CAVE OF THE WINDS || ESTES PARK HORSEBACK RIDE || SEEING WILD DEER - COLORADO
More Information Below!
Awesome trip visiting Colorado Springs for the Cave of the Winds. Afterwards we a headed out to Estes Park for a beautiful horseback ride in the mountains at Sombrero Ranches Inc.
(Cave of the Winds is a cave in the Pikes Peak region of Colorado. It is located just west of Colorado Springs on U.S. Highway 24, near the Manitou Cliff Dwellings. Tours of the complex of caves are given daily.)
(Located on the eastern edge of Estes Park, Colorado, we offer miles and miles of scenic trails for you to enjoy on horseback with us. Our rides are free from roads and traffic, and are perfect for all of your family members. We have horses for all riders, from youngsters to seniors, from pint-size riders to plus-size riders, and from inexperienced riders to expert riders.)
Palacio Ranch 1, Colorado Rocky Mountains
160 acres of Southern Colorado Moutain Land
maybell colorado to elk springs colorado timelapse
Browns Park II
Browns Park National Wildlife Refuge, Maybell O
Buffalo Ranch, Hanover Michigan
Hanover Michigan's Buffalo Ranch and Horseback Riding Adventures.
The Buffalo Ranch in Hanover, Michigan is one of the state’s best-kept secrets for adventure seekers. Located about an hour west of Ann Arbor, The Buffalo Ranch offers buffalo adventures and horseback riding year-round on a 240-acre spread!
Its 25 buffalo roam peacefully over 80 fenced-in acres of the property. Visitors can hand-feed the enormous animals while onboard one of the ranch’s wagon rides.
For those who prefer to ride rather than feed the animals, the ranch offers guided horseback-riding tours with a variety of horses capable of accommodating all skill levels, from experienced to beginning riders. The ranch doesn’t offer any predetermined routes, so each ride is unique. Depending on preference, riders walk, trot, canter or gallop through wooded areas, open fields, along dirt paths and across creeks.
In addition to horseback riding and wagon rides, visitors can test their rodeo skills atop a mechanical bull or zoom across the sky while clinging to a zipline. If you’re looking for a Wild West experience closer to home, The Buffalo Ranch is your place. And if a few hours of enjoyment aren’t enough for you, ask about becoming a cowboy for a day!
Buddy up to help a new trail rider or trail horse get started #horsetrails
#horsesa #horse #kidmantrail #horsetrails #horse
Plan a calm ride with a buddy on a more experienced horse, bike or walking. Choose a place to go riding that has limited distractions. Introduce the new trail horse calmly to different experiences, to build up skills slowly. Enjoy your riding!
Hosted by Horse SA a non-profit organisation working with and for horse owners on common topics. Why not join, sponsor or donate today or visit our website for more events, webinars or download free resources.
Note: Horse SA has hosted this webinar only. It is up to individuals to seek their own advice. It is also the responsibility of individuals to familiarise themselves with laws relating to the provision of animal services which may fall under Acts or Regulations associated with veterinary services, animal welfare and related areas, which vary between Australian states, and in jurisdictions within different countries.
MCLINTOCK! - John Wayne - Maureen O'Hara - Full Western Movie [English] - HD
Wealthy rancher G.W. McLintock uses his power and influence in the territory to keep the peace between farmers, ranchers, land-grabbers, Indians and corrupt government officials.
Director: Andrew V. McLaglen
Writer: James Edward Grant
Stars: John Wayne, Maureen O'Hara, Patrick Wayne
Calling All Cars: Banker Bandit / The Honor Complex / Desertion Leads to Murder
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
McCabe and Mrs. Miller
One of Robert Altman's most provocative films turns the Wild West on its ear. Warren Beatty and Julie Christie are a small-time gambler and a madam who go into business together.
Calling All Cars: Body in the Mine / Twenty Keys to Death / Verduga Hills Murder
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
The Great Gildersleeve: A Date with Miss Del Rey / Breach of Promise / Dodging a Process Server
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
NYSTV - Forbidden Archaeology - Proof of Ancient Technology w Joe Taylor Multi - Language
Joe Taylor, founder of Mt. Blanco Fossil Museum and his incredible findings in his many years as a paleontologist.
Whenever there is a bone discovered with the potential to shake the foundations of history, they just say that that piece of bone was contaminated.
Joe points out all you have to do is scrap off a layer of the bone and then you can get a fresh uncontaminated sample.
The educational scientific establishment is pretty shady.
Paradigm shifting discoveries that go ignored by the mainstream educational system. Elongated skulls, nephilm bones, red haired 12 foot mummies.
Abraham Lincoln once wrote that he's like to uncover the mounds that buried the giants of this lands.
He wasn't some kook. Giants throw off the whole evolutionary lie they want to promote so they go to great lengths to cove this fact up.
The Smithsonian and the Vatican have a lot to do with this cover up. They scoop up the findings and they are never seen again.
Joe Taylor talks about other subject you'll never hear from him.
Free Truth Productions
Truth always hurts but it's totally worth it!
freetruthproduction.com
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The Great Gildersleeve: Flashback: Gildy Meets Leila / Gildy Plays Cyrano / Jolly Boys 4th of July
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children.
By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter Bronco Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together.
Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed Ha!!! or What a character! Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career.