Massimo Cacciari a Teatro Due: Parma, città che ho sempre amato
Dal mito di Prometeo a Parma 2020, a un Paese che non può vivere solo cogliendo le occasioni, affidandosi alla buona stella e andando avanti a colpi. Massimo Cacciari è stato protagonista a Teatro Due di Parma, dove ha tenuto una lezione sul Prometeo incatenato, la tragedia di Eschilo che andrà in scena mercoledì (sold out) e giovedì 27 giugno. Il professore ha espresso parole positive sulla città e sull'evento che nel 2020 farà di Parma capitale italiana della Cultura. Tuttavia, allargando il discorso allo scenario nazionale, ha sottolineato come l'Italia non possa solo affidarsi a manifestazioni occasionali, ma abbia bisogno di una seria programmazione, in particolare, ma non solo, in ambito culturale. . .Video di Raffaele Castagno
Places to see in ( Parma - Italy ) Teatro Farnese
Places to see in ( Parma - Italy ) Teatro Farnese
Teatro Farnese is a Baroque-style theatre in Parma, Italy. It was built in 1618 by Giovanni Battista Aleotti. The theatre was almost destroyed by an Allied air raid during World War II. It was rebuilt and reopened in 1962. Some claim this as the first permanent proscenium theatre (that is, a theatre in which the audience views the action through a single frame, which is known as the proscenium arch).
The Teatro Farnese (Farnese Theatre) is one of the most breath-taking sites in all of Parma if not of Italy. Built in 1618 by order of Ranuccio I, duke of Parma and Piacenza, and designed by the ferrarese architect, Giovan Battista Aleotti; the theatre was built to celebrate the passing of Cosimo II de' Medici through Parma on his way to Milan to visit the tomb of San Carlo Borromeo and to confirm the relationship between the two ducal families which had been sealed by marriage in 1615.
However due to health problems, Cosimo II de' Medici cancelled the proposed trip to Milan and therefore the theatre could only be inaugurated 10 years later in 1628 for the marriage between Margherita de' Medici and the Duke Odoardo. For the occasion the theatre hosted the Mercurio e Marte (Mercury and Mars) by Claudio Achillini and music by Claudio Monteverdi. The climax of the spectacle came with a extraordinary naumachia (naval battle) for which they flooded the platea of the theatre via a number of pumps located underneath the stage. The theatre also featured a balcony for the Dukes, perhaps the the invention of what would become common place in the greatest theatres around the world: the Royal Booth.
The Farnese Theatre was built entirely out of wood and plaster and the painted so it seemed to be made of expensive marbles. Unfortunately the Theatre was subject to bombing in May 1944 and was almost completely destroyed, however by 1956 the theatre was completely restructured using the original design. The sections that were restructured were left bare so as to highlight the extent of the damage.
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Teatro Farnese, Parma, Italy
: Join Tony and Helen to see the world's first proscenium arch at the Teatro Farnese, Parma, where Margareta de Medici married the Duke of Parma.
This is the Teatro Farnese, rebuilt after the Americans destroyed it with a bomb in the Second World War. Unfortunately, this lens is simply not wide enough to capture all of this, but I'll try to give you an idea.
Helen and I are the only ones here at the moment, and this is reputedly the world's first proscenium arch. Of course, it's a reproduction, but it was here that they've first supposed to have used the proscenium arch to let the audience see the action, as it were through a window, rather than in the round as in Shakespeare's theatre. This was built in 1618, the original one, so you can judge. People used to sit all around the stage.
Anyway, let's walk up and have a look at the view from the stage.
Well, on the way up, here are some of the original decorations.
I believe they didn't decide to rebuld it until 1956.
And up here, this is the coat of arms of the Duke of Parma.
Now you'll notice the stage has forced perspective.
I'm walking up a long slope to the stage, which we're on now, but the stage still slopes up to the rear, which would allow the forced perspective.
And here - sorry about that unevenness - is a view, as best I can give it you, from centre stage, under the proscenium arch.
Well, I've just walked downstage - as far as I can - away from the arch, and you can now see it, as it were. They haven't, of course, replaced all the decorations or the ceiling, in fact.
Now backstage, pretty bare, and I'll walk forward now, downstage - upstage, sorry - until you can see the effect.
[floorboards creak]
Bit creaky, isn't it?
Now it's set up, interestingly, for a concert, with the orchestra at the other side.
Now that might seem a bit stupid, given the acoustics.
You should be able to hear this, perfectly clearly. There's no echo whatsoever, in spite of the roof - I'll try to pan up to the roof - you'll see the roof has not been restored. In spite of that, the acoustics are very dead, there's not a lot of sound. Helen was down at the far end there, where the orchestra is now, and she says that the sound (from the stage) was very clear.
And even the restoration is pretty impressive, you have to admit.
I'll just move in a bit.
The audience was always invited, and it was used for the marriage of Margareta de Medici and the Duke, and in fact was used for weddings afterwards.
Pretty impressive place for a wedding, isn't it?
Well, there we are: Teatro Farnese.
Of course, you would normally have entered through these large doors.
Unfortunately, I can't go into the rear of the theatre, because that bit's blocked off, but I think this is more than enough to give you an impression of this magnificent place.
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(
BUIO_Paolo ( Teatro Due, Parma dal 27 ottobre al 7 novembre 2010)
BUIO
un progetto di Carmelo Rifici e Alessio Maria Romano
testo Sonia Antinori
con
Ilenia Caleo, Alessia Giangiuliani, Tindaro Granata, Mariangela Granelli
Emiliano Masala, Francesca Porrini, Alessio Maria Romano, Raffaella Tagliabue
scene e costumi Margherita Baldoni, Guido Buganza
luci Luca Bronzo
suoni Daniele D'Angelo
video Alessandro Ferroni
operatore video Andrea Romanini
assistenti alla regia Paolo Taccardo, Filippo Bisagni
assistenti alle coreografie Caterina Carpio, Pablo Franchini
movimenti coreografici Alessio Maria Romano
regia Carmelo Rifici
produzione Fondazione Teatro Due
in collaborazione con Associazione Proxima Res
si ringrazia Fondazione Ilaria Alpi
prima nazionale assoluta
L'ultimo nastro di Krapp - Fondazione Teatro Due Parma
L'ULTIMO NASTRO DI KRAPP
Fondazione Teatro Due
di Samuel Beckett
con Giancarlo Ilari
scena Fabiana Di Marco
regia Massimiliano Farau
camera Roberto Beani, Andrea Camozzi
suono Andrea Romanini
regia televisiva Lucrezia Le Moli
Teatri di Italia
Il video racconta la rinascita degli edifici per lo spettacolo nel Rinascimento italiano sulle macerie dei teatri della classicità. L'Olimpico di Vicenza, quello di Sabbioneta, il Farnese di Parma sono le tappe fondamentali di un processo che portò all'avvento del teatro all'italiana, qui esemplificato dal Teatro La Fenice filmato pochi mesi prima dell'ultimo incendio (immagini del 1995). Documentario realizzato nel 1998.
Autore: Siro Ferrone
Collaborazione: Sara Mamone, Stefano Mazzoni
Consulenza musicale: Andrea Chegai
Coordinamento Tecnico-Scientifico: Enrico Carlesi, Giovanni Maria Rossi
Riprese: Alessandro Cerbai, Andrea Caglio
Montaggio: Guido Melis
Copyright 1998 Università degli Studi di Firenze - Programma 422/A
Places to see in ( Parma - Italy ) Teatro Regio
Places to see in ( Parma - Italy ) Teatro Regio
The Teatro Regio di Parma, originally constructed as the Nuovo Teatro Ducale, is an opera house and opera company in Parma, Italy. Replacing an obsolete house, the new Ducale achieved prominence in the years after 1829, and especially so after the composer Giuseppe Verdi, who was born near Busseto, some thirty kilometres away, had achieved fame. Also well known in Parma was the conductor Arturo Toscanini, was born there in 1867.
As has been noted by Lee Marshall, while not as well known as La Scala in Milan or La Fenice in Venice, the city’s Teatro Regio....is considered by opera buffs to be one of the true homes of the great Italian tradition, and the well-informed audience is famous for giving voice to its approval or disapproval – not just from the gallery.
The 1,400-seat auditorium, with four tiers of boxes topped by a gallery, was inaugurated on 16 May 1829 when it presented the premiere of Vincenzo Bellini's Zaira, a production which was staged another seven times, although it did not prove to be popular with the Parma audiences. Initially Rossini had been invited to compose a work for the inauguration of the house, but he was too busy and so the task fell to Bellini. However, that inaugural season saw three Rossini operas staged, including Moïse et Pharaon, Semiramide, and Il barbiere di Siviglia. Today, the company stages about four operas each season from mid January to April and, since 2003, it has presented an annual Verdi Festival each October.
The façade of the theatre was built in the neoclassical style, which has remained unchanged over the years. With a colonnade of ten Ionic granitic columns at the base, which created an arcade, this supports five imperial-style windows above, topped by a tympana and decorative elements enrich the highest part of the facade with one central semi-circular window, besides bas-reliefs by Tommaso Bandini of two muses at one lyra in the central and lateral position.
Verdi, who was born and who grew up only 20 miles from Parma, was perhaps quite naturally soon adopted by the city as its native son, especially as his fame grew after the success of the 1840 Nabucco. His operas have had a special place in the Regio's programming after 17 April 1843, when Verdi came to direct his Nabucco. Since that time, the Regio has staged every one of his operas, including adaptations of original versions such as I Lombardi of 1843 which became Jérusalem for Paris in 1847 or the 1847 Macbeth which was revised in 1865.
( Parma - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Parma . Through a series of videos we will try to show you recommended places to visit in Parma - Italy
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JULIA KENT @teatro due parma 17/NOV/2012
JULIA KENT @teatro due parma 17/NOV/2012
Le due perdute statue. Metti una notte al teatro Farnese...
Soltanto lì, di notte, fra la nebbia del teatro, davvero si parlarono...
Musica: Duetto per arpa e flauto alla Sacra Real Maestà di M. Luisa regina d'Etruria di G. Morandi. ||Flauto: Anna Mancini - Arpa: Lorenzo Montenz || Video: Milarevan
July 2017 Parma, Italy Teatro Farnese and Galleria Nazionale di Parma
Music credit: Amor De Mi Vida from GoPro Splice
Conferenza Stampa per i 400 anni del Teatro Farnese
Momenti dalla conferenza stampa svoltasi il 31 maggio 2018 nel Teatro Farnese per presentare il programma di eventi relativo alle celebrazioni dei 400 anni del teatro.
Presentazione del logo delle celebrazioni realizzato da Franco Maria Ricci.
Sono state coinvolte alcune delle maggiori realtà performative, musicali e di spettacolo dal vivo di Parma.
Contestualmente, la conferenza stampa è stata occasione per presentare i miglioramenti apportati negli ultimi mesi al complesso museale, la prossima apertura di percorsi e spazi espositivi, oltre che l'organizzazione di eventi tematici e conferenze-studio.
Infine, la conferenza stampa è stata l'occasione per ringraziare coloro che hanno contribuito al lavoro svolto e alla preparazione degli eventi previsti per le prossime stagioni, anche per quelli che esulano strettamente dalle celebrazioni dei 400 anni del teatro, eventi che si inseriscono consapevolmente nella prospettiva di Parma capitale della cultura 2020.
Sono intervenuti:
- Simone Verde, direttore del complesso monumentale della Pilotta. Relatore principale della conferenza. [Introduzione: 00:00 ; Ringraziamenti: 15:28 ; Conclusioni: 17:43 ]
E rappresentanti de:
- Assessorato alla cultura di Parma [02:55]
- Fondazione Lenz [03:59]
- Fondazione Arturo Toscanini' [6:05]
- Fondazione Prometeo [6:57]
- Fondazione Teatro Due [9:00]
- Artemis Danza [9:51]
- Teatro delle Briciole [11:06]
- Complesso monumentale della Pilotta / Funzionaria storica dell'arte [13:03]
- (fra i ringraziamenti) Associazione Guide Turistiche di Parma [16:02]
Giacomo Puccini TURANDOT - OPERA LIVE STREAMING
Steamed Live on Sunday, January 19, 2020 at 3.30 PM (CET) from Teatro Regio, Parma (Italy).
TURANDOT // Music by Giacomo Puccini
Dramma lirico in tre atti e cinque quadri
Libretto by Giuseppe Adami e Renato Simoni
// ROLES
Turandot: REBEKA LOKAR
Calaf: CARLO VENTRE
Liù: VITTORIA YEO
Timur: GIACOMO PRESTIA
Ping: FABIO PREVIATI
Pang: ROBERTO COVATTA
Pong: MATTEO MEZZARO
Un mandarino: BENJAMIN CHO
Altoum: PAOLO ANTOGNETTI
Principe di Persia: MARCO GASPARI
Prima ancella: LORENA CAMPARI
Seconda ancella: MARIANNA PETRECCA
Danzatrici: CARLOTTA BRUNI, MARINA FRIGENI, LAURA GAGLIARDI
Conductor: VALERIO GALLI
Direction, choreography, scenes and lights: GIUSEPPE FRIGENI
Collaborator in the direction and choreography: MARINA FRIGENI
Costumes: AMÉLIE HAAS
FILARMONICA DELL’OPERA ITALIANA BRUNO BARTOLETTI
CORO DEL TEATRO REGIO DI PARMA
Chorus Master: MARTINO FAGGIANI
CORO DI VOCI BIANCHE ARS CANTO GIUSEPPE VERDI
Chorus Master: EUGENIO MARIA DE GIACOMI
// ORIGINAL PRODUCTION
Teatro Comunale di Modena
COPRODUCTION
Fondazione Teatro Regio di Parma, Fondazione Teatro Comunale di Modena, Fondazione Teatri di Piacenza, Ravenna Manifestazioni
// LIVE STREAMING
Production: Edunova - University of Modena and Reggio Emilia
Director: Fabio Dolci
Assistant Director: Melania Malpezzi
Score Assistant: Carlotta Francia
Playout and Streaming: Bojan Fazlagic
Camera Operators: Tommaso Abatescianni, Enrico Badii, Alessandro Bonvini, Riccardo Isola
Runner: Andrea D'Amico
// PROJECT COORDINATOR of OPERASTREAMING
Fondazione Teatro Comunale di Modena
// FOLLOW OUR STREAMING OPERA SEASON //
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// WARNING This video is property of Fondazione Teatro Regio di Parma.
Any unauthorized use of the video including but not limited to downloading, publishing, copying, editing, lending, exchanging, renting, hiring, exhibiting, public performance, radio or television broadcasting or any other diffusion, or otherwise dealing with this video or any part thereof is strictly prohibited.
Claudio Abbado alla riapertura del Teatro Farnese di Parma
EXPLORING PARMA (ITALY): An architectural tour of this beautiful city ????️
SUBSCRIBE: - Parma (Italy), an architectural tour.
Parma is a university city in Italy's Emilia-Romagna region, famed for Parmesan cheese and Parma ham. Romanesque buildings, including the frescoed Parma Cathedral and the pink marble Baptistery, grace the city center. Classical concerts take place at the Teatro Regio, a 19th-century opera house. The Galleria Nazionale, inside the imposing Palazzo della Pilotta, displays works by painters Correggio and Canaletto.
Italy, a European country with a long Mediterranean coastline, has left a powerful mark on Western culture and cuisine. Its capital, Rome, is home to the Vatican as well as landmark art and ancient ruins. Other major cities include Florence, with Renaissance masterpieces such as Michelangelo’s David and Brunelleschi's Duomo; Venice, the city of canals; and Milan, Italy’s fashion capital.
#VicStefanu
Teatro Farnese, Parma, Emilia-Romagna, Italy, Europe
The Teatro Farnese in Parma, was the scene of the court of the Dukes of Parma and Piacenza. Today is inserted in the path of the National Gallery and has recently become home to some concert and opera performances at the Teatro Regio di Parma. It was built from 1618 by Ranuccio I, Duke of Parma and Piacenza, which was meant to celebrate with a play stop in Parma of the Grand Duke of Tuscany, Cosimo II, to Milan to honor the tomb of St. Charles Borromeo, canonized in 1610. the construction work was entrusted to the architect Giovan Battista Aleotti, said the Argenta (1546-1636) was built on the first floor of the Palazzo della Pilotta Parma, in a large room designed as Salone Antiquarium but always used as armory and as a venue for tournaments. The theater was completed in the fall of 1618 and dedicated to Bellona (goddess of war, in homage to the first destination of the environment) and the Muse: because of an illness that struck Cosimo II, forcing him to cancel the planned pilgrimage, the theater was neglected for almost ten years. Was finally opened on 21 December 1628, on the occasion of the wedding of Edward, son of Ranuccio, with Margherita de 'Medici, daughter of Cosimo. To celebrate the event was staged the show Mercury and Mars, with texts by Claudio Achillini and music by Claudio Monteverdi: in the course of the work was also flooded the auditorium and staged a naumachia. Because of the complexity and the high costs of the stands, the theater was used only eight more times, the last in 1732, upon the arrival of Don Charles of Bourbon in the duchy. The Argenta was inspired at the Teatro Olimpico in Vicenza, built by Palladio in 1580, and the Ancient Theatre of Sabbioneta, built between 1588 and 1590 by the architect Vincenzo Scamozzi. Housed in a large living room (87 meters long by 32 wide and 22 high), the auditorium U consists of fourteen steps on which they could be accommodated around 3000 spectators: the top of the auditorium are two orders of serliane, the lower Tuscan and the upper ion; the stage is 40 meters long, with an opening of 12 meters. The structure was made of wood (spruce del Friuli) and entirely covered with stucco painted to simulate marble (materials characteristic of ephemeral architecture, which was to be the Teatro Farnese).
The sculptural decoration (statues of mythological plaster cored with straw) was entrusted to a team of artists led by Luca Networks; painters, led by Giovanni Battista Trotti said Malosso, Lionello Spada, Sisto Badalocchio, Antonio Bertoja and Pier Antonio Bernabei, had to provide not only for wall, also to the now lost ceiling. It is considered by some one of the first theaters to be equipped with a permanent proscenium arch, however, when the theater was built no representations were held there. After the performance of 1732, the theater declined inexorably: was almost completely destroyed during World War II, in a bombing by the Allies on 13 May 1944. It was rebuilt between 1956 and 1960, according to the original drawings with the recovered material and inserted as prestigious entrance of the National Gallery of Parma.
Only recently, after inactivity lasted almost three centuries, the theater has returned to host theatrical events with a very first performance in front of 1500 spectators took place June 12, 2011 the maestro Claudio Abbado and his Orchestra Mozart. However, with the inclusion of the theater as a venue for some of the works of Verdi Festival 2011 organized by the Fondazione Teatro Regio di Parma that can be sanctioned his final rebirth. The first works on the bill held in the theater have been staged on 6 and October 10, 2011, respectively, with the Requiem (Verdi) and Falstaff (Verdi).
Björk - Vespertine Tour Live In Italy 2001 - Parma Teatro Regio -
Björk - Vespertine Tour Live In Italy - Parma - Teatro Regio 8th november 2001
1. Musicbox Intro(Frosti)
2. Unravel
3. Pagan Poetry
4. Anchor Song
5. Possibly maybe
6. Generous Palmstroke
7. Cocoon
8. Human Behaviour
canon MV3 - original recording by RB
Amapola Andrea Giuffredi trumpet
Amapola
Andrea Giuffredi trumpet
Amapola is a popular song, written by Spanish composer Joseph LaCalle with Spanish lyrics although the English language lyrics were written by Albert Gamse.
Andrea Giuffredi,
has collaborated for over 25 years as principal trumpet with the following Italian orchestras: Orchestre R.A.I. Turin and Milan, Teatro Comunale Firenze, Teatro Regio Parma, Teatro alla Scala in Milan, Orchestra sinfonica Arturo Toscanini dell'Emilia Romagna.
He has played with several famous Conductors such as Muti, Prêtre, Sawallisch, Sinopoli, Cuhng and many others, playing in the most important concert halls of the world from Japan to Turkey, from Germany to France, Italy, United States, Iraq, Tunisia, Egypt, France, Finland, Spain, Malta, Mexico, Albania, China.
Since '90 to '96 he played as a soloist with famous chamber orchestra I Solisti Veneti conductor Claudio Scimone.
.He has held trumpet master classes and recitals in different parts of the world : USA, Greece, Italy, Spain, Germany, Finland and China . He has also played as soloist in the ITG conference 2004 (USA).
As lead trumpet he has played in television shows with the most important Italian and foreigners pop singers among these George Michael and Liza Minnelli, Pavarotti,etc. etc.
As soloist he has played accompained by symphonic orchestra A. Toscanini (Parma), by RTSH Tirana Radio TV, by I Solisti Veneti , Orchestra Sinfonica Siciliana , Krasnoyarsk Sympony Orchestra and I Solisti di Salisburgo.
He has been part of the international jury for the classical trumpet contest Lieksa Trumpet Competition 2007 in Finland.
On 2006 he has done concerts as a soloist with Joe Alessi principal trombone of the New York Philharmonic.
On 2006 he played as a principal trumpet with Ennio Morricone and Filarmonica Teatro alla Scala tour.
He has realized three CDs as soloist (in the USA) for Summit Records.
Since 20 years is trumpet teacher at the International Academy of the Music in Milan (Italy).
Giovanna D'Arco - Teatro Regio di Parma
Classica HD e Teatro Regio di Parma presentano GIOVANNA D'ARCO di Giuseppe Verdi.
Il Teatro Farnese fa da cornice alla spettacolare messa in scena del grande regista Peter Greenaway.
In prima visione assoluta Giovedi 20 ottobre alle 20.30 solo sul canale 138 di Sky.
What to Do in Parma, Italy in 3 Hours
The plan was to take the train from Milan to Parma, spend three hours exploring Parma, and then catch another train to La Spezia. The plan worked PERFECTLY. Click Show more to see the 3-hour schedule below.
We booked two one-way regional train tickets (one from Milan to Parma and another from Parma to La Spezia), each at about 11 Euros per person. That allowed us to make our own schedule so we could explore Parma. We had to carry our luggage with us, but fortunately we travel light.
The highlight of the trip (besides Pepen's food, of course) was the Parma Cathedral. The paintings and decorations inside this cathedral are unparalleled. It is one of the most awe inspiring, completely impressive buildings I've ever been in (and I've been in St. Paul's in London, St. Peter's in the Vatican, and most of the other impressive cathedrals of the world).
Here's the schedule: (with video time stamps) And how long we spent there.
2pm - Arrive at Parma train station
2.15pm - Eat at Pepen (0:08) Thirty minutes, depending on how busy it is.
2.45pm - Check out Parma Cathedral (0:41) We spent an hour here.
3.45pm - Monastero San Giovanni (1:33) Fifteen minutes is fine.
4.05pm - Chiesa della Staccata (2:00) Ten minutes.
4.20pm - Teatro Farnese (2:19) Thirty minutes.
Then you have 30 minutes to eat gelato (2:53), explore (we went to a few parks that weren't very pretty in March so they didn't make the video), and get back to the train station.
If you're staying in La Spezia (hiking Cinque Terre), stay with Marco on Airbnb. His apartment was fantastic and he was a great host.
This is part 5 of a 10-day road-trip/train-trip through Switzerland and Italy around Easter 2016. Start the journey with us from the beginning here:
Enjoy!
Music is royalty free.
For Mimi by Twin Musicom is licensed under a Creative Commons Attribution license (
Artist:
Deliberate Thought by Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
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Our Gear:
Canon G7X Mark II: (it’s amazing and basically sees in the dark)
Canon G7X: (the original is almost as good, but less expensive)
Joby Gorillapod: (fantastic versatile bendy tripod – this is the slightly smaller “action” version that’s easier to travel with and comes with a mount for a camera and a gopro)
Macbook Air: (we edit everything on Final Cut Pro on a Macbook Air, which is light and easy to travel with)
External Hard Drive: (the videos are a little too big for the macbook air to handle, so I edit everything off an external hard drive)
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About PerfectLittlePlanet:
I'm Brian and my wife is Isa. We live in New York. We upload new videos almost every day. We love making memories and experiencing everything this perfect little planet has to offer, and we love sharing our experiences with all our family and friends!
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Teatro anatomico
Guida al Teatro anatomico dell'Archiginnasio.