La maison France 5 - Emission Spéciale Bois
LA LISTE COMPLÈTE DES YOUTUBERS DU QUÉBEC 2019
La liste complète des Youtubers Québécois (Canadiens Français!)
2 Filles à Montréal
4:54 2 Filles Ordinaires
4:08 2e Peau
A Nous Les Caribous
Adrodem
9:34 Alex & MJ - On the Go
7:01 Alex Dormier
7:50 Alex L'Abbée
8:53 Alex Lévesque
10:34 Alexandra Larouche
11:11 Alicia Moffet
12:05 Alison Mathieu
12:31 All Things Hair
13:25 Amélie Barbeau
Anais Bataille
5:42 Analis & Catherine
Andréanne Leblanc-Demers
Anna Nosbest
Annabelle Richard
Arnaud Soly
14:46 Audrey D
15:49 Avec Simon
17:34 Beauté Ou Mensonge
19:22 Benoit Chamberland
20:23 Big Ben
Blastgold Gaming
Bob Bissonnette
21:32 Ca ou Ca
22:53 CAM C'est elle
23:57 Cam Grande Brune
Carl & Isaac Vlog
24:56 Carl Is Cooking
25:55 Cassandra Bouchard
26:58 CathBastien FR
28:05 Catherine Duplessis
29:58 Catherine Répond
28:59 Cath & Jay
31:01 CBGames
32:12 Ced Remy
33:18 Céline Geneviève
34:16 Celyrubi XO
35:12 Cindy Cournoyer
Chaine Du Québec
Chestbras
ComediHa!
36:08 Cynthia Dulude
37:12 Cynthia Marcotte
Danny Moores
Dans Ma Bulle
38:21 Dans Mon Salon
39:21 Denyzee
Deuxsteamés
Dominique Paradis
40:59 DoubleJump Studio
Drole De Talbot
42:22 DSLR Dave
43:25 Elie Duquet
44:58 Elie Pilon
Elika Vlogs
46:10 Elizabeth Rioux
47:25 Elle M Bouquiner
Elodie St-Jean
Éloe
Éloîse Laroque
Ely Lemieux
48:49 Emile Roy
50:16 Emilie Levesque
51:15 Emma Bossé
52:08 Emma Verde
Enrick Grand'Maison
Eric Nolin
54:30 Esther Nelsa
Es-Tu Game
55:16 Eve Martel
56:21 Fanny Yockell
57:10 Farhat Florence
Fermette Douce Sérénité
Films Du Québec
Flip TFO
58:12 Florence99
Florence-Élyse Ouellette
59:26 Fred Bastien
1:00:31 Frede Rioux
1:01:18 FrenchbeautéQC
1:02:17 Furieux Frangins
Gab Joncas
Gab Roy
1:03:15 Gaboom Film
1:05:02 Gabriel Luneau
1:06:01 Gabrielle Lacasse
1:06:59 Gabrielle Marion
1:08:50 Gamine Vagabonde
1:09:52 Genny Rock
Geocaching TV
1:10:47 girlyaddict
1:11:44 Gloria Bella
1:13:17 Guillaume Sans Destination
Guillaume Wagner
1:14:33 Gurky
Guylaine Pellerin
Hashtag Podcast
1:15:33 HUBY
Isa Strawberry
1:16:31 Jack Leblanc
1:17:28 Jay St-Louis
Jean-Francois Dupont
jeanfrancoismercier
1:18:16 Jef & Kim
1:19:30 Jemcee
1:20:49 Jennyfer G
Jeremie Larouche
1:22:09 Jeremy Fillion
1:23:15 Jerr Allain
1:24:30 Jessica Lesperance
1:26:24 Jessie & PH
1:27:44 Jessie Gelinas
Jessie Nadeau
Joanie Gonthier
Jolyanne
JonLajoie (Anglais)
1:29:00 Jordy
1:30:26 Josianne Brousseau
Julien33mag (Pat Le chef)
Julien Bernatchez
Julien Lacroix
Karine Pothier
1:31:28 Karine Vlog
1:32:18 Karo Desorcy
Karolann Lizotte
1:33:27 Kathe Lessard
1:34:43 Kev & Drew
Kevin Brunure
La Boite a BD
1:35:50 La Cuisine De Jean-Philippe
1:36:52 La petite bette
1:38:14 La ptite mom
1:39:09 La Tranchée
1:40:17 Lamymy
1:41:20 Laura Gabriel
1:42:24 Laura Glam'More
1:43:14 Laurie B
La Vie C'est Simple
Le Carré De Sable de PB Rivard
1:44:28 Le Criss De Podcast
LeFrancoisPerusse
1:45:42 Le Jeu C'est Serieux
Leïla Mc Caughry
1:47:04 Le Lift
Le Petit Singe
Le Sac De Chips
1:48:20 Lea Jplf
Les Anticipateurs
Les Appendices
Les bons dimanches
1:49:35 Les Cornets
1:51:46 LesPetitsChefs
1:52:45 Les Piles-Poils
1:53:44 Livia Desjardins
1:55:13 Lucie Rhéaume
1:57:15 Luduc
1:58:57 Lysande Nadeau
MaireDeLaval
2:00:10 Marc Fitt Fr
2:01:27 Marie Gagné
2:02:32 Marie-Jo
2:03:41 Marilou Ethier
2:04:40 Marina Bastarache
Mario Benjamin
2:05:55 Martin Latulippe
2:07:20 Martin Rego
2:08:30 Mathieu St-Onges
2:09:47 Marc Laberge
Marie-Eve Et Famille
2:10:47 Maud Poulin
Maude Therrien
2:12:03 Maxime Fortin
2:12:51 Meggan Renaud
2:14:15 Mergez Studio
2:15:29 MH La Lectrice
2:16:38 Michel Lacasse
2:17:48 MikeWardca
2:19:39 Mila Taillefer
2:20:45 Miro Belzil
Mister Style
2:21:33 Montreal.TV
Morin477
MTLBlogOfficial
2:22:04 mtl food snob
MTLTV
Mr Flamingo & Cie
Mystère et boule de gomme
2:23:10 Nabil Aiekillu Lahrech
Nicolas Legault
2:24:05 Noemie Lacerte
Nythia44
2:24:54 On Teste
Olivier Primeau
PAFELIC Show
2:25:54 Papi Melv
2:27:50 Pellep
2:28:43 Petite Alice
Petite Alexie
2:29:26 Phil Jones
Philippe Martel
2:30:09 Piper Blush
2:30:41 PL Cloutier
2:26:57 PO & Marina
2:31:53 PRETS pour la route
2:32:55 Proze
Question Auto
2:33:48 Rainbow Drag
2:34:45 RandonneurMasque
2:35:44 Real Massi
Répète pas ca
retroolschool
2:36:43 Retour Vers Le Rétro
2:37:44 Rosalie Lefebvre
2:38:32 Rosalie Lessard
RoulezElectrique
sailboatfurminger
2:39:44 Sans Filtre Podcast
Sarah Tout simplement
Sara-Karina
Signé Daphnée
Simon Predj
Simone FB
Simplement Camille
Solange Te Parle
Sophie M
Sous Écoute
Steelorse
Stéphanie Harvey
Stephanie Milot
Stilettos & Petits Pots
Sug'Art
Sylvain Coté
Tellement Mom
Testeur Alpha
Têtes a Claques
Théo Abbaci (TheTallTheo)
ThienLC
Thierry Doucet
Thom Clément
Thomas Gauthier
Top Yummy Par Eve Martel
Tourisme Montréal
Touxani
Vanessa Ross
Victor Voyage
Victoria Charlton
Virage Auto
Vlogdemarie
WakeUp Call - Céline Geneviève
Wes Williams
What's Up Montreal
William Nadon
WTFKeV
Yan Theriault
53:14 Yves Lanthier
LES ANALYSES DE PUBS : SPÉCIAL TÉLÉ-ACHAT
Aujourd'hui on parle du télé-achat, à la TV et sur Internet !
Une analyse un peu plus longue que d'habitude, on espère que ça vous plaira. :) Si vous voulez soutenir la chaîne, AVEC ou SANS argent, vous pouvez faire un DON (unique ou mensuel) ou visionner une pub ici :
Suite à un soucis de droits d'auteur, dans le bêtisier après le générique de fin il y a une musique totalement hors sujet pendant une vingtaine de secondes, désolé !
Twitter : @MisterJDay / @MasterConnard
Twitch :
S'abonner à ma chaîne YouTube :
Facebook :
Playlist Les analyses de pubs :
► Écrit et réalisé par : MisterJDay et Julien C.
► Cadre :
- Marco D.
- Gael K. :
- Paniac :
► Merci à Noobizator pour la découverte de Pearl :
► Musique originale :
Koncorde :
Woredan :
Crédits musicaux :
► Générique du début :
François Pérusse - Télé-Achats
(Avec l'aimable autorisation de Zéro Musique)
► Musique originale :
- Woredan / JDay - Tsh Rmx
- Koncorde - Ending S1 remix
- Koncorde / Julien C. - Ending S2
► Music by David Cutter Music -
- David Cutter – Honey
- David Cutter – Going All Out
► Music by Joakim Karud -
- Joakim Karud - Electro Brass
► Music by Bensound -
- Bensound – Funny Song
► Music by Audionautix.com - audionautix.com
- Jason Shaw - Solo Acoustic Blues
- Jason Shaw – You So Zany
- Jason Shaw – Panama Hat
- Jason Shaw – Acoustic Blues
► Merci à Yohan et Alain pour leur aide !
♦ LES ANALYSES DE PUBS, Saison 2 ♦
Ep1 - Le Crédit Mutuel :
Ep2 - La bouffe :
Ep3 - La SNCF :
Ep4 - Noël :
The Great Gildersleeve: French Visitor / Dinner with Katherine / Dinner with the Thompsons
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Our Miss Brooks: Another Day, Dress / Induction Notice / School TV / Hats for Mother's Day
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
The Great Gildersleeve: Jolly Boys Election / Marjorie's Shower / Gildy's Blade
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
Suspense: Mortmain / Quiet Desperation / Smiley
The program's heyday was in the early 1950s, when radio actor, producer and director Elliott Lewis took over (still during the Wilcox/Autolite run). Here the material reached new levels of sophistication. The writing was taut, and the casting, which had always been a strong point of the series (featuring such film stars as Orson Welles, Joseph Cotten, Henry Fonda, Humphrey Bogart, Judy Garland, Ronald Colman, Marlene Dietrich, Eve McVeagh, Lena Horne, and Cary Grant), took an unexpected turn when Lewis expanded the repertory to include many of radio's famous drama and comedy stars — often playing against type — such as Jack Benny. Jim and Marian Jordan of Fibber McGee and Molly were heard in the episode, Backseat Driver, which originally aired February 3, 1949.
The highest production values enhanced Suspense, and many of the shows retain their power to grip and entertain. At the time he took over Suspense, Lewis was familiar to radio fans for playing Frankie Remley, the wastrel guitar-playing sidekick to Phil Harris in The Phil Harris-Alice Faye Show. On the May 10, 1951 Suspense, Lewis reversed the roles with Death on My Hands: A bandleader (Harris) is horrified when an autograph-seeking fan accidentally shoots herself and dies in his hotel room, and a vocalist (Faye) tries to help him as the townfolk call for vigilante justice against him.
With the rise of television and the departures of Lewis and Autolite, subsequent producers (Antony Ellis, William N. Robson and others) struggled to maintain the series despite shrinking budgets, the availability of fewer name actors, and listenership decline. To save money, the program frequently used scripts first broadcast by another noteworthy CBS anthology, Escape. In addition to these tales of exotic adventure, Suspense expanded its repertoire to include more science fiction and supernatural content. By the end of its run, the series was remaking scripts from the long-canceled program The Mysterious Traveler. A time travel tale like Robert Arthur's The Man Who Went Back to Save Lincoln or a thriller about a death ray-wielding mad scientist would alternate with more run-of-the-mill crime dramas.
Broyeur, Tondeuse, Fraise CALDERONI
The Great Gildersleeve: Birthday Tea for Marjorie / A Job for Bronco / Jolly Boys Band
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The Great Gildersleeve: Gildy's Radio Broadcast / Gildy's New Secretary / Anniversary Dinner
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.
The Great Gildersleeve: Labor Trouble / New Secretary / An Evening with a Good Book
The Great Gildersleeve (1941--1957), initially written by Leonard Lewis Levinson, was one of broadcast history's earliest spin-off programs. Built around Throckmorton Philharmonic Gildersleeve, a character who had been a staple on the classic radio situation comedy Fibber McGee and Molly, first introduced on Oct. 3, 1939, ep. #216. The Great Gildersleeve enjoyed its greatest success in the 1940s. Actor Harold Peary played the character during its transition from the parent show into the spin-off and later in a quartet of feature films released at the height of the show's popularity.
On Fibber McGee and Molly, Peary's Gildersleeve was a pompous windbag who became a consistent McGee nemesis. You're a haa-aa-aa-aard man, McGee! became a Gildersleeve catchphrase. The character was given several conflicting first names on Fibber McGee and Molly, and on one episode his middle name was revealed as Philharmonic. Gildy admits as much at the end of Gildersleeve's Diary on the Fibber McGee and Molly series (Oct. 22, 1940).
He soon became so popular that Kraft Foods—looking primarily to promote its Parkay margarine spread — sponsored a new series with Peary's Gildersleeve as the central, slightly softened and slightly befuddled focus of a lively new family.
Premiering on August 31, 1941, The Great Gildersleeve moved the title character from the McGees' Wistful Vista to Summerfield, where Gildersleeve now oversaw his late brother-in-law's estate and took on the rearing of his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy Forester (Walter Tetley). The household also included a cook named Birdie. Curiously, while Gildersleeve had occasionally spoken of his (never-present) wife in some Fibber episodes, in his own series the character was a confirmed bachelor.
In a striking forerunner to such later television hits as Bachelor Father and Family Affair, both of which are centered on well-to-do uncles taking in their deceased siblings' children, Gildersleeve was a bachelor raising two children while, at first, administering a girdle manufacturing company (If you want a better corset, of course, it's a Gildersleeve) and then for the bulk of the show's run, serving as Summerfield's water commissioner, between time with the ladies and nights with the boys. The Great Gildersleeve may have been the first broadcast show to be centered on a single parent balancing child-rearing, work, and a social life, done with taste and genuine wit, often at the expense of Gildersleeve's now slightly understated pomposity.
Many of the original episodes were co-written by John Whedon, father of Tom Whedon (who wrote The Golden Girls), and grandfather of Deadwood scripter Zack Whedon and Joss Whedon (creator of Buffy the Vampire Slayer, Firefly and Dr. Horrible's Sing-Along Blog).
The key to the show was Peary, whose booming voice and facility with moans, groans, laughs, shudders and inflection was as close to body language and facial suggestion as a voice could get. Peary was so effective, and Gildersleeve became so familiar a character, that he was referenced and satirized periodically in other comedies and in a few cartoons.