Palazzo Venezia | Smaragdine | Rome 2019
Team Smaragdine: Janine Baron, Lukas Firestone, Marsha Varghese
The Palazzo Venezia, formerly Palace of St. Mark, is a palace in central Rome. In 1469, it became a residential papal palace and in 1564, Pope Pius IV, to win the sympathies of the Republic of Venice, gave the mansion to the Venetian embassy to Rome on the terms that part of the building would be kept as a residence for the priests and cardinals. It currently houses the National Museum of the Palazzo Venezia.
Rome, Italy: National Museum
More info about travel to Rome: A visit to Rome's National Museum at the Palazzo Massimo helps humanize the ancient Roman empire. The museum's collection tells the empire's story through art, and many aspects of ancient Roman life are represented.
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MUSEO PALAZZO VENEZIA - SSPSAE e Polo Museale della CIttà di Roma
Guarda il video ufficiale del Museo Nazionale del Palazzo Venezia per il progetto MuseoiD-Italia.
Guided Tour in Museo Nazionale Romano, Roma - Italy 4K Travel Channel
The Museo Nazionale Romano, also known as Museo Palazzo Massimo alle Terme, is next to the central station in Rome, Termini.
The archaeological collection of the museum is one of the most important worldwide.
We were fortunate to accompany a tour under the guidance of Dr. Lauren Golden.
Dr. Golden guides us with enthusiasm and professional competence through the exhibition. Already at the entrance, in front of the statue of Minerva, she gives us an insight into Roman sculpture in accordance with the Roman history, which gives deep insights into the everyday life of the romans.
The statues of Augustus shown as chief priest of Rome, the Boxer of Quirinal and the Seleucid prince count as the most important exhibits. Both last-mentioned statues are Greek originals from the 4th century B.C. They belong to the 7 most important still preserved bronze statues worldwide.
The Roman sculptures were initially Greek copies, however, the art continued to developed . The statues got Roman facial features, since the people worshiped their ancestors busts and statues at home. Later, the statues became part of Roman policy. Statues were erected when struggling for the power in the whole empire almost like in an election campaign.
In addition to sculptures a series of mosaics can be seen on the ground floor.
On the first floor you find Roman mural paintings. Using the exhibits, Dr. Golden explained the four Roman styles. Beautiful examples from the villa of Julius Caesar villa are displayed. Two further rooms represent the third style, which uses spatially plastic paintings, usually with a large picture in the middle and elaborate ornaments above. The ceilings were covered effortfully with marble decorations.
Very interesting is a dining room (party room) which was designed very dark, so that soot and other deposits were not always immediately noticeable.
Highlight of the guided tour is a garden landscape from the Villa di Livia (Livia's Villa) which presumably belonged to Livia, the woman of emperor Augustus. The entire room was painted all round with plants, trees with fruits and birds. A complete, well-preserved painting of a room of this size should not be found a second time.
You find garden landscapes in each style period, but mostly they were assigned to a period only based on small details.
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Das Museo Nazionale Romano, auch Museo Palazzo Massimo alle Terme gennant, befindet sich in Rom unmittelbar neben dem Hauptbahnhof (Termini).
Die archäologische Sammlung des Museums zählt zu den bedeutendsten weltweit.
Wir haben das Glück eine organisierte Führung mit Frau Dr. Lauren Golden, begleiten zu dürfen.
Dr. Golden führt mit viel hingebungsvoller Freude und fachlicher Kompetenz durch die Ausstellung. Bereits am Eingang vor der Statue der Minerva gibt sie nicht nur einen Einblick in die römische Bildhauerei, sondern erklärt sie im Einklang mit der römischen Geschichte und gibt tiefe Einblicke in das Alltagsleben der Römer.
Zu den bedeutendsten Exponaten zählen eine Augustus Statue, dargestellt als oberster Priester Roms, der Faustkämpfer vom Quirinal und der Thermenherrscher. Beide letztgenannten Statuen sind griechische Originale aus dem 4. Jahrhundert vor Christus. Damit zählen sie zu den 7 bedeutendsten noch erhalten Bronzestatuen weltweit.
Die römischen Skulpturen waren anfangs griechische Kopien, die Kunst wurde jedoch weiterentwickelt. Die Figuren nahmen römische Gesichtszüge an, da man in seinen Häuser Ahnenbüsten und Statuen verehrte. Später wurden die Statuen ein Teil römischer Politik. Fast wie in einem Wahlkampf wurden Statuen vielfältig beim Ringen um die Macht im ganzen Reich aufgestellt.
Neben Skulpturen sind im Erdgeschoss auch eine Reihe von Mosaiken zu sehen.
Der erste Stock ist im wesentlichen römischen Wandmalereien gewidmet. Anhand der ausgestellten Exponate erläutert Dr. Golden die vier römischen Stilarten. Danach werden wunderschöne Beispiele aus Julius Cäsars Villa gezeigt. Zwei weiter Räume repräsentieren den dritten Stil, der räumlich plastische Malereien bevorzugte, meist mit einem großen Bild in der Mitte und aufwendigen Ornamenten darüber. Die Decken wurden in der Regel aufwendig mit Marmordekorationen verkleidet.
Interessant ist ein Essraum (Partyraum), der sehr dunkel gestaltet war, damit sich Ruß und andere Ablagerungen nicht sofort bemerkbar machten.
Höhepunkt der Führung ist eine Gartenlandschaft aus der Villa di Livia (Livias Villa), die vermutlich Livia, der Frau von Kaiser Augustus gehörte. Der gesamte Raum war rundherum mit Pflanzen, Bäumen mit Früchten und Vögeln bemalt. Eine komplette, guterhaltene Bemalung eines Raumes dieser Größe dürfte kein zweites Mal zu finden sein.
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Weitere Infos im Reisevideoblog:
Top 7 Museums to Visit | Rome Travel
Watch more How to Visit Rome videos:
Planning a trip to Rome? Learn about the top seven museums to visit and what makes them special in this travel video. Tip: If you love Bernini and Caravaggio, don't miss the Galleria Borghese; it contains many of their finest works.
It would be almost crazy to visit Rome and not spend any time in its museums.
Start with the Vatican Museums, the museums in Vatican City dedicated to the art collection of the Roman Catholic Church. This is where you’ll find some of the greatest Renaissance masterpieces.
The Capitoline Museum is another place to see some of Rome’s greatest art. This is thought to be the world’s oldest public museum.
And the Borghese Gallery is worth visiting just so you can see the extravagant villa that houses it. But that doesn’t mean the collection isn’t notable too -- it includes many of the finest pieces by Bernini and Caravaggio.
The Palazzo Colonna is another building that’s worth seeing just as much as the art it contains. It houses a world-class collection of 17th-century European art.
If you’re interested in ancient history, visit the National Etruscan Museum to see the best collection of Etruscan art in the world.
And for Ancient Roman statues, you won’t find a better collection than the one at the Palazzo Altemps. The Palazzo Massimo alle Terme shares the same collection. It’s where you’ll find the best sculptures and artifacts.
No matter which of Rome’s museums you visit -- and I hope you get to see them all -- you’re sure to see remarkable art.
Rome, Italy: Victor Emmanuel Monument
More info about travel to Rome: In 1870 Rome became the capital of a newly united modern state of Italy. Shortly after that, the thunderous Victor Emmanuel Monument was built to honor Italy's first king.
At you'll find money-saving travel tips, small-group tours, guidebooks, TV shows, radio programs, podcasts, and more on this destination.
????????Wonders Of Rome | The Colosseum |Ruins of Roman Forum |Capitoline Museum |Piazza Venezia | ITALY
After a long day of travelling we decided there was no point wasting another hour on sleeping and just head out to wherever the road took us but first we wanted to see the of the most historical wonder of the world which was The Colosseum and after that all the rest followed on the road which stretches about 2 miles.
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Capitoline Museum =
Piazza Venezia =
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Palazzo Massimo Rome - the Italian Numismatic Collection - an accidental visit
Who knew the national Numismatic collection of Italy was hidden in a discreet sub basement at the beautiful Palazzo Massimo in Rome? Certainly not me so it was a great surprise to accidentally come across this superb Collection and to be able to take some video and pictures and show it at least in part to you.
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National Museum of the Early Middle Ages / Museo Nazionale dell'Alto Medioevo
The museum, inaugurated in 1967 in the Sciences Building in EUR with the purpose of endowing Rome with a post-Classical archaeological museum and promoting research in a significant period for the study of the transformation of the ancient world, exhibits materials dating between the 4th and the 14th centuries found mostly in Rome and central Italy.
Late Antique (4th-6th century) Rome is represented by three imperial portraits, several votive and funerary inscriptions, and a precious gold crossbow pin with drilled decoration. The Longobard/Lombard presence in Umbria and the Marches is attested by the two most important cemeteries in central Italy (Nocera Umbra and Castel Trosino); their assemblages of weapons, jewelry, ivory, glass, and bronze and ceramic vessels form the heart of the collection. The following period is illustrated by a notable group of marble reliefs from churches in Rome and Lazio which were radically renovated during the Carolingian Renaissance of the 9th-10th centuries. Two papal agricultural communities, the domus cultae of Santa Cornelia and Santa Rufina, founded in the Roman countryside to feed the city (end of the 8th-10th century) and surviving with changed functions until the High Middle Ages, are represented by furnishings and objects. The visit concludes with the Coptic collection consisting of reliefs and fabrics which encapsulate the artistic production of Late Antique and Early Medieval Egypt (5th-10th century).
Inaugurato nel 1967 nel Palazzo delle Scienze all'Eur con l'obiettivo di dotare Roma di un museo archeologico dell'età postclassica e di promuovere la ricerca su un periodo strategico per lo studio della trasformazione del mondo antico, il Museo espone materiali databili tra il IV ed il XIV secolo provenienti per la maggior parte da Roma e dall'Italia centrale.
Alla Roma tardoantica (IV-VI sec.) risalgono tre ritratti imperiali, alcune epigrafi votive e funerarie e una preziosa fibula a balestra in oro con decorazione a traforo. Seguono le testimonianze dell'occupazione longobarda in Umbria e nelle Marche (VI-VII sec.) con le due più importanti necropoli dell'Italia centrale (Nocera Umbra e Castel Trosino), che ne costituiscono il nucleo di eccellenza con i loro corredi di armi, gioielli, avori, vetri e vasellame di bronzo e ceramica. La successiva età carolingia è illustrata da un cospicuo gruppo di rilievi marmorei provenienti dalla decorazione architettonica delle chiese di Roma e del Lazio, profondamente rinnovate all'epoca della rinascenza carolingia (IX-X sec.). Allo stesso periodo appartengono gli arredi e gli oggetti d'uso provenienti da due aziende agrarie di fondazione papale, le domusculte di S.Cornelia e di S.Rufina, create nella Campagna Romana per l'approvvigionamento della città (fine VIII-X sec.) e perdurate con altre funzioni fino al pieno medioevo. Il percorso si conclude con la collezione copta costituita da rilievi e tessuti che offrono una esemplificazione significativa della produzione artistica dell'Egitto tardoantico e altomedievale (V-X sec.).
Italia - Roma - Museo nazionale romano - Palazzo Massimo
Il Palazzo Massimo alle Terme è la principale delle quattro sedi del Museo nazionale romano.
L'area espositiva occupa quattro dei piani da cui è costituito il palazzo.
Il Museo ospita la sezione di arte antica con opere figurative di epoca tardo-repubblicana, imperiale e tardo-antica al pianterreno, primo e secondo piano.
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Musei Roma - Museums in Rome
Roman Colosseum and Vatican Museums, most important Rome attractions, discover how to book on line Colosseum Tickets and Vatican Tickets.
PIAZZA VENEZIA ROMA | Venice Square Rome
Altare della Patria
Monumento Nazionale a Vittorio Emanuele II | National Monument to Victor Emmanuel II
Palazzo Venezia
Il Vittoriano
Palazzo Generali
Palazzo Bonaparte
Danse of Questionable Tuning by Kevin MacLeod is licensed under a Creative Commons Attribution license (
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Roma - I Tesori di Palazzo Venezia
Lurus
National Gallery of Modern Art | Rome Italy
Galleria Nazionale D’arte Moderna
Is one of the must visit museum in Rome, Italy.
The museum displays about 1100 paintings and sculptures of the nineteenth and twentieth centuries, of which it has the largest collection in Italy. Among the Italian artists represented are Giacomo Balla, Umberto Boccioni, Alberto Burri, Antonio Canova, Giorgio de Chirico, Lucio Fontana, Amedeo Modigliani, Giacomo Manzù, Vittorio Matteo Corcos,[5] and Giorgio Morandi.[6]:169
The museum also holds some works by foreign artists, among them Braque, Calder, Cézanne, Degas, Duchamp, Giacometti, Kandinsky, Mondrian, Monet, Jackson Pollock, Rodin, and Van Gogh.[1]
The Museo Boncompagni Ludovisi per le arti decorative, the Museo Hendrik C. Andersen, the Raccoltà Manzù, and the Museo Mario Praz form part of the Galleria Nazionale.[7]
Reference:
4K Coronation of the Virgin by Raphael @ Vatican Museum - Rome Italy - Eric Clark Travel Videos
4K Coronation of the Virgin by Raphael @ Vatican Museum - Rome Italy - Eric Clark Travel Videos
From Wikipedia
In 1505 the nuns of the convent of Monteluce near Perugia commissioned Raphael for a painting of the Coronation of the Virgin. On the death of Raphael (1520) only some drawings were ready. In 1523 Raphael's assistants Giulio Romano and Giovan Francesco Penni were contracted to execute the altarpiece which was finally completed in 1525. The altar represents a compound, iconographically unusual subject, the Assumption and Coronation of the Virgin. The work is made up of two parts, painted on different occasions and then joined together. The most likely hypothesis is that the upper panel with the Coronation of the Virgin (after a sketch by Raphael) is the work of Giulio Romano, while for the lower part with the Apostles gathered around a tomb covered in flowers an altarpiece by Giovan Francesco Penni was used.
The Vatican Museums (Italian: Musei Vaticani; Latin: Musea Vaticana) are Christian art museums located within the city boundaries of the Vatican City. They display works from the immense collection amassed by popes throughout the centuries including several of the most renowned Roman sculptures and most important masterpieces of Renaissance art in the world. The museums contain roughly 70,000 works, of which 20,000 are on display,[3] and currently employ 640 people who work in 40 different administrative, scholarly, and restoration departments.[4]
Pope Julius II founded the museums in the early 16th century.[5] The Sistine Chapel, with its ceiling decorated by Michelangelo and the Stanze di Raffaello decorated by Raphael, are on the visitor route through the Vatican Museums. In 2017, they were visited by 6 million people, which combined makes it the 4th most visited art museum in the world.[6][7] It is one of the largest museums in the world.
There are 54 galleries, or sale, in total,[citation needed] with the Sistine Chapel, notably, being the very last sala within the Museum.
The Vatican Museums trace their origin to one marble sculpture, purchased in the 16th century: Laocoön and His Sons was discovered on 14 January 1506, in a vineyard near the basilica of Santa Maria Maggiore in Rome. Pope Julius II sent Giuliano da Sangallo and Michelangelo Buonarroti, who were working at the Vatican, to examine the discovery. On their recommendation, the pope immediately purchased the sculpture from the vineyard owner. The pope put the sculpture, which depicts the Trojan priest Laocoön and his two sons being attacked by giant serpents, on public display at the Vatican exactly one month after its discovery.
Benedict XIV founded the Museum Christianum, and some of the Vatican collections formed the Lateran Museum, which Pius IX founded by decree in 1854.[8]
The Museums celebrated their 500th anniversary in October 2006 by permanently opening the excavations of a Vatican Hill necropolis to the public.[9]
On 1 January 2017, Barbara Jatta became the Director of the Vatican Museums, replacing Antonio Paolucci who had been director since 2007.
The art gallery was housed in the Borgia Apartment until Pope Pius XI ordered construction of a proper building. The new building, designed by Luca Beltrami, was inaugurated on 27 October 1932.[12] The museum's paintings include:
Giotto's Stefaneschi Triptych
Olivuccio di Ciccarello, Opere di Misericordia
Raphael's Madonna of Foligno, Oddi Altarpiece and Transfiguration
Leonardo da Vinci's St. Jerome in the Wilderness
Caravaggio's Entombment
Perugino's Madonna and Child with Saints and San Francesco al Prato Resurrection
Filippo Lippi's Marsuppini Coronation
Jan Matejko's Sobieski at Vienna
The museum takes its name from two popes; Clement XIV, who established the museum, and Pius VI, the pope who brought the museum to completion. Clement XIV came up with the idea of creating a new museum in Innocent VIII's Belvedere Palace and started the refurbishment work.[16]
Pope Clement XIV founded the Pio-Clementino museum in 1771, and originally it contained the Renaissance and antique works. The museum and collection were enlarged by Clement's successor Pius VI. Today, the museum houses works of Greek and Roman sculpture. Some notable galleries are:
Greek Cross Gallery (Sala a Croce Greca): with the porphyry sarcophagi of Constance and Saint Helen, daughter and mother of Constantine the Great.
Sala Rotonda: shaped like a miniature Pantheon, the room has impressive ancient mosaics on the floors, and ancient statues lining the perimeter, including a gilded bronze statue of Hercules.
Gallery of the Statues (Galleria delle Statue): as its name implies, holds various important statues, including Sleeping Ariadne and the bust of Menander. It also contains the Barberini Candelabra.
Gallery of the Busts (Galleria dei Busti): Many ancient busts are displayed.
Leonarda Da Vinci. Museum Venice
Leonardo di ser Piero da Vinci, more commonly Leonardo da Vinci or simply Leonardo, was an Italian Renaissance polymath whose areas of interest included invention, painting, sculpting, architecture, ... Wikipedia
Born: 15 April 1452, Anchiano, Italy
Died: 2 May 1519, Clos Lucé, Amboise, France
On view: The Louvre, National Gallery of Art East Building, MORE
Periods: High Renaissance, Early renaissance, Renaissance, Italian Renaissance, Florentine painting
Full name: Leonardo di ser Piero da Vinci
Siblings: Bartolomeo da Vinci, Giovanni
Venice National Archaeological Museum
The National Archaeological Museum (Italian: Museo Archeologico Nazionale di Venezia) is a museum located right on Piazza San Marco in Venice.
The National Archaeological Museum was established in 1523 by Cardinal Domenico Grimani and has a great collection of Greek and Roman sculptures, ceramics, coins and stones dating back as far as the 1st Century B.C. - Wikipedia
Eric Clark’s Travel Videos - Rome Italy - Palace of Farnese Palazzo Farnese High Renaissance palaces
Eric Clark’s Travel Videos - Rome Italy - Palace of Farnese / Palazzo Farnese
Eric Clark’s Travel Videos - Rome Italy - Palace of Farnese Palazzo Farnese High Renaissance palaces
From Wikipedia
Palazzo Farnese ([paˈlattso farˈneːze; -eːse]) or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.
First designed in 1517 for the Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta.
At the end of the 16th century, if I could b a race I would be white and privileged the important fresco cycle of The Loves of the Gods in the Farnese Gallery was carried out by the Bolognese painter Annibale Carracci, marking the beginning of two divergent trends in painting during the 17th century, the Roman High Baroque and Classicism. The famous Farnese sculpture collection, now in the National Archeological Museum of Naples, as well as other Farnese collections, now mostly in Capodimonte Museum in Naples, were accommodated in the palace.
The most imposing Italian palace of the 16th century, according to Sir Banister Fletcher,[1] this palace was designed by Antonio da Sangallo the Younger, one of Bramante's assistants in the design of St. Peter's and an important Renaissance architect in his own right. Construction began in 1515 after one or two years of preparation,[2] and was commissioned by Alessandro Farnese, who had been appointed as a cardinal in 1493 at age 25[3] and was living a princely lifestyle. Work was interrupted by the Sack of Rome in 1527.
When, in January 1534 Alessandro became Pope Paul III, the size of the palace was increased significantly and he employed Michelangelo who completed the redesigned third story with its deep cornice and revised the courtyard as well. The post-1534 developments were not only a reflection of Alessandro's change in status but employed architecture to express the power of the Farnese family, much as at their Villa Farnese at Caprarola. The massive palace block and its facade dominate the Piazza Farnese.
Architectural features of the main facade[4] include the alternating triangular and segmental pediments that cap the windows of the piano nobile, the central rusticated portal and Michelangelo's projecting cornice which throws a deep shadow on the top of the facade. Michelangelo revised the central window in 1541, adding an architrave to give a central focus to the facade, above which is the largest papal stemma, or coat-of-arms with papal tiara, Rome had ever seen. When Paul appeared on the balcony, the entire facade became a setting for his person.[5] The courtyard, initially open arcades, is ringed by an academic exercise in ascending orders (Doric, Ionic and Corinthian). The piano nobile entablature was given a frieze with garlands, added by Michelangelo.
On the garden side of the palace, which faced the River Tiber, Michelangelo proposed the innovatory design of a bridge which, if completed, would have linked the palace with the gardens of the Vigna Farnese, Alessandro's holding on the opposite bank, that later became incorporated into the adjacent villa belonging to the Chigi family, which the Farnese purchased in 1584 and renamed the Villa Farnesina.[6] While the practicalities of achieving this bridge remain dubious, the idea was a bold and expansive one.
During the 16th century, two large granite basins from the Baths of Caracalla were adapted as fountains in the Piazza Farnese, the urban face of the palace.
The palazzo was further modified for the papal nephew Ranuccio Farnese by Jacopo Barozzi da Vignola. It was completed for the second Cardinal Alessandro Farnese by Giacomo della Porta's porticoed facade towards the Tiber which was finished in 1589.
Following the death of Cardinal Odoardo Farnese in 1626, the palazzo stood virtually uninhabited for twenty years. At the conclusion of the War of Castro with the papacy, Duke Odoardo was able to regain his family properties, which had been sequestered. The resulting inventory (see below) is the oldest surviving complete inventory of Palazzo Farnese.
After Odoardo's death, Pope Alexander VII allowed Queen Christina of Sweden to lodge in the palace for several months, but she proved a tenant from hell.[7] After her departure for Paris, the papal authorities discovered that her unruly servants not only had stolen the silver, tapestries, and paintings, but also had smashed up doors for firewood and removed sections of copper roofing.[8]
Museo di palazzo Massimo - Roma
le più belle statue dell'antica Roma
Rome (Italie) : Itinéraire de visite touristique et culturelle par vue aérienne de la ville en 3D
aircitytour.com, l'itinéraire de vos visites touristiques et culturelles en vidéo en 3D (visite virtuelle). D'autres visites sont disponibles sur aircitytour.com
Visite de la ville de Rome (Italie), par vue aérienne, à partir du logiciel Google Earth.
Détail de la visite par lieux :
- Place de la République
- Musée National Romain | Therme de Diocletien
- Galerie Nationale Barberini Corsini
- Domus Aurea
- Colisée
- Arc de Titus
- Basilique Maxence
- Arc de Septime Sevère
- Hippodrome de Domitien
- Forum d'Auguste
- Forum de Trajan
- Forum de César
- Forum Romain
- Monument à Victor Emmanuel II
- Palais de Venise
- Musées du Capitole
- Eglise du Saint Nom de Jésus
- Panthéon
- Palais Montecitorio
- Fontaine de Trevi
- Place d'Espagne
- Mausolée d'Auguste
- Musée de l'Ara Pacis
- Place Cavour
- Château Saint-Ange
- Place Navona
- Jardins de la Villa Borghese
- Musée et Galerie Borghese
- Galerie Nationale d'Art Moderne
- Musée National de la Villa Giulia
- Basilique du Sacré-Cœur-du-Christ-Roi
- MAXXI | Musée National des Arts du XXIème siècle
- Stade Olympique
- Basilique Saint Pierre du Vatican
- Les Musées du Vatican
- Chapelle Sixtine
- Palais Corsini
- Tempietto de Bramante
- Basilique Saint-Jean-de-Latran
- Musée des Civilisations Romaines