Padua - Veneto - Italy
Padua is a city and comune in the Veneto, northern Italy. It is the capital of the province of Padua and the economic and communications hub of the area. Padua's population is 214,000 (as of 2011). The city is sometimes included, with Venice (Italian Venezia) and Treviso, in the Padua-Treviso-Venice Metropolitan Area, having a population of c. 1,600,000.
Padua stands on the Bacchiglione River, 40 kilometres (25 miles) west of Venice and 29 km (18 miles) southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (Pianura Veneta). To the city's south west lies the Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley.
It hosts the renowned University of Padua, almost 800 years old and famous, among other things, for having had Galileo Galilei among its lecturers.
The city is picturesque, with a dense network of arcaded streets opening into large communal piazze, and many bridges crossing the various branches of the Bacchiglione, which once surrounded the ancient walls like a moat.
Padua is the setting for most of the action in Shakespeare's The Taming of the Shrew.
(Source: Wikipedia)
Places to see in ( Padova - Italy )
Places to see in ( Padova - Italy )
Padua is a city in Northern Italy’s Veneto region. It’s known for the frescoes by Giotto in its Scrovegni Chapel from 1303–05 and the vast 13th-century Basilica of St. Anthony. The basilica, with its Byzantine-style domes and notable artworks, contains the namesake saint’s tomb. In Padua's old town are arcaded streets and stylish cafes frequented by students of the University of Padua, established in 1222.
Though under an hour from Venice, Padua (Padova in Italian) seems a world away with its medieval marketplaces, Fascist-era facades and hip student population. As a medieval city-state and home to Italy’s second-oldest university, Padua challenged both Venice and Verona for regional hegemony. A series of extraordinary fresco cycles recalls this golden age – including in Giotto’s blockbuster Cappella degli Scrovegni, Menabuoi’s heavenly gathering in the baptistry and Titian’s St Anthony in the Scoletta del Santo. For the next few centuries, Padua and Verona challenged each other for dominance over the Veneto plains. But Venice finally settled the matter by occupying Padua permanently in 1405.
Padua stands on the Bacchiglione River, 40 kilometres (25 miles) west of Venice and 29 km (18 miles) southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (Pianura Veneta). To the city's south west lies the Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley. It hosts the University of Padua, founded in 1222, where Galileo Galilei was a lecturer.
The city is picturesque, with a dense network of arcaded streets opening into large communal piazze, and many bridges crossing the various branches of the Bacchiglione, which once surrounded the ancient walls like a moat. Padua is the setting for most of the action in Shakespeare's The Taming of the Shrew. There is a play by the Victorian writer Oscar Wilde, titled The Duchess Of Padua.
Saint Anthony's Basilica is the best-known tourist site in Padova - millions of pilgrims visit every year. Built immediately after The Saint's death in the 1200s, it houses his tomb and notable relics. The statues and crucifix on the main altar are by Donatello, as is the statue of horse and rider in the square in front of the church (called Gattamelata - the honeyed cat).
St. George's Oratory (Oratorio di San Giorgio). A beautiful, frescoed, and generally empty hall on the south side of the piazza next to the Basilica di Sant'Antonio. The paintings were done by two of Giotto's students, and though they are not as magnificent as those in the Cappella degli Scrovegni, you can sit down and gaze at them undisturbed for as long as you like.
Scrovegni's Chapel (Cappella degli Scrovegni) is in the north of the city center, not far from the bus and train stations. The walls and ceilings are covered in frescos by Giotto, completed in 1303-1305. The chapel has been well preserved and the art is very impressive. Some of the techniques used were well ahead of their time. A must-see for art and art history fans.
At 90.000 square meters, Prato della Valle is the biggest square in Europe and probably one of the most beautiful in the World. Historically a Roman theater and later a fairground, it was redone in 1775 to the present layout: a large central grassy area, surrounded by a statue-lined canal, then a broad expanse of flagstones before a couple lanes of traffic are allowed to trickle around it in the distance.
Santa Giustina Basilica is along one side of Prato della Valle. When you visit, don't miss the Martyr's Hallway off of the right-front corner of the basilica. Roman ruins, including an Arena. The Arena is smaller and less impressive than those in Verona or Rome, but well-located in a lovely and well-maintained park.
Chiesa Eremitani, near Scrovegni's Chapel, has an unusual wooden ceiling. The church was badly damaged in WWII, and much of its artwork was destroyed, but what remains is beautiful. The Duomo, or cathedral, is smaller than the two basilicas but not by much - don't be misled by the relatively small façade on Piazza del Duomo. Michaelangelo was involved in the cathedral's design.
( Padova - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Padova . Through a series of videos we will try to show you recommended places to visit in Padova - Italy
Join us for more :
Mural Wall Building -Mortise Padua - Italy - Photogrammetry Scan
You can checkout the model for free here and download it:
Padova, Italy: The Scrovegni Chapel
More info about travel to Italy: Padova’s (Padua's) Scrovegni Chapel, with its precious 14th-century Giotto frescoes, is one of Italy’s most beloved art treasures.
At you'll find money-saving travel tips, small-group tours, guidebooks, TV shows, radio programs, podcasts, and more on this destination.
Padua, Italy, travel in the Old Town
Padua in northern Italy is one of those great old cities with a beautifully preserved historic center. The pedestrian zone has got arcades and shops, bars and cafés, cobblestone and broad piazzas, and lots of people out having a good time. We say Padua, Italians say Padova. In this episode we are going to focus more on people and the street life rather than historic sites like churches or museums. We will be showing you some great old buildings and suggesting a nice walking route that will get you right around through the historic center of Padua and will take you into the university district. Padua makes a very convenient day trip from nearby Venice, which is just 24 miles away – it's about a half hour train ride. We visit the main piazzas and Via Roma, a wonderful walking street. It really is the main pedestrian lane of Padua, and while it's not a piazza it functions as one because there are no cars allowed, so it's long and narrow as a street but filled with people.
The town has a wonderful historic center with pedestrian lanes and the loggia, with all of these arcades and columns. It's very pedestrian-friendly and bicycle-friendly. People are pedaling all over the place here, and there's lots of cafés, naturally, sidewalk cafés, people eating and drinking in the evening especially the young people, who come out about 6 o'clock to 7 o'clock and have a spritz, or a beer, have a wine at the café.
he grand Palazzo della Ragione is surrounded by three primary piazzas - delle Erbe, dei Fruit and dei Signori. This is the heart of Padua.
We found some sort of a street party going on. Turns out they are celebrating graduation day at the Padua medical school. It's the oldest medical school in the world, first founded with the University in the year 1222. And this being Italy they know how to celebrate in the streets. Amazing to think this ritual has been going on annually for about 800 years. And Padua still has one of the best medical schools in the world. The University has been associated with a large number of important intellectuals such as Copernicus, Galileo, Stendhal and William Harvey, who developed his system of blood circulation here. The university medical school has the oldest anatomy lab in the world and the university also hosts the oldest botanical garden in the world, which was used as a garden of curative herbs attached to the medical school. When done with your visit to Padua you can catch the tram right back to the train station.
Places to see in ( Padua - Italy )
Places to see in ( Padua - Italy )
Padua (Padova) is a city in Northern Italy’s Veneto region. It’s known for the frescoes by Giotto in its Scrovegni Chapel and the vast 13th-century Basilica of St. Anthony. The basilica, with its Byzantine-style domes and notable artworks, contains the namesake saint’s tomb. In Padua's old town are arcaded streets and stylish cafes frequented by students of the University of Padua, established in 1222.
Padova ( Padua - Italy ) is a city in North Eastern Italy, and the capital of the province of the same name. It is located centrally in the Veneto region, between Venezia on one side and Vicenza and Verona on the other.
The Padua Card allows you to visit most churches and all museums as well as to use the public transport for €16 (48h) or €21 (72h).
Landmarks
Saint Anthony's cathedral (Basilica di Sant'Antonio), Piazza del Santo Saint Anthony's Basilica is the best-known tourist site in Padova - millions of pilgrims visit every year. Built immediately after The Saint's death in the 1200s, it houses his tomb and notable relics. The statues and crucifix on the main altar are by Donatello, as is the statue of horse and rider in the square in front of the church (called Gattamelata - the honeyed cat). Free.
St. George's Oratory (Oratorio di San Giorgio). A beautiful, frescoed, and generally empty hall on the south side of the piazza next to the Basilica di Sant'Antonio. The paintings were done by two of Giotto's students, and though they are not as magnificent as those in the Cappella degli Scrovegni, you can sit down and gaze at them undisturbed for as long as you like. €2.50.
crovegni's Chapel (Cappella degli Scrovegni), Corso Garibaldi . The Chapel is in the north of the city center, not far from the bus and train stations. The walls and ceilings are covered in frescos by Giotto, completed in 1303-1305.
At 90.000 square meters, Prato della Valle is the biggest square in Europe and probably one of the most beautiful in the World. Historically a Roman theater and later a fairground, it was redone in 1775 to the present layout: a large central grassy area, surrounded by a statue-lined canal, then a broad expanse of flagstones before a couple lanes of traffic are allowed to trickle around it in the distance. Santa Giustina Basilica is along one side of Prato della Valle.
Roman ruins, including an Arena. The Arena is smaller and less impressive than those in Verona or Rome, but well-located in a lovely and well-maintained park. Chiesa Eremitani, near Scrovegni's Chapel, has an unusual wooden ceiling.
Next door to the cathedral is the Baptistry, with impressive frescos by Giusto de Menabuoi (done between 1375-1376). Astronomic Observatory (La Specola) Although the observatory was build after Galileo's time in Padova, you'll learn a lot about his significance for the research in Padova. You reach the top of the tower after a lecture of about one hour and can enjoy the view.
Botanic Garden - the first Botanic Garden in the World, operated by the University of Padova, and on the UNESCO World Heritage list since 1997. It isn't a large garden, but subtly laid out to swallow groups of people and give the impression of solitude.
( Padua - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting the city of Padua. Through a series of videos we will try to show you recommended places to visit in Padua - Italy
Subscribe for more Places to see
Padua, Veneto, Italy, Europe
Padua is a city and comune in Veneto, northern Italy. It is the capital of the province of Padua and the economic and communications hub of the area. Padua's population is 214,000 (as of 2011). The city is sometimes included, with Venice (Italian Venezia) and Treviso, in the Padua-Treviso-Venice Metropolitan Area (PATREVE) which has a population of c. 2,600,000. Padua stands on the Bacchiglione River, 40 kilometres (25 miles) west of Venice and 29 km (18 miles) southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (Pianura Veneta). To the city's south west lies the Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley. It hosts the University of Padua, founded in 1222, where Galileo Galilei was a lecturer. The city is picturesque, with a dense network of arcaded streets opening into large communal piazze, and many bridges crossing the various branches of the Bacchiglione, which once surrounded the ancient walls like a moat. Padua is the setting for most of the action in Shakespeare's The Taming of the Shrew. There is a play by the Victorian writer Oscar Wilde entitled The Duchess of Padua.
Palazzo della Ragione, Padua, Veneto, Italy, Europe
The Palazzo della Ragione is a medieval town hall building in Padua, in the Veneto region of Italy. The building, with its great hall on the upper floor, is reputed to have the largest roof unsupported by columns in Europe; the hall is nearly rectangular, its length 81.5m, its breadth 27m, and its height 24 m; the walls are covered with allegorical frescoes; the building stands on arches, and the upper storey is surrounded by an open loggia, not unlike that which surrounds the Basilica Palladiana in Vicenza. The Palazzo was begun in 1172 and finished in 1219. In 1306, Fra Giovanni, an Augustinian friar, covered the whole with one roof; originally there were three roofs, spanning the three chambers into which the hall was at first divided; the internal partition walls remained till the fire of 1420, when the Venetian architects who undertook the restoration removed them, throwing all three spaces into one and forming the present great hall, the Salone. The new space was refrescoed by Nicolò Miretto and Stefano da Ferrara, working from 1425 to 1440. A tornado destroyed the roof and damaged the building on 17 August 1756.
Падуя: Капелла Скровеньи/Padua: Scrovegni Chapel
Капелла Скровеньи в итальянском городе Падуя - небольшая церковь, построенная в начале 14-го века для семьи Скровеньи. Капелла знаменита росписями работы Джотто. /
The Scrovegni Chapel (Cappella degli Scrovegni) is a small church in the Italian city of Padua, built in the early 14th century for the Scrovegni family. The Chapel is famous for its masterpiece frescoes by Giotto.
СМОТРИТЕ ТАКЖЕ / YOU MAY ALSO LIKE:
Италия: Падуя / Italy: Padua
Флоренция: монастырь Сан-Марко/Florence: San Marco
Италия: Сиенский собор/Italy: Siena Cathedral
Россия: Кострома / Russia: Kostroma
Австрия: церкви в Вене / Austria: Vienna's Churches
Россия: Ростов Великий / Russia: Rostov Veliky
Италия: Миланский собор / Italy: Milan Cathedral
Москва: Крутицкое подворье / Moscow: Krutitsy Metochion
Padua Baptistery, Padua, Veneto, Italy, Europe
The Padua Baptistery, dedicated to St. John the Baptist, is a religious building found on the Piazza del Duomo next to the cathedral in Padua. Preserved inside is one of the most important fresco cycles of the 14th century, a masterpiece by Giusto de Menabuoi. The construction of the baptistery began in the 12th century, probably on top of an existing structure; it underwent various reworkings in the following century, and was consecrated by Guido, patriarch of Grado, in 1281. Between 1370 and 1379 it was restored and adapted as a mausoleum for prince Francesco il Vecchio da Carrara and his wife, Fina Buzzaccarini. The latter oversaw the decorative work, entrusting it to Giusto de' Menabuoi. With the fall of the House of Da Carrara in 1405, Venetian soldiers demolished the grand burial monuments and covered the numerous emblems of Francesco il Vecchio with green paint. After various partial restorations in the 20th century, the work is currently awaiting an important full restoration. The fresco cycle decorating the walls, painted between 1375 and 1376 by Giusto de' Menabuoi, is considered a masterpiece. With respect to previous works, Padua must have been struck by the Romanesque and Byzantine rigidity, as can be seen in the Paradise of the baptistery's cupola: the scene is organized around a Christ Pantocrator, around which turns a hypnotic wheel with multi-layered spokes made of angels and saints, whose golden halos as seen from below seem to be the work of a magnificent goldsmith. At the center of the Paradise is also the Mother of God. The paintings that cover the walls show scenes from the life of St. John the Baptist, Mary, and Jesus. On the walls adjacent to the altar are represented the Crucifixion and the Descent of the Holy Spirit, and a large polyptych, also by Guisto de' Menabuoi, sits on the altar itself. Painted on the walls surrounding the altar, in the apse, are monstrous figures and images of the Book of Revelation. In the tholobate are scenes from the book of Genesis, while prophets and evangelists look down from the pendentives; and here a less Byzantine flair is demonstrated, presenting figures that have been inserted into life-like spaces illusionistically depicted. Also in the stories of Christ and John the Baptist, frescoed on the walls, appear finely calculated architectural representations into which the painter has inserted his solemn, static images. The figures represented in the surrounding scenes, however, appear freer, for example in the Wedding Feast at Cana, where a group of servants moves naturally about the room in contrast to the static diners. From the analysis of these stylistic choices it is clear that the use of rétro effects was for Giusto a precise component willingly chosen to bring about an expressive and symbolic end: he was perhaps the only 14th century painter with the presence of mind to make conscious selections among these different pictorial languages. In the scene of the creation of the world the zodiac show Christ's function as Lord of cosmic time. God the Father can interrupt the course of natural events to manifest His will to mankind: which occurred during the three hours of darkness that accompanied the agony and death of Jesus. Through his angels, represented here, God dominates and neutralizes the influence of the planetary demons here in the world underneath the moon.
4th of July, Padova or Padua, North Itlay.
Met up with old and new friends. Many laughs..great day in the ancient city Shakespeare loved so much...he wrote a book.
Padua (Italian: Padova [ˈpaːdova] ( listen), Latin: Patavium, Venetian: Padoa, German Padua (historically: Esten)) is a city and comune in the Veneto, northern Italy. It is the capital of the province of Padua and the economic and communications hub of the area. Padua's population is 214,000 (as of 2011). The city is sometimes included, with Venice (Italian Venezia) and Treviso, in the Padua-Treviso-Venice Metropolitan Area, having a population of c. 1,600,000.
Padua stands on the Bacchiglione River, 40 kilometres (25 miles) west of Venice and 29 km (18 miles) southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Venetian Plain (Pianura Veneta). To the city's south west lies the Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley.
It hosts the renowned University of Padua, almost 800 years old and famous, among other things, for having had Galileo Galilei among its lecturers.
The city is picturesque, with a dense network of arcaded streets opening into large communal piazze, and many bridges crossing the various branches of the Bacchiglione, which once surrounded the ancient walls like a moat.
Padua is the setting for most of the action in Shakespeare's The Taming of the Shrew.
Italy’s Verona, Padova, and Ravenna
Rick Steves' Europe Travel Guide | In the shadow of Venice, we visit three great cities in the Veneto area. Padova is famed for its venerable university, precious Giotto frescoes, and pilgrim-packed basilica. Verona is a hit with aficionados of Roman ruins and Romeo and Juliet fans. And Ravenna, with its shimmering mosaics, was once the western bastion of the Byzantine Empire. We enliven each stop with a tasty dose of Italian dolce vita.
Visit for more information about this destination and other destinations in Europe.
Check out more Rick Steves’ Europe travel resources:
“Rick Steves’ Europe” public television series:
“Travel with Rick Steves” public radio program:
European Tours:
Guidebooks:
Travel Gear:
Trip Consulting:
Travel Classes:
Rick Steves Audio Europe App:
Rick Steves, America's most respected authority on European travel, writes European travel guidebooks and hosts travel shows on public television and public radio.
Padova Italy
See the Scrovegni Chapel. By the year 1303-1305 it was decorated by Giotto, who frescoed the walls and ceiling with the episodes from the lives of Virgin Mary and Christ, etc. Also visit the Basilica di San Antonio.
Veneto: Verona, Vicenza, Padua - Italy Day 2 - Juliet's Balcony, Verona Arena, Olympic Theater
Exploring the medieval towns of il Veneto: Verona, Vicenza and Padua on day two of our twelve day tour across northern and central Italy.
Today we would explore three medieval Italian towns in El Veneto, the northeastern region of Italy surrounding Venice.
Riding the train from Milan to Padua, we would explore street markets, piazzas and a cathedral. In nearby Vicenza, we would visit the Olympic Theater, one of the oldest in the world. In Verona, where we would climb the steps of an ancient colosseum, the Verona Arena, and see the famed balcony of Romeo and Juliet.
Church of the Eremitani, Padua, Veneto, Italy, Europe
The Church of Saints Philip and James, known as Church of the Hermits or simply the Hermits is a Catholic place of worship that rises in the medieval square Hermits in Padua. Titrated to Saints Philip and James the Less, was built starting in 1264 as a church of the Order of Hermits of St. Augustine who had north of the church their great monastery now occupied by the Civic Museum of the Hermits. The Augustinian order ruled the church until 1806. Today the church enjoys title parish and is governed by the secular clergy of the diocese of Padua. According to tradition, the construction was completed under the guidance of Fra 'John of the Hermits. The building, an extraordinary example of the style classical that developed in Padova old town, hosts significant works of art, including the first works of Andrea Mantegna. Inside lie the remains of among other cavalier Zanino from Peraga, Ilario Sanguinacci, Jacopo da Forli, the Humanist Marco Mantova Benavides, the noble Vittoria Accoramboni, the physician and biologist Antonio Vallisneri, singer and composer Barbara Strozzi. The church has been hit heavily by an Anglo-American air raid in 1944. In Padua totaled two congregations that will form the Magna Unio of the Augustinians in 1256, the Guglielmites allocated's Santa Croce and giamboniti, in the city since at least 1242, who settled on the site of the Arena founding the house of St. Mary of Charity , initial name of the complex Augustinian Padua. Little is known of the primitive structures of the church and convent. The current church was built at public expense in 1276, as evidenced by the municipal statute of June 7, 1276 and was completed around 1306 by Brother John of hermits with the construction of the wooden ceiling and the facade, characterized by pseudo-lodge with stone arches which also runs along the south side. Starting from 1509 rectors and members of the city you agreed every year, on July 17, the day of St. Marina to celebrate the resistance against the Imperial during the War of the League of Cambrai and, since 1571, also to celebrate the victory at the Battle of Lepanto. Here he was greeted Henry III of Valois traveling to France to surround you with the crown (1574) and later came here to pray to St. Francis de Sales, when he was a university student from the nearby street where he lived Zabarella. In the adjoining convent stayed Martin Luther passing in Padua in his journey to Rome. The brothers were driven from their home by the decree of suppression Napoleonic dated June 28, 1806. The church was reopened in 1808 and converted into complex cloistered military barracks (barracks Gattamelata). The church and convent were severely damaged dall'incursione air 11 March 1944; the damage was very heavy: were partly distutte the facade, the ceiling and the apse and the chapels completely Dotto and Ovetari. The church has been fully restored after World War II. The interior consists of a single nave, with a ship's hull ceiling rebuilt after World War II following the original model. To the right and left of the entrance are preserved the two tombs of Ubertino and Jacopo II (sometimes also called James) from Carrara, transported here from the destroyed church of St. Augustine in the early nineteenth century: they were made, respectively, in around 1345 and in 1351, by the Venetian sculptor Andriolo de Santi, two other artists from the Venetian and Lombard Bonino from Campione to which you are assigned the two Madonna and Child in the central niches of the sarcophagi. In the chapel of the family Cortellieri, located on the right part of the nave, there are some remains of a series of paintings made by Giusto de 'Menabuoi around 1370 depicting the Glory of St. Augustine with the Virtues and the Liberal Arts. On the left side of the nave is preserved an ancient clock. The main chapel is decorated with a cycle of frescoes by Guariento that after the destruction of war covers only the left wall (north), the Stories of St. Philip and St. Augustine in the three upper registers and in the socket in monochrome and allegories of Planets Age of man: this part of the decoration is clearly influenced by little far Giotto frescoes in the Scrovegni Chapel. The façade is open at the top by a canopy, while the bottom has a pseudo stone porch with five arches, in the middle there is the entrance, while the side of the tombs. The southern side portal, Renaissance, is decorated by twelve high reliefs depicting the months, by the Florentine Niccolò Baroncelli and dates back to 1422.
Palazzo della Ragione, Padua, Veneto, Italy, Europe
The Palazzo della Ragione is a medieval town hall building in Padua, in the Veneto region of Italy. The building, with its great hall on the upper floor, is reputed to have the largest roof unsupported by columns in Europe; the hall is nearly rectangular, its length 81.5m, its breadth 27m, and its height 24 m; the walls are covered with allegorical frescoes; the building stands on arches, and the upper storey is surrounded by an open loggia, not unlike that which surrounds the basilica of Vicenza. The Palazzo was begun in 1172 and finished in 1219. In 1306, Fra Giovanni, an Augustinian friar, covered the whole with one roof; originally there were three roofs, spanning the three chambers into which the hall was at first divided; the internal partition walls remained till the fire of 1420, when the Venetian architects who undertook the restoration removed them, throwing all three spaces into one and forming the present great hall, the Salone. The new space was refrescoed by Nicolò Miretto and Stefano da Ferrara, working from 1425 to 1440. A tornado destroyed the roof and damaged the building on 17 August 1756.
Prato della Valle, Padua, Veneto, Italy, Europe
Prato della Valle is a 90,000 square meter elliptical square in Padova, Italy. It is the largest square in Italy, and one of the largest in Europe. Today, the square is a large space with a green island at the center, l'Isola Memmia, surrounded by a small canal bordered by two rings of statues. Prior to 1635, the area which would come to be known as the Prato della valle was largely a featureless expanse of partially swampy terrain just south of the old city walls of Padova. In 1636 a group of Venetian and Veneto notables financed the construction there of a temporary but lavishly appointed theater as a venue for mock battles on horseback. The musical entertainment which served as prologue to the jousting is considered to be the immediate predecessor of the first public opera performances in Venice which began the following year. In 1775 Andrea Memmo, whose statue is in the square, decided to reclaim and restructure the entire area. The entire project, which was never fully completed, is represented in a famous copper engraving by Francesco Piranesi from 1785. It seems that Memmo had commissioned this and other representations and kept them on exhibition at the Palazzo Venezia, the headquarters of the Embassy of the Republic in Rome. He did this in order to entice other important figures into financing the construction of statues to decorate the square. The project was approved by Domenico Cerato, professor of architecture at Vicenza and Padova. The preliminary excavations done to install the plumbing system and reclaim the area were directed by Simone Stratico. These excavations brought to light the remains of an ancient Roman theater. These findings conferred a sense of historical dignity to the initiative, and transformed it into a project of reclamation for its natural public use. Andrea Memmo resided at Palazzo Angeli, constructed in the 15th century and located in Prato della Valle at an angle with the avenue Umberto I. Today, the monumental palazzo, the property of the city of Padova, hosts the Museum of Precinema, Minici Zotti Collection. Of particular interest are the benedictine Abbey of Santa Giustina, the neoclassical style Loggia Amulea, and the many interesting palazzi constructed between the 14th and the 18th centuries that surround the square. Prato della Valle has, from the very beginning, taken its place in the hearts of Padovans who frequently refer to it as Il Prato. At various times it was also known as valley without grass because the number of trees prevented much grass from growing there. Today, however, it is completely covered with grass, and many small trees.
During the 1990s, the Prato went through a period of degradation and neglect, but today it has been restored through reclamation projects and the concern and involvement of the citizens of Padova. During the summer, the square is alive with large numbers of visitors who skate, stroll or study while tanning themselves in the sun. Summer evenings are marked by the presence of teenagers and young adults who chat until the early hours of the morning. For several years, Prato della Valle has been the seat of the Padovan section of the Festivalbar, and recently it has played host to skating competitions, thanks to the wide asphalted ring which surrounds the square. Every New Year's Day, and during the Feast of the Annunciation in mid August, parties with music and fireworks take place in the Prato.
The monumental 15th century building of the Palazzo Angeli, belonging to the City of Padova and once the home of Andrea Memmo, hosts the Museum of Precinema – Minici Zotti Collection.
Palazzo della Ragione, Padua, Veneto, Italy, Europe
The Palazzo della Ragione is a medieval town hall building in Padua, in the Veneto region of Italy. The building, with its great hall on the upper floor, is reputed to have the largest roof unsupported by columns in Europe; the hall is nearly rectangular, its length 81.5m, its breadth 27m, and its height 24 m; the walls are covered with allegorical frescoes; the building stands on arches, and the upper storey is surrounded by an open loggia, not unlike that which surrounds the basilica of Vicenza. The Palazzo was begun in 1172 and finished in 1219. In 1306, Fra Giovanni, an Augustinian friar, covered the whole with one roof; originally there were three roofs, spanning the three chambers into which the hall was at first divided; the internal partition walls remained till the fire of 1420, when the Venetian architects who undertook the restoration removed them, throwing all three spaces into one and forming the present great hall, the Salone. The new space was refrescoed by Nicolò Miretto and Stefano da Ferrara, working from 1425 to 1440. A tornado destroyed the roof and damaged the building on 17 August 1756.
Padova - Padua - Padwa - Padoue
Padova è una città di 212.500 abitanti, 440.023 con l'area metropolitana, dell'Italia nord-orientale, capoluogo dell'omonima provincia della regione Veneto.Sede di una prestigiosa ed antica università, Padova vanta numerosissime testimonianze di un glorioso passato culturale ed artistico, che la rendono meta di turisti da ogni parte del mondo. È oggi un importante centro economico e uno dei più importanti e grandi centri di trasporti intermodali, anche fluviale, di tutta Europa, e rappresenta attualmente il più grande interporto nel nord e centro Italia.
Padova è, tra l'altro, universalmente nota come la città di sant'Antonio, il famoso francescano portoghese, nato a Lisbona nel 1195, che visse a Padova per alcuni anni e vi morì (13 giugno1231). I resti del Santo sono conservati nella Basilica di Sant'Antonio meta di numerosissimi pellegrini da tutto il mondo e uno dei monumenti principali della città.
Padua is a city in the Veneto, northern Italy. It is the capital of the province of Padua and the economic and communications hub of the area. Padua's population is 212,500 . Padua stands on the Bacchiglione River, 40 km west of Venice and 29 km southeast of Vicenza. The Brenta River, which once ran through the city, still touches the northern districts. Its agricultural setting is the Pianura Veneta, the Venetian plain; To the city's south west lies the Euganaean Hills, praised by Lucan and Martial, Petrarch, Ugo Foscolo, and Shelley.The city is picturesque, with a dense network of arcaded streets opening into large communal piazze, and many bridges crossing the various branches of the Bacchiglione, which once surrounded the ancient walls like a moat.
Cittadella - Veneto- Italia
*Deutsch - **English - ***Espanol
*Ein Tag in Citadella, 30 km nördlich von Padua in Venetien.
Umrunden der Stadt auf der ca. 1.500 m langen mittelalterlichen
Stadtmauer. Eine der besterhaltendsten mittelalterlichen
Stadtmauern überhaupt
**One day in Cittadella, a town 30 km North of Padova in Veneto.
Surrounding the town on the medieval city wall walkway of
approx. 1.500 m length. One of the best preserved city walls
*** Un dia en Cittadella, 30 km en el Norte de Padova. Circulando
el Pueblo ariba de la muralle de medieval que tiene approx.
1.500 m. Unade las murallas mas preservadas.
Music by Audiojungle: