Milan basilica di San Giorgio al Palazzo.
Milan basilica di San Giorgio al Palazzo. Basilica di San Lorenzo
Milano da scoprire, S Giorgio al Palazzo
Se passeggiate in via Torino, nel centro di Milano, per fare shopping entrate nella chiesa di S.Giorgio al Palazzo. Troverete sorprese pittoriche incredibili: un S.Gerolamo stupendo di Gaudenzio Ferrari e al centro della navata destra la Cappella della Passione opera del grande Bernardino Luini. Quest'ultima si compone di diversi riquadri : la Deposizione, la collocazione delle spine, l'Ecce Homo, la Fustigazione, la Crocifissione. Da non perdere! Se le luci sono spente chiedere cortesemente al sacrista.
ITALY - Italia - VENICE - VENECIA - Milan - Bergamo - Lecco - Lake Lago Como
1 - Venice - Venecia
Bridge that links Mestre with Venice Island
Puente que une Mestre con la isla de Venecia
Train Station - Estación de tren - Santa Lucia
Bridge - Puente - Ponte degli Scalzi
Church - Iglesia - Chiesa di San Nicola da Tolentino
Church - Iglesia - Chiesa dei Santi Apostoli
Bridge - Puente - Ponte della Costituzione
Church - Iglesia - Chiesa di San Felice
Church - Igesia - Chiesa di Santa Maria di Nazareth
La Maddalena
Bridge - Puente - Ponte di Rialto
Square - Plaza - Piazza San Marco
Church - Iglesia - San Marcos
Baell Tower - Campanario - San Marcos
Palace - Palacio - Palazzo Ducale
Church - Iglesia - Chiesa di San Giorgio Maggiore
Island - Isla - San Giorgio Maggiore
2 Milan - Milán - Milano
Square - Plaza - Piazza San Babila
Church - Iglesia - Duomo di Milano
Square - Plaza - Piazza Duomo
Gallery - Galería Vittorio Emanuele II
Peace Arch - Arco de la Paz
Park - Parque - Parco Sempione
Castle - Castillo - Castello Sforzesco
Door - Perta - Porta Garibaldi
Vertical Wood - Bosque Vertical - Bosco Verticale
Square - Plaza - Piazza Gae Aulenti
3 - Bergamo
High City - Ciudad Alta - Città Alta
Centro Piacentiniano
Tower of the Fallen - Torre de los Caidos
Church - Iglesia - Chiesa di San Marco
Door - Puerta - Porta San Giacomo
Entrance to the Upper City - Entrada a la Ciudad Alta
Palace - Palacio - Palazzo del Podestà
Square - Plaza - Piazza Vecchia
Palace - Palacio - Palazzo della Ragione
Church - Iglesia - Basilica di Santa Maria Maggiore
4 - Lecco
Lake - Lago Como
Harbor - Puerto
Basilica di San Nicolò
Square - Plaza XX September - Septiembre
Sanctuary - Santuario di Nostra Signora della Vittoria
5 - Lake Lago Como
Villa Olmo
Tempio Voltiano
Piazza Cavour - Square - Plaza
Duomo di Como - Cathedral - Catedral
Piazza San Fedele
Basilica di San Fedele
Piazza del Duomo - Square - Plaza
Chiesa di San Giacomo
Le campane di Milano - Parrocchia di San Giorgio al Palazzo
Milano, Parrocchia di San Giorgio al Palazzo
Arcidiocesi di Milano
Concerto di 5 campane in Lab3
Fuse da:
ll*- lll* = Felice Bizzozero nel 1841
l* = Felice Bizzozero nel 1842
V*-IV* = Pietro Colbachini nel 1953
Sistema: Ambrosiano Manuale
Distesa a 5 campane per la Santa Messa Festiva delle ore 11 nella VI Domenica dopo l'Epifania (Ore 10.30 e 10.45)
Suonano: Campanaro29 (V*-III*), Aleadda (l*-ll*) ed il Sacrista (IV*)
- Si ringrazia il Sacrestano per la disponibilità e per averci fatto suonare le campane! -
Ed eccoci addentrati nel centro storico della bella Milano (Milàn l'è un gran Milàn!), chi non conosce questa chiesa e questo campanile che svetta su Via Torino, una strada abbastanza famosa per lo shopping milanese! Arrivati abbiamo domandato al sacrista a che ora avrebbero suonato le campane ed egli dopo averci detto 10.30 e 10.45 ha accontentato la nostra richiesta di poter suonare anche noi le campane! A presto con l'ultimo video!
*= La numerazione è secondo la Diocesi Ambrosiana (V=Campanone)
Oldest Basilicas and Churches in Milan, Italy. Die ältesten Mailänder Kirchen Tour
Oldest Basilicas and Churches in Milan, Italy.
Die ältesten Mailänder Kirchen.
Santa Maria delle Grazie
Museo Nazionale delle Scienza
Leonardo da Vinci
San Vittore Gefängnis
San Vittore Kirche
Sant' Ambrogio
Collone di San Lorenzo
San Lorenzo Maggiore
Porta Ticinese mediavale
Sant' Eustorgio
Porta Ticinese
Chiese di San Giorgio al Palazzo
TEMPIO DI SAN SEBASTIANO (MILANO, ITALY)
Tempio di San Sebastiano, Milano, Lombardia, Italia. Lungo via Torino, oltre la trasversale via della Palla che può indirizzare alla chiesa di Sant'Alessandro, si trova il corpo cilindrico del Civico Tempio di San Sebastiano. Fu fatto erigere dalla cittadinanza per adempiere a un voto fatto durante la peste del 1576 e rimane tutt'ora di proprietà comunale. E' l'esito incompiuto di un progetto di Pellegrino Tibaldi, modificato da Martino Bassi e Fabio Mangone e conserva opere di scuola lombarda sette-novecentesca. La peste rimase presente in Europa per tre secoli, lasciando tristi ricordi a Venezia (1575-77), Lione (1628), Milano (1576-77, 1629-32 e 1657), Londra (1665), Marsiglia (1720); all'inizio dell'Ottocento diminuì e scomparve.
Places to see in ( Milan - Italy ) Palazzo Clerici
Places to see in ( Milan - Italy ) Palazzo Clerici
Palazzo Clerici was the home of the wealthy and influential Milanese noble family of the Clerici , and is located in Milan , in the homonymous street, called in the seventeenth century Contrada del prestino dei Bossi. In the eighteenth century the ancient manor house was completely modified by the Marquis Anton Giorgio Clerici (1715-1768) who made it one of the most sumptuous mansions of Milan at the time, with the construction of the famous Galleria degli Arazzi frescoed on the vault by Giovanni Battista Tiepolo in 1741 .
The structure of the palace was built in the seventeenth century on a property of the family Visconti of Somma Lombardo , from which it was sold by mid-century to Clerici, after a number of the existing building renovations. The Clerici family, originally from Como, had been the protagonist of a rapid social rise, thanks to the huge capital accumulated with the activities of silky trade and the loan to usury. Giorgio Clerici (1648-1736, who was also the builder of the famous Villa Carlotta on Lake Como ) had become part of the Milanese nobility, with the titles of Marquis of Cavenago , Lord of Cuggiono and Trecate .
In 1722, just seven years of age, Anton Giorgio Clerici, following the death of his father and grandfather, inherited the title of Marquis, becoming the sole heir of the entire fortune accumulated by the family, among the major of the Milan of the time. Following the marriage with Fulvia Visconti in 1733, the Marquis began an important campaign of work in the family palace, involving some of the most prominent artists including Mattia Bortoloni , Pietro Maggi , Giovan Angelo Borroni . According to the prevailing custom in Milan, little attention was paid to the facade of the building, for which the modest prospect was still visible on the narrow Via Clerici, while great attention was devoted to the rich interior decoration. The result of the long decorative campaign was a series of rooms covered with frescoes, stuccoes, tapestries, golds, inlays that were one of the greatest examples of the Rococo style in Milan.
The most important intervention of the embellishment campaign took place in the forties of the eighteenth century with the commission of the most successful artist on the scene, Giambattista Tiepolo , of the fresco in the Galleria degli Arazzi. The painter at the time was in Milan engaged in the frescoes of the chapels of the Basilica of Sant'Ambrogio , and had already worked for the grandfather of the Marquis Clerici, Carlo Archinto, for which he had realized the important cycle of frescoes in the family palace, destroyed during the Second World War. The realization of the fresco took place following a long design phase, evidenced by numerous studies partly received. The complexity of the work was partly due to the configuration of the environment, narrow but extremely long (5 meters wide and 22 long) . In the vault is represented the race of the chariot of the Sun among the gods of Olympus , surrounded by the Allegories of the four Continents and the Allegories of the Arts .
In 1768 , at the death of Giorgio Antonio Clerici, the patrimony of the Milanese family was however almost completely dilapidated by the expenses incurred for the construction of the building and the same house in 1772 passed to Francesco Clerici (belonging to a secondary branch of the family), who subsequently leased it to Archduke Ferdinand of Hapsburg-Lorraine and to the Archduchess Maria Beatrice d'Este , who were representatives of Empress Maria Theresa in Milan with the title of Governors of the Duchy. Later, when the royal couple moved to the Royal Palace, the palace remained the property of the government, which ceded it to the Napoleonic government in 1813 .
( Milan - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Milan . Through a series of videos we will try to show you recommended places to visit in Milan - Italy
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Heritage and History of Milan #7: Bergognone at San Simpliciano
This video for yesmilano.com is about the basilica of San Simpliciano. An Italian edition of it is available on Andrea Rui’s YouTube channel and on the website yesmilano.com. The English text and narrating voice are those of Carlo Rolle, whose YouTube channel deals with medieval history and ancient literature.
In San Simpliciano we can admire the Coronation of the Virgin, painted around 1508 by Ambrogio da Fossano, also known as the “Bergognone”. He was born in 1453 in Fossano, in Piedmont. Unconcerned by the innovations of masters like Leonardo and Raphael, Bergognone adhered to the old Lombard school: he painted his figures in different dimensions, according to their place in the hierarchy.
In the centre of this fresco the divine images form a triangle. At the summit of it, is the face of God. Jesus and the Virgin emerge from the drapery of their wide cloaks. Jesus is is emaciated and with his hands he places a crown upon Mary. She is, like him, pale as ivory, as if shining with inner light.
The angels are arranged to form a large almond, aligned on concentric bands. Those of the outer bands appear in full and in different postures. The angels of the second order of triads are closer together. Behind the divine figures, heads of Cherubs and Seraphim are also arranged in groups of three, in a whirlwind of ever warmer colours. The figures and their haloes are embellished with gilding. The musician angels on the outer side of the composition create a youthful animation around the majestic stillness of the central group.
In the foreground, just above the lower edge of the cupola, 20 figures of Saints, Prophets, Martyrs and Virgins are lined up. They are represented in vivid portraits. On the left of this line of figures, close to St. John the Baptist, we can see Dante Alighieri holding a long scroll. An old man with a white beard, might represent the painter.
San Simpliciano, or Basilica Virginum, is the best preserved among early Christian buildings in Milan. According to the tradition, it is one of the 4 basilicas founded by Ambrose in the IV century outside the city walls, in the 4 cardinal points, together with that of Sant'Ambrogio (Basilica Martyrum), San Nazaro (Basilica Apostolorum) and San Dionigi (Basilica Sanctorum).
The paleo-Christian building had a single nave. On the outer walls of the building, a double row of arcades set on pilasters had both an aesthetic and a structural function. In the upper arcades there were large windows. On both extremities of the transept, a few windows opened also in the lower order of the arcades. A portico surrounded the front and the sides of the church.
In the VII century, the single nave was divided by creating side aisles, obtained by constructing quadrangular pillars that helped to bear the weight of the wide roof.
In the age of Romanesque architecture, the basilica underwent drastic renovation works. The pillars were reduced in number but enlarged in size. Internal buttresses were created and the windows were walled up, in order to reinforce the structure and to better support the new vaulted ceiling and its ribs.
Also the transept was divided into aisles and its windows were made smaller. The last step of the renovation was the creation of the octagonal lantern surrounded on the outside by a slender loggia. Also the façade was restructured, with a beautiful portal and richly sculpted capitals.
In 1552 the bell tower was lowered in order to prevent anyone from looking into the castle.
The history of the basilica is linked to the Battle of Legnano, in which the Lombard League prevailed upon Barbarossa with the help - according to the legend – of martyrs, whose relics are still venerated in the church. In the XV century side chapels were added and the porticoes were demolished.
An abbot provided that a fresco of the Coronation of the Virgin was painted in the apse. In the XVI century the Benedictine monks took over from the Cluniacs. To this period dates the creation of the two cloisters and of the wooden choir, designed by Giuseppe Meda.
In 1841 the church was severely altered by a restoration. An altar was installed, which partially hides the fresco of Bergognone. In 1870 architect Maciachini restored the façade.
Post-war restorations have returned the basilica to its former glory.
Chiesa di San Giorgio
La chiesa di San Giorgio a Mandello è un piccolo gioiello d'arte. Fu fondata nell'alto medio evo subendo poi poche modifiche. Gli affreschi sono fatti risalire al decennio 1475 - 1485 e sono di notevole impatto visivo , in particolare i due cicli contrapposti sul lato a sinistra (le virtù e la resurrezione dei corpi con la salita al paradiso) e quello posto nel lato a destra (i sette vizi capitali e l'inferno)
( Discovering Milan 3 ) Bramante at Santa Maria by San Satiro in Milan
This video for yesmilano.com will make you discover a surprising complex of buildings, hidden in the heart of Milano, and little known in spite of being close to the world-famous Duomo. It is the Church of Santa Maria presso San Satiro. Many great artists left their mark in the construction and decoration of it.
An Italian edition of this video is available also on Andrea Rui’s YouTube Channel . The English text and narrating voice are those of Carlo Rolle, whose YouTube channel deals with ancient and medieval history.
Behind the simple façade of a church half-hidden by a curtain of buildings, you can find a little-known gem of the Lombard Renaissanc: an amazing trompe l’oeil painted by Donato Bramante.
Towards the end of the XV century, the young architect was put in charge of the construction of a new church around an image of the Virgin, considered miraculous because it had shown signs of bleeding after being hit with a knife. This sacred image, was painted on a wall near to the ancient sacellum of San Satiro.
In 1483, the main parts of the new church had been completed. The area made available to Bramante for the construction was limited by houses and by a road, called Contrada del Falcone.
Bramante built a church with a T-shaped ground plan, a large central nave and two lateral aisles that extended to the transept, but he did not have room to build a choir. Therefore, by creating the optical illusion of depth with the artifice of perspective, he painted a trompe l’oeil of a choir, creating the illusion of a nave also on the south side the transept.
At the crossing between the central nave and the transept, rises the cupola, illuminated by a small lantern at the top. The cupola is connected to the pillars by four pendentives. In each of them, a tondo shows one of the four Evangelists, painted by Bramantino. The decorative band at the base of the cupola is marked by tondi in terracotta with busts of prophets, a work by Agostino de Fondulis.
The overall pictorial project for the church was entrusted to Ambrogio Bergognone, who also intervened directly on several paintings. On the right side of the church is the octagonal sacristy built on two levels. On the upper level, there is a loggia with double-arched windows, illuminated by small circular openings. The sacristy receives light also from eight large windows in the cupola and from the skylight.
In 1871, architect Vandoni completed the church’s façade, which had been left unfinished until then.
The history of the church of Santa Maria is closely related to that of the sacellum of San Satiro, next to the left transept of the church. The sacellum was built at the end of the IX century by the Archbishop of Milan, Ansperto da Biassono, as a private chapel together with a cell for the monks of the monastery of Sant’Ambrogio and with an hospice for sick and poor people and for the pilgrims.
The ground plan of the sacellum has the form of a Greek cross inserted into a square. Its architecture reminds us of Byzantine architecture but also of the chapel of Sant'Aquilino in the basilica of San Lorenzo in Milan. In 1400, the sacellum was restored, probably in accordance with a project of Leonardo da Vinci.
The church tower is on four levels, separated by indented ledges and hanging arches. Its openings become larger on the upper floors, up to the elegant double-arched window of the belfry. Built in the XI century, this is Milan’s oldest church tower, after that of Sant’Ambrogio and it used to be a landmark for pilgrims in search of hospitality.
Tour Venezia - San Giorgio Maggiore | Book Your Tour with EuropeanVisionTravels
San Giorgio Maggiore is a 16th-century Benedictine church on the island of the same name in Venice, northern Italy, designed by Andrea Palladio, and built between 1566 and 1610. The church is a basilica in the classical renaissance style and its brilliant white marble gleams above the blue water of the lagoon opposite the Piazzetta and forms the focal point of the view from every part of the Riva degli Schiavoni.
The view of the San Giorgio Maggiore island is one that every visitor of Venice recognizes, and it is probably amongst the most photographed sites in the city. The island is however much more than a nice image. It is a perfect, quiet area to enjoy the beauty of Venice and to immerse yourself in history.
The origins of San Giorgio Maggiore date back to 790, when a first church was built on what was then called the island of the cypresses. In 982, Doge Tribuno Memmo gave the island to the Benedictine monk Giovanni Morosini to found a monastery. Unfortunately, an earthquake destroyed all the buildings on the island in 1223 and everything had to be rebuilt. The island stayed in the hands of the Benedictines until the early 19th century when Napoleon claimed it as a military area. He built a warehouse for the artillery and a dock with two small towers, which can be seen from the Riva degli Schiavoni. When Count Vittorio Cini bought the island in 1951, the monastery was destroyed after almost 150 years of military occupation. In honour of his son Giorgio, he wanted to restore it to its original beauty, to create an international cultural centre and to re-integrate the San Giorgio Maggiore island into the life of Venice.
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04. San Maurizio al Monastero Maggiore | Milano Slow Tour in video
La chiesa di San Maurizio al Monastero Maggiore è la Cappella Sistina di Milano, con i suoi circa 4000 metri quadrati di affreschi appena restaurati in quello che era un monastero Benedettino, dipinti da alcuni dei più famosi pittori Milanesi e Lombardi del XVI secolo, come Bernardino Luini.
Scopriamo la storia della Badessa a capo della vasta comunità di monache e cosa ha a che fare Leonardo con questo luogo.
Italia Slow Tour è un progetto dei famosi Turisti per Caso Patrizio Roversi e Syusy Blady, che da anni accompagnano il pubblico a conoscere le bellezze del mondo e dell'Italia.
Sono loro a guidarci con una serie di video alla scoperta della nostra città e delle sue bellezze (note o nascoste) a bordo di una bici.
04. Church of San Maurizio al Monastero Maggiore
The Church of San Maurizio al Monastero Maggiore is some kind of Milan’s own “Sistine Chapel”, with almost 4000 square meters of renovated frescoes in the Benedectine Monastery, painted by some of Milan’s and Lombardy’s most famous 16th-century artists, like Bernardino Luini.
Discover the history of the Abbess who led the Monastry and its wide religious community and what does Leonardo Da Vinci have to do with all that.
Italia Slow Tour is a project by the famous ‘Turisti per Caso’ hosts Patrizio Roversi and Syusy Blady who, for many years, have been introducing the public to the beauty of the world and of Italy.
They will be our guides with a series of videos to discover Milan and its splendours (well-known or lesser-known) aboard a bike.
Milano Chiesa di San Maurizio al Monastero Maggiore
San Maurizio al Monastero Maggiore è una chiesa di Milano di origine paleocristiana, ricostruita nel Cinquecento e già sede del più importante monastero femminile della città appartenente all'ordine benedettino.
la chiesa dell’ex Monastero Maggiore, il più vasto e antico cenobio femminile di Milano: fu iniziata nel 1503 non solo per la cittadinanza ma anche per le monache di clausura, che però non potevano entrare in contatto con il pubblico. Ecco allora la singolare divisione della chiesa in due metà: quella verso la strada - la parte pubblica - è separata da un tramezzo dal cosiddetto Coro delle Monache, riservato alle sole religiose (che sentivano Messa e si comunicavano grazie a una grata posta sul tramezzo stesso).
Ma lo spettacolo è dato soprattutto dalla decorazione. Alle pareti e sul soffitto, è un tripudio di dipinti, stucchi, affreschi che ricoprono ogni spazio, sia nella parte pubblica sia nel Coro delle Monache. Il genius loci è Bernardino Luini, che vi operò con la sua scuola dal 1522 al 1529, ritraendo storie di santi, parabole, episodi della vita di Cristo e biblici. Una straordinaria espressione della pittura rinascimentale lombarda, tanto che il ciclo di affreschi è stato definito da Vittorio Sgarbi “la Cappella Sistina di Milano
Saint Maurice at the Monastery Maggiore is a early-Christian church of Milan, rebuilt in the sixteenth century and already home to the most important Benedictine monastery in the city.
the church of the former Monastery Maggiore, the largest and oldest female in Milan, was started in 1503 not only for citizenship but also for nuns who were cloistered but could not get in touch with the public. Here is the singular division of the church in two halves: the one on the street - the public part - is separated by a socket called the Nuns' Choir, reserved for religious only ones (who felt Mass and communicated thanks to a grate placed on the staircase itself ).
But the show is mainly given by the decoration. On the walls and ceiling, it is a triumph of paintings, stuccoes, frescoes covering every space, both in the public and in the Native Choir. The genius loci is Bernardino Luini, who worked with his school from 1522 to 1529, portraying stories of saints, parables, episodes of Christ's life, and bible. An extraordinary expression of Renaissance painting in Lombardy, so that the cycle of frescoes was defined by Vittorio Sgarbi the Sistine Chapel of Milan
music : audio Youtube 1812_ overture_by_Tchaikosvky mp3
Places to see in ( Ferrara - Italy ) Basilica Cattedrale di San Giorgio Martire
Places to see in ( Ferrara - Italy ) Basilica Cattedrale di San Giorgio Martire
Ferrara Cathedral is a Roman Catholic cathedral and minor basilica in Ferrara, Northern Italy. Dedicated to Saint George, the patron saint of the city, it is the seat of the Archbishop of Ferrara and the largest religious building in the city. The cathedral stands in the city centre, not far from the Palazzo Comunale and the famous Castello Estense and is connected to the Archbishop's Palace by a covered passage.
Construction of the present building began in the 12th century, when the city was being extended towards the left bank of the Po River; the new cathedral was consecrated in 1135. The former cathedral, also dedicated to Saint George, still stands on the right bank of the river outside the city walls and is now known as St George's Basilica Outside the Walls (San Giorgio fuori le mura).
The original Romanesque design is manifest in the façade, which resembles those of Modena and Parma Cathedrals: it is in white marble, with three cusps and a series of loggias, small arcades and rose windows, statues and numerous bas-reliefs. On the right side is a statue of Alberto d'Este, while on the side is a bronze bust of Pope Clement VIII, over an inscription in memory of his capture of the city.
In the centre of the façade is a porch, supported by two columns with Atlases seated on lions at the bases. It is decorated with a Last Judgement by an unknown master and a loggia with a Madonna and Child (a late Gothic addition). The portal is the work of the sculptor Nicholaus, a pupil of Wiligelmus. The lunette shows Saint George, patron saint of Ferrara, slaying the dragon; scenes from the Life of Christ appear on the lintel. The jambs framing the entrance are embellished with figures depicting the Annunciation and the four prophets who foretold the coming of Christ.
The interior, entirely remade in Baroque style after a fire in the 18th century, has a nave and two aisles. It houses bronze statues of the Crucifixion, by Niccolò Baroncelli, and of Saints George and Maurelius, by Domenico di Paris (15th century), as well as a Martyrdom of Saint Lawrence by Guercino (17th century). In the side chapels are a Madonna Enthroned with Saints by Il Garofalo, an Incoronation of the Virgin by Francesco Francia and a Virgin in Glory with Saints Barbara and Catherine by Bastianino, who also painted the Last Judgement in the apse choir (1577-1581).
The Cathedral Museum, housed in the former church of San Romano across the square, houses two works by Cosmè Tura (Annunciation and St. George and the Dragon), the Madonna della melagrana by Jacopo della Quercia and eight tapestries with stories of the two patron saints of Ferrara based on cartoons by Garofalo and Camillo Filippi.
( Ferrara - Italy ) is well know as a tourist destination because of the variety of places you can enjoy while you are visiting Ferrara . Through a series of videos we will try to show you recommended places to visit in Ferrara - Italy
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Natale a Milano
Video of Vittorio Innocente - Even in the rain in Milan, do not miss the Christmas atmosphere. From Cordusio, passing through Piazza Mercanti you can see the tree 30 meters in front of the Duomo. As always many tourists in the Galleria Vittorio Emanuele. Palazzo Marino and the Teatro alla Scala. The Christmas colors of red the gloomy day. From Piazza Fontana you reach the church of San Gottardo in Corte adjacent to the Royal Palace. Continuously moving the tram on Torino rattle near the church San Giorgio.
Video di Vittorio Innocente -- Anche sotto la pioggia a Milano non manca l'atmosfera natalizia. Da Cordusio, passando per piazza Mercanti si scorge l'albero di 30 metri di fronte al Duomo. Come sempre tanti turisti in galleria Vittorio Emanuele. Palazzo Marino e il Teatro alla Scala. Il mercatino natalizio colora di rosso la giornata uggiosa. Da piazza Fontana si raggiunge la chiesa di San Gottardo in Corte adiacente a Palazzo Reale. In continuo movimento i tram in via Torino sferragliano vicini alla chiesa San Giorgio.
Palazzo San Giorgio Genova
visita virtuale all'interno di Palazzo San Giorgio Genova
VENICE, priceless art inside the 15th century CHURCH of ST ZACHARIAH (SAN ZACCARIA)
SUBSCRIBE: - Let's go visit the magnificent Church of San Zaccaria which is a 15th-century former monastic church in central Venice, Italy. It is a large edifice, located in the Campo San Zaccaria, just off the waterfront to the southeast of Piazza San Marco and St Mark's Basilica. It is dedicated to St. Zechariah, the father of John the Baptist.
The church houses one of the most famous work by Giovanni Bellini, the San Zaccaria Altarpiece. The walls of the aisles and of the chapels host paintings by other artists including Andrea del Castagno, Palma Vecchio, Tintoretto, Giuseppe Porta, Palma il Giovane, Antonio Vassilacchi, Anthony van Dyck, Andrea Celesti, Antonio Zanchi, Antonio Balestra, Angelo Trevisani and Giovanni Domenico Tiepolo.
Venice, the capital of northern Italy’s Veneto region, is built on more than 100 small islands in a lagoon in the Adriatic Sea. It has no roads, just canals – including the Grand Canal thoroughfare – lined with Renaissance and Gothic palaces. The central square, Piazza San Marco, contains St. Mark’s Basilica, which is tiled with Byzantine mosaics, and the Campanile bell tower offering views of the city’s red roofs.
Italy, a European country with a long Mediterranean coastline, has left a powerful mark on Western culture and cuisine. Its capital, Rome, is home to the Vatican as well as landmark art and ancient ruins. Other major cities include Florence, with Renaissance masterpieces such as Michelangelo’s David and Brunelleschi's Duomo; Venice, the city of canals; and Milan, Italy’s fashion capital.
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Civico tempio di San Sebastiano
Lungo la via Torino, a Milano, si incontra la chiesa di San Sebastiano. L'attuale edificio a pianta centrale fu progettato da Pellegrino Tibaldi per esplicito intervento di Carlo Borromeo; i lavori furono poi eseguiti da Meda e Barca fino al 1616 modificando il progetto originario. La struttura fu ispirata alla basilica di San Lorenzo, agli edifici paleocristiani e al Pantheon di Roma. All'interno troviamo conservati gli stemmi dei rioni cittadini che qui si riunivano nelle feste patronali.
Milano BASILICA SAN SIMPLICIANO
Milano BASILICA SAN SIMPLICIANO
È UNA BASILICA PALEOCRISTIANA, PROBABILMENTE, VOLUTA DA SANT'AMBROGIO.
IN ORIGINE ERA CONOSCIUTA COME BASILICA VIRGINUM; POI FU DEDICATA AL VESCOVO CHE NE COMPLETÒ LA COSTRUZIONE E CHE DOPO AMBROGIO FU VESCOVO DI MILANO.
CONTIENE LE SPOGLIE DEI SANTI DELL' ANAUNIA SISINNIO ED ALESSANDRO, MARTIRIZZATI NEL TRENTINO ALTO ADIGE.
Chiesa Di San Giorgio In Velabro & Arco Di Giano, Roma
A little walk in Rome visiting the church of St. Giorgio in Velabro and the Arch of Giano (close to it).
Passeggiata Romana: visita alla chiesa di San Giorgio in Velabro e l'arco di Giano.