Planetario María Reiche
Tomas del Planetario María Reiche en Nasca Peru
Casa museo de María Reiche
En Nasca, Perú, se encuentra uno de los enigmas más grandes de la humanidad: las líneas de Nasca. Este emblemático lugar ha sido el centro de importantes investigaciones, entre ellas, la de la
científica alemana María Reiche, una mujer que, tras sufrir un misterioso accidente, dedicó su vida a investigar las figuras geométricas que están trazadas en esta tierra. Descubra la teoría de su investigación aquí.
Maria Reiche Lady of the Nazca Lines
Maria Reiche (1903–1998) was a German mathematician, archaeologist, and technical translator who carried out research into the Nazca Lines in Peru, beginning in 1940, and had success in gaining recognition and preservation of the property. She helped educate people about the resource and gain government recognition and preservation. In 1995 the Nazca Lines were declared a UNESCO World Heritage Site.
Recent scholarship by her protege, Phyllis B. Pitluga, senior astronomer at the Adler Planetarium in Chicago, concluded that all of the animal figures are indeed representations of heavenly shapes. But she contends that they are not shapes of constellations but of what might be called counter constellations, the irregular-shaped dark patches within the twinkling expanse of the Milky Way.
Visita Museo Maria Reiche
Maria Reiche Google Doodle | Nazca lines Facts
The Search Engine Google is showing this animated Doodle in few Countries for Maria Reiche’s 115th Birthday.
Maria Reiche was a German mathematician, archaeologist, and technical translator who carried out research into the Nazca Lines in Peru, beginning in 1940, and had success in gaining recognition and preservation of the property. She helped educate people about this resource and gain government recognition and preservation, gaining her the title Lady of the Lines. In 1995 the Nazca Lines were declared a UNESCO World Heritage Site.
The Nazca Lines are a series of large ancient geoglyphs in the Nazca Desert, in southern Peru. The largest figures are up to 370 m long.
The scholars believe the Nazca Lines were created by the Nazca culture between 500 BC and 500 AD
The figures vary in complexity. Hundreds are simple lines and geometric shapes; more than 70 are zoomorphic designs of animals, such as birds, fish, llamas, jaguars, and monkeys, or human figures. Other designs include phytomorphic shapes, such as trees and flowers.
The designs are shallow lines made in the ground by removing naturally occurring reddish pebbles and uncovering the whitish/grayish ground beneath. Scholars differ in interpreting the purpose of the designs but, in general, they ascribe religious significance to them.
Because of its isolation and the dry, windless, stable climate of the plateau, the lines have mostly been preserved naturally. Extremely rare changes in weather may temporarily alter the general designs.
See the Google Doodle for Maria Reiche’s 115th Birthday at
Read about Maria Reiche at
Read about Nazca lines at
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Jason Mraz I'm Yours (maria reiche)
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Nazca 1
María Reiche y las líneas de Nazca. Ver
Observando a Saturno en el planetario
Observando a Saturno en el planetario del hotel Nazca Lines. Amo y admiro a Neil DeGrasse Tyson, pero él es de raza negra y la gente es muy sensible al señalar a la gente de color que les dicen morenos. Moreno es otra tez, los afroamericanos o africanos son de raza negra y no hay nada de malo en decirlo.
nasca turistica cultura y tradición
Momia de Nasca - Casa Museo María Reiche, Nasca Mummy - María Reiche House Museum, Go Pro
Momia de Nasca - Casa Museo María Reiche, Nasca Mummy - María Reiche House Museum, Go Pro
Las Líneas de Nazca descubiertas por María Reiiche
Marie Reiche descubridora de las Líneas de Nazca Vivió en este lugar en el hotel DM Nazca durante más de 20 años
Nazca Lines, Nazca, Ica, Peru, South America
The Nazca Lines are a series of ancient geoglyphs located in the Nazca Desert in southern Peru. They were designated as a UNESCO World Heritage Site in 1994. The high, arid plateau stretches more than 80 kilometres (50 mi) between the towns of Nazca and Palpa on the Pampas de Jumana about 400 km south of Lima. Although some local geoglyphs resemble Paracas motifs, scholars believe the Nazca Lines were created by the Nazca culture between 800bc and 800 AD. The hundreds of individual figures range in complexity from simple lines to stylized hummingbirds, spiders, monkeys, fish, sharks, orcas, and lizards. The lines are shallow designs made in the ground by removing the reddish pebbles and uncovering the whitish/grayish ground beneath. Hundreds are simple lines or geometric shapes; more than seventy are zoomorphic designs of animals such as birds, fish, llamas, jaguar, monkey, or human figures. Other designs include phytomorphic shapes such as trees and flowers. The largest figures are over 200 metres (660 ft) across. Scholars differ in interpreting the purpose of the designs, but in general they ascribe religious significance to them. Other theories have been summarized as follows: The geometric ones could indicate the flow of water or be connected to rituals to summon water. The spiders, birds, and plants could be fertility symbols. Other possible explanations include: irrigation schemes or giant astronomical calendars. Due to the dry, windless, and stable climate of the plateau and its isolation, for the most part the lines have been preserved. Extremely rare changes in weather may temporarily alter the general designs. As of recent years, the lines have been deteriorating due to an influx of squatters inhabiting the lands. Archeologists, ethnologists, and anthropologists have studied the ancient Nazca culture to try to determine the purpose of the lines and figures. One hypothesis is that the Nazca people created them to be seen by their gods in the sky. Kosok and Reiche advanced a purpose related to astronomy and cosmology: the lines were intended to act as a kind of observatory, to point to the places on the distant horizon where the sun and other celestial bodies rose or set in the solstices. Many prehistoric indigenous cultures in the Americas and elsewhere constructed earthworks that combined such astronomical sighting with their religious cosmology, as did the later Mississippian culture at Cahokia in present-day United States. Another example is Stonehenge in England. But Gerald Hawkins and Anthony Aveni, experts in archaeoastronomy, concluded in 1990 that there was insufficient evidence to support such an astronomical explanation. Reiche asserted that some or all of the figures represented constellations. By 1998, Phyllis B. Pitluga, a protégé of Reiche and senior astronomer at the Adler Planetarium in Chicago, had concluded that the animal figures were representations of heavenly shapes. But she contends that they are not shapes of constellations but of what might be called counter constellations, the irregular-shaped dark patches within the twinkling expanse of the Milky Way. Aveni criticized her work for failing to account for all the details. In 1985, the archaeologist Johan Reinhard published archaeological, ethnographic, and historical data demonstrating that worship of mountains and other water sources predominated in Nazca religion and economy from ancient to recent times. He theorized that the lines and figures were part of religious practices involving the worship of deities associated with the availability of water, which directly related to the success and productivity of crops. He interpreted the lines as sacred paths leading to places where these deities could be worshiped. The figures were symbols representing animals and objects meant to invoke the gods' aid in supplying water. The precise meanings of many of the individual geoglyphs remain unsolved as of 2013. Henri Stierlin, a Swiss art historian specializing in Egypt and the Middle East, published a book in 1983 linking the Nazca Lines to the production of ancient textiles that archeologists have found wrapping mummies of the Paracas culture. He contended that the people may have used the lines and trapezes as giant, primitive looms to fabricate the extremely long strings and wide pieces of textile that are typical of the area. By his theory, the figurative patterns (smaller and less common) were meant only for ritualistic purposes. This theory is not widely accepted, although scholars have noted similarities in patterns between the textiles and the Nazca Lines, which they take as sharing in a common culture. Phyllis Pitluga, senior astronomer at the Adler Planetarium & Astronomy Museum and a protégé of Reiche, did computer-aided studies of star alignments. She asserted that the giant spider figure is an anamorphic diagram of the constellation Orion.
Nazca, intrigante e misteriosa | PERU | EP 32
Conhecemos o deserto de NAZCA, fizemos o famoso sobrevoo sobre as linhas misteriosas. São aproximadamente 500km de linhas e geoglifos espalhados pela região.
Recomendamos, antes de sobrevoar, visitar o museu Maria Reichi, pois lá você pode entender melhor a história.
Nas redondezas há sítios arqueológicos, aquedutos, cemitério a céu aberto e outros atrativos para conhecer.
Deixamos listado aqui os preços de cada passeio que fizemos:
* Passeio a Cantalloc (Aqueduto, Los Paredones, Las Agujas e Telar): S/. 10 por pessoa. Guia de turismo S/. 20 (opcional). Caso não esteja com transporte próprio, tomar um táxi a partir de S/.5
* Passeio a Cauhachi: não existe taxa para conhecê-la mas demos uma contribuição para o Senhor que cuida do lugar. Fica a cerca de 25km do centro de Nazca.
* Planetário Maria Reiche: S/. 20 por pessoa, duração de 1 hora. Apresentações em francês (18h), inglês (19h) e espanhol (20h). Fica no interior do Hotel Líneas de Nazca, bem no centro da cidade.
* Cemitério de Chauchilla: S/. 8 por pessoa, horário das 8 às 18h.
* Sobrevoo: a partir de U$ 65, mais S/. 30 de taxa no aeroporto (preço por pessoa). Nos recomendaram fazer o voo nas primeiras horas da manhã, evitando o meio do dia devido à incidência da luz do sol mais forte sobre as linhas e o deserto, o que prejudica atrapalha um pouco a visualização.
* Mirante Metálico: S/.3 por pessoa
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Top 10 Best Things To Do in Nazca, Peru
Nazca Travel Guide. MUST WATCH. Top 10 things you have to do in Nazca. We have sorted Tourist Attractions in Nazca for You. Discover Nazca as per the Traveler Resources given by our Travel Specialists. You will not miss any fun thing to do in Nazca.
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List of Best Things to do in Nazca, Peru
Nasca Lines
Cantalloc Aqueduct
Cementerio Chauchilla
Cahuachi
Torre Mirador de Las Lines de Nasca
Planetario Maria Reiche
Cerro Blanco
Didactic Museum Antonini (Museo Antonini)
Los Paredones
Acueductos de Nasca
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Nazca Lines, Nazca, Ica, Peru, South America
The Nazca Lines are a series of ancient geoglyphs located in the Nazca Desert in southern Peru. They were designated as a UNESCO World Heritage Site in 1994. The high, arid plateau stretches more than 80 kilometres (50 mi) between the towns of Nazca and Palpa on the Pampas de Jumana about 400 km south of Lima. Although some local geoglyphs resemble Paracas motifs, scholars believe the Nazca Lines were created by the Nazca culture between 800bc and 800 AD. The hundreds of individual figures range in complexity from simple lines to stylized hummingbirds, spiders, monkeys, fish, sharks, orcas, and lizards. The lines are shallow designs made in the ground by removing the reddish pebbles and uncovering the whitish/grayish ground beneath. Hundreds are simple lines or geometric shapes; more than seventy are zoomorphic designs of animals such as birds, fish, llamas, jaguar, monkey, or human figures. Other designs include phytomorphic shapes such as trees and flowers. The largest figures are over 200 metres (660 ft) across. Scholars differ in interpreting the purpose of the designs, but in general they ascribe religious significance to them. Other theories have been summarized as follows: The geometric ones could indicate the flow of water or be connected to rituals to summon water. The spiders, birds, and plants could be fertility symbols. Other possible explanations include: irrigation schemes or giant astronomical calendars. Due to the dry, windless, and stable climate of the plateau and its isolation, for the most part the lines have been preserved. Extremely rare changes in weather may temporarily alter the general designs. As of recent years, the lines have been deteriorating due to an influx of squatters inhabiting the lands. Archeologists, ethnologists, and anthropologists have studied the ancient Nazca culture to try to determine the purpose of the lines and figures. One hypothesis is that the Nazca people created them to be seen by their gods in the sky. Kosok and Reiche advanced a purpose related to astronomy and cosmology: the lines were intended to act as a kind of observatory, to point to the places on the distant horizon where the sun and other celestial bodies rose or set in the solstices. Many prehistoric indigenous cultures in the Americas and elsewhere constructed earthworks that combined such astronomical sighting with their religious cosmology, as did the later Mississippian culture at Cahokia in present-day United States. Another example is Stonehenge in England. But Gerald Hawkins and Anthony Aveni, experts in archaeoastronomy, concluded in 1990 that there was insufficient evidence to support such an astronomical explanation. Reiche asserted that some or all of the figures represented constellations. By 1998, Phyllis B. Pitluga, a protégé of Reiche and senior astronomer at the Adler Planetarium in Chicago, had concluded that the animal figures were representations of heavenly shapes. But she contends that they are not shapes of constellations but of what might be called counter constellations, the irregular-shaped dark patches within the twinkling expanse of the Milky Way. Aveni criticized her work for failing to account for all the details. In 1985, the archaeologist Johan Reinhard published archaeological, ethnographic, and historical data demonstrating that worship of mountains and other water sources predominated in Nazca religion and economy from ancient to recent times. He theorized that the lines and figures were part of religious practices involving the worship of deities associated with the availability of water, which directly related to the success and productivity of crops. He interpreted the lines as sacred paths leading to places where these deities could be worshiped. The figures were symbols representing animals and objects meant to invoke the gods' aid in supplying water. The precise meanings of many of the individual geoglyphs remain unsolved as of 2013. Henri Stierlin, a Swiss art historian specializing in Egypt and the Middle East, published a book in 1983 linking the Nazca Lines to the production of ancient textiles that archeologists have found wrapping mummies of the Paracas culture. He contended that the people may have used the lines and trapezes as giant, primitive looms to fabricate the extremely long strings and wide pieces of textile that are typical of the area. By his theory, the figurative patterns (smaller and less common) were meant only for ritualistic purposes. This theory is not widely accepted, although scholars have noted similarities in patterns between the textiles and the Nazca Lines, which they take as sharing in a common culture. Phyllis Pitluga, senior astronomer at the Adler Planetarium & Astronomy Museum and a protégé of Reiche, did computer-aided studies of star alignments. She asserted that the giant spider figure is an anamorphic diagram of the constellation Orion.
Nazca Lines, Nazca, Ica, Peru, South America
The Nazca Lines are a series of ancient geoglyphs located in the Nazca Desert in southern Peru. They were designated as a UNESCO World Heritage Site in 1994. The high, arid plateau stretches more than 80 kilometres (50 mi) between the towns of Nazca and Palpa on the Pampas de Jumana about 400 km south of Lima. Although some local geoglyphs resemble Paracas motifs, scholars believe the Nazca Lines were created by the Nazca culture between 800bc and 800 AD. The hundreds of individual figures range in complexity from simple lines to stylized hummingbirds, spiders, monkeys, fish, sharks, orcas, and lizards. The lines are shallow designs made in the ground by removing the reddish pebbles and uncovering the whitish/grayish ground beneath. Hundreds are simple lines or geometric shapes; more than seventy are zoomorphic designs of animals such as birds, fish, llamas, jaguar, monkey, or human figures. Other designs include phytomorphic shapes such as trees and flowers. The largest figures are over 200 metres (660 ft) across. Scholars differ in interpreting the purpose of the designs, but in general they ascribe religious significance to them. Other theories have been summarized as follows: The geometric ones could indicate the flow of water or be connected to rituals to summon water. The spiders, birds, and plants could be fertility symbols. Other possible explanations include: irrigation schemes or giant astronomical calendars. Due to the dry, windless, and stable climate of the plateau and its isolation, for the most part the lines have been preserved. Extremely rare changes in weather may temporarily alter the general designs. As of recent years, the lines have been deteriorating due to an influx of squatters inhabiting the lands. Archeologists, ethnologists, and anthropologists have studied the ancient Nazca culture to try to determine the purpose of the lines and figures. One hypothesis is that the Nazca people created them to be seen by their gods in the sky. Kosok and Reiche advanced a purpose related to astronomy and cosmology: the lines were intended to act as a kind of observatory, to point to the places on the distant horizon where the sun and other celestial bodies rose or set in the solstices. Many prehistoric indigenous cultures in the Americas and elsewhere constructed earthworks that combined such astronomical sighting with their religious cosmology, as did the later Mississippian culture at Cahokia in present-day United States. Another example is Stonehenge in England. But Gerald Hawkins and Anthony Aveni, experts in archaeoastronomy, concluded in 1990 that there was insufficient evidence to support such an astronomical explanation. Reiche asserted that some or all of the figures represented constellations. By 1998, Phyllis B. Pitluga, a protégé of Reiche and senior astronomer at the Adler Planetarium in Chicago, had concluded that the animal figures were representations of heavenly shapes. But she contends that they are not shapes of constellations but of what might be called counter constellations, the irregular-shaped dark patches within the twinkling expanse of the Milky Way. Aveni criticized her work for failing to account for all the details. In 1985, the archaeologist Johan Reinhard published archaeological, ethnographic, and historical data demonstrating that worship of mountains and other water sources predominated in Nazca religion and economy from ancient to recent times. He theorized that the lines and figures were part of religious practices involving the worship of deities associated with the availability of water, which directly related to the success and productivity of crops. He interpreted the lines as sacred paths leading to places where these deities could be worshiped. The figures were symbols representing animals and objects meant to invoke the gods' aid in supplying water. The precise meanings of many of the individual geoglyphs remain unsolved as of 2013. Henri Stierlin, a Swiss art historian specializing in Egypt and the Middle East, published a book in 1983 linking the Nazca Lines to the production of ancient textiles that archeologists have found wrapping mummies of the Paracas culture. He contended that the people may have used the lines and trapezes as giant, primitive looms to fabricate the extremely long strings and wide pieces of textile that are typical of the area. By his theory, the figurative patterns (smaller and less common) were meant only for ritualistic purposes. This theory is not widely accepted, although scholars have noted similarities in patterns between the textiles and the Nazca Lines, which they take as sharing in a common culture. Phyllis Pitluga, senior astronomer at the Adler Planetarium & Astronomy Museum and a protégé of Reiche, did computer-aided studies of star alignments. She asserted that the giant spider figure is an anamorphic diagram of the constellation Orion.
Daniel Trindade in Peru - Nasca Lines - Jerry Anderson part 1
Spiritual expedition to Peru. Daniel was one driver that left Lima to Nasca. Eco Truly Ashram, Museum of Pachacamac, Flight over the Nasca lines. Maria Reiche Planetarium, Cantayo Hotel.
CANAL MUSEAL EN NASCA (ICA) - Salón María Reiche - Ex Hotel de Turistas de Nasca
CANAL MUSEAL EN NASCA (ICA) - Salón María Reiche - Ex Hotel de Turistas de Nasca
MARIA REICHE: LA BRUJA DE LAS PAMPAS - PARTE II
PARTE II
Documental realizado en la década de los 80's en homenaje a la Doctora Maria Reiche sobre sus investigaciones sobre las enigmáticas líneas de Nazca.