ON THE ROAD, YOUNG MEDIA ARTISTS IN CHINA HK
On the Road is a unique, annual project initiated in 2014 by the Guan Shanyue Art Museum, Shenzhen, here seen in its 2018 version. The process involves 15 curators, art critics, and scholars, from major institutions, art schools and museums throughout China and Hong Kong, proposing a selection of promising young Chinese artists. This collective curatorial process results in the creation of an impressive “nomination exhibition” from which a final selection of the best 20-30 works is then made.
This year, for the first time in its history, the annual On the Road exhibition is dedicated to New Media Art. With the title Young Media Artists in China, the 30 or so works selected by the nominating committee (along with 6 contributions by the faculty of the School of Creative Media, CityU) provide a stimulating and exciting overview of the media art scene across China today, and demonstrates how young Chinese artists are exploring, manipulating, and playing with media, often combining both older and ‘newer’ media to new ends.
During the past 10 years the new media art scene has grown in size and quality in a country highly receptive to innovation. China’s own rich and unique history of image-making, painting and calligraphy, offers a tradition where time and space, black and white, sound and silence are often juxtaposed in a subtle dialogue made up of contrasts and complicity. Building on this tradition, with diverse and modern sensibilities, young Chinese media artists are digging new paths that leave firm tracks across the ever-changing field of contemporary art.
CREDITS
Organizers
City University of Hong Kong
China Artists Association Curatorial Committee
Guan Shanyue Art Museum
Producers
Way KUO, President of City University of Hong Kong
FAN Dian, Chairman of CACF, Director, Curatorial committee, Chinese Artists Association
CHEN Xiangbo, Director, Guan Shanyue Art Museum, Vice-chairman, Guangdong Artists Association
Advisors
Richard ALLEN, Dean of School of Creative Media, City University of Hong Kong
QIU Zhijie, Dean, Department of Experimental Art, China Central Academy of Fine Arts
Convenors
Isabelle Jennifer FRANK, Director, City University Exhibition Gallery, City University of Hong Kong
YAN Youxin, Deputy Director, Guan Shanyue Art Museum
Curatorial Team
Chief Curators
Maurice BENAYOUN, Professor, City University of Hong Kong
FAN Dian, Chairman of CACF, Director, Curatorial committee, Chinese Artists Association
CHEN Xiangbo, Director, Guan Shanyue Art Museum, Vice-chairman, Guangdong Artists Association
Deputy Curators
Ann MAK, Creative Director, Hong Kong International Poetry Nights; Independent Curator; Senior Research Associate, School of Creative Media
SHENG Wei, Deputy Secretary General of Curatorial Committee, China Artists Association; Deputy Editor-in-Chief, Arts Magazine
WU Hongliang, Deputy Director, Chief Secretary of Curatorial Committee, China Association; Associate Dean of Beijing Art Academy
ZHANG Xinying, Director of Academic Division, Guan Shanyue Art Museum
ZHU Xiaojun, Executive Director of Avenue Art Foundation
Assistant Curators
WU Shini, Academic Editor, Guan Shanyue Art Museum
PENG Baoyu, Academic Editor, Guan Shanyue Art Museum
City University of Hong Kong Production Team
Isabelle Jennifer FRANK
Kevin LAM
Fion NG
Doris POON
Wendy HO
LEE Hin Ching
Sheena SHUM
Exhibition Nominators
Richard William ALLEN, Dean, School of Creative Media, City University of Hong Kong
Maurice BENAYOUN, Professor, School of Creative Media, City University of Hong Kong
CHEN Xiaowen, Director, Department of Contemporary Art, Lu Xun Academy of Fine Arts
FENG Feng, Director, Department of Experimental Art, Guangzhou Academy of Fine Arts
FU Xiaodong, Creative Director, Beijing Space Station
GUAN Huabing, Dean, Department of Transmedia Art, China Academy of Art
LI Chuan, Director, Department of New Media, Sichuan Fine Arts Institute
LI Zhenhua, Curator, Chinese New Media Art
MIAO Xiaochun, Professor, Photography and Digital Media Studio, China Central Academy of Fine Arts
QIU Zhijie, Dean, Department of Experimental Art, China Central Academy of Fine Arts Academy of Fine Arts)
WANG Danting, Director, Department of Foreign Art, Research Division of Fine Arts, Chinese National Academy of Arts
XIAO Feng, Dean, Hubei Institute of Fine Arts
YAN Feng, Head, Experimental Art Committee, Chinese Artists Association
YUAN Xiaofang, Director, Department of Image Media Art, Hubei Academy of Fine Arts
ZHANG Meng, Director, Department of Visual Art, Tianjin Academy of Fine Arts
ZHANG Xiaotao, Professor, China Central Academy of Fine Arts
Exhibition Design
COLLECTIVE
Graphic Design
COLLECTIVE
Special Thanks to
City University of Hong Kong Press
MA students of Curating Art & Media, School of Creative Media, City University of Hong Kong
(Mentors: Harald KRAEMER, Clara CHEUNG, Wen Yau)
Taiwan Industrial Technology Research Institute: Art Museum of the Chinese University of Hong Kong
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Art graduate from HK opens gallery in Beijing 港男央美畢業不回家，選擇留京創畫廊
Eric Cheng, a Hong Kong student and a graduate from the Beijing-based Central Academy of Fine Arts, decided to open a gallery in Beijing to provide a platform for young artists. He thinks that the Chinese mainland is tolerant to the young and encourages people to come and experience in person. #HongKong
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Exploring The Chinese Art World
Students from the Institute traveled to China, where they immersed themselves in the art worlds of Hong Kong and Shanghai through tours of Art Basel Hong Kong, private galleries and museums visits. Watch this video capturing the full cultural experience of their trip.
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Lecture–Revisiting Harvard’s Early Chinese Jades with Jenny So
Lecture: “Rare and Beautiful Objects, New and Unexpected Findings: Revisiting Harvard’s Early Chinese Jades.”
More than 40 years after Max Loehr published the first comprehensive catalogue of the Grenville L. Winthrop collection of archaic Chinese jades, the Harvard Art Museums present a new book featuring highlights of the collection by Jenny F. So. To mark this new publication, So shares how her research and ideas have benefited from the nearly half-century of archaeological discoveries and technical investigations related to jade, and the surprises that came with hands-on object study. She also discusses the broader questions raised by this new knowledge and their relevance in collection-based teaching and research at a university museum such as Harvard’s.
So’s research into the collection—which spans China’s Neolithic to late Bronze Age (c. 4000–100 BCE) and beyond—reveals the sociopolitical, philosophical-religious contexts for the creation of jade artifacts, the importance of the material to object shape and state of preservation, and some of the reasons behind the lasting impact of jade in Chinese society throughout subsequent millennia. While the book relays this narrative in more detail, in her lecture So will focus on a few outstanding examples to illustrate some of these issues.
“Early Chinese Jades in the Harvard Art Museums (2019)” by Jenny So will be available in the Harvard Art Museums shop, beginning in February 2019. Visitors are invited to also view the early Chinese art galleries on Level 1 at the Harvard Art Museums.
Jenny F. So received her B.A. from Swarthmore College, and an M.A. and Ph.D. in art history from Harvard University. She has served as senior curator of Ancient Chinese Art at the Freer and Sackler Galleries, the Smithsonian Institution, in charge of the rich holdings of both collections. She left the Smithsonian Institution to take up the position of professor of fine arts at the Chinese University of Hong Kong, and later, was also appointed director of that university’s Institute of Chinese Studies and Art Museum. She retired from her full-time Hong Kong appointments in 2015, retaining an association as adjunct professor, and returned to live in Arlington, Virginia, where she continues to publish while serving as a specialist-consultant in Chinese art for American and international educational and commercial institutions.
Support for the lecture is provided by the M. Victor Leventritt Fund, which was established through the generosity of the wife, children, and friends of the late M. Victor Leventritt, Harvard Class of 1935. The purpose of the fund is to present outstanding scholars of the history and theory of art to the Harvard and Greater Boston communities.
Wednesday, March 13, 2019, Menschel Hall, Harvard Art Museums.
Unstudio Competition - The Chinese University of Hong Kong
Unstudio Competition for the Chinese University of Hong Kong, Shenzhen
In collaboration with Taller 301
HARI LUALHATI : Art Exhibition in Hong Kong Cultural Centre, Hong Kong 2009
When: 13 - 29 Aug 2009
Whe re: Hong Kong Cultural Centre, Hong Kong
Hari Lualhati
(Artist)
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Hari Lualhati is an ARTIST (Painter, Illustrator, Graphic Artist, Designer) born in Philippines and obtained a Degree in Fine Arts in University of the Philippines, Diliman year 2006 (Cum Laude). Hari Lualhati has worked in Manila, Hong Kong and Shenzhen China. Hari is now based in South Africa.
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Oscar draws from his various experiences in Hong Kong's culture scene and talks about the rise, fall, and prospect of creative development in Hong Kong. Prof. Oscar Ho was formerly the Exhibition Director of the Hong Kong Arts Centre, Founder of the Hong Kong branch of the International Art Critics Association, Founding Director of the Museum of Contemporary Art in Shanghai and is currently the director of the MA Programme in Cultural Management at the Chinese University of Hong Kong.
This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at
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Lin Tianmiao (b. 1961) was born in Taiyuan, Shanxi, China. She studied at Capital Normal University, China, and at the Art Student League, New York. She has had solo exhibitions in Beijing at Courtyard Gallery, Gallery of the Central Academy of Fine Arts, and Baofang Hutong. Her work has been included in group exhibitions at Insitute of Contemporary Art, London; the Mexico Museum of Contemporary Art, Mexico City; San Francisco Museum of Modern Art, CA; Xu Xian Art Center, Taipei, Taiwan; National Gallery of Australia; Chengdu Contemporary Art Museum, Sichuan, China; Queens Museum of Art, NY; Cleveland Center for Contemporary Art, OH; Lasalle College of Art, Singapore; and Espace Cardin, Paris. She has participated in the Ireland Biennale, Kwunju Biennale, Fukuoka Asian Art Triennale, and Shanghai Biennale in 2002, as well as the Echigo-Tsumari Art Triennial, Japan, in 2003. Her work can be found in the collections of International Center for Photography, NY; Fukuoka Museum of Asian Art, Japan; Hong Kong Museum of Art; JGS, Inc. NY; and Santa Barbara Museum of Art, CA. She currently lives and works in Beijing.
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Before moving to Hong Kong in 2002, DeBevoise was deputy director of the Guggenheim Museum, where she was responsible for museum operations and exhibitions globally. She joined the museum in 1996 as project director of China: 5000 Years (1998), a blockbuster exhibition of traditional and modern Chinese art that was presented at the Guggenheim museums in New York and Bilbao. Prior to 1996, DeBevoise was managing director at Bankers Trust Company, where she worked for 14 years in New York, Hong Kong, Tokyo and London. DeBevoise holds a BA from Tufts University, an MA from the University of California, Berkeley, and a PhD from the University of Hong Kong, all in art history. She was appointed by the Home Affairs Bureau of the Hong Kong government to the Committee for Museums from 2004 to 2007 and to the Museums Advisory Group for the development of the West Kowloon Cultural District from 2006 to 2007. She is also a trustee of the Asian Cultural Council, New York.
The Asia Contemporary Speaker Series explores the rise of Asia on the international scene as one of the most compelling stories in contemporary art. Provocative artworks command ever-higher prices as markets expand, and impressive new museums, schools and biennials continue to proliferate. Hong Kong, Singapore, Dubai, Tokyo and Beijing have established themselves as major art-world hubs, competing directly with London and New York. In order to understand this phenomenon and its connection to global movements of economic and political power, the Asia Contemporary Speaker Series will bring five recognized leaders in the field to speak in cities across Canada in 2012 and 2013. For more information about upcoming talks, please visit
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From street arts to international art exhibitions, Hong Kong art scenes is unepxctedly flourishing!
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Art Deco - The France-China Connection”
Supported by the Consulate General of France in Hong Kong and Macau, CityU Exhibition Gallery presents “Art Deco. The France-China Connection” from 6 March to 30 June 2019. The exhibition examines not only the origins of Art Deco in France, but also the influence of Chinese arts and craftsmanship on the development of this important art movement. The spirit of the era is perhaps best summarised by the popular slogan, “One must be modern and make it known to the world”.
City U Exhibition Gallery
Dates : 6th March 2019 to 30th June 2019
Time: 10am to 7pm
Location : City University Exhibition Gallery, Floor 18, Lau Ming Wai Academic Building.
Admission : FREE
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Et c'est parti pour la Saison 2 du Vlog, à la découverte de l'Asie ! On commence par la gigantesque megapole Shanghai !!! une aventure pleine de surprises ! Bienvenue en Chine !! Vidéo blog au jour le jour, suivez moi chaque jour dans une nouvelle vidéo !
Laurent Caccia Vlog, c'est des vidéos tous les jours pour me suivre en direct de l'Asie.
Pas vraiment des reportages, ni des documentaires, c'est juste la vie, en vrai, en direct, mes impressions, mes délires, mes surprises, sans trucage et sans script.
Vlog Français pour découvrir en s'éclatant les autres pays du monde dans de magnifiques voyages, Chine Shanghai, Japon Tokyo, Corée Du Sud Séoul, Taiwan Taipei, Australie Sydney, Hong Kong, Singapour…
La passion de l'aventure et de la vidéo.
Chinese Ink- Raymond Fung
Raymond Fung Wing Kee
Born in 1952 in Hong Kong. Raymond Fung is a renowned artist and architect in Hong Kong. He was a recipient of the Hong Kong Ten Outstanding Young Persons Award in 1990 and has won five Hong Kong Institute of Architects Annual Awards. His works have been selected in China National Art Exhibition, Hong Kong Art Biennial and HKDA Asia Design Awards multiple times. In 2008, he received the Certificate of Commendation from HKSARG Home Affairs Bureau for his outstanding achievements in the promotion of arts and culture in Hong Kong. He was awarded Hong Kong Ten Outstanding Designers and in 2011. He was appointed Justice of the Peace.
Raymond Fung has exhibited extensively in 30 cities, including solo exhibitions in New York, Paris, Avignon, Beijing, Hangzhou, Shanghai, Taipei and Hong Kong. His works are widely collected by international corporations and museums including Asian Art Museum of San Francisco, National Art Museum of China, Shanghai Art Museum, Hong Kong Museum of Art, University Museum and Art Gallery of the University of Hong Kong and Hong Kong Heritage Museum.
HARI LUALHATI : Art Exhibition in Floren Gallery, Hong Kong 2008
Hari Lualhati, Alternatibo, Art Exhibition in Floren Gallery, Hong Kong.
Date: June 13, 2008
Hari Lualhati
(Artist)
Like me on Facebook:
Website:
Blog:
Subscribe to my YouTube Channel:
Hari Lualhati is an ARTIST (Painter, Illustrator, Graphic Artist, Designer) born in Philippines and obtained a Degree in Fine Arts in University of the Philippines, Diliman year 2006 (Cum Laude). Hari Lualhati has worked in Manila, Hong Kong and Shenzhen China. Hari is now based in South Africa.
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We’re beginning by continuing our trip to Taiwan. Last week, we introduced the first edition of Taipei Dangdai, a contemporary art fair that aims primarily to appeal to the Taiwanese market but that’s inevitably brought a lot of international attention to the island’ art scene and art collectors. Other than art fair like Taipei Dangdai that focuses on the art market, Taiwan is also full of creative entities that reflect the socio-political situations of the country.
The Himalayan region is known as the “roof of the world”. It is home to Tibetans, Nepalese, Bhutanese, Gurkhas and the Ladakh people. They are connected not only by the area’s unique landscape but also by similar religious beliefs. On show at the art museum of the Chinese University of Hong Kong Institute of Chinese Studies, “Jewels of Transcendence: Himalayan and Mongolian Treasures” showcases more than 400 exquisite ornaments and religious objects, from the 13th through 20th centuries, that come from the Mongolian and Himalayan regions.
China Daily Asia Video: Hong Kong: An Art Center
Home to the third-largest art market in the world by auction value after New York and London, and to the world's largest museum under construction, M+, the tall, small city of Hong Kong is rapidly becoming an art mecca. Aesthetic attractions adorn its streets, outdoor parks and even public transport, while its exhibition roster is the envy of any global metropolis. All of which leaves citizens with only one consideration: what is, or isn't, art? Lin Jing reports.
National Museum of China - Beijing - China (13)
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