Regine Schumann @ Dep Art Gallery | exhibition | Colormirror Show in Milan
Regine Schumann. Colormirror
curated by Alberto Zanchetta
Milan, Dep Art Gallery
depart.it
31 October – 26 January 2019
With “Colormirror”, the first solo show in Italy by Regine Schumann, Dep Art gallery continues with its research and promotion artists with important international experience.
With a considerable body of work, the exhibition presents the latest works by an artist who is considered, in virtue of her experiments with acrylic materials, one of the most important innovators in the field of color and cinevisual research.
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#colormirror
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Carlo Cruz-Diez artist video solo exhibition Dep Art Gallery Milan solo show Italy 2019 Cruz Diez
Carlos Cruz-Diez.
Colore come evento di spazi
critical essay by Francesca Pola
October 9, 2019 - January 21, 2020
The first solo exhibition of Carlos Cruz-Diez after his recent death is going to take place at Dep Art Gallery in Milan as from October 9.
Open until January 21, 2020 the exhibition “Carlos Cruz-Diez. Colore come evento di spazi” – in collaboration with Articruz – will trace the main steps of the Franco-Venezuelan artist’s journey through sixteen great works, highlighting the originality of his research, with works from five of his most significant series – Couleur Additive, Physichromie, Induction Chromatique, Chromointerférence, Couleur à l'Espace – as well as an interactive artwork specifically adapted for the spaces of the Milanese gallery: Pyramide d'Interferences Chromatiques (2018).
Considered one of the main exponents of Kinetic and Op-Art, he established himself as one of 20th century leading thinkers in the field of colour, and his artworks are in the most prestigious museums of the world, such as MoMA Museum of Modern Art in New York, Tate Modern in London, Musée d’Art Moderne de la Ville de Paris and Centre Georges Pompidou in Paris, Museum of Fine Arts in Houston, and Wallraf-Richartz Museum in Cologne.
The title of the exhibition, “Colore come evento di spazi” (Color as an Event of Spaces), recalls the basis of the Cruz-Diez’s research, focused, since the 1960s, on the perceptive investigation of colour seen not as the element of an artwork but as a real event.
For instance, the works of the Couleur Additive series – in the exhibition with some other important works such as Color Aditivo Yuruani (2017, chromography on aluminium, 80x240 cm) – are based on colour radiation: when one colour interacts with another one, a darker vertical line appears at the point of contact. This virtual line generates a third colour that has not been laid by the artist.
Colour becomes the subject of an optical-kinetic research declined not only on the visual surface but in the physical and concrete space of the sensory experience. As recalled by Francesca Pola, author of the catalogue essay, as early as 1963 the artist described his Physichromie – one of the main nuclei of the exhibition – according to this key: “The Physichromie – these changing structures projecting the colour of the surface in space, create an atmosphere that varies with the intensity and position of the light, with the position and distance of the viewer – bring together three modes of colour, touching almost obsessive emotional states: addition, reflection, subtraction.”
Furthermore, Couleur à l'Espace - of which two works are exhibited here - is part of the experiments which Cruz-Diez made on the irradiated colour since 1959. By placing a metal rod on the multi-coloured surface, a spectrum of new colours emerges, then the observer can autonomously “create” and transform it by moving in space and changing the light conditions.
From the late 1950s, the work of Cruz-Diez was focused on these coordinates, in a context that sees him active in a close dialogue with the emerging trends of international kineticism. His work is immediately characterized by the bright dynamism of colour, in a continuous vibration determined by the mutual relations of addition and subtraction, reflexes and interferences, saturations and projections. For Cruz-Diez, colour is not a compositional or symbolic element, but rather a real matter that gives the possibility of creating an autonomous emotional space, where the spatial event materializes before our eyes and is continually reconfigured through our perceptive-sensory dynamics. What interests him is a colour “in real time”, that he modulates and declines with scientific precision in the perceptively significant relationship, and never in the mere decorative juxtaposition.
The exhibition is completed by a catalogue in two languages - Italian and English - with a critical essay by Francesca Pola.
Carlos Cruz-Diez.
Colore come evento di spazi
con testo critico di Francesca Pola
9 ottobre 2019 - 21 gennaio 2020
Si svolge alla Dep Art Gallery di Milano, a partire dal 9 ottobre, la prima mostra personale di Carlos Cruz-Diez dopo la sua recente scomparsa.
Fino al 21 gennaio 2020 la mostra “Carlos Cruz-Diez. Colore come evento di spazi” - realizzata in collaborazione con Articruz - ripercorre attraverso sedici grandi opere le fasi salienti del percorso dell’artista franco-venezuelano e ne mette in luce l’originalità della ricerca includendo lavori tratti da cinque delle sue serie più significative - Couleur Additive, Physichromie, Induction Chromatique, Chromointerférence, Couleur à l'Espace - oltre a uno spazio interattivo riadattato appositamente per la galleria milanese: Pyramide d'Interferences Chromatiques (2018).
Henk Peeters Jan Schoonhoven - Zero to infinite - exhibition Dep Art Gallery Milan
On 11 February 2017 the Dep Art Gallery is inaugurating the exhibition titled From ZERO to Infinite with works by Henk Peeters and Jan Schoonhoven.
The exhibition proposes a selection of works by Peeters, created between 1961 and 2005, and twenty-one drawings by Schoonhoven dated between 1962 and 1985, part of the Henk Peeters Collection.
Together with Armando, Jan Hendrikse and Herman de Vries, the two artists founded the Nul Group which reached the height of its success and influence in the two exhibitions held at the Stedelijk Museum in Amsterdam in 1962 and 1965. Outrightly antagonistic towards tradition, the Nul Group shared profound affinities with the ZERO Movement with which it established a fervid and frenetic network of projects, exhibitions and relations that were all of a transnational nature. Organizer and 'architect' of the Dutch art revolution, Nul carried out an important role in defining what is called objective art: that is, an anti-expressionist art that combined the idea of tabula rasa with the concreteness of the object.
The Dep Art Gallery that has always aimed at promoting the art pioneers of the latter half of the Twentieth Century is here acclaiming the leading protagonists of the Nul Group which, in moving within the attractive force of the Zero Movement and the New Tendencies current of Zagreb, crossed paths with artists such as Biasi and Dadamaino - in recent years proposed by Dep Art - together with Fontana, Manzoni and Castellani, among others.
The exhibition's title - From ZERO to Infinite - suggests the key to reading the artistic careers of the two artists. On the one hand Peeters, advocate of the zeroing of artistic categories and of an absolutely ordinary art while, on the other, there was Schoonhoven who had arrived at conceiving a homogeneous work in both time and space, in this way obtaining an infinite and repeatable aesthetic.
Henk Peeters, 1925-2013, The Hague, Netherlands
Jan Schoonhoven, 1914-1994, Delft, Netherlands.
The exhibition is completed by a bilingual catalogue (Italian-English) with a critical text by Alberto Zanchetta.
Henk Peeters - Jan Schoonhoven. From ZERO to infinite.
Dep Art, Via Comelico 40, 20135 Milan (Italy)
11 February - 4 March 2017
Opening hours: Tuesday - Saturday, 10.30 am - 7.00 pm
Dep Art - tel. +39 02 36535620 - art@depart.it - depart.it
Turi Simeti artista mostra opere anni Sessanta galleria Dep Art Milano Italia - Giugno Luglio 2013
TURI SIMETI ANNI SESSANTA 20 giugno / 27 luglio 2013
Galleria Dep Art
Via Mario Giuriati, 9
Milano 20129
tel +39 0236535620
martedì/sabato 15.00-19.00
catalogo con testo di Alberto Zanchetta
Pino Pinelli artista, opere mostra Antologia Rossa alla Galleria Dep Art Milano
Pino Pinelli in mostra alla Galleria Dep Art dal 21 marzo al 30 maggio 2015.
Tutte le opere della mostra.
ArtVerona 2010 Fiera d'arte Art Verona Galleria Dep Art Milano Galliani Omar Guaitamacchi Scanavino
stand Galleria Dep Art Milano
Addamiano, Biasi, Bonalumi, Dadamaino, Galliani, Guaitamacchi, Nigro, Pizzi Cannella, Rognoni, Salvo, Scanavino
Mario Nigro opere mostra Galleria Dep Art Milano 2006.wmv
Pubblicazione edita in occasione della mostra personale
Mario Nigro
Opere di Mario Nigro
22 settembre - 4 novembre 2006
Galleria Dep Art Milano
Testi di Piero Boccuzzi e Stefano Castelli
musiche di Leonardo Cerruti
SALVO Arte fiera bologna 2010 Salvatore Mangione opere mostra Dep Art Milano.wmv
video della mostra personale
Salvo
Récits
Arte Fiera Bologna 2010 - stand monografico
e dal 5 marzo - 30 aprile 2010
Galleria Dep Art Milano
catalogo a cura di Alberto Zanchetta
MiArt 2012 Mi Art NIGRO DADAMAINO opere Galleria Dep Art Milano
MiArt 2012: anteprima delle opere che saranno presentate durante la manifestazione fieristica. Saranno esposte opere di Mario Nigro e Dadamaino degli anni '70 tra cui uno splendido Inconscio razionale ed un Concetto strutturale
MiArt 2010 - Mi Art Milano Fiera d'arte internazionale Galleria Dep Art Milano
Stand Galleria Dep Art Milano
26 / 29 marzo MiArt 2010
Fiera Milano (Area Portello)
Franco Rognoni artista mostra personale Galleria Dep Art Milano catalogo.wmv
FRANCO ROGNONI
mostra personale a dieci anni dalla scomparsa
20 marzo - 20 giugno 2009
Galleria Dep Art Milano
catalogo con testo di Sandra Nava
Mario Nigro mostra Galleria Dep Art curata da Federico Sardella (Mario Nigro, 1917 - 1992)
In occasione del centenario della nascita, la galleria Dep Art dedica a Mario Nigro (Pistoia, 1917 – Livorno, 1992) “Le strutture dell’esistenza”, un’ampia mostra con dipinti su tela e opere su carta a cura di Federico Sardella.
Dep Art avvia nel 2006 la sua attività proprio con un’esposizione di Mario Nigro voluta dal gallerista Antonio Addamiano e, nella sua nuova sede di via Comelico - confermando l’interesse e la passione per il suo lavoro - dopo 11 anni dalla prima rassegna a lui dedicata, presenta una serie di opere appartenenti a differenti periodi.
Concentrando l’attenzione sui dipinti nei quali l’artista mette in atto una sorta di codificazione della struttura, la mostra pone in dialogo un gruppo di opere degli anni Cinquanta e Sessanta, caratterizzate da fitte aggregazioni reticolari che tendono alla saturazione della superfice, che diventa così tassello di qualcosa di ampliabile, poste in dialogo con lavori degli anni Settanta, nei quali si concretizzano gli studi sulla linea, protagonista indiscussa delle strutture di Nigro.
Artista fra i più importanti della sua generazione e figura cardine nell’arte italiana, Mario Nigro si è sempre distinto per la sua poetica rigorosa e per la costante ricerca pittorica basata sul colore retta da strutture in divenire, in grado di evolversi sino alla saturazione totale dello spazio dell’opera così come capaci di sfaldarsi, arrivando ad una riduzione minimale e drastica degli elementi che le caratterizzano. La mostra presenterà così dipinti con strutture reticolari, complesse e fortemente vibratili in dialogo con opere essenziali, apparentemente semplici, caratterizzate da spazi meditati e silenzi calibrati, confermando che Nigro non si è mai posto il problema di come riempire o impiegare lo spazio della tela e che tutto il suo procedere resta in bilico fra ricerca del progetto e libertà d’azione, fra caos e ordine, fra strutture che si nutrono dell’esistenza ed esistenza stessa.
“Mi pare che in conclusione mi posso considerare veramente un pittore, nel senso più classico e più essenziale del termine, perché l’obiettivo, reso sempre con maggiore evidenza nel progredire, o comunque nell’evolversi delle mie ricerche, è quello di valorizzare l’elemento fondamentale della pittura, cioè il cromatismo, di liberarlo da tutto quel bagaglio di cultura e di pregiudizi che ne ostacolano l’individuazione poetica e di dargli quel valore di aderenza alla psiche umana per cui la sua essenzialità alienante non è altro che il riflesso dell’esigenza dell’alienazione dell’amore, cosicché si può parlare di ‘metafisica del colore’ ” scrive Nigro nel 1975 a proposito del suo lavoro.La mostra è accompagnata da un volume bilingue (italiano / inglese) realizzato da Dep Art, a cura di Federico Sardella, contenente un testo del curatore, un ampio studio critico di Giovanni Maria Accame, tutte le riproduzioni delle opere esposte, arricchite da una selezione di immagini di repertorio e da apparati bio-bibliografici.
Mario Nigro. Le strutture dell’esistenza
Dep Art
Via Comelico 40, 20135 Milano
1 aprile - 10 giugno 2017
depart.it
art@depart.it
Alberto Biasi Rilievi ottico-dinamici Galleria Dep Art Milano 15 febbraio - 27 aprile 2013
Dopo l'anteprima ad Artefiera Bologna 2013 i capolavori di Alberto Biasi saranno in mostra alla galleria d'arte Dep Art di Milano dal 15 febbraio al 27 aprile 2013.
Saranno esposte 30 opere dal 1960 (Gruppo N) al 2010 ; per l'occasione edito il catalogo ragionato bilingue dei Rilievi ottico-dinamici , curato da Antonio Addamiano e con testo ed intervista di Alberto Zanchetta. Pubblicate 516 opere a colori
Addamiano mostra 2008, Torrione Passari, Chiesa della Morte, Sala dei Templari, Molfetta, Bari
Natale Addamiano
5 / 31 luglio 2008
Esposizioni:
Diari Notturni Chiesetta della morte
Via della Morte -- Molfetta (BA)
Le gravineTorrione Passari
Via Sant'Orsola 7 -- Molfetta (BA)
Notturni Sala dei Templari
Piazza Municipio -- Molfetta (BA)
a cura di
Associazione Grado Zero
catalogo edizioni Dep Art Milano
der ZIRKEL: Wolfram Ullrich Imi Knoebel Günter Umberg Ulrich Erben Fruhtrunk Gaul - Dep Art Gallery
In homage to German abstract art, Dep Art Gallery is organizing an exhibition dedicated to Günter Fruhtrunk (München, 1923 – 1982), Winfred Gaul (Düsseldorf, 1928 – 2003), Ulrich Erben (Düsseldorf, 1940), Imi Knoebel (Dresden, 1940), Günter Umberg (Bonn, 1942) and Wolfram Ullrich (Würzburg, 1961). Through a concise dialogue which addresses different generations, the exhibition reveals how the six artists have distinctively approached the study of space, color and geometry.
It is noteworthy that in the arch of half a century, very rarely have Italian exhibitions examined the development of German abstract art. Publications dedicated to this subject are equally scarce. Dep Art Gallery proposes a researched study which dismantles conformism and nationalism with a small but significant group of artists belonging to various generations. In this way, it allows us to reconsider the latest abstraction developments and productions from the Teutonic region.
To conduct a thorough investigation, Günter Fruhtrunk and Winfred Gaul were summoned as bastions for a study which draws from Josef Albers’ lessons, sanctioning a revival of abstract painting from the middle of the last century. Represented by Ulrich Erben, Imi Knoebel and Günter Umberg, artists from successive generations will continue to question and reinvent geometric structures, challenging the laws of monochrome. In particular, Knoebel will introduce the “imbalance between interior and exterior,” a concept on which his successors will insist. This is exemplified by Wolfram Ullrich who characteristically decentralizes geometry toward the perimeter of his works.
The six chosen artists - which identify many exempla and variations on the theme - will make exhibition viewers reflect on the essence of the Latin word abstrahere (“abstraction” or literally “to draw out”). The works on display will allow viewers to “detach” and “translate” in geometric forms the need for a change from the past.
The exhibition is accompanied by a bilingual volume (Italian/English) realized by Dep Art, curated by Alberto Zanchetta, with an essay written by the curator, as well as reproductions of all the works on display.
der ZIRKEL - Six Variations on the Theme
Dep Art Gallery
Via Comelico 40, 20135 Milan
June 21 – July 29, 2017
art@depart.it - depart.it
Art Verona 2011 ArtVerona Dep Art Milano Alberto Biasi Adami Valerio
Stand Art Verona 2011
Galleria Dep Art
Artisti: Adami Valerio, Addamiano Natale, Biasi Alberto, Dadamaino, Galliani Omar, Guaitamacchi Jonathan, Nigro Mario, Salvo, Scanavino Emilio.
Natale Addamiano Museo Archeologico Paestum Luca Beatrice.wmv
Video della mostra personale presso il
Museo Archeologico Nazionale di Paestum
Natale Addamiano
Opere 1970-2005
9 luglio - 31 agosto 2006
catalogo con testo di Luca Beatrice
Ludwig Wilding /mostra /exhibition /ausstellung /Arte cinetica /Kinetic art Kinetische /Kunst
Mostra alla Galleria Dep Art Milano opere dagli anni '60 al 2000
Addamiano Natale Art New York [Miami] Art Fair May 2016
Natale Addamiano, Art New York, by Art Miami Art Fair
May 3 - 8, 2016
Pier 94
FASHION SHOP | ART GALLERY, Milano 2011-2017
Fashion shop refurbishing: facade, shop window, furniture, adaptation in art gallery, light design.
Milano, 2011-2017