Palazzo di San Clemente
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Palazzo di San Clemente is a residential palace in Florence, Italy.
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[Wikipedia] Palazzo di San Clemente
Palazzo di San Clemente (also called Palazzo del Pretendente) is a residential palace in Florence, Italy.
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0:00 Piazzale Appio Porta San Giovanni
4:10 Giardini Viale Carlo Felice
4:30 Monumento a San Francesco d’Assisi Giardini Viale Carlo Felice
7:45 Basilica di San Giovanni in Laterano
8:40 Chiesa di San Lorenzo in Palatio ad Sancta Sanctorum
21:00 Scala Santa
23:45 Piazza Giovanni Paolo II Fontana dell’Obelisco Lateranense Battistero Lateranense di San Giovanni in Fonte
26:55 Via dell'Amba Aradam
29:45 Via di S. Giovanni in Laterano
36:45 Basilica di San Clemente
39:36 Ludus Magnus
40:40 Piazza Del Colosseo
41:10 Via Labicana
41:35 Parco del Colle Oppio
41:40 Colosseo
49:00 Viale di Parco del Celio
1:01:35 Arco di Costantino
1:02:00 Via Sacra Foro Romano
1:07:18 Clivo di Venere Felice
1:10:30 Via dei Fori Imperiali
1:16:10 Foro Romano
1:19:30 Foro di Augusto
1:24:55 Foro Traiano Mercati di Traiano Torre delle Milizie
1:28:45 Colonna Traiana
1:30:22 Chiesa di Santa Maria di Loreto
1:31:20 Altare della Patria
1:33:20 Piazza Venezia
1:48:00 View of Piazza D'Aracoeli
1:59:50 Piazza D'Aracoeli
2:04:00 View of Teatro Marcello
2:04:50 Explanada al Campidoglio
2:06:00 Piazza del Campidoglio
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2:06:55 Palazzo Nuovo
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2:08:20 Via del Campidoglio
2:09:11 View of Foro Romano
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Firenze - Basilica di Santa Croce
La Basilica di Santa Croce, nell'omonima piazza a Firenze, è una delle più grandi chiese officiate dai francescani e una delle massime realizzazioni del gotico in Italia. È nota come Tempio dell'Itale glorie per le numerose sepolture di sommi artisti, letterati e scienziati che racchiude. La definizione risale al carme Dei Sepolcri di Ugo Foscolo in un passo in cui l'autore definisce Firenze:
« ma più beata che in un tempio accolte
serbi l'itale glorie, »
(Ugo Foscolo Dei Sepolcri, vv.180 e segg.)
Nonostante sia una chiesa cattolica, vi sono anche sepolture di persone non credenti, come lo stesso Foscolo. La prima personalità qui inumata fu Leonardo Bruni, mentre l'ultima persona sepolta effettivamente in Santa Croce fu Giovanni Gentile nel 1944, ma nel dopoguerra verranno apposte delle targhe commemorative, come quella per Enrico Fermi, la cui tomba si trova negli Stati Uniti dove morì nel 1954.
Santa Croce è un simbolo prestigioso di Firenze, il luogo di incontro dei più grandi artisti, teologi, religiosi, letterati, umanisti e politici, che determinarono, nella buona e cattiva sorte, l'identità della città tardo-medievale e rinascimentale. Al suo interno trovarono inoltre ospitalità celebri personaggi della storia della Chiesa come san Bonaventura, Pietro di Giovanni Olivi, sant'Antonio da Padova, san Bernardino da Siena, san Ludovico d'Angiò. Fu anche luogo d'accoglienza per pontefici come Sisto IV, Eugenio IV, Leone X, Clemente XIV. Ha il rango di Basilica minore.
Places to see in ( Siena - Italy ) Basilica di San Clemente in Santa Maria dei Servi
Places to see in ( Siena - Italy ) Basilica di San Clemente in Santa Maria dei Servi
The Church of Santa Maria dei Servi is a Romanesque style, Roman Catholic church in the Terzo of San Martino in the city of Siena, Tuscany, Italy. The church is built on the site of the former Church of San Clement, which was acquired by the Servite order in the Medieval era. The original Basilica was built in the 13th century, but later underwent reconstruction and transformation which continued until the 15th-16th century.
The façade is simple and unadorned, with a single doorway and a rose window (indications of another can be discerned on the wall). It is in the Romanesque period style. The adjoining Campanile is likewise of the 13th century, richly embellished by four orders of windows. It was entirely restored in the 20th century. The church building stands atop broad entrance stairs, with views over the Duomo and the Palazzo Publico of Siena.
The interior is in great contrast with the rough and bare aspect of the exterior. A renaissance design is attributed to Baldassare Peruzzi. The church was enlarged in the fourteenth or fifteenth century, as seen in the interior of a Latin cross, where the Gothic style of the transept and apse joins the Renaissance style of the three aisles. The Renaissance style does not continue into the transept and apse, which are in the Gothic style. Near the entrance is a Crucifix of the 14th century and a Holy Water stoup of the 13th century.
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Praetorian Fountain, Palermo, Sicily, Italy, Europe
The Praetorian Fountain is a monumental fountain of Palermo. It is located in the heart of the historic centre and represents the most important landmark of Piazza Pretoria. The fountain was built by Francesco Camilliani in the city of Florence in 1554, but was transferred in Palermo in 1574. The fountain was created for the garden of don Luigi de Toledo in Florence. Previously the land of the garden had belonged to the nuns of San Domenico al Maglio and was obtained, after a lot of pressure, in 1551. Subsequently, in 1584, the Palazzo di San Clemente was built on this site. The creation of this unusual garden (devoid of palaces) and of the fountain was commissioned to the Florentine sculptor Francesco Camilliani, student of Baccio Bandinelli. The work was started in 1554. The fountain included 48 statues and was surrounded by a long arbor formed by 90 columns of wood designed by Bartolomeo Ammannati. Giorgio Vasari called the fountain: «fonte stupenda che non ha pari in Firenze né forse in Italia» («wonderful-est fountain, that is unparalleled in Florence and maybe in all Italy»). In 1573 the indebted Luigi de Toledo (brother of the former Viceroy of Sicily García de Toledo), on the verge of moving to Naples, sold the fountain to the city of Palermo. In fact, the Senate of Palermo decided to buy the building e to place it in the square in front of the Palazzo Pretorio. On 26 May 1574 the fountain arrived in Palermo. In order to transport it, the fountain was disassembled in 644 pieces. Then, in order to make room for the fountain, several buildings were demolished. However, the fountain arrived incompleted in Palermo. Some sculptures were damaged during the transport, others were maybe kept by Luigi de Toledo (probably the statues of two Divinities preserved in the Bargello Museum of Florence and other statues placed in Naples and then in the garden of Abadia, in the Spanish city of Cáceres). Therefore, in Palermo some adjustment were necessary. The work of assembling was made by Camillo Camilliani, son of Francesco Camilliani. In 1581 he completed the work with the help of Michelangelo Naccherino.
Between 18th century and 19th century, the fountain was considered a sort of depiction of the corrupt municipality of Palermo. For this reason and because of the nudity of the statues, the square became known as Piazza della Vergogna (Square of Shame). In 1998 the restoration of the fountain started. It was completed in 2003. The fountain represents the Twelve Olympians, other mythological figures, animals and the rivers of Palermo. In 1973, Italian National Postal Service dedicated a postage stamp to the Fontana Pretoria.
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Places to see in ( Palermo - Italy ) Fontana della Vergogna - Fontana Pretoria
Places to see in ( Palermo - Italy ) Fontana della Vergogna - Fontana Pretoria
The Praetorian Fountain is a monumental fountain of Palermo. It is located in the heart of the historic centre and represents the most important landmark of Piazza Pretoria. The fountain was built by Francesco Camilliani in the city of Florence in 1554, but was transferred in Palermo in 1574.
The fountain was created for the garden of don Luigi de Toledo in Florence. Previously the land of the garden had belonged to the nuns of San Domenico al Maglio and was obtained, after a lot of pressure, in 1551. Subsequently, in 1584, the Palazzo di San Clemente was built on this site. The creation of this unusual garden (devoid of palaces) and of the fountain was commissioned to the Florentine sculptor Francesco Camilliani, student of Baccio Bandinelli.
The work was started in 1554. The fountain included 48 statues and was surrounded by a long arbor formed by 90 columns of wood designed by Bartolomeo Ammannati. Giorgio Vasari called the fountain: «fonte stupendissima che non ha pari in Fiorenza nè forse in Italia» («wonderful-est fountain, that is unparalleled in Florence and maybe in all Italy»).
In 1573 the indebted Luigi de Toledo (brother of the former Viceroy of Sicily García de Toledo), on the verge of moving to Naples, sold the fountain to the city of Palermo. In fact, the Senate of Palermo decided to buy the building e to place it in the square in front of the Palazzo Pretorio.
On 26 May 1574 the fountain arrived in Palermo. In order to transport it, the fountain was disassembled in 644 pieces. Then, in order to make room for the fountain, several buildings were demolished. However, the fountain arrived incompleted in Palermo. Some sculptures were damaged during the transport, others were maybe kept by Luigi de Toledo (probably the statues of two Divinities preserved in the Bargello Museum of Florence and other statues placed in Naples and then in the garden of Abadia, in the Spanish city of Cáceres).
Therefore, in Palermo some adjustment were necessary. The work of assembling was made by Camillo Camilliani, son of Francesco Camilliani. In 1581 he completed the work with the help of Michelangelo Naccherino.
Between 18th century and 19th century, the fountain was considered a sort of depiction of the corrupt municipality of Palermo. For this reason and because of the nudity of the statues, the square became known as Piazza della Vergogna (Square of Shame).
( Palermo - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Palermo . Through a series of videos we will try to show you recommended places to visit in Palermo - Italy
Join us for more :
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Affacciato su Palazzo Vecchio, il ristorante ha 130 posti a sedere tra un'ampia sala interna, un privè al secondo piano, una zona bar e un dehor, progettati dallo studio spagnolo di interior decoration Lazaro Design. Diana Frescobaldi è presidente della Ristorante Frescobaldi Firenze. Siamo in primis produttori di vino quindi l'anima del wine bar ci sarà sempre, per gustare un bicchiere con il formaggio e il salame toscano.
Il primo wine bar del marchio fu aperto nel 1999 dentro l'aeroporto di Fiumicino, esperienza replicata nel 2002 e nel 2008 con altri due corner alle partenze. Sempre nel 2002 la famiglia ha inaugurato il primo Ristorante Dei Frescobaldi a Firenze, nel 2009 un Wine bar da Harrod's a Londra e nel 2014, con Good Food Society, il Frescobaldi London a Mayfair.
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Tombs of Michelangelo and Dante in the Basilica of Santa Croce, Florence, Italy
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