
Part 2 of the Interview with the Coca Museum in La Paz, Ms Silva discusses how the relationship between the US and Bolivia has been affected by Coca Leaves. From there we go on to discuss how we see Coca playing a role in Bolivia both socially and politically.
Más de 6 mil libros de arte especializado posee la Biblioteca Erik Larsen
**New coverage**
Location: Mexico City
Place: St. Charles National Museum/Erik Larsen Library
Information: Data Resources about European & Mexican Art.
Report, Footage & Editor: Frank Basurto
9. ΒΕΝΕΖΟΥΕΛΑ - VENEZUELA: Isla Margarita, Caracas, Favelas, Arte National, Teleferico
Νησί Μαργαρίτα (Isla Margarita)
Στο δρόμο για το Καράκας
Καράκας - Παραγκουπόλεις & Κέντρο
Εργοστάσιο Φυσητού Γυαλιού
Εθνική Πινακοθήκη &
Μουσείο Σύγχρονης Τέχνης
Δύο Ημέρες στο Τελεφερίκ
Παραμονή Πρωτοχρονιάς 2008
c) Δημήτριος Κουτάντος
Νοέμβριος 2012...
Ricardo Dal Farra - E.T. Summit - CCIFF 2017
Dr. Ricardo Dal Farra has been conducting activities in the merging fields of arts, sciences and new technologies as a composer and multimedia artist, researcher, educator, performer and curator focusing mainly on electroacoustic music and new media arts for more than 25 years. Dr. Dal Farra holds a PhD in Etudes et pratiques des arts from Université du Québec à Montréal.
He has presented his music, new media works, research and educational developments at institutions such as Stanford University's Center for Computer Research in Music and Acoustics, New York University, Dartmouth College, The Julliard School of Music and Brooklyn College in the United States; the University of Brasilia and Itaú Cultural in Brazil; the National Conservatory of Music of La Paz in Bolivia; the University of Puerto Rico; the University of Manchester and De Montfort University in the United Kingdom; Festival Internacional de la Imagen iand Museo Nacional in Colombia; International Festival of Modern Art in Ukraine; Festival Latinoamericano de Música in Venezuela; International Audio Visueel Experimenteel Festival in The Netherlands; International Festival of Contemporary Music in Turkey; Symposium on Music and Computers in Greece; Colloquio di Informatica Musicale in Italy; Computer Music Festival in Korea; Colegio de Compositores Latinoamericanos de Música de Arte in Mexico; National Museum of Contemporary Art in Norway; Universidad Católica, UNIACC University and ARCIS University in Chile; NYYD in Estonia; University of Sydney in Australia; Stockholmsfestivalen För ElektroAkustisk Musik in Sweden; Teatro Colón, Espacio Fundación Telefónica and National Ministry of Foreign Affairs in Argentina; Ontario College of Art & Design and The Banff Centre in Canada; and UNESCO and IRCAM in France.
Dr. Dal Farra's work has been distinguished with grants and commissions by the International Computer Music Association, the International Arts Biennial of San Pablo, Brazil, the National Endowment for the Arts and the National Rostrum of Composers from Argentina, the Concours International de Musique Electroacoustique de Bourges, France, and the Centro di Sonologia Computazionale from the University of Padua in Italy, among others.
Dr. Dal Farra is also the Founding Director of Centro de Experimentación e Investigación en Artes Electrónicas - CEIArtE (Electronic Arts Experimenting and Research Centre) at National University of Tres de Febrero, Argentina; Associated Researcher at the Music, Technology and Innovation Research Centre, De Montfort Univerisity, United Kingdom; and Senior Consultant for the Amauta - Andean Media Arts Centre in Cusco, Peru. He has been national Coordinator of the Multimedia Communication program at the National Ministry of Education and Director of the Estudio de Música Electroacústica (Electroacoustic Music Lab) in Argentina; Research/Creation Coordinator of the Hexagram interuniversity consortium and Coordinator of the Documentation and Conservation of the Media Arts Heritage (DOCAM) international research alliance in Canada. He also also has been consultant for organizations such as: The MIT Press in the US, the interuniversity project No2s in Chile; and consultant and researcher at The Daniel Langlois Foundation in Canada and UNESCO (Digi-Arts), France.
Dr. Dal Farra's recent research projects have been focused on documentation and preservation of the electroacoustic music heritage, multimedia communication and educational resources, digital arts resources and virtual communities, as well as composition and media arts creation. (src.:
ボリビア旅行ガイド | エクスペディア
ボリビア旅行の参考に、ボリビアの観光地・見どころを8分に凝縮したエクスペディアのボリビア旅行ビデオをどうぞ。
Chilean National Museum of Fine Arts Santiago Chile
recorded on May 21, 2014
Moving Image Archive Serge de Muller
10. ΒΟΛΙΒΙΑ - BOLIVIA: Salar de Uyuni, Oruro, Cochabamba, Trinidad, La Paz, Tiwanaku, Pre-Colombian,
Παραδοσιακοί χοροί από παιδιά
Salar de Uyuni - Potosi
Ο Μεγαλύτερος Καθρέπτης του Κόσμου
Oruro: Ο Ανταγωνισμός ανάμεσα στους Ινδιάνους
(Μάνα Γη) και το καθολικό Καρναβάλι
Cochabamba
Trinidad
Το Σχολείο στον Αμαζόνιο
La Paz, η υψηλότερη πρωτεύουσα του κόσμου
Tiwanaku, Προ-Κολομβιανοί πολιτισμοί
Οκτώβριος 2012...
La Paz
Nuestra Señora de La Paz (Spanish pronunciation: [ˈnwes.tɾa seˈɲoɾa ðe la pas]; English: Our Lady of Peace; Aymara: Chuquiago Marka or Chuqiyapu), commonly known as La Paz, is Bolivia's third most-populous city, the seat of the country's government and the capital of La Paz Department. It is located on the western side of Bolivia at an elevation of roughly 3,650 m (11,975 ft) above sea level.
It is, de facto, the world's highest administrative capital. While the official capital of Bolivia (and its seat of justice) is Sucre, La Paz has more government departments.
This video is targeted to blind users.
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Article text available under CC-BY-SA
Creative Commons image source in video
Viveiros de Castro: Culturas e Contraculturas
Palestra com Frederico Coelho, João Camillo Penna e Flávia Cera Avelar durante o seminário “Variações do Corpo Selvagem: Eduardo Viveiros de Castro, fotógrafo, realizado em outubro de 2015 no Sesc Ipiranga.
O debate propôs uma reflexão sobre o pensamento teórico de Viveiros de Castro à luz de suas possíveis relações com as experiências da contracultura.
Foram dois dias do evento que reuniu antropólogos e pesquisadores de outras áreas, especialmente do campo artístico, com o objetivo de analisar o alcance da obra de Eduardo Viveiros de Castro e sua teoria no pensamento contemporâneo.
O seminário integrou a programação paralela à exposição “Variações do Corpo Selvagem: Eduardo Viveiros de Castro, fotógrafo. Com curadoria do escritor e crítico literário Eduardo Sterzi e da escritora e crítica de arte Veronica Stigger, a mostra exibiu cerca de 400 registros fotográficos feitos pelo antropólogo e teve ampla programação com apresentações artísticas.
Frederico Coelho
Professor de graduação em Literatura e Artes Cênicas no Departamento de Letras e do Programa de Pós-Graduação em Literatura, Cultura e Contemporaneidade, ambos da PUC-Rio. Entre artigos, ensaios e organização de obras, publicou Eu, brasileiro, confesso minha culpa e meu pecado – cultura marginal no Brasil das décadas de 1960-1970 (Civilização Brasileira, 2010) e Livro ou Livro-me – Os escritos babilônicos de Hélio Oiticica (1971-1978) - EdUERJ, 2010.
João Camillo Penna
Professor de teoria literária e literatura comparada na Universidade Federal do Rio de Janeiro. Autor, dentre outros, de Parador (poesias, 2011), Escritos da sobrevivência (2013), e coorganizador de Comunidades sem fim (com Ângela Maria Dias, 2014), e Modos da margem (com Alexandre Faria e Paulo Roberto Tonani, 2015).
Flávia Cera
Psicanalista, doutora em Literatura pela Universidade Federal de Santa Catarina com tese sobre a arte experimental-ambiental de Hélio Oiticica.
• 1:13 Início da fala de Frederico Coelho
• 41:38 Início da fala de João Camillo Penna
• 1:05:10 Início da fala de Flávia Cera
Bolivia Vacation Travel Guide | Expedia
Bolivia City Video Guide | Expedia
El Museo Situado. Convivir con el problema / Museums as Activists: Staying with Trouble
Néstor García Canclini, Jorge Melguizo, Hortensia Völckers, Elaine Heumann Gurian, Américo Castilla
El museo vive dentro de un escenario social complejo donde la posibilidad de convivencia en diversidad requiere un trabajo consciente. Muchas instituciones culturales tienden a obviar el problema, o resignarse a no intervenir por pensar que la dificultad las excede, y en cambio otras advierten la necesidad de quedarse con el problema y aportar a ese escenario conflictivo. Una invitación a pasar de la extrañeza acerca de lo que sucede hoy, a tratar de comprender y participar desde la especificidad de sus instituciones.
Museums exist within complex societies where fostering harmony within culturally diverse environments requires dedicated commitment. Some cultural institutions prefer to play a minimal role in addressing social needs, or may not consider it part of their mission, while others “stay with the trouble” to help foster greater social cohesion. Explore strategies with varying degrees of risk that address social needs within different cultural contexts.
Deseo y Vicio en el Museo Nacional de Suecia
Sobre lo que se muestra en estos días en el Museo Nacional