Лаборатория полевых записей 2018 // Field Recording Lab 2018
Это трехдневная лаборатория, c 1 по 3 февраля 2018 года, по работе с полевыми записями и окружающей средой в рамках аудиовизуального фестиваля Inversia в городе Мурманске. Основной целью проекта станет исследование шума индустриального портового города и окружающей его безмятежной тундры. Участники проекта окажутся внутри уникальной полифонии звуков и шумов Севера: от едва улавливаемого хрупкого голоса тундры до круглосуточного индустриального эмбиента портовых кранов и километровых составов товарных поездов.
Проект предназначен для художников, саунд-дизайнеров, композиторов и музыкантов, для тех, кто хотел бы расширить свои знания о звуке, узнать как с ним работать в полевых и студийных условиях, а также обучиться навыкам записи и использования шумов, которые нас непрерывно окружают. Экспертами проекта станут Петр Макаров, музыкант и композитор из Мурманска и голландский саунд-художник и композитор Б. Дж. Нильсен из Амстердама.
Б. Дж. Нильсен (SE/NL) – композитор и саунд-художник из Амстердама, работающий со звуками окружающей среды. Его оригинальные саундтреки и композиции представлены в театре, танцевальных перформансах и кино. Помимо сольных работ, Бенни является со-редактором книги The Acoustic City (2014), а также активным участником коллабораций с различными музыкантами, композиторами и режиссерами авторского кино, такими как Крис Уотсон, Гаспар Ноэ, Йохан Йоханнссон. В своих недавних проектах Нильсен изучал акустику городского поля Арктических регионов России и Норвегии, а в августе прошлого года артист выпустил полноформатный альбом Massif Trophies.
Петр Макаров (RU) – композитор, пианист и саундпродюсер из Мурманска, принимающий участие различных камерных и оркестровых проектах Мурманской областной филармонии и международных арт-проектах. Постоянный композитор Мурманского областного театра кукол. Создатель музыкального сопровождения ряда документальных и художественных фильмов: Стыд Юсупа Разыкова, Дорога в Арктику и Бойцы киностудии RecA.
//
It is three-day (1-3 of February 2018) field recording workshop in frames of international audiovisual festival Inversia. This workshop is aimed at artists, composers and musicians with a background in sound and field recording who would like to expand their understanding and awareness of sound, and enhance recording skills and their use of environmental sound. During the programme participants will investigate the sound of Murmansk: which consists of a wide palette of diverse sounds from the scarcely perceptible sound of tundra to industrial ambient with rattling noises of cranes and port trains.
The participants will research Murmansk spaces and create a sound piece under the guidance of Petr Makarov, musician and composer from Murmansk, and BJ Nilsen, a composer and experimental music producer from Amsterdam.
BJ Nilsen (SE/NL) is a composer and sound artist based in Amsterdam. His work primarily focuses on the sounds of nature and how they affect humans. Recent work has explored the urban acoustic realm and industrial geography in the Arctic region of Norway and Russia. His original scores and soundtracks have featured in theatre, dance performances and film, in collaborations with Chris Watson, Gaspar Noé, Jóhann Jóhannsson and others.
Petr Makarov (RU) is a composer, musician and sound producer based in Murmansk, who regularly takes part in chamber and orchestral projects in Murmansk Philharmonic Hall and internationally. Makarov is a full-time composer at the Murmansk Puppet theatre. He is an author of music scores for series of documentary and feature films like Styd by Usup Razykov, Doroga v Arktiku,Boitsy by RecA studio.
by Фрайдеймилк
info@fridaymilk.com
Kinky Kalinki Transrussian Express Part2
TM & COPYRIGHT 2006 © by Nina Gruschwitz. All rights reserved. WARNING: All rights of the producer and owner of the work reproduced reserved. Unauthorised copying, hiring, lending, public performance, radio or TV broadcasting is prohibited.
KINKY- KALINKI TRANSRUSSIAN EXPRESS is a 26 min. début documentary film showing the bridges between the buzzing art, music, club scene and the City of London - a daily collaboration yet contradiction.
The arts and their inspirations is a universal language everyone understands whatever cultural, ethnic or religious background, and this unites different working professionals.
Interaction and connections between the City, the arts and music on an everyday basis are showcased through different links and parallels, as a cross-section through society.
London as a cultural mix seen through a foreigner's eyes adds new spicy perspectives to the film. The combination of a certain naivety and supreme confidence makes this film quite human and disarming.
Most of the film heroes are Russian born professionals, living and working in London. Their jobs and strong characters contributed to understanding between the nations as well as supported cultural scene and economy in London.
To give London Russians faces and show them in everyday working environment explained 'The Russian Phenomenon in London'. That example of successful collaboration and integration has only been possible because of a liberal policy of City of London, British Government and visionary mind on Londoners.
Film Screenings:
Bridge Art Fair, London, October 2007, UK
PORTOBELLO FILM FESTIVAL, August 2007, London, UK
3d BUDAPEST SHORT FILM FESTIVAL, August 2007, Budapest, Hungary
XXI PARNU DOCUMENTARY FILM FESTIVAL, July 2007, Parnu, Estonia
2nd AARHUS FILM FESTIVAL OF INDEPENDENT ARTS, April 2007, Aarhus, Denmark.
14th RAINDANCE FILM FESTIVAL, October 2006, London, UK.
Regional Fine Art Museum Murmansk, Russia, February 2007
London Art Fair, UK, January 2007
Bridge Miami Beach Art Fair, USA, December 2006
Club na Brestskoi, Moscow, Russia, film premier, 23 March 2006
Film Press coverage:
Cultura, Special Radio, Artinfo, Redtram, Afisha, Vash Dosug, Housemusic; Maxim;
Artupdate; TV 21 News, Russia.
kinkykalinki.com ngart.de ngrt@yahoo.co.uk
TM & COPYRIGHT 2006 © by Nina Gruschwitz. All rights reserved. WARNING: All rights of the producer and owner of the work reproduced reserved. Unauthorised copying, hiring, lending, public performance, radio or TV broadcasting is prohibited.
Murmansk theatre festival 2013 / Фестиваль «Полярная звезда» 2013 .Настоящее и будущее театра.
Murmansk theatre festival 2013
/ Фестиваль «Полярная звезда» 2013 .Настоящее и будущее театра.
Как у нас то козел русская народная песня.
Запись с концерта в Мурманской областном кукольном театре. Мурманск. Баян.
Russia Trip
We went to Peny, Kursk region of Russia to share the Gospel of Jesus Christ and plant new churches.
Russia’s Heroes: Vesti Special Documentary On Men and Women Who Honored Their Motherland!
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TIME OF RUSSIA
From the Ancient Rus to the Russian Federation. Our country has seen many kinds of joys and sorrows. But whatever happened—interventions or revolutions, Napoleon or Hitler, glorious victories in the 20th century or Crimea's homecoming in the 21st century— all of it is our eternal struggle for the assertion of our sovereignty.
Russia has never seen easy times. It has always been difficult. But we start advancing only after we have come to the edge. And it was always not because of but in spite of difficulties, be it in the trenches of war or the workplace. Our people, as if they were born to overcome, start to do miracles of creativeness. That's when Russia's time begins.
Putin: If Russia Has No Technological Breakthrough Soon, We Will Fall Far Behind!
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The new Russian administration will build new student dorms. Colleges and universities will be able to attract Russian and foreign businesses to their startups. In the art industry, the government plans to promote public awareness of science. Vladimir Putin made all these statements during his speech at the Russian Rectors' Union Convention in St. Petersburg today. The President mentioned that Russia needs a technological breakthrough. We have the opportunity to make it happen.
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Skill to kill - live in Murmansk
RUSSIAN REINDEER DEPLOY IN ARCTIC EXERCISE
Sub for more: | Soldiers of the Arctic separate motorized rifle brigade of Russia's Northern Fleet held unusual military exercise - featuring reindeer and dog sledge.
Training was held at a deer farm near the village of Lovozero 164 kilometers southeast of Murmansk. Servicemen used chums, traditional shelters of Siberian nomadic peoples.
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RUSSIA SERBIA HOLDING JOINT TACTICAL DRILL
Sub for more: | TASS/. The Russian-Serbian peacekeeping exercises will be held in Serbia in the first quarter of this year, the press service of the Russian Defense Ministry said on Tuesday.
The joint tactical peacekeeping exercises involving special task force of the Russian Airborne Troops and the Special Brigade of the Serbian Army are due to be held in Serbia in the first quarter of 2016, says the press service report obtained by TASS. On Tuesday a delegation of Russian paratroopers has left for Belgrade to take part in a conference on planning joint exercises, the press service said.
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A concert in the hall of Children's Art and Music School (Ozinky, Russia) .
A concert in the hall of the Children's Art and Music School
The competition was attended by pupils of the Children's Art School, who were prepared for it's performance by conductors teachers of this institution of additional education. The concert program included 26 everything numbers. It's includes a playing on musical instruments (solo performance) and dance numbers. For the first time, the jury presented the artworks of children studying at the art department of the School of Arts, also included musical and choreographic compositions, puppet shows.
The jury, which included: a methodologist of the department for coordinating the activities of educational organizations in the region of the Saratov regional educational and methodological center N.Ye. Mikhailova, lecturer of the cyclic commission Choral Conducting of the Saratov Regional College of Arts by name O.V. Oschepkova, a teacher of the highest category of the Central Children's Music School in Saratov, Ye.G. Alferova, teacher of the highest category of the Children's Art School.by name V.V. Kovaleva municipal formation City of Saratov T.V. Chubarov.
I had to closely monitor the performance of the participants of the competition. To say that the guys and girls were not worried would be wrong. Of course, they long time and stubbornly went to it's concert to showing their skill and talent performed at this stage.
And to look, really was what here in. The vocal and choral group by name Arioso by woman conductor E.S.Senckevich, always amazes with it's many tember voices and vocal singing skills, the ability to perform virtuosly work in one breath there. But this time, the guys have surpassed themselves, I'm think.
Valentina Alontseva, Yaroslav Kisilyov, with her playing the accordion, showed how close this instrument is to them too.
Egor Zimenkov, Ivan Stepantsov, Ali Isengaliev, Alexei Baranov with the support of teacher of children's schools by accordion class N.A. Shvydkovoy forced the viewer no breath. Polina Galitskaya, Maria Gulak, Maria Oleinikova, Sarsen Incarbekova (upright piano) and others were able to subordinate grand piano, make it laugh and sob theirs playing. The performance of Nikita Kutakhin and Andrei Kulzhanov, known as the duo NikAnder, took place nice again.
The dance, a children's dance group known in the region, has flashing on the dance floor, adding to the grace and plasticity the brightness of theirs costumes and owns enthusiasm that was passed to all those who came to see and support the contestants on this important day.
The jury had the opportunity to evaluate the performance of the guys from CANAREYKA original name (canary-finch) puppet theater. Although the artists themselves are not visible during the performance, they tried to convey the emotions and feelings to theirs dolls, playing as sincerely as possible so that the viewer believed in the reality of what was happening here.
Christina Skrypnyk performed in the nomination solo performance, vocal. Her performance fascinated the members of the jury, and it was she who passed the final selection. Art school teachers hope that our young “star” will take part in the gala concert, which will be held in the regional center (Saratov city). And we wish her good luck and we shall believe and hope in her victory in!
Aida Bogdalova
Vladimir Putin Greets Youth Essay Contest Winners; Stresses Traditional Family Values in Russia
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Several new reports suggest the effects of alleged Russian meddling with the 2016 election were too insignificant to affect the vote. One America's Kristian Rouz looks into the matter.
BJ Nilsen – Interview
SONIC ACTS FESTIVAL 2019 – HEREAFTER
BJ Nilsen – Interview
Interview by Oleg Khardatsev and Zhanna Guzenko / Fridaymilk
Fridaymilk (RU) is a well-known media platform in Murmansk, Russia, run by a team of 10 people who are eager to promote new life approaches and facilitate discussions and conversations on issues in the Barents Region.
fridaymilk.com
BJ Nilsen is an Amsterdam-based composer and sound artist. His work focuses on the sounds of nature and their effect on humans. His recent work explored the urban acoustic realm and industrial geography and mining in the Arctic region of Norway and Russia. Nilsen co-edited the book and CD The Acoustic City (JOVIS, 2014). His albums The Invisible City (2010) and Eye of the Microphone (2013) were released by Touch and Massif Trophies and Terroir (both 2017) by Editions Mego. He collaborated with filmmaker Karl Lemieux on the audiovisual work unearthed (2015) – which was presented at Sonic Acts and in the festival publication The Geologic Imagination – and again in 2017 on Yujiapu. Nilsen’s original soundtracks have been featured in theatre, dance performances and film in collaborations with Chris Watson, Jóhann Jóhannsson, Stilluppsteypa and others.
PUTIN - TRUMP MEETING? Western MSM, EUSSR & The Deep State Are In Full Panic Mode!
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This summer's main event, the Russia-US summit, is scheduled for July 16th in Helsinki, as reported by a Kremlin aide today. Vladimir Putin and Donald Trump plan to meet in the afternoon and talk for a few hours face-to-face at first, then in a power-lunch format, followed by a press conference. The key issues are bilateral relations, the situations in Syria and Ukraine, disarmament, and international terrorism.
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MCCAIN'S TERRORISTS KILL RUSSIAN MILITARY OFFICERS WITH US TOW MISSILE
Sub for more: | JAMES WILKINSON FOR DAILY MAIL ONLINE reports Members of the CIA-backed Free Syrian Army (FSA) have published a video purporting to show them killing senior Russian military officials with US-made TOW anti-tank missiles in Syria, causing some to liken the situation in the country to the Soviet-Afghan proxy war fought between the US and Russia in the 1980s.
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Why We Fight: War Comes to America
Creator(s): Department of Defense. Department of the Army. Office of the Chief Signal Officer. 9/18/1947-2/28/1964 (Most Recent)
Series: Orientation Films, 1942 - 1949
Record Group 111: Records of the Office of the Chief Signal Officer, 1860 - 1985
Production Date: 1942
Other Title(s):Orientation Film, no. 7
Production Series: Title: Why We Fight
General Note(s):Orientation Films is the series description within Record Group 111.
Scope & Content: This motion picture film examines world events that pulled the U.S. into World War II. Reel 1 dramatizes the early settling of the U.S., the signing of the Declaration of Independence, and a winter at Valley Forge. It explains the colonists' thirst for independence. Reel 2 dramatizes later European migrations to the U.S. stressing the strength brought to the U.S. by her immigrants. It shows luxury items (cars, radios, etc.) which contribute to U.S. life. It also depicts educational facilities, recreational activities (including many sport scenes), and prohibition era scenes. In Reel 3, U.S. troops man trenches in France in 1917. Crowds in New York City celebrate the armistice. Secretary of State Henry Stimson denounces Japan's march into Manchuria. Shows the Bonus March on Washington, D.C., and breadlines in the 1930s. Adolf Hitler watches a military display in Berlin. Haile Selassie visits the front in Ethiopia in 1935. Senator Hiram Johnson speaks for the Neutrality Act of 1935. German planes bomb cities, and street fights flare during the Spanish Civil War. Shanghai is bombed in 1937. Gallup polls find U.S. citizens isolationists. In Reel 4, Emperor Hirohito inspects Japanese troops. Representative Andrew J. May urges arming before the House Military Affairs Committee. Secretary of the Navy Charles Edison asks the Naval Affairs Committee for funds. Maps illustrate Nazi conquests of 1939. Hitler ridicules President Roosevelt's peace proposal before the Reichstag. Warsaw is bombed. French artillery on the Maginot Line fires. President Franklin Roosevelt requests Congress to amend neutrality laws. Senators Gerald P. Nye and Elbert D. Thomas voice opposing views. The Gallup poll finds citizens united to amend the laws. In Reel 5, Dean Acheson sums up arms embargo legislation. Maps illustrate Nazi aggression in Western Europe. Refugees clog French roads and FDR denounces Italy's entry into the war. Hitler, Hermann Goring, and Admiral Karl Doenitz, receive the French surrender; Nazis parade through Paris. Secretary of State Cordell Hull asks for hemispheric solidarity at Havana in 1940. FDR asks Congress for military funds and National Guard units, and Edward R. Murrow reports during a London air raid. In Reel 6, Axis powers sign the Berlin Pact in 1940. Mussolini and Hitler report to their people; Charles Lindbergh pleads isolationism; Wendell Willkie asks for aid to England. The Gallup poll echoes this view; FDR speaks to Congress on lend-lease. Lend-lease material is unloaded at several ports. In Reel 7, Stimson and Wendell Willkie ask that merchant ships be armed. Saburo Kurusu meets Secretary of State Hull in Washington, D.C. Hull sums up Japan's conditions for peace. Pearl Harbor is attacked. Draftees are inducted.
Contact(s): National Archives at College Park - Motion Pictures (RD-DC-M), National Archives at College Park, 8601 Adelphi Road
College Park, MD 20740-6001
Phone: 301-837-3540, Fax: 301-837-3620, Email: mopix@nara.gov
National Archives Identifier: 36073
Local Identifier: 111-OF-7
Assad With His Family Visits Injured Veterans in Syria's Hama
Syrian President Bashar al-Assad, together with his wife Asma and their children, visited soldiers injured in the Syrian conflict at their homes in the Hama countryside, Monday.
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Axis Powers | Wikipedia audio article
This is an audio version of the Wikipedia Article:
Axis Powers
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The only true wisdom is in knowing you know nothing.
- Socrates
SUMMARY
=======
The Axis powers (German: Achsenmächte; Italian: Potenze dell'Asse; Japanese: 枢軸国 Sūjikukoku), also known as the Rome–Berlin–Tokyo Axis, were the nations that fought in World War II against the Allies. The Axis powers agreed on their opposition to the Allies, but did not completely coordinate their activity.
The Axis grew out of the diplomatic efforts of Germany, Italy, and Japan to secure their own specific expansionist interests in the mid-1930s. The first step was the treaty signed by Germany and Italy in October 1936. Benito Mussolini declared on 1 November that all other European countries would from then on rotate on the Rome–Berlin axis, thus creating the term Axis. The almost simultaneous second step was the signing in November 1936 of the Anti-Comintern Pact, an anti-communist treaty between Germany and Japan. Italy joined the Pact in 1937. The Rome–Berlin Axis became a military alliance in 1939 under the so-called Pact of Steel, with the Tripartite Pact of 1940 leading to the integration of the military aims of Germany, Italy and Japan.
At its zenith during World War II, the Axis presided over territories that occupied large parts of Europe, North Africa, and East Asia. There were no three-way summit meetings and cooperation and coordination was minimal, with slightly more between Germany and Italy. The war ended in 1945 with the defeat of the Axis powers and the dissolution of their alliance. As in the case of the Allies, membership of the Axis was fluid, with some nations switching sides or changing their degree of military involvement over the course of the war.