NYSTV - Transhumanism and the Genetic Manipulation of Humanity w Timothy Alberino - Multi Language
Is the real Mark of the Beast a genetic modification kids will want to get (like a tattoo)?
Will genetic mods be a trend and all the cool kids will have them?
Imagine in the not too distant future, where people will voluntarily have their limbs replaced with machines just to compete in the workforce.
Nowadays, robots are more like humans and humans are more like robots. Artificial Intelligence is here and the merging of man and machine has begun.
Implants to make you smarter and remember more? Downloading consciousness into a computer?
The future was yesterday, Timothy Alberino joins David Carrico and John Pounders for an in-depth overview of how the illuminati plan to bring trans humanism into the mainstream and the technology they are employing.
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Latin: trans-humanism
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Maori: trans-humanism
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Malay: trans-humanisme
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Polish: trans-humanizm
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Sinhala: ට්රාන්ස්-මානවවාදය
Slovak: trans-humanizmus
Slovenian: trans-humanizem
Somali: trans-humanism
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Thai: ทรานส์มนุษยนิยม
Filipino: trans-humanism
Turkish: trans-hümanizm
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Chinese: 反人文主义
Chinese (Simplified): 反人文主义
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Thelema
babylon working
crowley
parsons
hubbard
H.G. Wells
undead
dracula
vlad the impaler
Illuminati
mk ultra
werewolf
right of the pyramid
kings chamber
ark of the covenant
order of the garter
Golda Meir Interview: Fourth Prime Minister of Israel
Golda Meir (Hebrew: גּוֹלְדָּה מֵאִיר; Arabic: جولدا مائير; earlier Golda Meyerson, born Golda Mabovich (Голда Мабович); May 3, 1898 -- December 8, 1978) was a teacher, kibbutznik and politician who became the fourth Prime Minister of Israel. More:
Meir was elected Prime Minister of Israel on March 17, 1969, after serving as Minister of Labour and Foreign Minister. Israel's first and the world's third woman to hold such an office, she was described as the Iron Lady of Israeli politics years before the epithet became associated with British Prime Minister Margaret Thatcher. Former Prime Minister David Ben-Gurion used to call Meir the best man in the government; she was often portrayed as the strong-willed, straight-talking, grey-bunned grandmother of the Jewish people.
In 1974, after the conclusion of the Yom Kippur War, Meir resigned as prime minister. She died in 1978 of leukemia.
After Levi Eshkol's sudden death on February 26, 1969, the party elected Meir as his successor. Meir came out of retirement to take office on March 17, 1969, serving as prime minister until 1974. Meir maintained the coalition government formed in 1967, after the Six-Day War, in which Mapai merged with two other parties (Rafi and Ahdut HaAvoda) to form the Israel Labour party.
In 1969 and the early 1970s, Meir met with many world leaders to promote her vision of peace in the Middle East, including Richard Nixon (1969), Nicolae Ceaușescu (1972) and Pope Paul VI (1973). In 1973, she hosted the chancellor of West Germany, Willy Brandt, in Israel.
In August 1970, Meir accepted a U.S. peace initiative that called for an end to the War of Attrition and an Israeli pledge to withdraw to secure and recognized boundaries in the framework of a comprehensive peace settlement. The Gahal party quit the national unity government in protest, but Meir continued to lead the remaining coalition.
In the wake of the Munich massacre at the 1972 Summer Olympics, Meir appealed to the world to save our citizens and condemn the unspeakable criminal acts committed. Outraged at the perceived lack of global action, she ordered the Mossad to hunt down and assassinate suspected leaders and operatives of Black September and PFLP. The 1986 TV film Sword of Gideon, based on the book Vengeance: The True Story of an Israeli Counter-Terrorist Team by George Jonas, and Steven Spielberg's movie Munich (2005) were based on these events.
Meir's story has been the subject of many fictionalized portrayals. In 1977, Anne Bancroft played Meir in William Gibson's Broadway play Golda. The Australian actress Judy Davis played a young Meir in the television film A Woman Called Golda (1982), opposite Leonard Nimoy. Ingrid Bergman played the older Golda in the same film. In 2003, the American Jewish actress Tovah Feldshuh portrayed her on Broadway in Golda's Balcony, Gibson's second play about Meir's life. The one-woman show was controversial in its implication that Meir considered using nuclear weapons during the Yom Kippur War.
Valerie Harper portrayed her in the touring company and in the film version of Golda's Balcony. Supporting actress Colleen Dewhurst portrayed her in the 1986 TV-movie Sword of Gideon. In 2005, actress Lynn Cohen portrayed Meir in Steven Spielberg's film Munich. Later on, Tovah Feldshuh assumed her role once again in the 2006 English-speaking French movie O Jerusalem. She was played by the Polish actress Beata Fudalej in the 2009 film The Hope by Márta Mészáros.
Words at War: Who Dare To Live / Here Is Your War / To All Hands
USS Ancon (AGC-4) was an ocean liner acquired by the United States Navy during World War II and converted to a combined headquarters and communications command ship.
Ancon anchored off Fedhala, French Morocco on November 8 and began lowering her boats at 0533. The first troops were debarked an hour later. During the course of the assault, men on the ship witnessed the sinking of four other transports, and Ancon sent out boats to rescue their survivors. On November 12 the transport headed out and, three days later, put into Casablanca harbor. She got underway on the 15th with a convoy bound for Norfolk.
After a brief pause there, Ancon traveled to Brooklyn, New York for voyage repairs. A brief period of sea trials preceded the ship's loading cargo and troops for transportation to Algeria. She sailed on January 14, 1943 as a member of the Naval Transport Service. The ship reached Oran on the 26th and spent five days discharging her cargo before heading back toward New York City, where she arrived on February 13. On that day, the vessel was reassigned to the Atlantic Fleet Amphibious Forces. On the 16th, Ancon entered the Norfolk Navy Yard, Portsmouth, Virginia, to undergo conversion to a combined headquarters and communications command ship. She was redesignated AGC-4 on February 26.
Following the completion of the yard work on April 21, Ancon held trials and exercises in the Chesapeake Bay through May and into early June when she was designated the flagship of the Commander of the Atlantic Fleet Amphibious Forces. The ship got underway for Oran on June 8 with Task Force (TF) 85. The ship had been selected to participate in the invasion of Sicily, and her preparations continued after her arrival at Oran on June 22.
Carrying Rear Admiral Alan G. Kirk, Commander, TF 85, and Lieutenant General Omar Bradley on board, Ancon sailed on July 5 for the waters off Sicily. She reached the transport area off Scoglitti on the 10th and lowered her boats early that morning. Despite enemy fire, the ship remained off Scoglitti providing communications services through the 12th and then got underway to return to North Africa. At the end of a fortnight there, she shifted to Mostaganem, Algeria, on July 29. In mid-August, the vessel moved to Algiers. During her periods in port, she prepared for the upcoming invasion of mainland Italy for which she had been designated flagship for the Commander of the 8th Fleet Amphibious Forces in Northwest African Waters.
On September 6, Ancon got underway for Salerno. During the operation, the ship carried Lieutenant General Mark Wayne Clark who commanded the 5th Army. At 0330 on September 9, the first wave of Allied troops hit the beach. Thereafter, she remained in the transport area, undergoing nearly continuous enemy air harassment, until she moved to Palermo, Sicily, to pick up ammunition to replenish her sister ships. She returned to the area off Salerno on the 15th but, the next day, arrived back in Palermo.
After two weeks in that Sicilian port, Ancon shaped a course for Algiers. She reached that port on October 2 and spent almost six weeks undergoing repairs and replenishment. In mid-November, she set sail for the United Kingdom and, on November 25, arrived in Devonport, England, where she was designated the flagship of the 11th Amphibious Force. An extended period of repairs and preparations for the impending invasion of France kept Ancon occupied through the winter and much of the spring participating in numerous training exercises with other Allied warships. On May 25, King George VI of the United Kingdom and Field Marshal Bernard Law Montgomery visited the ship.
The preparations culminated on June 5, when Ancon got underway for Baie de la Seine, France. She served as flagship for the assault forces that landed on Omaha Beach in Normandy. Throughout the invasion, the ship provided instructions for forces both afloat and ashore. She transferred various units of the Army command to headquarters ashore and made her small boats available to other ships to carry personnel and materials to the beachhead. On June 27, she got underway to return to England and, the next day, arrived at Portland.
Ancon remained in British waters through late September, when she sailed in a convoy bound for the East Coast of the United States. She reached Charleston, South Carolina on October 9 and was then assigned to the Amphibious Training Command. At the completion of repairs at the Charleston Navy Yard on December 21, the ship got underway for sea trials. Five days later, she shaped a course for the Pacific. On the last day of 1944, the ship transited the Panama Canal and joined the Pacific Fleet. She continued on to San Diego, California, where she arrived on January 9, 1945.
A Writer at Work / The Legend of Annie Christmas / When the Mountain Fell
Amanda Randolph (September 2, 1896 -- August 24, 1967) was an American actress and singer. She was a native of Louisville, Kentucky, and was the older sister of actress Lillian Randolph. She was the first African-American performer to star in a regularly scheduled network television show, appearing in DuMont's The Laytons. This short-lived program was on the air two months in 1948.
Her film career began in 1936 with Black Network. She went on to do several Oscar Micheaux films, among them: Swing, Lying Lips and The Notorious Elinor Lee. Broadway roles in The Male Animal and Harlem Cavalcade soon followed. Around the same time, Randolph broke into radio, helped by people she met at The Clam House, who got her a CBS audition. She began working on various radio shows: Young Dr. Malone, Romance of Helen Trent and Big Sister. Amanda went on to become a regular cast member on Abie's Irish Rose, Kitty Foyle, and Miss Hattie with Ethel Barrymore, where she had the role of Venus. Amanda also appeared on Rudy Vallée's radio show and on Grand Central Station.
She continued working in films to the 1960s, and was one of the first black women to become a comedy favorite on television. She briefly starred in her own daytime musical TV program for DuMont, Amanda, during the 1948 - 1949 season, making her the first African-American woman with her own show on daytime television.[55][56] Randolph did not settle in California until 1949, when she earned a role in Sidney Poitier's No Way Out. Even though she was working in New York and her younger sister, Lillian, had been working in Hollywood for some time, newspapers often got the two sisters mixed up, doing a story on Amanda but with a photo of Lillian and vice-versa. She then became a regular on the top early black TV show of the decade, Amos 'n' Andy, as Sapphire's mother, Ramona Smith, from 1951 to 1953; she also played the same role for the show's radio version from 1951 to 1954.[57] Amanda was now working with her sister, Lillian, who played Madame Queen on the radio and television shows.[15] She was the star and titular character in Beulah from 1953 to 1954, assuming the role from Lillian. Randolph also did some work for radio in 1956, playing the role of the folk heroine Annie Christmas in The Legend of Annie Christmas. She also had a recurring role as Louise the maid on CBS's The Danny Thomas Show and appeared in the show's 1967 reunion. (The show was aired shortly after her death.) She guest starred on the NBC anthology series, The Barbara Stanwyck Show. In 1955, Amanda opened a restaurant in Los Angeles called Mama's Place, where she did the cooking.
Despite all her film and television work, Amanda found herself slightly short of the requirements for a much-needed Screen Actors Guild pension at age 70; both sisters struggled for roles in the late 1930s. A role was written for her to gain eligibility.