Study at Konstfack!
Inside Konstfack, the largest university of fine arts in Sweden.
Galleri Magnus Karlsson - Sara-Vide Ericson & Pernilla August 'Närvaro/Presence'
”Presence”
Recording of a public conversation between actress and director Pernilla August and artist Sara-Vide Ericson in her exhibition ”Interior Ambush” at the Royal Academy of Fine Arts in Stockholm. The conversation is in Swedish and was recorded on Saturday November 9, 2019.
Edited by Felix Berg
Still photography by Bo Christian Larsson
Thanks to Pernilla August and Sara-Vide Ericson
© Galleri Magnus Karlsson 2019
//
”Närvaro”
Inspelning av ett publikt samtal mellan skådespelaren och regissören Pernilla August och konstnären Sara-Vide Ericson i hennes utställning ”Interior Ambush” på Konstakademien i Stockholm. Samtalet hölls på svenska och spelades in lördagen den 9 november 2019
.
Klippning: Felix Berg
Foto: Bo Christian Larsson
Tack till Pernilla August och Sara-Vide Ericson
© Galleri Magnus Karlsson 2019
Stockholm, Sweden, a 3 day / night tour
A 3 night tour of Stockholm (Sweden) starting at Sergels square with a tour of Gamal Stan by freetoursstockholm including Stromgatan, Norrbro, Stortorget, Brantingtorget (Square of Branting), the bronze sculpture Morgon (Morning), a nude by Ivar Johnsson from 1962, Palazzo Reale Official residence of King Carl XVI Gustaf (a great great grandchild of Queen Victoria) and Queen Silvia, St George and Dragon bronze copy (1912) of the 1489 wooden statue attributed to Bernt Norke to commemorate the Battle of Brunkeberg (1471) located in Storkyrkan — the Cathedral) of Saint Nicholas, Mårten Trotzigs Gränd - the narrowest street in Stockholm tapering to 90 cm, Iron Square, the Civic hall with its blue room, pillared hall, long gallery, Golden Hall and the council chamber. Carl Larsson temporary exhibition at the Royal Swedish Academy of Fine Arts (Konstakademien). On Skeppsholmen the AF Chapman cafe and hostel. On Kastellholmen a view of Grona Lund, the Citadel, museums and Le Paradis Fantastique by Jean Yinguely. A look around Hallwyl House, the changing of the guard at the Royal Palace. On Djurgarden the Vasa Museum with the salvaged 17th centruary battleship and Prince Eugens art collection at Waldemarsudde
Paul Day: British sculptor has received royal seal of approval
He wanted to be a painter but a twist of fate saw him embrace sculpture, instead. Paul Day is responsible for the monumental statue which greets visits as they alight from the Eurostar in London's St Pancras train station. Thanks to a key commission from the British royal family, the sculptor's work is now dotted around the world.
France 24's Lucie Barbazanges caught up with the artist at his studio in Burgundy.
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Stockholm Konstakademien
Elephant takes you to the Royal Art Academy in Stockholm to give you a look at their summer 2015 exhibition, 100 Great Paintings from the National Museum.
SWEDISH ARTISTS PRE 20TH CENTURY
The Royal Swedish Academy of Fine Arts was founded as early as 1735.
This video covers the following artists:
-Richard Bergh
-Michael Dahl
-Knut Ekwall
-August Jernberg
-Ernst Josephson
-Julius Kronberg
-Johan Krouthén
-Per Krafft the Elder
-Per Krafft the Younger
-Marcus Larson
-Bengt Nordenberg
-Gustaf Wilhelm Palm
-Ulrika Pasch
-Carl Gustav Pilo
-Johan Gustaf Sandberg
-Carl Larsson, Johan Tirén
-Alfred Wahlberg
-Carl Wilhelmson
-Axel Jungstedt, Anders Zorn
MUSIC:
1. SPY FUNK BY Quincas Moreira
2. BUBINGA BY Quincas Moreira
3. TRAPPED BY Quincas Moreira
4. JAZZETONE BY Quincas Moreira
ROSALBA - Nationalmuseum or National Museum of Fine Arts, Sweden, Blasieholmen, Stockholm
Born in Venice with two sisters, Rosalba Carriera was a prominent and greatly admired portrait artist of the Italian Rococo. Her family was from the lower-middle-class in Venice, and as a child, she began her artistic career by making lace-patterns for her mother, who was engaged in that trade. However, when interests in lace waned and the industry began to falter, Carriera had to find a new means of providing for herself and her family.
The popularity of snuff-taking gave her an opportunity to do just that. Carriera began painting miniatures for the lids of snuff-boxes, and was the first painter to use ivory instead of vellum for this purpose. Gradually, this work evolved into portrait-painting, for which she pioneered the exclusive use of pastel. Prominent foreign visitors to Venice, young sons of the nobility on the grand tour and diplomats for example, clamored to be painted by her. The portraits of her early period include those of Maximilian II of Bavaria; Frederick IV of Denmark; the 12 most beautiful Venetian court ladies; the Artist and her Sister Naneta (Uffizi); and August the Strong of Saxony, who acquired a large collection of her pastels.
By 1700 she was already creating miniatures and by 1703 she completed her first pastel portraits. In 1704, she was made an 'Accademico di merito' by the Roman Accademia di San Luca, a title reserved for non-Roman painters.
By 1721, Carriera's left Venice for Paris, as portraits by her were in great demand. While in Paris, Carriera was a guest of the great amateur and art collector, Pierre Crozat. She painted Watteau, all the royalty and nobility from the King and Regent downwards, and was elected a member of the Academy by acclamation. Her brother-in-law, the painter Antonio Pellegrini, married to her sister Angela, was also in Paris that year. Pellegrini was employed by John Law, a Scottish financier and adventurer, to paint the ceiling of the Grand Salle in Law's new Bank building.
Carriera's other sister, Giovanna, and her mother, were members of the party in France. Both sisters, particularly Giovanna, helped her in painting the hundreds of portraits she was asked to execute. This was because she undertook a lot of work in order to support her family. Carriera's diary of these 18 months in Paris was later published by her devoted admirer, Antonio Zanetti, the Abbé Vianelli, in 1793. Her extensive correspondence has also been published.
In later life, Carriera made a long journey to the royal court in Vienna, Austria. While there, Holy Emperor Charles VI became her benefactor and was fully committed to supporting her work. The Emperor amassed a large collection of more than 150 of her pastels. In return, the empress worked underneath her and received formal artistic training. The works she executed there were later to form the basis of the large collection in the Alte Meister Gallery in Dresden.
After her sister Giovanna's death in 1738, Carriera fell into a deep depression which was not aided by the loss of her vision (which might have been damaged by miniature-painting in her youth) some years later. She underwent two unsuccessful cataract surgeries but ended up losing her vision completely. She outlived all her family, spending her last years in a little house in the Dorsoduro district of Venice, where she died at the age of 84.
The images are only being used for informational and educational purposes
Text & images:
Music:
Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical
7:17
Kevin MacLeod
Clásica | Feliz
Puedes usar esta canción en cualquiera de tus vídeos, pero debes incluir el siguiente texto en la descripción:
Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (
Fuente:
Artista:
In Stockholm: Millesgarden
The newly married artist couple Carl and Olga Milles acquired a property 1906 on the cliff of Herserud high above Stockholm's Lake Värtan on the island of Lidingö. Their intention was to build a home incorporating space for their art studios.
The house was designed by architect Carl M. Bengtsson and was built 1908. During the following half-century Millesgården was expanded and developed in collaboration with Carl's half-brother, architect Evert Milles. Between 1911-13 the first addition was built, an open-air studio in the form of a loggia wing, intended to improve Carl's work environment. The sculptor had contracted a serious case of silicosis from inhalation of the dust from his stone carving.
As Milles income increased from the many new sculpture commissions during the 1920's, adjoining properties were acquired along the south slopes. With the construction of the middle terrace and the small Studio both the area of the sculpture gardens increased as well as providing further work space for making sculpture.
During the Milles couple's absence 1931-50, while Carl was professor at Cranbrook Academy of Art in Michigan, USA, building activities at Millesgården came to a halt. But Evert Milles continued to draw up blueprints, in preparation for future building projects.
In 1936 Millesgården was constituted into a foundation, which was donated to the Swedish people. In anticipation of Carl and Olga's return to Millesgården, 1950 saw the construction of the spacious lower terrace with monumental replicas of free-standing and fountain sculpture from Sweden and the USA.
The lower terrace with the couple's new home, Anne's house designed by Evert Milles, was nearing completion at the time of Carl Milles' death, September 19, 1955.
Source:
F. Chopin: Ballade no 3, op 47
Live from The Royal Academy of Fine Arts in Stockholm, Sweden.
Pianist Marianna Shirinyan
Production: pianovisions.se
Video and audio: artofsound.se
Johan Severin Nilsson (1846 -1918) Swedish painter ✽ Francis Goya / Summernight Dreams
Thank you all for viewing and comments! ✽ All the best!
Johan Severin Nilsson (14 January 1846, Asige Parish, Halland - 24 November 1918, Stockholm) was a Swedish painter and photographer.
Biography
His father was a blacksmith. In 1865, at the age of eighteen, he enrolled as a student at the Royal Swedish Academy of Arts in Stockholm; graduating in 1871. While there, he and Ernst Josephson became good friends. In 1873, they went to Paris together. On the way, they paid a visit to the painter, Bengt Nordenberg in Düsseldorf and were influenced by the Düsseldorf School.
In Paris, he studied under Léon Bonnat for three years. He also learned some photography. When he returned home, he obtained some photographic equipment and took his first pictures in Halland in 1875. He often worked in parallel, using both camera and brush. He was also one of the first Swedish documentary photographers. Inspired by Arthur Hazelius, he made photographic studies of public life, especially in the village where he was born.[1] Most of his pictures of people appear, however, to have been staged.
His paintings were mostly portraits, landscapes and genre scenes. A prolific artist, he participated in numerous exhibitions and left behind a large and diverse body of work.
His works may be seen at the Nationalmuseum and the Kalmar Konstmuseum
World of Carl Larsson - Paintings from a Bygone Age
Carl Larsson paintings are much loved for their nostalgic and naturalistic portrayal of idyllic family life, Swedish culture and tradition. Carl Larsson gained inspiration from his love of his happy, beautiful home and children, and he left us many beautiful paintings that tell us his story in gentle, graceful and romantic fashion.
Music: Haydn, Op. 76 No. 5, Wilhelm Peterson-Berger, Romance
'Carl Larsson (May 28, 1853 -- January 22, 1919) was a Swedish painter and interior designer, representative of the Arts and Crafts Movement. His many paintings include oils, watercolors, and frescoes.
Larsson was born on May 28, 1853. His parents were extremely poor, and his childhood was not happy. Carl's strong artistic talent had emerged early in his life. When he was 13 years old, his teacher at the school for the poor had persuaded him to apply for enrollment at Principskolan, the preparatory department of the Royal Art Academy.
However, at the age of thirteen, his teacher Jacobsen, at the school for poor children urged him to apply to the principskola of the Royal Swedish Academy of Arts, and he was admitted. In 1869, at the age of sixteen, he was promoted to the antique school of the same academy. There Larsson gained confidence, and even became a central figure in student life.
After spending two summers in Barbizon, the refuge of the plein-air painters, he settled down with his Swedish painter colleagues in 1882 in Grez-sur-Loing, at a Scandinavian artists' colony outside Paris. It was there that he met the artist Karin Bergöö, who soon became his wife. This was to be a turning point in Larsson's life. In Grez, Larsson painted some of his most important works, now in watercolour and very different from the oil painting technique he had previously employed.
Carl and Karin Larsson had eight children and his family became Larsson's favourite models. Many of his watercolours are now popular all over the world.
In 1888 the young family was given a small house, named Little Hyttnäs, in Sundborn. Carl and Karin decorated and furnished this house according to their particular artistic taste and also for the needs of the growing family.
Through Larsson's paintings this house has become one of the most famous artist's homes in the world, transmitting the artistic taste of its creators and making it a major line in Swedish interior design.
The descendants of Carl and Karin Larsson now own this house and keep it open for tourists each summer from May until October.
The pictures of Carl Larsson's family and home became the most immediate and lasting part of my life's work. For these pictures are of course a very genuine expression of my personality, of my deepest feelings, of all my limitless love for my wife and children.
'Carl Larsson, född 28 maj 1853 i Gamla Stan i Stockholm, död 22 januari 1919 i Falun i Dalarna, var en svensk konstnär. Larsson är en av de mest berömda svenska konstnärerna och kanske den mest folkkäre. Räknas som en av Sveriges mest betydelsefulla akvarellmålare. Han är känd för sina akvareller av idylliskt familjeliv.
Larsson var make till konstnären Karin Bergöö.
Carl Larsson föddes i ett fattigt hem vid Prästgatan 78 i Gamla stan. Under hans barndomstid bodde familjen på Ladugårdslandet. När han var tretton år uppmanade hans lärare honom att söka som elev vid Konstakademien, där han kom att studera 1869-76.
Carl Larsson flyttade till Paris 1877. Under sin tid där levde han i yttersta fattigdom. Efter att besviken ha återvänt till Stockholm och där i två år ha försörjt sig på illustrationsuppdrag, reste han för andra gången till Paris 1880 och började måla. Den lilla målarbyn Grez-sur-Loing i närheten av Fontainebleau blev hans residens och akvarellen hans specialitet.
Larsson gifte sig 1883 med konstnären Karin Bergöö och den växande familjen blev snart ett givet motiv för intima porträtt, däribland Bruden, Ateljéidyll och Lilla Suzanne.
Larsson blev populär som familjelivets och hemmets målare. Redan i Grez hade han målat sina närmaste.
1901 lämnade Larsson Stockholm för att slå sig ned på Lilla Hyttnäs. Gården i Dalarna kom att erbjuda familjen en aldrig sinande motivrikedom.
Under arbetet med freskerna hade Larsson utvecklat ett förenklat uttryckssätt och lätta färger. Denna teknik ses i den serie bilder från Sundborn som han började utföra 1894; teckningar i tusch med noggrant redogörande för alla detaljer och enkelt kolorerade.
Serien Ett hem i Dalarne, som senare följdes av tre andra sundbornsalbum, gjorde Larsson känd och omtyckt även långt utom Sveriges gränser.
Efter Karins död 1928 bestämde barnen Suzanne, Pontus, Lisbeth, Brita och Kersti att bevara hemmet i Sundborn som det sett ut under föräldrarnas levnad. De startade en förening: Släktföreningen som skulle förvalta Carl Larsson-gården framgent och låta den bli ett Carl Larsson-museum.'
Henry Mavrodin's art exhibition at Moderna Museet Sweden
PopimpressKA Present Ivan Valtchev
Ivan Valtchev, who was born in Germany an internationally acclaimed sculptor, painter and printmaker. Mr. Valtchev currently reside in New York City. His prints are included in the permanent collections of the Metropolitan Museum of Art, Department of Prints and Drawings, New York NY; the Royal academy of Fine Arts, Stockholm Sweden; Bibliotheque Nationale, Cabinet des Estampes, Paris, France; the Museum of the City of Geneva, Switzerland; and the Butler Institute of American Art, Youngstown, Ohio, among others.
Mr. Valtchev's works has been shown widely in solo exhibitions around the world, most recently at the gallery Svarta Soffan, Stockholm, Sweden; the Horse SHow, Saratoga, NY; Synchronicity Space, New York, NY; and the University Club in Washington, D.C. He has participated in group shows ar galleries which include the Brighton Horizon Gallery. Bright, Sidney, Australia; the University of Arizona; and the Gallery Daniel Blaise Thorrens Fine Art, Basel, Switzerland.
MUSEUM & PERMANENT COLLECTIONS (Selected)
Bibliotheque Nationale, Cabinet des Estampes, Paris, France
Buffalo Bill Museum, Cody, Wyoming
Butler Institute of American Art, Youngstown, Ohio
Castelli, Leo, New York, NY
Centre Genevois de la Gravure Contemporaine, Geneva, Switzerland
Grafikens Hus, Mariefred, Sweden
Hammer Galleries, New York, NY
Museum of Our National Heritage, Lexington, Massachusetts
Lessing Rosenwald Collection, National Gallery of Art, Washington D.C.
Minolta Corporation US, Ramsey NJ
Museum of the City of Geneva, Switzerland
Nathan Cummings Collection of Art, New York, NY
National Gallery of Art, Department of Modern Prints and Drawings, Washington, D.C.
New Orleans Museum of Art, New Orleans, Louisiana
New York Public Library, New York, NY
New York Public Library, Dance Collection, Lincoln Center, New York, NY
Metropolitan Museum of Art, Department of Prints and Drawings, New York, NY
Robert Rauschenberg Collection, Captiva, Florida
Royal Academy of Fine Arts, Stockholm, Sweden
Schwarz-von Spreckelsen Collection, Basel, Switzerland
Gabriella Van Zeuylen, Collection, Paris, France
Stuart Pivar Collection, New York, NY
The University of Arizona, Museum of Art, Tucson, AZ
EDUCATION
Fordham University, New York, NY P.D.
Musee du Louvre, Paris, France, internship
University of Stockholm. Stockholm, Sweden, BA
Royal Academy of Fine Arts, Stockholm, Sweden, M.F.A.
Academy of Fine Arts, Warsaw, Poland
University of Copernicus, Torun, Poland
TEACHING EXPERIENCE
1989 - 1999 Board of Education. New York, NY
1982 Faculty, New York Academy of Art. New York
1979 Faculty, National Academy of Design. New York
1971 - 1975 Faculty, Department of Art, University of Maryland
1969 Teaching Assistant, Art Materials Technology, Royal Academy of Art, Stockholm, Sweden
LANGUAGES
English, French, Russian, Bulgarian, Polish, Italian, German
PERSONAL
Citizenship - United States
Born - Germany, 1944
AWARDS, GRANTS, HONORS
1985 Artists's Space, New York
1976 Gold Medal, Societe Europeene d'Excellence, Paris, France
1975 Juror's Award, New Hampshire Graphics International
1973 - 1974 Art Grant, University of Maryland, College Park MD
SOLO EXHIBITIONS (Selected)
1999 Gallery Svarta Soffan, Stockholm, Sweden
1998 Horse Show, Saratoga, NY
1996 Gallery Svarta Soffan. Stockholm, Sweden
1993 Synchronicity Space, Soho, New York
1990 University Club, Washington, D.C.
1990 Handcraft Marble and Granite Gallery, Inc., NY, NY
1989 The Lafayette Street Living Museum, New York, NY
1989 Oestreicher Fine Arts, New Orleans, Louisiana
1988 Fota Gallery, Alexandria, Virginia
1987 City Corp., New York, NY
1986 City Corp., New York, NY
1985 Deutsches Haus, Columbia University, New York, NY
1984 Benjamin's Art Gallery, Buffalo, NY
1983 Lincoln Savings Bank. New York, NY
1981 Lincoln Savings Bank, New York, NY
1978 Gallery im Kirchgasse, Zurich, Switzerland
1977 Daniel Blaise Thorrens Fine Arts, Basel, Switzerland
1975 Gallery Rubicon, Los Altos, California
Gallery Die Unge Generation, Vienna, Austria
Gallery Window, Copenhagen, Denmark
1973-1974 Gallery Santee Landweer, Amsterdam, Holland
Gallery Cora, Geneva, Switzerland
Gallery Nouvelle Gravure, Paris, France
1973 Gallery Carl Van der Voort, Ibiza. Spain
1972 Jane Haslem Gallery, Madison, Wisconsin
Franz Bader Gallery, Washington, D.C.
1971 New York Public Library at Lincoln Center, New York
1969 Gallery Draken, Stockholm, Sweden
The Swedish Fine Art
3 min. boxing match between two novice swedish boxeur
THE CABINET MAKER Exhibition (Summer 2013)
THE CABINET MAKER
Jackson Design Berlin
March-July 2013
Welcome to The Cabinet Maker at Jacksons Berlin, an exhibition that takes a unique approach to the history of the cabinetmaking tradition in both Denmark and Sweden, and traces the formidable relationships that bonded cabinetmaker and architect during the height of the twentieth century.
Kaare Klint had been a seminal force in the development of Danish Modern, when in 1924 he founded the Department of Furniture Design at the School of Architecture, Royal Danish Academy of Fine Arts. His influence encouraged students to address modern-day functionalist needs by rejecting the use of applied ornament in favor of raw materials, and to honor the centuries-old tradition of craftsmanship by working from historical models--particularly the English 18th-century.
The social democratic values taking root in Denmark between the World Wars had created an atmosphere ripe with possibility for a new generation to reinvigorate the industry. Under Klint's leadership at the academy in cooperation with the Danish Cabinet Makers' Guild, annual exhibitions were initiated in 1927 that fostered new and lasting partnerships between architects and cabinetmakers--most notably Kaare Klint and Rud. Rasmussen, Ole Wanscher and A.J. Iversen, Hans J. Wegner and Johannes Hansen, and Finn Juhl and Niels Vodder. The exhibition at Jacksons focuses on these very cabinet makers who contributed an unparalleled knowledge of craftsmanship and quality to the work, yet are oftentimes overshadowed by their collaborators.
Several pieces by Carl Malmsten's master cabinet maker--Hjalmar Jackson--showcase an incredibly rare sensibility towards material and construction technique. Other cabinetmakers featured in the exhibition played both roles of cabinet maker and designer, such as the enigmatic Fritz Henningsen--proprietor of a furniture-making workshop in Copenhagen--and the eccentric Peder Moos--who crafted nearly all the made-to-order pieces himself and is rumored to have never used a screw in his life.
Jackson Design GmbH
Lindenstrasse 34 DE-10969 Berlin
berlin@jacksons.se
+49 30 50599 777
Tuesday-Saturday 12-18h
jacksons.se
Stockholm.SKH
Recorrido fotográfico por Estocolmo en Octubre de 2009
The National Museum of Fine Arts in Stockholm has reopened following a five-year redevelopment.
Read more at attractionsmanagement.com
P. Tchaikovsky: The Seasons
Live from The Royal Academy of Fine Arts in Stockholm, Sweden.
Pianist Marianna Shirinyan
Production: pianovisions.se
Video and audio: artofsound.se
Gamla Stan - Prästgatan Number 78 and Mårten Trotzigs Gränd
Carl Larsson (May 28, 1853 -- January 22, 1919) was a Swedish painter and interior designer, representative of the Arts and Crafts Movement. His many paintings include oils, watercolors, and frescoes. He considered his finest work to be Midvinterblot (Midwinter Sacrifice), a large wall mural now displayed inside the Swedish National Museum of Fine Arts.Larsson was born on May 28, 1853, in Prästgatan No. 78, a house on the Tyska Stallplan in Gamla stan, the old town in Stockholm. His parents were extremely poor, and his childhood was not happy. Carl's strong artistic talent had emerged early in his life. When he was 13 years old, his teacher at the school for the poor had persuaded him to apply for enrollment at Principskolan, the preparatory department of the Royal Art Academy.
Prästgatan (Swedish: The Priest's Street) is a street in Gamla stan, the old town in central Stockholm, Sweden, stretching from a cul-de-sac west of the Royal Palace to the street Österlånggatan in the southern corner of the old town.
The street was given its name in reference to the residences of three chaplains and a bell-ringer built there during the 16th century, the four small buildings were demolished in 1708 to give room to the parsonage still present. As the parsons of Tyska Kyrkan (The German Church) were housed near the street, the southern part of it was called Tyska Prästgatan (The German Priest's Street) from the mid-18th to the mid-19th century while the northern part was called Svenska Prästgatan (The Swedish Priest's Street). The name revision of 1885, resulted in the name Prästgatan being used for the street's northern and southern extensions as well.
Before this, the part north of the street Storkyrkobrinken was known as Helvetesgränd (Alley of Hell), just like the surrounding area north and west of the cathedral Storkyrkan was being referred to as Helvetet (Hell).
Mårten Trotzigs gränd (Swedish: Alley of Mårten Trotzig) is an alley in Gamla stan, the old town of Stockholm, Sweden. Leading from Västerlånggatan and Järntorget up to Prästgatan and Tyska Stallplan, the width of its 36 steps tapers down to a mere 90 cm, making the alley the narrowest street in Stockholm.The alley is named after the merchant and burgher Mårten Trotzig (1559--1617), who, born in Wittenberg, immigrated to Stockholm in 1581, and bought properties in the alley in 1597 and 1599, also opening a shop there. His original German name is said to have been Traubtzich, but he is also mentioned under various other names, such as Trutzich, Trutzigh, Trusick, Trotuitz, Tråtzich, Trotzigh, and Tråsse. According to sources from the late 16th century, he was dealing in first iron and later copper, by 1595 had sworn his burgher oath, and was later to become one of the richest merchants in Stockholm. He was however beaten to death during a trip to Kopparberg in 1617.
NADA - Antidote
• ANTIDOTE •
Wallery & Magic City roudly presents the exhibition ANTIDOTE with their first international female street artist Frida Stiil Vium aka NADA @fridastiilvium. This Danish girl took us by storm this autumn and it is a pleasure to know that we found and booked her before the curators for Miami Art Festival 2017.
Frida Stiil Vium aka. NADA is an upcoming artist from Aalborg, Danmark. She was born in 1997 and has been drawing and painting as long as she remembers. Frida chose to focus on art in 2014 when she chose to stop in high school and follow her dream.
She expresses herself in paintings, drawing as well as street art, which she has developed by traveling around in the world painting walls and making cultural social projects on different continents.
Frida’s uses her street name NADA to tag her street art works.
She chose the name, while it represents that everybody starts from nothing.
Furthermore, she is connected to an art gallery in Denmark, U.S, Portugal and Sweden and has also in cooperation with Ungaalborg, Aalborg Municipality opened an art studio for young artist, where she is manager on a daily basis.
Education in art:
Talent Academy BGK (Pre school for the Royal academy of art)
Places Nada have exhibit during the years:
1. Gallery Inuit “Intuition”, Aalborg, Denmark.
2. NORTH, Aalborg, Denmark.
3. Aros “Catch 10”, Aarhus, Denmark.
4. KUNSTEN Artmuserum “Kulturskolen”, Aalborg, Denmark.
5. Pop up show “YOUniverse”, Aalborg, Denmark.
6. Pop up shop “Reality Check”, Aalborg, Denmark
Artworks by Nada around the world;
2014: England, London (Cooperation with Global Street Art).
2015: Italy, Pietra Ligure
2016 England, London (Cooperation with Global Street Art).
2016: USA, Miami - Denver - San francisco
2016: Sri Lanka, Hikkaduwa
2016: Greece, Thessaloniki (Streetart project with Softex Refugee Camp)
2017: France, Paris - Le Havre (Streetart project in cooperation with Tetris Art museum)
2017: Spain, Malaga
2017: Moldova, Chisinau (Participating artist in EU project “Another world is possible)
2017: USA, Miami, 2017 (Participating artist in the streetart festival “Art Basel House”)
Nada's upcoming events 2018
January: India, Chennai. (participating artist in culture festival Saarang)
February: Sweden, Stockholm. (Solo exhibition)
Mars: Portugal, Ericeira. (Solo exhibition and participating artist in a Graffiti festival)