30 Americans at the Rubell Family Collection
| The current exhibition at the Rubell Family Collection is made up of work by 31 African American artists. It shows more than 200 works of art, occupying the entire 45,000-square-foot exhibition space of the Rubell Family Collection. The show is called 30 Americans and is a portrait of contemporary African-American art.
The artists presented are: Nina Chanel Abney, John Bankston, Jean-Michel Basquiat, Mark Bradford, Iona Rozeal Brown, Nick Cave, Robert Colescott, Noah Davis, Leonardo Drew, Ren?e Green, David Hammons, Barkley I. Hendricks, Rashid Johnson, Glenn Ligon, Kalup Linzy, Kerry James Marschall, Rodney McMillian, Wangechi Mutu, William Pope.L, Gary Simmons, Xaviera Simmons, Lorna Simpson, Shinique Smith, Jeff Sonhouse, Henry Taylor, Hank Willis Thomas, Mickalene Thomas, Kara Walker, Carrie Mae Weems, Kehinde Wiley, Purvis Young.
30 Americans. Rubell Family Collection, Miami. Impressions from the Private View on December 4, 2008.
Damien Cruz - Cuban American Artist
Damien Cruz - Cuban-American Artist
Miami, Florida (United States)
Damien Cruz was born in Havana, Cuba, and lived there until 1999, when he emigrated to the United States. Currently he lives and works in Miami, Florida.
As a child he spent long hours drawing. At 16,a professor of Art saw some of his paintings and decided to help him further his career by accepting him in his workshop. A few years later he entered the prestigious San Alejandro Academy of Fine Arts, where he was placed directly at the fourth-year level of the program.
His paintings reflect his experience and emotions. In most cases the subject matter is based on both his memories of Cuban landscapes and his imagination.
The present collection is a sample of works created over the past several years.
Gustavo Pérez Monzón: Tramas / Cisneros Fontanals Art Foundation (CIFO), Miami
With Tramas, the Cisneros Fontanals Art Foundation (CIFO) presents the first solo exhibition in the United States of the Cuban artist Gustavo Pérez Monzón. Drawn from the Ella Fontanals-Cisneros Collection, the show features newly realized site-specific artworks, as well as historical drawings, and installations. Curated by Elsa Vega and René Francisco Rodríguez, the retrospective traces Pérez Monzón’s career through one of this most prolific periods. The show brings together more than 70 works created between 1979 and the late 1980s, the final decade that the artist lived and worked in Cuba. Among the works on display is Gustavo Pérez Monzón’s space-filling installation Vilos (1981/2015), a web of elastic threads on which small stones are suspended. The exhibition at the CIFO Art Space runs until May 1, 2016.
Gustavo Pérez Monzón: Tramas. Selected Works from the Ella Fontanals-Cisneros Collection. Cisneros Fontanals Art Foundation (CIFO), CIFO Miami Art Week Brunch, Miami, December 4, 2015.
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Art TV pioneer Vernissage TV provides you with an authentic insight into the world of contemporary fine arts, design and architecture. With its two main series No Comment and Interviews, art tv channel VernissageTV attends opening receptions of exhibitions worldwide, interviews artists, designers, architects. VTV provides art lovers with news, reports and features from the international art scene. VernissageTV: the window to the art world. Das Fenster zur Kunstwelt. La fenêtre sur le monde de l'art. A janela para o mundo da arte. La ventana al mundo del arte. نافذة على عالم الفن. 到艺术世界的窗口。Окно в мир искусства. Since 2005.
Artivi - French Kissin in the U.S.A. @ The Moore Space
Vernissages:
The Moore Space, Miami, U.S.A
French Kissin in the U.S.A
Rosa de la Cruz, collector
Silvia Karman Cubiña, Director of the Moore Space
Production: Marc Gusils for Artivi
Music Design: Claude Sérieux
Carlo Cruz-Diez artist video solo exhibition Dep Art Gallery Milan solo show Italy 2019 Cruz Diez
Carlos Cruz-Diez.
Colore come evento di spazi
critical essay by Francesca Pola
October 9, 2019 - January 21, 2020
The first solo exhibition of Carlos Cruz-Diez after his recent death is going to take place at Dep Art Gallery in Milan as from October 9.
Open until January 21, 2020 the exhibition “Carlos Cruz-Diez. Colore come evento di spazi” – in collaboration with Articruz – will trace the main steps of the Franco-Venezuelan artist’s journey through sixteen great works, highlighting the originality of his research, with works from five of his most significant series – Couleur Additive, Physichromie, Induction Chromatique, Chromointerférence, Couleur à l'Espace – as well as an interactive artwork specifically adapted for the spaces of the Milanese gallery: Pyramide d'Interferences Chromatiques (2018).
Considered one of the main exponents of Kinetic and Op-Art, he established himself as one of 20th century leading thinkers in the field of colour, and his artworks are in the most prestigious museums of the world, such as MoMA Museum of Modern Art in New York, Tate Modern in London, Musée d’Art Moderne de la Ville de Paris and Centre Georges Pompidou in Paris, Museum of Fine Arts in Houston, and Wallraf-Richartz Museum in Cologne.
The title of the exhibition, “Colore come evento di spazi” (Color as an Event of Spaces), recalls the basis of the Cruz-Diez’s research, focused, since the 1960s, on the perceptive investigation of colour seen not as the element of an artwork but as a real event.
For instance, the works of the Couleur Additive series – in the exhibition with some other important works such as Color Aditivo Yuruani (2017, chromography on aluminium, 80x240 cm) – are based on colour radiation: when one colour interacts with another one, a darker vertical line appears at the point of contact. This virtual line generates a third colour that has not been laid by the artist.
Colour becomes the subject of an optical-kinetic research declined not only on the visual surface but in the physical and concrete space of the sensory experience. As recalled by Francesca Pola, author of the catalogue essay, as early as 1963 the artist described his Physichromie – one of the main nuclei of the exhibition – according to this key: “The Physichromie – these changing structures projecting the colour of the surface in space, create an atmosphere that varies with the intensity and position of the light, with the position and distance of the viewer – bring together three modes of colour, touching almost obsessive emotional states: addition, reflection, subtraction.”
Furthermore, Couleur à l'Espace - of which two works are exhibited here - is part of the experiments which Cruz-Diez made on the irradiated colour since 1959. By placing a metal rod on the multi-coloured surface, a spectrum of new colours emerges, then the observer can autonomously “create” and transform it by moving in space and changing the light conditions.
From the late 1950s, the work of Cruz-Diez was focused on these coordinates, in a context that sees him active in a close dialogue with the emerging trends of international kineticism. His work is immediately characterized by the bright dynamism of colour, in a continuous vibration determined by the mutual relations of addition and subtraction, reflexes and interferences, saturations and projections. For Cruz-Diez, colour is not a compositional or symbolic element, but rather a real matter that gives the possibility of creating an autonomous emotional space, where the spatial event materializes before our eyes and is continually reconfigured through our perceptive-sensory dynamics. What interests him is a colour “in real time”, that he modulates and declines with scientific precision in the perceptively significant relationship, and never in the mere decorative juxtaposition.
The exhibition is completed by a catalogue in two languages - Italian and English - with a critical essay by Francesca Pola.
Carlos Cruz-Diez.
Colore come evento di spazi
con testo critico di Francesca Pola
9 ottobre 2019 - 21 gennaio 2020
Si svolge alla Dep Art Gallery di Milano, a partire dal 9 ottobre, la prima mostra personale di Carlos Cruz-Diez dopo la sua recente scomparsa.
Fino al 21 gennaio 2020 la mostra “Carlos Cruz-Diez. Colore come evento di spazi” - realizzata in collaborazione con Articruz - ripercorre attraverso sedici grandi opere le fasi salienti del percorso dell’artista franco-venezuelano e ne mette in luce l’originalità della ricerca includendo lavori tratti da cinque delle sue serie più significative - Couleur Additive, Physichromie, Induction Chromatique, Chromointerférence, Couleur à l'Espace - oltre a uno spazio interattivo riadattato appositamente per la galleria milanese: Pyramide d'Interferences Chromatiques (2018).
The Museum of Latin American Art (Molaa) on PostcardsLA with Mike Ryan
The Museum of Latin American Art (MOLAA) in Long Beach, California was founded by Dr. Robert Gumbiner in November 1996. It is the only museum in the western United States that exclusively features contemporary Latin American art. Through the utilization of its permanent collection, traveling exhibitions, and programs, molaa educates a diverse Southern California audience about contemporary Latin American art.
Luis Cruz Azaceta - Rafter: Hell Act II
Interview in English with the Artist, Luis Cruz Azaceta, Cuba for the exhibition Order, Chaos, and the Space Between: Contemporary Latin American Art from the Diane and Bruce Halle Collection at Phoenix Art Museum
ArteAmericas - The Latin American Art Fair 2012
Arteaméricas is the premier fair of art from Latin America. Returning for its tenth installment in 2012, it will showcase the latest trends in paintings, sculpture and multimedia. Galleries from all over Latin America will be participating, representing hundreds of emerging artists and renowned masters. The fair takes place in Miami Beach, drawing a diverse and upscale audience to enjoy high-quality art within an intimate setting. arteaméricas is not only the Latin American art fair, but also the art fair of the Americas.
Silent auction of important work of Venezuelan Master Carlos Cruz-Diez to benefit Art In Public Places.
MIAMI BEACH, FL -- arteaméricas, the premier fair of art from Latin America, will be returning for its tenth consecutive year. Starting on Saturday, March 3rd through Monday, March 5th, 2012, arteaméricas will showcase the latest trends in paintings, sculpture and multimedia from contemporary artists as well as renowned masters at the Miami Beach Convention Center.
Right now, Latin American art is hot. It was the subject of conversation at Art Basel and the satellite fairs. The co-directors of Art Basel Miami Beach mentioned Latin America numerous times in an interview for the official magazine of the fair. ARCO, the acclaimed fair in Madrid focused on Latin American art in their ads. At the Venice Biennale, Allora & Calzadilla represented the United States, and the MOMA in New York City has a major exhibit of Diego Rivera's murals.
The best galleries from all over Latin America, the United States, the Caribbean, Canada and Europe will be participating. The three-day arteaméricas event will feature works by internationally recognized artists and sculptors. Likewise, vanguard contemporary artists will be on hand in order to exhibit their works as the latest in Latin American modern art.
arteaméricas is a place where art collectors and art professionals alike gather among the present trends in paintings, sculptures, and conceptual art multimedia that distinguish the region's art. In 2011, the fair had more than 50 galleries taking up more than 80 spaces and showcasing more than 300 artists. The artists represented by the galleries hail from every country in the Americas and Spain. This year, the fair organizers are developing a special tribute to Argentina. The country will be showcased through its art, which is of high quality and innovation. The legendary Argentinean gallery, Galleria Rubbers, will be at the fair. Also, several other prestigious Argentinean galleries and institutes will be on board to showcase their art.
Organized by Dr. Marijean Miyar, arteaméricas 2012 will bring back Art Talks, a series of four discussion tables aimed at furthering the understanding of the visual arts, biennial productions and collecting practices. The panels are structured to promote reflection and critical analysis of issues relevant to biennial directors, curators and artists, as well as the formation of private and public collections. Topics will include everything from photography to a talk by renowned artist Carlos Cruz-Diez.
Art Talks 2012 will take place in the Salón arteaméricas, furnished by Poltrona Frau. This area will have theater-type and will also be showing video art throughout the fair's three day run.
In 2012, arteaméricas will introduce its FOTOAMERICAS section, a photography exhibition open to artists from all nationalities.
The art available at arteaméricas ranges from $2,000 to approximately one million dollars.
arteaméricas is headed by Leslie Pantín; Emilio Calleja; Dora Valdés-Fauli, Fair Director; María Nápoles, Executive Director; and Othón Castañeda, Associate Director and Director of Salón arteaméricas, Marijean Miyar. For more information, visit arteaméricas online at the newly redesigned arteamericas.com.
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2012 sponsors
American Airlines - Bacardi - FedEx
The Miami Herald & El Nuevo Herald - Comcast -- Radio Caracol
Cadillac -- Poltrona Frau -- Tiffany & Co. -- Selecta Magazine - Saks Fifth Avenue
Miami Dade College --Art Circuits -- Collectrium -- AT&T
Overseas Partners Realty -- Café Bustelo -- Fortune International Realty
ArtDistricts, ArtPulse, Arte!Brasileiros, Miami Art Guide, ArtNexus, Arte Al Límite, Artes, Irreversible,
Arte Al Día Internacional, Splendid, Latin Business Chronicle, Latin Trade, What Miami, Llei D'art
Prestigious Art Institutions and Foundations that support arteaméricas:
Bass Museum of Art, Lowe Art Museum, MAM (Miami Art Museum), MOCA (Museum of Contemporary Art), Vizcaya Museum & Gardens, Centro Cultural Español, Instituto Cultural de Mexico, the Fort Lauderdale Museum of Art and the Patricia & Phillip Frost Art Museum
Aaron Curry on Pablo Picasso /// Artists on Art
LACMA’s Artists on Art videos offer insights into works in the museum’s encyclopedic collection that have inspired and informed artists working today. Looking at art through their eyes, we hear directly from artists about works that intrigue them and have fed their own creativity.
For Artists on Art, Aaron Curry speaks on Centaur by Pablo Picasso.
Aaron Curry melds pop culture, surrealism, and modernism, creating a futuristic vision from historical styles of abstract art. His sculptures and paintings—made of wood, metal, fiberglass, or cardboard; silk-screened or spray-painted; often neon-colored and sometimes wonderfully oversized—draw upon familiar forms to suggest another space-time. Solo exhibitions of his work have taken place at CAPC Musée d’Art Contemporain de Bordeaux, France; the Rubell Family Collection, Miami; Lincoln Center for the Performing Arts, New York; and the High Museum of Art, Atlanta.
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About LACMA
Located on the Pacific Rim, LACMA is the largest art museum in the western United States, with a collection of nearly 140,000 objects that illuminate 6,000 years of artistic expression across the globe. Committed to showcasing a multitude of art histories, LACMA exhibits and interprets works of art from new and unexpected points of view that are informed by the region’s rich cultural heritage and diverse population. LACMA’s spirit of experimentation is reflected in its work with artists, technologists, and thought leaders as well as in its regional, national, and global partnerships to share collections and programs, create pioneering initiatives, and engage new audiences.
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Rouse Visiting Artist Lecture: Raf Simons and Sterling Ruby with Jessica Morgan
Please join us for our final Rouse Visiting Artist program of the spring, an evening with Raf Simons, Chief Creative Officer at Calvin Klein, and LA-based visual artist, Sterling Ruby. Simons and Ruby have been friends and collaborators for over a decade. This event is a rare opportunity to hear Simons and Ruby talk about their process and their work. The two will be joined by Jessica Morgan, Director of the Dia Art Foundation, for a conversation about the overlapping worlds of design, fashion, and contemporary art.
Raf Simons serves as the Chief Creative Officer of Calvin Klein, Inc. In this role, Mr. Simons leads the creative strategy of the CALVIN KLEIN brand globally across the designer, contemporary, bridge, jeans, underwear and home categories in addition to overseeing all aspects of Global Marketing and Communications, Visual Creative Services and Store Design.
Mr. Simons was born and raised in Belgium, where he later studied and obtained a degree in industrial and furniture design. In 1995, he launched his eponymous line, Raf Simons. In 2005, he was appointed creative director of Jil Sander, where he served at the helm for seven years. Mr. Simons assumed the position of creative director at Dior in 2012, a position he held until 2015.
Mr. Simons lives and works in New York City.
Sterling Ruby was born in 1972 on Bitburg Air Base in Bitburg, Germany. He graduated in 1996 from the Pennsylvania School of Art and Design, Lancaster. Ruby received his B.F.A. in 2002 from the School of the Art Institute of Chicago, Illinois, and his M.F.A. in 2005 from the Art Center College of Design, Pasadena. Ruby’s work has been featured in numerous solo and group exhibitions. Recent solo exhibitions include “CHRON II,” Fondazione Memmo Arte Contemporanea, Rome (2013, traveled to Kunsthalle Mainz, Germany); “DROPPA BLOCKA,” Museum Dhondt-Dhaenens, Belgium (2013); Baltimore Museum of Art, Maryland (2014); “STOVES,” Musée de la Chasse et de la Nature, Paris (2015); and the Belvedere Museum, Vienna (2016). Ruby’s work is featured in museum collections worldwide, including the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Museum of Contemporary Art, Chicago; Museum of Contemporary Art, North Miami; Museum of Contemporary Art, Los Angeles; Los Angeles County Museum of Art, California; San Francisco Museum of Modern Art, California; Montreal Museum of Fine Arts, Quebec; Tate, London; Centre Georges Pompidou, Paris; and Moderna Museet, Stockholm.
Jessica Morgan is the Nathalie de Gunzburg Director of Dia Art Foundation. Since joining Dia in January 2015, Morgan has helped advance Dia’s mission by presenting new programs such as, the Dream House by LaMonte Young, Marian Zazeela and Jung Hee Choi as well as new exhibitions of works by Robert Ryman, Hanne Darboven, Kishio Suga, and François Morellet in New York City; new commissions such as Puerto Rican Light by Allora & Calzadilla in Puerto Rico and Particulates by Rita McBride in New York City; and collection displays of Walter de Maria, John Chamberlain, Anne Truitt, and Dan Flavin in Dia:Beacon. Morgan has brought Nancy Holt’s Sun Tunnels to Dia’s collection of Land Art as well as bodies of work by Jo Baer, Joan Jonas, Mario Merz, Robert Morris, and Robert Ryman. This May, Morgan brings Dorothea Rockburne and Mary Corse to Dia:Beacon for long term exhibitions.
Morgan previously served as The Daskalopoulos Curator, International Art, at Tate Modern from 2010-2015 and as a curator at Tate from 2002-2010. Morgan was the Artistic Director of the 10th Gwangju Biennale (2014).
At Tate, Morgan curated The World Goes Pop (2015). She also curated a number of important exhibitions including the retrospectives Saloua Raouda Choucair (2013), Gabriel Orozco (2011), John Baldessari: Pure Beauty (2009), and Martin Kippenberger (2006), as well as the group shows The World as a Stage (2007), Time Zones (2004) and Common Wealth (2003). Morgan also curated the Unilever Series commissions for the Turbine Hall by Tino Sehgal, These associations (2012); Dominique Gonzalez-Foerster, TH.2058 (2008–09); and Carsten Höller, Test Site (2006–07). Additionally, she developed a series of solo exhibitions of international emerging artists including Meschac Gaba, Roman Ondàk, Catherine Sullivan, Simryn Gill, and Brian Jungen in 2005–06.
Morgan was previously Chief Curator at the Institute of Contemporary Art, Boston, where she organized exhibitions of work by, among others, Carsten Höller, Ellen Gallagher, Olafur Eliasson, Rineke Dijkstra, Marlene Dumas, Marijke van Warmerdam, Kerry James Marshall, and Cornelia Parker.
Visiting Artist: Andrea Zittel
Andrea Zittel received a BFA in painting and sculpture (1988) from San Diego State University, and an MFA (1990) in sculpture from the Rhode Island School of Design. In the early 1990s she established her practice in New York, where one of her most visible projects was A-Z East, a small row house in Brooklyn which she turned into a showroom testing grounds for her prototypes for living. In 2008 she moved back to the West Coast, eventually settling in the High Desert region next to Joshua Tree National Park where she founded A-Z West, as well as organized the Smockshop, an artist-run enterprise, and High Desert Test Sites, a series of experimental art sites.
Her work has been included in group exhibitions such as the Venice Bienalle, Doccumenta X, Skulptur Projetke in Munster, and the 1995 and 2004 Whitney Biennials. She has had solo exhibitions at the San Francisco Museum of Modern Art, The Carnegie Museum in Pittsburgh, The Diechtorhallen in Hamburg, The Whitney Museum of American Art at Altria in NY, The Museum for Gegenwartskunst in Basel, and The Louisiana Museum in Denmark. Her traveling survey show Critical Space has exhibited in several locations in the US, and her work was recently highlighted in the exhibition 1:1 at the Schaulager in Basel, Switzerland.
Artists representing some of the most innovative and influential work being done today come to lecture at the University of Oregon. The Department of Art brings in about a dozen artists and critics each year from across the nation and abroad to lecture and meet with students in small groups or individual studio visits. In addition to the support each media area has for such an enterprise, the two annual endowed lectures, the George & Matilde Fowler lecture and the Davis Family Lecture, bring in particularly high-profile artists and critics who challenge our assumptions about art and have broad relevance across media. These public lectures provide not only a unique opportunity to hear directly from artists about their work, but also for students to work with them directly in a more intimate capacity.
Untitled Silence - Won Ju Lim (2011)
The Studio Art Exhibition Program is pleased to present Untitled Silence, a sculpture and video installation by Dartmouth College 2011 spring Artist-in-Residence Won Ju Lim.
Lim was born in Korea in 1968 and received a Bachelor of Science in Architecture from Woodbury University. She went on to receive her MFA from the Art Center College of Design in 1998. Her works have been featured in numerous solo exhibitions that include the Ullens Center for Contemporary Art in Beijing, Galerie Max Hetzler in Berlin, the Vancouver Art Gallery, and the Honolulu Academy of Arts, in addition to group shows at the Hammer Museum, the North Miami Museum of Contemporary Art, and the Seoul Museum of Art. Lim currently lives and works in Los Angeles.
Won Ju Lim seeks to define the body's relationship to space, time and memory through the terms of architecture, sculpture and atmosphere. She typically uses found and made objects, and architectural models in conjunction with projected video. In a recent interview she states: I approach my work with specific formal concerns. I think about materials that create activities when they interact with light. The materials I am attracted to absorb, reflect and transmit direct light, light filtered by film, and video projection. Through these activities, I am interested in producing excess, and thus eventually, creating a fantastical space. Another important formal component of my work is repetition. I often take models of a banal space and repeat them, sometimes hundreds of times, to erase the point of origin. Again through excess, the relationship between the thing and mimicry of the thing becomes complex.
For more information about the Artist-in-Residence and Studio Art programs at Dartmouth, please go to
IKEA FRIHETEN Sofa Bed Review
Here are a couple things I've noticed about the IKEA FRIHETEN sofa bed that you should know about before you buy one yourself.
I think for the features and price the IKEA FRIHETEN sofa bed is one of the best solutions for a modern living room. In this video I go over a the basic features, comfort and a couple other little quirks I've noticed about the IKEA FRIHETEN sofa bed.
Check out the assembly video guide for the IKEA Friheten Sofa bed for more information:
The IKEA Friheten is available directly from IKEA:
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Elisa Silva, “Territorial inequality and the urban Cassandras of our times
As slums emerged in the XX century due to rapid rural-urban migration, modern design discourse had developed an important chapter on multifamily housing that folded neatly into the shelter demands brought on by migration. Decades later, social housing continues to enjoy a prominent seat in design discourse and public policy despite the observable fact that self-built homes have been far more effective in housing important segments of the urban population in cities of the developing world, and have created a considerable proportion of the built environment. The stark territorial inequality this urban reality manifests seemingly remains outside the scope of social housing, and reveals a passive or even evasive response to this “urban Cassandra” of our time.
Inquiries into approaches to territorial inequality pursued by Enlace Arquitectura over the past 11 years include public space making, community engagement projects, public policy and research in urban and rural contexts. Please join this evolving conversation.
Elisa Silva is director and founder of Enlace Arquitectura established in Caracas Venezuela 2007. Projects focus on raising awareness of spatial inequality and the urban environment through public space, the integration of informal settlements and community engagement in rural landscapes. Public space interventions in informal settlements through participatory methodologies are also central to Enlace´s practice, and were recently featured in the XX Architecture and Urbanism Biennial in Valparaiso Chile 2017. Other awards include the XXII Ibero-American Biennale of Architecture and Urbanism for the Sabana Grande Pavement Project in Caracas Venezuela 2012; and the Walk 21 Award for Puerto Encantado Higuerote Venezuela 2015.
Elisa is co-author of Pro-Inclusion: Practical tools for the integral development of Latin American cities (CAF Latin American Development Bank, 2016) and CABA Cartography of the Caracas Barrios 1966-2014 (Fundación Espacio 2015). In 2017, she was awarded a Graham Foundation Grant for the publication Pure Space: Expanding the Public Sphere through Public Space Transformations in Latin American Informal Settlements, (Actar, 2019). In 2011, she received the Wheelwright Fellowship and the Rome Prize from the American Academy in Rome in 2005. She teaches at the Simon Bolívar University in Caracas Venezuela and is a consultant to UN Habitat and CAF. She grew up between St. Louis and Venezuela, and is a graduate of the GSD 2002.
Tsibi Geva - Installation Artist & Painter
MFA Fine Arts presents a talk by faculty member Tsibi Geva, one of Israel’s most prominent artists. Born in 1951 in Kibbutz Ein Shemer, Israel, Geva lives and works in Tel Aviv and New York.
Since 1979 he has exhibited extensively worldwide. Solo exhibitions include the Israel Museum, Jerusalem (1984); Institute of Contemporary Art, Boston (1985); Tel Aviv Museum (1988 and 2008); Haifa Museum, Haifa (2003); The American University Museum at the Katzen Arts Center, Washington, DC (2013); MACRO Testaccio, Rome (2014) and Mönchenhaus – Museum of Modern Art, Goslar (2015). His participation in international group exhibitions include the Kunsthaus Zürich Orangerie Herrenhausen, Hannover (1989); The Jewish Museum, NY (1989), Whitebox, NY (2013); Palazzo Reale, Milan (2006); Martin-Gropius-Bau, Berlin (2005); El Espacio Aglutinador, Havana, Cuba (1998); The Israel Museum, Jerusalem (2012); Tel Aviv Museum of Art (2016); Museum on the Seam, Jerusalem (2010), Dehallen Belfort, Bruges Belgium (2006), and CCA Andratx, Mallorca (2010). His works are included at major public and private collections, among them, The MoMA Collection, NY; The Jewish Museum, New York; Rothfeld Collection, American University Museum, Washington DC; Museum on the Seam, Jerusalem; Tel Aviv Museum of Art; The Phoenix collection; Annina Nosei, NY; Arturo Schwartz, Italy; Donald Rothfeld, NY; Joshoua Gessel, Zurich; Michael Recanati, NY; Monique and Max Burger, Zurich.
Geva is a professor in the MFA Fine Arts program at the School of Visual Arts, NY; the University of Haifa, and Hamidrasha School of Art, Beit Berl College, Israel. He is the recipient of numerous awards and grants, including the Sandberg Prize from The Israel Museum, Jerusalem; the Mendel and Eva Pundik Foundation Prize from the Tel Aviv Museum of Art, and a Lifetime Achievement Award from the Israeli Ministry of Culture.
Meeting China's mega art collector
Chinese businessman Zhang Rui reveals eight-hundred pieces of contemporary works, most of them stored away in his home that doubles as a private art space. Duration: 02:16.
1100 Millecento Condos in Brickell, Only at Josh Stein Realtor Miami Call 305-695-8257
Visit or call 305 695 8257 for more info about 1100 Millecento other Miami Real Estate projects.
Josh Stein is a Top Producing Realtor and specializes in all areas of Miami Real Estate including Luxury Condos, Lofts, Art Deco, Pre-Construction and Penthouses.
1100 Millecento, Brickell Condos for sale by Josh Stein Realtor
1100 Millecento is a high-end luxury residence located in the heart of Miami's vibrant Financial District. Upon entering the double-volume lobby guests and residents are greeted with modern and sleek Italian furniture. 1100 Millecento also boasts an elevated ninth floor resort deck with a heated pool and spa to make even the most well-traveled resident feel on vacation.
Each residence at 1100 Millecento has stainless steel appliances, gas stove kitchens featuring finely detailed Italian cabinetry, and imported stone countertops. In the bathroom, the soaking tub is big enough to sprawl out or enjoy the full standing shower. 1100 Millecento's interior design is conceptualized by Pininfarina. There is gorgeous landscaping fit for royalty adding to the already luxurious residential sun terrace. The infinity pool located on the 43rd floor comes complete with private cabanas. 1100 Millecento also provides exclusive access to Club Mare on Key Biscayne.
As a courtesy, high speed Internet is available in all public spaces. 1100 Millecento has its own private, permanent art collection, as well as an exclusive concierge staff, state-of-the-art screening room, 24-hour valet and security. Plus it's one of the only properties featuring high-speed elevators. 1100 Millecento offers the best of modern Miami living, both aesthetically and actively.
Eco-friendly living meets chic city life at Le Parc Brickell
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Donna De Salvo on the Whitney Museum's America Is Hard to See
Presented by The Arts & the University lecture series at Brown University, De Salvo was a leading figure in the design and relocation of the new Whitney Museum of American Art in downtown New York. As Chief Curator, she worked closely with Renzo Piano on the building’s design, and also led the curatorial team that organized its critically praised inaugural exhibition, America Is Hard to See. Surveying more than 100 years of American Art, America Is Hard to See offered a reappraisal of art of the United States, and an expanded notion of who can be considered an American artist. De Salvo will discuss the curatorial process that informed the building’s architecture, and the thinking behind the opening exhibition.
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Source:
Artist:
Feel The Funk 1:49 Jimmy Fontanez/Media Right Productions Jazz & Blues | Funky
Bar Crawl 3:03 JR Tundra Jazz & Blues | Funky
Keep It Tight 2:19 John Deley Jazz & Blues | Funky
Right Place, Right Time 1:51 Silent Partner Jazz & Blues | Funky
Invisible Pieces 2:14 Silent Partner Jazz & Blues | Funky
Celebration 2:45 Otis McDonald Jazz & Blues | Funky
LA Made: Graffiti Artists Panel With Man One
A panel discussion titled Turning the Ephemeral into the Permanent: L.A. Graffiti Artist Panel in the LA Made series at Los Angeles Public Library featured graffiti artists Man One, Scott “Sourdough” Power, Chaz Bojorquez, Petal, Aiseborn, and Eric Zoueh Skotnes