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HSN | Clever Solutions 12.27.2017 - 06 PM
Discover innovative problem solving products for in and around the home that help make life easier. This one of kind shopping experience will provide tips and tricks to clean, organize and refresh living spaces and make it more fun in the process.
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Calling All Cars: Curiosity Killed a Cat / Death Is Box Office / Dr. Nitro
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Our Miss Brooks: The Bookie / Stretch Is In Love Again / The Dancer
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
Calling All Cars: History of Dallas Eagan / Homicidal Hobo / The Drunken Sailor
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Calling All Cars: Hit and Run Driver / Trial by Talkie / Double Cross
The radio show Calling All Cars hired LAPD radio dispacher Jesse Rosenquist to be the voice of the dispatcher. Rosenquist was already famous because home radios could tune into early police radio frequencies. As the first police radio dispatcher presented to the public ear, his was the voice that actors went to when called upon for a radio dispatcher role.
The iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD Chief Parker became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation. In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the African-American community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
Several prominent representations of the LAPD and its officers in television and film include Adam-12, Blue Streak, Blue Thunder, Boomtown, The Closer, Colors, Crash, Columbo, Dark Blue, Die Hard, End of Watch, Heat, Hollywood Homicide, Hunter, Internal Affairs, Jackie Brown, L.A. Confidential, Lakeview Terrace, Law & Order: Los Angeles, Life, Numb3rs, The Shield, Southland, Speed, Street Kings, SWAT, Training Day and the Lethal Weapon, Rush Hour and Terminator film series. The LAPD is also featured in the video games Midnight Club II, Midnight Club: Los Angeles, L.A. Noire and Call of Juarez: The Cartel.
The LAPD has also been the subject of numerous novels. Elizabeth Linington used the department as her backdrop in three different series written under three different names, perhaps the most popular being those novel featuring Det. Lt. Luis Mendoza, who was introduced in the Edgar-nominated Case Pending. Joseph Wambaugh, the son of a Pittsburgh policeman, spent fourteen years in the department, using his background to write novels with authentic fictional depictions of life in the LAPD. Wambaugh also created the Emmy-winning TV anthology series Police Story. Wambaugh was also a major influence on James Ellroy, who wrote several novels about the Department set during the 1940s and 1950s, the most famous of which are probably The Black Dahlia, fictionalizing the LAPD's most famous cold case, and L.A. Confidential, which was made into a film of the same name. Both the novel and the film chronicled mass-murder and corruption inside and outside the force during the Parker era. Critic Roger Ebert indicates that the film's characters (from the 1950s) represent the choices ahead for the LAPD: assisting Hollywood limelight, aggressive policing with relaxed ethics, and a straight arrow approach.
Suspense: The Bride Vanishes / Till Death Do Us Part / Two Sharp Knives
Together with the Authorized version and the works of Shakespeare, the Book of Common Prayer has been one of the three fundamental underpinnings of modern English. As it has been in regular use for centuries, many phrases from its services have passed into the English language, either as deliberate quotations or as unconscious borrowings. They are used in non-liturgical ways. For example, many authors have used quotes from the prayer book as titles for their books.
Some examples of well-known phrases from the Book of Common Prayer are:
Speak now or forever hold your peace from the marriage liturgy.
Till death us do part, from the marriage liturgy.
Earth to earth, ashes to ashes, dust to dust from the funeral service.
From all the deceits of the world, the flesh, and the devil from the litany.
Read, mark, learn, and inwardly digest from the collect for the second Sunday of Advent.
Evil liver from the rubrics for Holy Communion.
All sorts and conditions of men from the Order for Morning Prayer.
Peace in our time from Morning Prayer, Versicles.
The phrase till death us do part (till death us depart before 1662[5]) has been changed to till death do us part in some more recent prayer books, such as the 1962 Canadian Book of Common Prayer.
References and allusions to Prayer Book services in the works of Shakespeare were tracked down and identified by Richmond Noble (Noble 1935, p. 82). Derision of the Prayer Book or its contents in any interludes, plays, songs, rhymes, or by other open words was a criminal offence under the 1559 Act of Uniformity,[6] and consequently Shakespeare avoids too direct reference; but Noble particularly identifies the reading of the Psalter according to the Great Bible version specified in the Prayer Book, as the biblical book generating the largest number of Biblical references in Shakespeare's plays. Noble found a total of 157 allusions to the Psalms in the plays of the First Folio, relating to 62 separate Psalms—all, save one, of which he linked to the version in the Psalter, rather than those in the Geneva Bible or Bishops' Bible. In addition, there are a small number of direct allusions to liturgical texts in the Prayer Book; e.g. Henry VIII 3:2 where Wolsey states Vain Pomp and Glory of this World, I hate ye!, a clear reference to the rite of Public Baptism; where the Godparents are asked Doest thou forsake the vaine pompe and glory of the worlde..?
More recently, P.D. James used phrases from the Book of Common Prayer and made them into bestselling titles—Devices and Desires and The Children of Men, while Alfonso Cuarón's 2006 film Children of Men placed the phrase onto cinema marquees worldwide.
AIR Dibrugarh Online Radio Live Stream
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PROGRAMME SCHEDULE: For WEDNESDAY 13-11-2019 & THURSDAY 14-11-2019
M.W 529.1m/KHz.567: F.M. 101.30 MHz
PROGRAMME SCHEDULE: DAY: WEDNESDAY DATE: 13/11/2019
TRANSMISSION III (3.28 PM to 10.30 PM)
3.28 AIR Signature Tune/ Opening Announcement:
3.30 Deori Songs: Artist: Jatin Deori & Pty
3.45 Programme in Mijumishimi
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6.10 Vrindagaan:
6.15GAYAN RAIJOR ANUSTHAN/Interview on “Komola Aru Chahor Sammanita Kheti Paddhati”
With Dr. Amrit Borbora. (F/B)
6.45 Sandhiyar Anchalik Batori
6.55 Ajir Prasanga
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7.15 “Karpumpuli” Weekly News Bulletin Kunjalata Mili. (Oi- Nitom)
7.35 Ujjal Bhabishyat Talk on “Nritatwa Bijnanor Pathyakrom Aaru Niyogor Subidha”By Dr. Marami Dutta Talukdar.
7.45 Adhunik Geet: Artist: Syeda Juri Rahman
8.00 Time &Meter Reading: Quotation Parikrama
8.15 Ghazal & Quawali: Artist: Lata Mangeshkar & Jagjit Singh Kishore Kumar, Anwar, Aziz Nazam, Sholapuri
Asha Bhosle, Manna Dey
8.40 Programme Highlight
8.42 Commercial Spot
8.45 Samachar Sandhya:
9.00 News at Nine
9.15 Commercial Spot:
9.16 Bare Rahania: (Assamese Song) Artist: Khagen Mahant
9.25 Nishar Anchalik Batori:
9.30 “Kramasha”(Serial Novel Reading)“Balukat Biyali” Written by: Kailash Sharma
Production & Narration by Jayantajit Das.Part: X
10.00 Classical Music: (Sarangee) Artist: Ud. Sultan Khan Raga: Malkauns
10.30 Close Down.
PROGRAMME SCHEDULE: DAY: THURSDAY DATE: 14/11/2019
TRANSMISSION: I (5.28 AM to 9.35 AM)
5.28 AIR Signature Tune:
5.30 Vandemataram/Opening Announcement Mangal Badya
5.35 Bhaktigeeti:
6.00 News in Hindi:
6.05 Gandhi Chinta & Programme Summary
6.10 Swasthya Charcha: Interview on Congenital Malformations With Dr. Kinkor Mahanta. Interviewer Kartik Sutradhar Part: I
6.15 Teachers Broadcast
6.30 Borgeet: Artist: Geetalin Dutta.
6.45 Folk Music: (Diha Naam) Artist: Krishna Kanta Handique & Pty.
7.05 News in Assamese
7.15 Ajir Dinto (Morning Information Service)
7.30 GEETANJALI: 1.Artist: Jyotish Bhattacharya Lyc: Anuradha Das, Mosi Dia Jodi…2. Artist: Jutika Bhuyan Saikia Lyc: Nurul Haque, Nibir Bonot…3. Artist: Jayantajit Das Lyc: Satyaprabha Das, Sopunor Rupali…4. Artist: Jupitara Buzarbaruah Lyc: Monoroma Borgohain, Ejaak Dhumuha…5. Artist: Juriti Borgohain Lyc: Karabi Deka Hazarika, Mur Gaan Houk…
7.55 Commercial Spot
8.00 Samachar Prabhat
8.15 Morning News
8.30 North East News Bulletin in English
8.35 “SURAR PANCHOI” (Composite) Assamese Film Songs
8.50 Puwar Anchalik Batori
9.00 Jilar Rehrup
9.05 ANTARA (Composit) Hindi Film Songs
9.35 Close Down.
TRANSMISSION II (11.28 AM to 3.30 PM)
11.58 AIR Signature Tune/Opening Announcement
12.00 News in English
12.05 Bhajan: Artist: Mithu Bhattacharjee
12.15 Folk Music: (Lokageet) Artist: Babul Ch. Mahanta & Pty.
12.30 GHARJEUTI (Women’s Programme) Talk on “Sishur Adhikar Aru Surakhya”By Jyotshna Sonowal.
1.00 News in English
1.05 News in Hindi
1.10 Special Children Programme In Connection with Children Day
1.40 News in Assamese
1.50 Adhunik Geet: Artist: Sunil Kakoti.
2.00 Singpho Songs
2.10 Vrindagaan
2.15 Dopahar Samachar
2.30 Western Music
3.00 Close Down.
TRANSMISSION III (3.28 PM to 10.30 PM)
3.28 AIR Signature Tune/Opening Announcement
3.30 Mishing Geet: Artist: Minuta Mili Doley & Pty.
3.45 Programme in Mijumishimi
4.05 Programme in Khampti
4.25 Programme in Wanchoo
4.45 News in Hindi
4.55 News in English
5.00 Programme in Idu
5.20 Programme in Tangsa
5.40 Programme in Nocte
6.00 Anchalik Batori
6.05 Programme Summery
6.10 Vrindagaan
6.15 LAKHIMI: (Gaya Mahilar Anusthan) Interview on “Sishuk Poriskar-Porichonnotar Proti Sojaag Korat Abhibhabokor Bhumika” With Dr. Jeenamoni Saikia
6.45 Sandhiyar Anchalik Batori
6.55 Aajir Prasanga
7.00 News in Hindi
7.05 News in Assamese
7.15 “YUVABANI”: (Youth Programme) Kathare Geetere
7.45 Adhunik Geet: Artist: Sunil Kakoti.
8.00 Time & Meter Reading: Sponsored Programme: GYANMALINI: Dibrugarh University
8.30 Ghazal: Artist: Ashok Khosla
8.40 Programme Highlight
8.42 Commercial Spot
8.45 Samachar Sandhya
9.00 News at Nine
9.15 Commercial Spot
9.16 Bare Rahania: (Semoniar Geet)
9.25 Nichar Anchalik Batori
9.30 Ei Mahor Atithi
10.00 Classical Music: (Vocal) Artist: Ud. Ghulam Mustafa Khan Raga: Hansaddhwani, Basant & Dadra in Misra Pahari
10.30Close Down.
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StarTrek 25th Anniversary Video Game Playthrough Complete Golden Oldies
StarTrek 25th Anniversary Playthrough Complete Golden Oldies
Link:
The player takes on the role of Captain James T. Kirk on board the USS Enterprise, a Starfleet vessel as seen in the American science fiction television series Star Trek: The Original Series. It is split into two main modes, a main bridge view, and a third-person mode whenever an away team is transported to a planet or space station.During several combat sequences the player controls the Enterprise in battle against enemies in space; originally required, Interplay later offered a patch making them optional.The controls on the bridge are split across the crew, with Montgomery Scott allowing access to the shield and power controls, Pavel Chekov controlling navigation, and Hikaru Sulu controlling the orbit of the ship, for example.
The away team always consists of Kirk, Spock and Leonard McCoy, as well as one of eight different redshirts, many of whom can die during the mission. The player interacts with these modes using a point and click interface via the mouse
The game was initially released in 1992 for the PC on a series of 3.5 floppy disks, with a later release on CD-ROM adding improved sound effects and the voices of the actors from The Original Series. When the game was ported to the Amiga for a 1994 release, it was restricted to the Amiga 1200 model as the game required an installation on a hard drive. It became available on a DOS emulator via archive.org in January 2015.
Following a deal with CBS,[9] Star Trek: 25th Anniversary was subsequently re-released on the distribution network GOG.com with, additional German and French subtitles, on 7 May 2015 alongside Star Trek: Judgment Rites and Star Trek: Starfleet Academy for Microsoft Windows, macOS and Linux. Shortly after, Interplay Entertainment also re-released Star Trek: 25th Anniversary to the distribution network Steam, however, only for Microsoft Windows and without subtitles. Both sequels followed the game to Steam the day after, 8 May 2015, respectively
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#startrek #StarTrekAnniversary #StartrekPCGame walkthrough shatner spock no commentary tos
Translated titles:
StarTrek Playthrough 25 aniversario completo Old Oldies
StarTrek 25-jähriges Jubiläum Schließe Golden Oldies ab
StarTrek La soirée du 25e anniversaire complète le match des Golden Oldies
StarTrek 25th Anniversary Playthrough Complete Oldies Dourados
StarTrek 25 वीं वर्षगांठ पूर्ण स्वर्णिम पुरा
StarTrek 25th ذكرى Playthrough كاملة أغاني قديمة الذهبي
StarTrek 25-та годишнина на Playthrough Пълна Златна Oldies
StarTrek25周年演奏完成金色老歌
StarTrek 25-årsdagen Playthrough Complete Golden Oldies
StarTrek 25th Anniversary Playthrough Complete Golden Oldies interplay gameplay guide
AIR Dibrugarh Online Radio Live Stream
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WEDNESDAY 30-10-2019
TRANSMISSION: III (3.28 PM to 10.30 PM)
3.28 AIR Signature Tune/ Opening Announcement:
3.30 Deori Songs: Artist: Nripen Deori & Pty.
3.45 Programme in Mijumishimi
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4.25 Programme in Wancho
4.45 News in Hindi
4.55 News in English
5.00 Programme in Idu
5.20 Programme in Tangsa
5.40 Programme in Nocte
6.00 Anchalik Batori
6.05 Programme Summary
6.10 Vrindagaan:
6.15 GAYAN RAIJOR ANUSTHAN/Interview on “SaakPacholir Pulit Hua Bibhinna Rog
Aru Niyantra Byabastha” With Gunjan Gogoi.
6.45 Sandhiyar Anchalik Batori
6.55 Ajir Prasanga
7.00 News in Hindi
7.05 News in Assamese
7.15 “Karpumpuli” Artist:Abanti Pamegam Chetia (Oi-Nitom) Artist: Anil Doley (Anu-Nitom)
7.35 Ujjal Bhabishyat Talk on “Plastic Processingor Pathyakrom Aru Niyogar Subidha”
By Pramit Borah
7.45 Adhunik Geet:Artist: Mousumi Pujari
8.00 Time &Meter Reading: Quotation Parikrama
8.15 Ghazal & Quawali: Artist: Jagjit Singh, Mohd. Rafi, Begum Akhtar, Sabri Brothers, Mohd. Rafi.
8.40 Programme Highlight
8.42 Commercial Spot
8.45 SamacharSandhya:
9.00 News at Nine
9.15 Commercial Spot:
9.16 Bare Rahania: (Assamese Modern Song)Artist: Queen Das.
9.25 NisharAnchalikBatori:
9.30 “Kramasha”(Serial Novel Reading) “BalukatBiyali” Written by: Kailash Sharma Production & Narration ByJayantajit Das.Part:VII
10.00 Classical Music:(Vocal Recital)Artist: Debashish Dey. Raga: Chandrakauns
10.30 Weather Report/Time Reading Closing Announcement/ Close Down.
DAY: THURSDAY DATE: 31/10/201
TRANSMISSION: I (5.28 AM to 9.35 AM)
5.28 AIR Signature Tune
5.30 Vandemataram/Opening Announcement Mangal Badya
5.35 Bhaktigeeti
6.00 News in Hindi
6.05 Neeti Bachan & Programme Summary .
6.10 Swasthya Charcha: Interview on “Thyroidor Samashya” With Dr. Dibyajyoti Kalita. Part: III
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6.30 Borgeet: Artist: Modhumonjuri Goswami.
6.45 Folk Music: (Gosai Naam) Artist: Nirmali Bhattacharjee & Pty.
7.05 News in Assamese
7.15 Ajir Dinto/ (Morning Information Service)
7.30 GEETANJALI: 1. Artist: Bhupen Hazarika. Lyc: Self. Radha Churar Phul…2. Artist: Bijon Dutta, Lyc: Naba Kanta Baruah, Ronga Modaror…3. Artist: Baikuntha Nath Gogoi Lyc: Lohindra Kr. Saikia, Koisila Tumi…4. Artist: Bina Bhagawati Lyc: Labanya Prabha Nath Sonunay Mur…5. Artist: Bijon Hazarika, Lyc: Hiren Gohain Ki Naam Rakhiba…
8.00 Samachar Prabhat
8.15 Morning News
8.30 North East News Bulletin in English
8.35 SURAR PANCHOI (Composite) Assamese Film Songs
8.50 Puwar Anchalik Batori
9.00 Jilar Rehrup
9.05 ANTARA (Composite) Hindi Film Songs
9.35 Weather Report/ Time Reading/Closing Announcement Close Down.
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11.58 AIR Signature Tune/Opening Announcement
12.00 News in English
12.05 Bhajan: Artist: Nantu Das
12.15 Folk Music: (Diha Naam) Artist: Damayanti Buragohain & Pty
12.30 GHARJEUTI (Women’s Programme) Feature - SEWALIR DALICHAT SHARAT, Script by Dipali Duarah
1.00 News in English
1.05 News in Hindi
1.10 Troops Programme
1.40 News in Assamese
1.50 Adhunik Geet: Artist: Rupa Sarmah
2.00 Singpho Songs
2.10 Vrindagaan
2.15 Dopahar Samachar
2.30 Western Music
3.00 Weather Report/Time Reading/ Closing Announcement/ Close Down.
TRANSMISSION: III (3.28 PM to 10.30 PM)
3.28 AIR Signature Tune/Opening Announcement
3.30 Mishing Geet: Artist: Phukan Ch. Taye
3.45 Programme in Mijumishimi
4.05 Programme in Khampti
4.25 Programme in Wanchoo
4.45 News in Hindi
4.55 News in English
5.00 Programme in Idu
5.20 Programme in Tangsa
5.40 Programme in Nocte
6.00 Anchalik Batori
6.05 Programme Summery
6.10 Vrindagaan
6.15 LAKHIMI (Gaya Mahilar Anusthan) Interview on “Gramanchalar Yuvak-Yuvatir Babe Prashikshan Aru Karma Sangthapan” With Bina Pani Deka
6.45 Sandhiyar Anchalik Batori
6.55 Aajir Prasanga
7.00 News in Hindi
7.05 News in Assamese
7.15 YUVABANI (Youth Programme) Sangeetar Taale Taale
7.45 Adhunik Geet: Artist: Rupa Sarmah
8.00 Time & Meter Reading: Sponsored Programme: GYANMALINI Dibrugarh Vishya Vidyalaya
8.30 Ghazal Artist: Talat Aziz
8.45 Samachar Sandhya
9.00 News at Nine
9.16 Bare Rahania: (Goalporia Lokageet) Artist: Banikana Ghoshal
9.25 Nichar Anchalik Batori
9.30 Ankia Naat RUKMINI HARON Original Script: Srimanta Shankardeva, Presented by Sri Sri Madhabdev Kristi Sangha Letekupukhuri, Narayanpur, Produced by Rupjyoti Dowerah
10.30 Weather Report/Time Reading /Closing Announcement /Close Down.
NOTE : THE PROGRAMME SCHEDULE IS SUBJECT TO LAST MINUTE CHANGE.
Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling Bravo! in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.)
Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality.
Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely.
And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)
The Great Gildersleeve: Gildy the Executive / Substitute Secretary / Gildy Tries to Fire Bessie
Aiding and abetting the periodically frantic life in the Gildersleeve home was family cook and housekeeper Birdie Lee Coggins (Lillian Randolph). Although in the first season, under writer Levinson, Birdie was often portrayed as saliently less than bright, she slowly developed as the real brains and caretaker of the household under writers John Whedon, Sam Moore and Andy White. In many of the later episodes Gildersleeve has to acknowledge Birdie's commonsense approach to some of his predicaments. By the early 1950s, Birdie was heavily depended on by the rest of the family in fulfilling many of the functions of the household matriarch, whether it be giving sound advice to an adolescent Leroy or tending Marjorie's children.
By the late 1940s, Marjorie slowly matures to a young woman of marrying age. During the 9th season (September 1949-June 1950) Marjorie meets and marries (May 10) Walter Bronco Thompson (Richard Crenna), star football player at the local college. The event was popular enough that Look devoted five pages in its May 23, 1950 issue to the wedding. After living in the same household for a few years with their twin babies Ronnie and Linda, the newlyweds move next door to keep the expanding Gildersleeve clan close together.
Leroy, aged 10--11 during most of the 1940s, is the all-American boy who grudgingly practices his piano lessons, gets bad report cards, fights with his friends and cannot remember to not slam the door. Although he is loyal to his Uncle Mort, he is always the first to deflate his ego with a well-placed Ha!!! or What a character! Beginning in the Spring of 1949, he finds himself in junior high and is at last allowed to grow up, establishing relationships with the girls in the Bullard home across the street. From an awkward adolescent who hangs his head, kicks the ground and giggles whenever Brenda Knickerbocker comes near, he transforms himself overnight (November 28, 1951) into a more mature young man when Babs Winthrop (both girls played by Barbara Whiting) approaches him about studying together. From then on, he branches out with interests in driving, playing the drums and dreaming of a musical career.