Piazza delle Erbe, Mantua, Lombardy, Italy, Europe
Piazza delle Erbe (or simply Piazza Erbe) is one of the main squares of Mantua. Began to take shape when the town hall, near the end of the twelfth century, began to expand beyond the Voltone of St. Peter, from the ancient Roman city that insisted in places then built the current Piazza Sordello. A large yard on the east side of the Monastery of St. Andrew, was intended to ensure that cattle market is held the cattle market. Transferred it in place more peripheral, the space behind the street of St. Andrew, now Via Broletto, where it already had been built shops leased to merchants, was divided in two by the Palazzo del Podesta (also called Palazzo del Broletto) and transformed in the administrative heart of the City. On the eastern side of the part that will become the Piazza delle Erbe, arose the Palazzo della Ragione. On the square being forged, already faced the Rotunda of San Lorenzo, in the Romanesque style, built by Matilda of Canossa, which in its circular structure reminiscent of the Holy Sepulchre, in this exalting its subsidiary to the Precious Blood of Christ and preserved venerated in the nearby Basilica of St. Andrew. With the domain before Bonacolsi and Gonzaga later, the administrative center of political power and moves on costruenda new St. Peter's Square (Piazza Sordello now). The medieval buildings of Piazza Erbe suffered over the centuries alterations and renovations. The sequence of houses that housed the city merchants, were exquisitely decorated with arcades of late Gothic and Renaissance. In 1455 was built the house of the merchant Giovan Boniforte from Concorezzo, individually decorated with terracotta taste of the late Gothic and Venetian, recognizable especially in trine of the windows. The House Boniforte, dominated by the fourteenth-century Torre del Salaro, confirms the coexistence of different architectures. To characterize the square as the Renaissance, was Luca Fancelli, the Florentine architect who worked in the building of the Basilica of St. Andrew on a project of his teacher Leon Battista Alberti. Fancelli intervened on the Palazzo del Podesta, remade the arcades in front of the Palazzo della Ragione and designed the Clock Tower for which he entrusted to Bartolomeo Manfredi, expert in astrology, the construction of the astronomical clock. The earthquake of May 29, 2012 has created many problems to the monuments of the square, in particular at the Palazzo della Ragione and, above the house of the merchant, the Tower of Salaro, crossed by a long vertical crack on the side of the building, but worsened preexisting with the earthquake.
Basilica of Sant'Andrea, Mantua
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The Basilica of Sant'Andrea is a Roman Catholic co-cathedral and minor basilica in Mantua, Lombardy .It is one of the major works of 15th-century Renaissance architecture in Northern Italy.Commissioned by Ludovico III Gonzaga, the church was begun in 1462 according to designs by Leon Battista Alberti on a site occupied by a Benedictine monastery, of which the bell tower remains.The building, however, was finished only 328 years later.
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Mantova, il sindaco Palazzi presenta il progetto di piazza Alberti
Se ne parla da settimane. Finalmente eccolo: il progetto di riqualificazione di piazza Leon Battista Alberti, alle spalle di Sant'Andrea, è stato presentato nella sala consiliare del municipio dal sindaco Palazzi. Con lui, i progettisti, l'assesosre ai lavori pubblici Martinelli e il sovrintendente Barucca
Places to see in ( Mantova - Italy ) Piazza delle Erbe
Places to see in ( Mantova - Italy ) Piazza delle Erbe
Piazza delle Erbe (or more simply Piazza Erbe ) is one of Mantua's main squares. It began to take shape when the municipal city , towards the end of the twelfth century , began to expand beyond the Voltone of San Pietro , beyond the ancient Roman city that insisted in the places then built of the current Piazza Sordello .
A vast unpaved land on the eastern side of the Monastery of Sant'Andrea was destined for a boario hole to keep the cattle market. Transferred the latter in a more peripheral place, the space in front of the via di Sant'Andrea, now Via Broletto, where shops had already been built rented to merchants, was divided in two by the Palazzo del Podestà (also called Palazzo del Broletto) and transformed in the administrative heart of the Municipality. On the eastern side of the part that will become Piazza delle Erbe, the Palazzo della Ragione was built . On the square that was creating, already overlooked the Rotonda di San Lorenzo , Romanesque style , built by Matilde di Canossa , which in its circular structure was reminiscent ofHoly Sepulcher , in this exalting its auxiliary function with respect to the Most Precious Blood of Christ preserved and venerated in the nearby Basilica of Sant'Andrea.
With the domination of the Bonacolsi and the Gonzagas successively, the administrative center and the political power moved on to the new Piazza San Pietro (now Piazza Sordello). The medieval buildings of Piazza Erbe underwent alterations and renovations over the centuries. The sequence of houses that housed the merchants of the city, were attractively embellished by porticos of late Gothic and Renaissance style. In 1455 the Casa del Mercante Giovan Boniforte from Concorezzo was built , individually decorated with terracotta of late Gothic and Venetian style , particularly recognizable in the lace of the windows. The House of Boniforte, dominated by the fourteenth-century Torre del Salaro , confirms the coexistence of different architectures.
To characterize the square as Renaissance, was Luca Fancelli , the Florentine architect who worked in the construction of the Basilica of Sant'Andrea on a project by his teacher Leon Battista Alberti . Fancelli intervened on the Palazzo del Podestà, rebuilt the arcades in front of the Palazzo della Ragione and designed the Clock Tower for which he entrusted the construction of the astronomical clock to Bartolomeo Manfredi , an expert in astrology. The earthquake of 29 May 2012 has created many problems for the monuments of the square, in particular the Palazzo della Ragione and, above the merchant's house, the Torre del Salaro, crossed by a long vertical crack on the side of the building, existing but accentuatasi with the earthquake.
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Leon Battista Alberti
La figura di Leon Battista Alberti ( dalla mostra di Palazzo Te a Mantova del 1994)
Places to see in ( Mantua Mantova - Italy )
Places to see in ( Mantua Mantova - Italy )
Mantua is a city and commune in Lombardy, Italy, and capital of the province of the same name. In 2016, Mantua is Italian Capital of Culture, as chosen by the Italian Government on Tuesday 27 October 2015.
In 2017, Mantua will also be European Capital of Gastronomy, included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia and Cremona).
In 2007, Mantua's centro storico (old town) and Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the Gonzaga family has made it one of the main artistic, cultural, and especially musical hubs of Northern Italy and the country as a whole. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasures and artifacts, elegant palaces, and the medieval and Renaissance cityscape. It is the place where the composer Monteverdi premiered his opera L'Orfeo and where Romeo was banished in Shakespeare's play Romeo and Juliet. It is the nearest town to the birthplace of the Roman poet Virgil, who was commemorated by a statue at the lakeside park Piazza Virgiliana.
The Gonzagas protected the arts and culture, and were hosts to several important artists such as Leone Battista Alberti, Andrea Mantegna, Giulio Romano, Donatello, Peter Paul Rubens, Pisanello, Domenico Fetti, Luca Fancelli and Nicolò Sebregondi. Though many of the masterworks have been dispersed, the cultural value of Mantua is nonetheless outstanding, with many of Mantua's patrician and ecclesiastical buildings being uniquely important examples of Italian architecture.
Main landmarks include:
The Palazzo Te (1525–1535), a creation of Giulio Romano (who lived in Mantua in his final years) in the mature Renaissance style, with some hints of a post-Raphaelian mannerism. It was the summer residential villa of Frederick II of Gonzaga. It hosts the Museo Civico (with the donations of Arnoldo Mondadori, one of the most important Italian publishers, and Ugo Sissa, a Mantuan architect who worked in Iraq from where he brought back important Mesopotamian artworks)
The Palazzo Ducale, famous residence of the Gonzaga family, made up of a number of buildings, courtyards and gardens gathered around the Palazzo del Capitano, the Magna Domus and the Castle of St. George with the Camera degli Sposi, a room frescoed by Andrea Mantegna.
The Basilica of Sant'Andrea was begun in 1462 according to designs by Leon Battista Alberti but was finished only in the 18th century when was built the massive dome designed by Filippo Juvarra.
The Duomo (Cathedral of Saint Peter the Apostle)
The Rotonda di San Lorenzo
The Bibiena Theater, also known as the Teatro Scientifico, was made by Antonio Bibiena in 1767-1769. It was opened officially on 3 December 1769 and on 16 January 1770, thirteen-year-old Wolfgang Amadeus Mozart played a concert.
The church of San Sebastiano
The Palazzo Vescovile (Bishops Palace)
The Palazzo degli Uberti
Palazzo d'Arco, a Neoclassical palace erected by the eponoymous noble family from Trento starting from 1746. It is home to a museum and painting gallery with works by Bernardino Luini, Alessandro Magnasco, Frans Pourbus the Younger, Anthony Van Dyck and a painting cycle by Giuseppe Bazzani.
The Torre della Gabbia (Cage Tower)
The Palazzo del Podestà, Mantua
The Palazzo della Ragione with the Torre dell'Orologio (Clock Tower)
The Palazzo Bonacolsi
The Palazzo Valenti Gonzaga, an example of Baroque architecture and decoration, with frescoes attributed to Flemish painter Frans Geffels. The façade of the palace was designed by Nicolò Sebregondi.
Casa del Mercato, a frescoed Renaissance building designed by Luca Fancelli in 1462 and later used by Andrea Mantegna.
House of Mantegna, facing the church of San Sebastiano. It was built by the eponymous artist starting from 1476, and has plan with a circular internal court included within an external square building. It is now used for temporary exhibitions.
The church of Santa Paola, built in the early 15th century by the will of Marchioness Paola Malatesta, wife of Francesco I. Architects such as Luca Fancelli and Giulio Romano collaborated to its construction. It houses the tombs of five members of the Gonzaga family, including those of Paola and of Francesco II.
The church of Santa Maria del Gradaro, built starting from 1256 on the site where, according to the tradition, Saint Longinus was buried. In 1772 it became a store, and was reconsecrated only in the 1950s.
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MANTOVA - Chiesa di San Sebastiano
Chiesa di San Sebastiano, Mantova 2016 , filmata con Sony A65 in 1080p.
Santa Maria Novella, “la mia sposa” / Santa Maria Novella, my bride
Il Convento fu costruito tra il 1279 e il 1357 dai frati Domenicani, Leon Battista Alberti disegnò il grande portale centrale, la trabeazione e completo la facciata, in marmo bianco e verde
scuro.
All’interno della Basilica tra gli altri capolavori troviamo la la Trinità di Masaccio, il Crocifisso di Giotto e la Cappella Strozzi di Filippino Lippi.
Michelangelo la definì la mia sposa
Ogni anno nel pomeriggio del 24 Maggio la comunità dei padri Domenicani di Santa Maria Novella festeggia la Traslazione del corpo di San Domenico con una celebrazione eucaristica in basilica aperta a tutti
Santa Maria Novella, my bride
The monastery was built between 1279 and 1357 by the Dominican friars, Leon Battista Alberti designed the main door, the entablature and completed the façade, in white and dark green marble.
Inside the Basilica, among other masterpieces, there are the Trinity by Masaccio, Giotto's Crucifix and the Strozzi Chapel of Filippino Lippi.
Every year on the afternoon of May 24th the community of the Dominican Fathers of Santa Maria Novella celebrates the Translation of the body of San Domenico with a Mass in the basilica open to all.
Il Sangue di Cristo nella Basilica di Sant'Andrea a Mantova
Vito D'Ettorre incontra Mons. Roberto Brunelli, dir. Museo Diocesano di Mantova, e con lui visita la Basilica di Sant'Andrea.
leon battista
New Project 3
Places to see in ( Mantova - Italy ) Basilica di Sant'Andrea di Mantova
Places to see in ( Mantova - Italy ) Basilica di Sant'Andrea di Mantova
The Basilica of Sant'Andrea is a Roman Catholic co-cathedral and minor basilica in Mantua, Lombardy. It is one of the major works of 15th-century Renaissance architecture in Northern Italy. Commissioned by Ludovico III Gonzaga, the church was begun in 1472 according to designs by Leon Battista Alberti on a site occupied by a Benedictine monastery, of which the bell tower (1414) remains. The building, however, was only finished 328 years later. Though later changes and expansions altered Alberti's design, the church is still considered to be one of Alberti's most complete works. It looms over the Piazza Mantegna.
The façade, built abutting a pre-existing bell tower (1414), is based on the scheme of the ancient Arch of Titus. It is largely a brick structure with hardened stucco used for the surface. It is defined by a large central arch, flanked by Corinthian pilasters. There are smaller openings to the right and left of the arch. A novel aspect of the design was the integration of a lower order, comprising the fluted Corinthian columns, with a giant order, comprising the taller, unfluted pilasters. The whole is surmounted by a pediment and above that a vaulted structure, the purpose of which is not exactly known, but presumably to shade the window opening into the church behind it. An important aspect of Alberti’s design was the correspondence between the façade and the interior elevations, both elaborations of the triumphal arch motif, the arcades, like the facade, having alternating high arches and much lower square topped openings.
The nave is roofed by a barrel vault, one of the first times such a form was used in such a monumental scale since antiquity, and probably modeled on the Basilica of Maxentius in Rome. Alberti possibly planned for the vault to be coffered, much like the shorter barrel vault of the entrance, but lack of funds led to the vault being constructed as a simple barrel vault with the coffers then being painted on. Originally, the building was planned without a transept, and possibly even without a dome. This phase of construction more or less ended in 1494. In 1597, the lateral arms were added and the crypt finished. The massive dome (1732–1782) was designed by Filippo Juvarra, and the final decorations on the interior added under Paolo Pozzo and others in the late 18th and early 19th centuries.
The purpose of the new building was to receive the pilgrims who visited it during the feast of Ascension when a vial, that the faithful argue contains the Blood of Christ, is brought up from the crypt below through a hole in the floor directly under the dome. The relic, called Preziosissimo Sangue di Cristo (Most Precious Blood of Christ), is preserved in the Sacred Vessels, according to the tradition was brought to Mantua by the Roman centurion Longinus, who had scooped up the earth containing the blood. The relic was rediscovered (secunda inventio) ca. 1049. Pope Leo IX recognized this relic as authentic in 1053. It was highly venerated during the Renaissance. The shrines are displayed only on the Good Friday, to the faithful and then brought out along the streets of Mantua in a procession.
In the belltower there are five bells (A, C#, E, F#, A) cast in the 19th century. One of the chapels is known as the Mantegna funerary chapel, since it houses the tomb of the early Renaissance painter Andrea Mantegna, with a bronze figure of him by Gianmarco Cavalli and Mantegna's own Holy Family. Other artworks in the chapels include frescoes of Giulio Romano's school (a work by Giulio is currently a copy) and Correggio.
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TEMPIETTO RUCELLAI L.B. ALBERTI
Un video in computer grafica 3d che illustra i principi compositivi che stanno dietro alle proporzioni del Tempietto Ruccellai di Leon Battista Alberti. Il video è stato realizzato per la mostra : L'uomo del Rinascimento tenutasi nel 2006 a Palazzo Strozzi Firenze.
A 3d computer graphic video that shows some of the proportion and priciples behind the project of the Tempietto Ruccelai by L.B. Alberti.
The video was produced for the exibition : L'uomo del Rinascimento 2006 Palazzo Strozzi Florence.
Reportage Mantova
Una breve visita alla città di Mantova effettuata nell'aprile 2014, parte dei monumenti si trovavano purtroppo in fase di restauro dopo il terremoto del 2012, la città è stata esculsa dalla candidatura come capitale europea della cultura nel 2019.
I nostri reportage sono raccolti e consultabili sul portale ufficiale di infomuseum.org
Link Reportge:
infomuseum.org
notizie, mostre, musei, artisti e altro
Opere:
0:10 Casa Viano - Tallarico
0:14 Basilica di Sant' Andrea
2:06 Piazza delle Erbe
2:50 Torre dell'orologio
3:31 Rotonda di Matilde
4:04 Palazzo della Ragione
4:40 Torre della Gabbia
4:46 Piazza Sordello
5:14 Palazzo Ducale
5:35 Duomo
5:52 Piazza Castello
6:14 Castello di San Giorgio
7:34 La Rustica
8:07 Casa del Mantegna
8:35 Chiesa di San Sebastiano
8:46 Palazzo Te
Musiche realizzate dal Burning Streets Project -
Mantova - Basilica di Sant'Andrea e Rotonda di San Lorenzo
Mantova - Basilica di Sant'Andrea e rotonda di San Lorenzo - La Basilica di Sant'Andrea è la più grande chiesa della città . Opera di Leon Battista Alberti nello sviluppo dell'architettura rinascimentale, venne completata molti anni dopo la morte dell'architetto, con modi non sempre conformi ai progetti originali. Ha la dignità di basilica minore. Nella cripta si conservano due reliquiari con terra intrisa di sangue di Cristo che avrebbe portato il soldato romano Longino. La Rotonda di San Lorenzo è una chiesa ubicata in piazza Erbe ed eretta nell'XI secolo.
LA TRIBUNA DI S.S. ANNUNZIATA L. B. ALBERTI
Un video in computer grafica 3d che ilustra il progetto della tribuna di S.S. Annunziata di Leon Battista Alberti.
Il video è stato realizzato per la mostra : L'uomo del Rinascimento tenutasi nel 2006 a Palazzo Strozzi Firenze.
A 3d computer graphic video that shows the project of the Tribuna di S.S. Annunziata.
The video was produced for the exibition : L'uomo del Rinascimento 2006 Palazzo Strozzi Florence.
Mantova for a day | Travel Vlog
Alla scoperta di Mantova.
Una città ricca di storia e cultura. Dalla Basilica di Sant'Andrea di Leon Battista Alberti al Palazzo Te di Giulio Romano.
SANTA MARIA NOVELLA L.B. ALBERTI
Un video in computer grafica 3d che illustra ila facciata di S.Maria Novella nella sua decomposizione in elementi architettonici primari.
Il video è stato realizzato per la mostra : L'uomo del Rinascimento Leon Battista Alberti tenutasi a Palazzo Strozzi Firenze nel 2006.
A 3d computer graphic video that shows the decomposition of the architectural elements of the facade of S. Maria Novella.
The video was produced for the exibiton : L'uomo del Rinascimento Leon Battista Alberti held in Palazzo Strozzi Florence in 2006.
Alberti, Palazzo Rucellai
Leon Battista Alberti, Palazzo Rucellai, c. 1446-51, Florence Italy
Rotonda di San Lorenzo, Mantua, Lombardy, Italy, Europe
The year 1083, though written on the plaster in a later period, seems to be the year of construction. Tradition has it built for wish of Matilda of Canossa, as an evocation of the Anastasis (Resurrection) in Jerusalem, the rotunda built around the Holy Sepulchre, and ideally connected to the relic of the Blood of Christ found centuries earlier in Mantua and now preserved in the nearby crypt the basilica of St. Andrew. In reality, the structure Monopteros-periptera and its positioning at a lower level of about 150 cm from that of the adjacent square Herbs, in addition to the existence of two columns and other construction details stone, suggest that the church was built recovering or reconstructing an earlier Roman building, dating from the fourth century, probably a temple or a tomb tholos. The church, a remarkable example of Romanesque art, is on a circular plan, completed by a semicircular apse, and is characterized by a gallery which houses fragments of frescoes of the eleventh and twelfth centuries that represent a rare example of Romanesque painting Lombard, of clear Byzantine school. Over the centuries, the building underwent radical transformations; its transformation project of Leon Battista Alberti (as well as another of Giulio Romano) was not followed, until its desecration. The temple was closed for worship in 1579 on the orders of Duke William Gonzaga. Deconsecrated, the round declined quite rapidly became first a warehouse and then, once uncovered, a circular courtyard for private use within the populous district of the Jewish ghetto of Mantua. In 1908 the building was expropriated and, after restoration, reopened in 1911 and ridestinata for worship in 1926; the church was freed from the superstructure and the buildings that completely occluded the view (the rotunda of San Lorenzo is not in fact visible in old photos of the square). To bring it back to the probable original forms was used to model the coeval roundabout San Tome of Almenno San Bartolomeo.
Less famous facades of Florence with intrigue all their own
Leon Battista Alberti or Filippo Brunelleschi might have squirmed if they heard us say this, but we think Florence offers plenty of architectural marvels beyond the usual circuit.
LdM NEWS ( is a video publishing project of the Istituto Lorenzo De’ Medici.