For What It's Worth (Vietnamese Folk Cover)
Buffalo Springfield's classic song For What It's Worth covered by using native Vietnamese instruments, all made by me with Garage Band.
Ngitip org di warnet seru jon
Jgn lupa
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Tonton selalu
Trans Am's Retro Karaoke Lab & Lounge! Video Demo
My plain-Jane basement transformed into an uber-chill karaoke hangout! It's also equipped with a home-theater setup for movie watching, a nice little display of celebrity autographs, and a vintage 80's magazine collection.
Barry Sadler - Greatest Hits (FULL ALBUM - BEST OF COUNTRY)
TRACKLIST
01- Letter From Vietnam 00:11
02- I'm A Lucky One 02:44
03- I'm Watching the Raindrops Fall 05:31
04- Lullaby 07:40
05- Saigon 10:09
06- The Soldier Has Come Home 12:34
07- The Battle Of The Green Berets 15:22
Barry Sadler - Greatest Hits (FULL ALBUM)
Download on Google Play:
Barry Allen Sadler (November 1, 1940 – November 5, 1989) was an American soldier, singer/songwriter, and author. Sadler served as a Green Beret medic, achieving the rank of Staff Sergeant. He served in the Vietnam War from late December 1964 to late May 1965. Most of his work has a military theme, and he is best known for his Ballad of the Green Berets, a #1 hit in 1966.
Listen to the Best Music of:
Etta James, Billie Holiday, Bill Evans, Stevie Wonder, Ray Charles, Nina Simone, Muddy Waters, Django Reinhardt, Louis Armstrong, Miles Davis, James Brown, Chet Baker, Ella Fitzgerald, Nat King Cole, Duke Ellington, Elvis Presley, Count Basie, Herbie Hancock, Edith Piaf, Aretha Franklin, Charlie Parker, Lightnin' Hopkins, B.B. King, Thelonious Monk, Howlin' Wolf, Quincy Jones, Johnny Cash, Chuck Berry, Paul Anka, John Coltrane, John Lee Hooker, Coleman Hawkins, Robert Johnson, Dean Martin, Oscar Peterson, George Gershwin, Frank Sinatra, Hank Williams, Benny Goodman, Art Tatum, Joe Turner, Bing Crosby, Dave Brubeck, Mahalia Jackson, Fats Domino, Marvin Gaye, Bud Powell, Sonny Rollins, Tony Bennett... and many others!
Big Classic Cars Show OldCarLand. Best Old Cars From the 70s, 80s, 90s.
Motor show exhibition. Big show cars.
Music: Rondo Brothers - Special Ed
Thanks for watching ;-)
Buck's of Woodside, Noodles Pho Me, Gardenias: Check, Please! Bay Area reviews
Check, Please! Bay Area Season 13 episode 4 reviews: Buck's of Woodside (Woodside), Noodles Pho Me (San Leandro), Gardenias Restaurant (San Francisco).
Watch more episodes at:
360 Video - Suicide suite - 06 - Was that a smile
A sort of happy ending. By accident they find they both love Stevie Smith's poetry.
Don't jump
The water is too cold down there
It's cold up here as well
But it's nothing a hot chocolate won't cure
Was that a smile?
So, don't jump
Don't jump
It's not that high
You risk surving the fall
Come, I'll help you find a higher place
Was that a smile?
Don't jump
Come on, don't jump
Please, please don't jump
The icy water in your lungs
Will feel like a million burning needles
Going through you
Was that a smile?
Don't, don't don't
Won't you stay
Just for a little while with me?
It's been so cold for so long
I crack jokes left and right
But I'm not waving
I'm drowning
Wait, was that a smile
You mean, you also heard about her?
Come, let's take a hot chocolate at the highest place in town.
Royal House - Curtis Harmon Go's To Japan (A Side B Side Records)
So Cold by Friends of Ten
Friends of Ten is a Two-Piece Aussie Garage Rock Band
Recorded in Nowra using a Tascam US2000 and Cubase SX3
Vocals: NT3 (no effects - two vocal takes)
Guitar: NT3 and i5 on two Laney amps
Drums: Sn - i5, Tm - D2, FT - D4, Kk - D6, OHs - ATPro37s
Video: Footage from Ho Chi Minh City 2009
Camera: IXUS 50
2012-02-14 Rasselas Jazz The Girl From Ipanema
Bohemian Knuckleboogie plays The Girl From Ipanema
Tuesday @ Rasselas Jazz Club
2012-02-14
The Black Hippies - The Black Hippies LP (Psych Rock, Funk) (Nigeria, 1976)
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Label: EMI – NEMI (LP) 0206
Format: Vinyl, LP, Album
Country: Nigeria
Released: 1976
Tracklist:
A1 Doing It In The Street 00:00
A2 I Have The Love On You 05:11
A3 Love 10:56
B1 The World Is Great 15:08
B2 You Are My Witness 24:13
Shades of Hue ICCA 2013
Our first performance ever. Some nerves definitely bumped tempos up to the extreme, but fun stuff! Shades of Hue is a new a cappella group at Indiana University and placed 1st at the ICCA Great Lakes quarterfinal in Centerville, OH. From left to right at opening
Jaime Young, Soprano
June Lee, Baritone
Mark Phillips, Tenor 1
Miles Burke, Tenor 2
Jeremy Gussin, Bass
Jacob Seo, Vocal Percussion
Payphone arr. Ben Bram/Pentatonix, 5th part arr. Jeremy Gussin
Without You arr. Ben Bram/Pentatonix, 5th part arr. June Lee
Defying Gravity arr. Jeremy Gussin, based off version performed by The Broadway Boys
Ego arr. Jeremy Gussin
September arr. Jeremy Gussin
My parents were high when I was conceived
C. Nathaniel Brown discussing how the odds were staked against him from birth but he overcame obstacles to achieve success.
Machete.Sex.Mix - 'The 99' (Official Video)
Hanoi Rock City
Hanoi, Vietnam
2012
Voice: Die.Wolf
Bass: Slo.Lo; Jahm; Chino
Beats: Seb.Bun.Ca, Luke.Destefano
Synths: Stevie.Aaa
Camerawork: Chim
Editing: Stevie.Aaa
1970s
The 1970s, pronounced the Nineteen Seventies, refers to a decade within the Gregorian calendar that began on January 1, 1970, and ended on December 31, 1979.
This video targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
Racism, School Desegregation Laws and the Civil Rights Movement in the United States
The African-American Civil Rights Movement (1955--1968) refers to the social movements in the United States aimed at outlawing racial discrimination against black Americans and restoring voting rights to them. This article covers the phase of the movement between 1955 and 1968, particularly in the South. The emergence of the Black Power Movement, which lasted roughly from 1966 to 1975, enlarged the aims of the Civil Rights Movement to include racial dignity, economic and political self-sufficiency, and freedom from oppression by white Americans.
The movement was characterized by major campaigns of civil resistance. Between 1955 and 1968, acts of nonviolent protest and civil disobedience produced crisis situations between activists and government authorities. Federal, state, and local governments, businesses, and communities often had to respond immediately to these situations that highlighted the inequities faced by African Americans. Forms of protest and/or civil disobedience included boycotts such as the successful Montgomery Bus Boycott (1955--1956) in Alabama; sit-ins such as the influential Greensboro sit-ins (1960) in North Carolina; marches, such as the Selma to Montgomery marches (1965) in Alabama; and a wide range of other nonviolent activities.
Noted legislative achievements during this phase of the Civil Rights Movement were passage of Civil Rights Act of 1964, that banned discrimination based on race, color, religion, or national origin in employment practices and public accommodations; the Voting Rights Act of 1965, that restored and protected voting rights; the Immigration and Nationality Services Act of 1965, that dramatically opened entry to the U.S. to immigrants other than traditional European groups; and the Fair Housing Act of 1968, that banned discrimination in the sale or rental of housing. African Americans re-entered politics in the South, and across the country young people were inspired to action.
Desegregation busing in the United States (also known as forced busing or simply busing) is the practice of assigning and transporting students to schools in such a manner as to redress prior racial segregation of schools, or to overcome the effects of residential segregation on local school demographics.
Calling All Cars: Escape / Fire, Fire, Fire / Murder for Insurance
The Los Angeles Police Department (LAPD) is the police department of the city of Los Angeles, California.
The LAPD has been copiously fictionalized in numerous movies, novels and television shows throughout its history. The department has also been associated with a number of controversies, mainly concerned with racial animosity, police brutality and police corruption.
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
1Xtra Loves HomeGrown - Goldie's Sunday Roast
UK icon and drum and bass pioneer Goldie is joined for a Sunday Roast by Bailey and Treble T to discuss the impact of jungle on UK black music.
South Africa Boogie LP Mask – Go Back
1982
Dragnet: Big Cab / Big Slip / Big Try / Big Little Mother
Dragnet is a radio and television crime drama about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.
Scripts tackled a number of topics, ranging from the thrilling (murders, missing persons and armed robbery) to the mundane (check fraud and shoplifting), yet Dragnet made them all interesting due to fast-moving plots and behind-the-scenes realism. In The Garbage Chute (December 15, 1949), they even had a locked room mystery.
Though rather tame by modern standards, Dragnet—especially on the radio—handled controversial subjects such as sex crimes and drug addiction with unprecedented and even startling realism. In one such example, Dragnet broke one of the unspoken (and still rarely broached) taboos of popular entertainment in the episode .22 Rifle for Christmas which aired December 22, 1949 and was repeated at Christmastime for the next three years. The episode followed the search for two young boys, Stanley Johnstone and Stevie Morheim, only to discover Stevie had been accidentally killed while playing with a rifle that belonged to Stanley—who'd be receiving it as a Christmas present but opened the box early; Stanley finally told Friday that Stevie was running while holding the rifle when he tripped and fell, causing the gun to discharge, fatally wounding Morheim. NBC received thousands of complaint letters, including a formal protest by the National Rifle Association. Webb forwarded many of the letters to police chief Parker who promised ten more shows illustrating the folly of giving rifles to children. (Dunning, 211)
Another episode dealt with high school girls who, rather than finding Hollywood stardom, fall in with fraudulent talent scouts and end up in pornography and prostitution. Both this episode and .22 Rifle for Christmas were adapted for television, with very few script changes, when Dragnet moved to that medium. Another episode, The Big Trio (July 3, 1952), detailed three cases in one episode, including reckless and dangerous (in this case, fatal) driving by unlicensed juveniles. With regard to drugs, Webb's strident anti-drug statements, continued into the TV run, would be derided as camp by later audiences; yet his character also showed genuine concern and sympathy for addicts as victims, especially in the case of juveniles.
The tone was usually serious, but there were moments of comic relief: Romero was something of a hypochondriac and often seemed henpecked; Frank Smith continually complained about his brother-in-law Armand; though Friday dated, he usually dodged women who tried to set him up with marriage-minded dates.
Due in part to Webb's fondness for radio drama, Dragnet persisted on radio until 1957 (the last two seasons were repeats) as one of the last old time radio shows to give way to television's increasing popularity. In fact, the TV show would prove to be effectively a visual version of the radio show, as the style was virtually the same [including the scripts, as the majority of them were adapted from radio]. The TV show could be listened to without watching it, with no loss of understanding of the storyline.