Top 11. Best Tourist Attractions in Bar Harbor - Travel Maine
Top 11. Best Tourist Attractions and Beautiful Places in Bar Harbor - Travel Maine: Mount Desert Island, Acadia National Park, Shore Path, Ocean Trail, Frenchman Bay, Mount Desert Island Oceanarium, St. Saviour's Church, Abbe Museum, Egg Rock Light, Eagle Lake Acadia National Park, George B. Dorr Museum of Natural History
Bluenose Inn - Bar Harbor Hotel - Bar Harbor Hotels, Maine
Bluenose Inn - Bar Harbor Hotel 4 Stars Hotel in Bar Harbor, Maine Within US Travel Directory This Mount Desert Island property, offering panoramic views of Frenchman Bay, is within a 10-minute drive of Acadia National Park.
It features a spa, heated indoor and outdoor pools and free Wi-Fi.
Mizzentop’s Great Room serves cocktails and has live piano music.
Bluenose Inn - Bar Harbor Hotel also offers the Looking Glass restaurant.
All guest rooms provide a flat-screen cable TV, along with a mini-fridge and Keurig coffee maker.
A DVD player is available upon request.
All rooms in the Mizzentop building feature a fireplace and a private balcony overlooking Frenchman Bay.
Guests at Bluenose Inn - Bar Harbor Hotel can work out in the gym and relax in the hot tub or in the steam room.
Unique Maine-made souvenirs are available in the 24-hour gift shop.
The property is within walking distance from the George B.
Dorr Museum of Natural History.
Downtown Bar Harbor and the Bar Harbor Whale Watch Company are just 1.
6 km away.
Bluenose Inn - Bar Harbor Hotel - Bar Harbor Hotels, Maine
Location in : 90 Eden Street, ME 04609, Bar Harbor, Maine
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Acadia National Park | Wikipedia audio article
This is an audio version of the Wikipedia Article:
Acadia National Park
00:04:35 1 History
00:04:43 1.1 Native people
00:08:08 1.2 Exploration
00:09:43 1.3 Settlement
00:11:14 1.4 Rusticators
00:12:03 1.5 Cottagers
00:12:49 1.6 Park origins
00:16:14 1.7 Fire of 1947
00:17:32 2 Geography
00:19:36 2.1 Features
00:21:52 3 Geology
00:23:02 3.1 Bedrock formation
00:25:01 3.2 Glaciation
00:26:41 3.3 Erosion and weathering
00:27:58 3.4 Mass wasting and slope failure
00:28:52 3.5 Seismic activity
00:29:16 4 Paleontology
00:30:55 5 Climate
00:32:59 6 Ecology
00:34:45 6.1 Flora
00:38:10 6.2 Fauna
00:42:54 7 Recreation
00:45:43 8 Visitor centers
00:46:26 9 Schoodic Education and Research Center
00:47:12 10 Friends of Acadia
00:48:11 11 See also
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The only true wisdom is in knowing you know nothing.
- Socrates
SUMMARY
=======
Acadia National Park is an American national park located in the state of Maine, southwest of Bar Harbor. The park preserves about half of Mount Desert Island, many adjacent smaller islands, and part of the Schoodic Peninsula on the coast of Maine. Acadia was initially designated Sieur de Monts National Monument by proclamation of President Woodrow Wilson in 1916. Sieur de Monts was renamed and redesignated Lafayette National Park by Congress in 1919—the first national park in the United States east of the Mississippi River and the only one in the Northeastern United States. The park was renamed Acadia National Park in 1929. More than 3.5 million people visited the park in 2017.
Native Americans of the Algonquian nations have inhabited the area called Acadia for at least 12,000 years. They traded furs for European goods when French, English, and Dutch ships began arriving in the early 17th century. The Wabanaki Confederacy has held an annual Native American Festival in Bar Harbor since 1989. Samuel de Champlain named the island Isle des Monts Deserts (Island of Barren Mountains) in 1604. The island was granted to Antoine de la Mothe Cadillac by Louis XIV of France in 1688, then ceded to England in 1713. Summer visitors, nicknamed rusticators, arrived in 1855, followed by wealthy families, nicknamed cottagers as their large houses were quaintly called cottages. Charles Eliot is credited with the idea for the park. George B. Dorr, the Father of Acadia National Park, along with Eliot's father Charles W. Eliot, supported the idea through donations of land, and advocacy at the state and federal levels. John D. Rockefeller Jr. financed the construction of carriage roads from 1915 to 1940. A wildfire in 1947 burned much of the park and destroyed 237 houses, including 67 of the millionaires’ cottages.
The park includes mountains, an ocean coastline, coniferous and deciduous woodlands, lakes, ponds, and wetlands encompassing a total of 49,075 acres (76.7 sq mi; 198.6 km2) as of 2017. Key sites on Mount Desert Island include Cadillac Mountain—the tallest mountain on the eastern coastline and one of the first places in the United States where one can watch the sunrise—a rocky coast featuring Thunder Hole where waves crash loudly into a crevasse around high tides, a sandy swimming beach called Sand Beach, and numerous lakes and ponds. Jordan Pond features the glacially rounded North and South Bubbles (rôche moutonnées) at its northern end, while Echo Lake has the only freshwater swimming beach in the park. Somes Sound is a five-mile (8 km) long fjard formed during a glacial period that reshaped the entire island to its present form, including the U-shaped valleys containing the many ponds and lakes. The Bass Harbor Head Light is situated above a steep, rocky headland on the southwest coast—the only lighthouse on the island.
The park protects the habitats of 37 mammalian species including black bears, moose and white-tailed deer, seven reptilian species including milk snakes and snapping turtles, eleven amphibian species including wood frogs and spotted salamanders, 33 fish species including rainbow smelt and brook trout, and as many as 331 birds including various species of raptors, songbir ...
Suspense: Crime Without Passion / The Plan / Leading Citizen of Pratt County
A crime of passion, or crime passionnel, in popular usage, refers to a violent crime, especially murder, in which the perpetrator commits the act against someone because of sudden strong impulse such as sudden rage or heartbreak rather than as a premeditated crime. The act, as is suggested by the name (crime passionnel - from French language) is often associated with the history of France. However, such crimes have existed and continue to exist in most cultures.
A crime of passion refers to a criminal act in which the perpetrator commits a crime, especially murder or assault, against someone because of sudden strong impulse such as sudden rage or heartbreak rather than as a premeditated crime. A typical crime of passion might involve an aggressive pub-goer who assaults another guest following an argument or a husband who discovers his wife has made him a cuckold and proceeds to brutally batter or even kill his wife and the man with whom she was involved.
In the United States civil courts, a crime of passion is referred to as temporary insanity. This defense was first used by U.S. Congressman Daniel Sickles of New York in 1859 after he had killed his wife's lover, Philip Barton Key, but was most used during the 1940s and 1950s.
In some countries, notably France, crime passionnel (or crime of passion) was a valid defense during murder cases; during the 19th century, some cases could be a custodial sentence for two years for the murderer, while the spouse was dead; this ended in France as the Napoleonic code was updated in the 1970s so that a specific father's authority upon his whole family was over.
Timeline of United States inventions (before 1890) | Wikipedia audio article
This is an audio version of the Wikipedia Article:
Timeline of United States inventions (before 1890)
Listening is a more natural way of learning, when compared to reading. Written language only began at around 3200 BC, but spoken language has existed long ago.
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- increases imagination and understanding
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- learn while on the move
- reduce eye strain
Now learn the vast amount of general knowledge available on Wikipedia through audio (audio article). You could even learn subconsciously by playing the audio while you are sleeping! If you are planning to listen a lot, you could try using a bone conduction headphone, or a standard speaker instead of an earphone.
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The only true wisdom is in knowing you know nothing.
- Socrates
SUMMARY
=======
A timeline of United States inventions (before 1890) encompasses the ingenuity and innovative advancements of the United States within a historical context, dating from the Colonial Period to the Gilded Age, which have been achieved by inventors who are either native-born or naturalized citizens of the United States. Copyright protection secures a person's right to his or her first-to-invent claim of the original invention in question, highlighted in Article I, Section 8, Clause 8 of the United States Constitution, which gives the following enumerated power to the United States Congress:
In 1641, the first patent in North America was issued to Samuel Winslow by the General Court of Massachusetts for a new method of making salt. On April 10, 1790, President George Washington signed the Patent Act of 1790 (1 Stat. 109) into law proclaiming that patents were to be authorized for any useful art, manufacture, engine, machine, or device, or any improvement therein not before known or used. On July 31, 1790, Samuel Hopkins of Pittsford, Vermont became the first person in the United States to file and to be granted a patent for an improved method of Making Pot and Pearl Ashes. The Patent Act of 1836 (Ch. 357, 5 Stat. 117) further clarified United States patent law to the extent of establishing a patent office where patent applications are filed, processed, and granted, contingent upon the language and scope of the claimant's invention, for a patent term of 14 years with an extension of up to an additional 7 years. However, the Uruguay Round Agreements Act of 1994 (URAA) changed the patent term in the United States to a total of 20 years, effective for patent applications filed on or after June 8, 1995, thus bringing United States patent law further into conformity with international patent law. The modern-day provisions of the law applied to inventions are laid out in Title 35 of the United States Code (Ch. 950, sec. 1, 66 Stat. 792).
From 1836 to 2011, the United States Patent and Trademark Office (USPTO) has granted a total of 7,861,317 patents relating to several well-known inventions appearing throughout the timeline below.
1600 Pennsylvania Avenue / Colloquy 4: The Joe Miller Joke Book / Report on the We-Uns
After Miller's death, John Mottley (1692--1750) brought out a book called Joe Miller's Jests, or the Wit's Vade-Mecum (1739), published under the pseudonym of Elijah Jenkins Esq. at the price of one shilling. This was a collection of contemporary and ancient coarse witticisms, only three of which are told of Miller. This first edition was a thin pamphlet of 247 numbered jokes. This ran to three editions in its first year.
Later (not wholly connected) versions were entitled with names such as Joe Miller's Joke Book, and The New Joe Miller to latch onto the popularity of both Joe Miller himself and the popularity of Mottley's first book. It should be noted that joke books of this format (i.e. Mr Smith's Jests) were common even before this date. It was common practice to learn one or two jokes for use at parties etc.
Owing to the quality of the jokes in Mottley's book, their number increasing with each of the many subsequent editions, any time-worn jest came to be called a Joe Miller, a Joe-Millerism, or simply a Millerism.
Joke 99 states:
A Lady's Age happening to be questioned, she affirmed she was but Forty, and called upon a Gentleman that was in Company for his Opinion; Cousin, said she, do you believe I am in the Right, when I say I am but Forty? I ought not to dispute it, Madam, reply'd he, for I have heard you say so these ten Years.
Joke 234 speaks of:
A famous teacher of Arithmetick, who had long been married without being able to get his Wife with Child. One said to her 'Madam, your Husband is an excellent Arithmetician'. 'Yes, replies she, only he can't multiply.'
Joe Miller was referred to in Charles Dickens' A Christmas Carol (1843), by the character Scrooge, who remarks Joe Miller never made such a joke as sending [the turkey] to Bob's will be!
Joe Miller was also referred to in James Joyce's Ulysses (1922) in the limerick that Lenehan whispers during the Aeolus episode to Stephen Dedalus, the last line of which is I can't see the Joe Miller. Can you?.
According to Leonard Feinberg, the 1734 edition contains one of the oldest examples of gallows humor.
Our Miss Brooks: Another Day, Dress / Induction Notice / School TV / Hats for Mother's Day
Our Miss Brooks is an American situation comedy starring Eve Arden as a sardonic high school English teacher. It began as a radio show broadcast from 1948 to 1957. When the show was adapted to television (1952--56), it became one of the medium's earliest hits. In 1956, the sitcom was adapted for big screen in the film of the same name.
Connie (Constance) Brooks (Eve Arden), an English teacher at fictional Madison High School.
Osgood Conklin (Gale Gordon), blustery, gruff, crooked and unsympathetic Madison High principal, a near-constant pain to his faculty and students. (Conklin was played by Joseph Forte in the show's first episode; Gordon succeeded him for the rest of the series' run.) Occasionally Conklin would rig competitions at the school--such as that for prom queen--so that his daughter Harriet would win.
Walter Denton (Richard Crenna, billed at the time as Dick Crenna), a Madison High student, well-intentioned and clumsy, with a nasally high, cracking voice, often driving Miss Brooks (his self-professed favorite teacher) to school in a broken-down jalopy. Miss Brooks' references to her own usually-in-the-shop car became one of the show's running gags.
Philip Boynton (Jeff Chandler on radio, billed sometimes under his birth name Ira Grossel); Robert Rockwell on both radio and television), Madison High biology teacher, the shy and often clueless object of Miss Brooks' affections.
Margaret Davis (Jane Morgan), Miss Brooks' absentminded landlady, whose two trademarks are a cat named Minerva, and a penchant for whipping up exotic and often inedible breakfasts.
Harriet Conklin (Gloria McMillan), Madison High student and daughter of principal Conklin. A sometime love interest for Walter Denton, Harriet was honest and guileless with none of her father's malevolence and dishonesty.
Stretch (Fabian) Snodgrass (Leonard Smith), dull-witted Madison High athletic star and Walter's best friend.
Daisy Enright (Mary Jane Croft), Madison High English teacher, and a scheming professional and romantic rival to Miss Brooks.
Jacques Monet (Gerald Mohr), a French teacher.
Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, West Coast director of programming, wanted Shirley Booth for the part, but as he told historian Gerald Nachman many years later, he realized Booth was too focused on the underpaid downside of public school teaching at the time to have fun with the role.
Lucille Ball was believed to have been the next choice, but she was already committed to My Favorite Husband and didn't audition. Chairman Bill Paley, who was friendly with Arden, persuaded her to audition for the part. With a slightly rewritten audition script--Osgood Conklin, for example, was originally written as a school board president but was now written as the incoming new Madison principal--Arden agreed to give the newly-revamped show a try.
Produced by Larry Berns and written by director Al Lewis, Our Miss Brooks premiered on July 19, 1948. According to radio critic John Crosby, her lines were very feline in dialogue scenes with principal Conklin and would-be boyfriend Boynton, with sharp, witty comebacks. The interplay between the cast--blustery Conklin, nebbishy Denton, accommodating Harriet, absentminded Mrs. Davis, clueless Boynton, scheming Miss Enright--also received positive reviews.
Arden won a radio listeners' poll by Radio Mirror magazine as the top ranking comedienne of 1948-49, receiving her award at the end of an Our Miss Brooks broadcast that March. I'm certainly going to try in the coming months to merit the honor you've bestowed upon me, because I understand that if I win this two years in a row, I get to keep Mr. Boynton, she joked. But she was also a hit with the critics; a winter 1949 poll of newspaper and magazine radio editors taken by Motion Picture Daily named her the year's best radio comedienne.
For its entire radio life, the show was sponsored by Colgate-Palmolive-Peet, promoting Palmolive soap, Lustre Creme shampoo and Toni hair care products. The radio series continued until 1957, a year after its television life ended.
You Bet Your Life: Secret Word - Car / Clock / Name
Julius Henry Groucho Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as Groucho glasses, a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache.
Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as Groucho glasses, nose-glasses, and other names) are sold by novelty and costume shops around the world.
Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit).
Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, Yankee Doodle Doctor, Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding.
On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms.
Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed '39 a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the Os is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend.
In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter.
Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of Hooray for Captain Spaulding—done entirely in French.
In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival.
In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality.
The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel.
Words at War: Eighty-Three Days: The Survival Of Seaman Izzi / Paris Underground / Shortcut to Tokyo
The French Résistance has had a great influence on literature, particularly in France. A famous example is the poem Strophes pour se souvenir, which was written by the communist academic Louis Aragon in 1955 to commemorate the heroism of the Manouchian Group, whose 23 members were shot by the Nazis.
The Résistance is also portrayed in Jean Renoir's wartime This Land is Mine (1943), which was produced in the USA.
In the immediate post-war years, French cinema produced a number of films that portrayed a France broadly present in the Résistance.[188][189] The 1946 La Bataille du rail depicted the courageous efforts of French railway workers to sabotage German reinforcement trains,[190] and in the same year Le Père tranquille told the story of a quiet insurance agent secretly involved in the bombing of a factory.[190] Collaborators were hatefully presented as a rare minority, as played by Pierre Brewer in Jéricho (1946) or Serge Reggiani in Les Portes de la nuit (1946), and movements such as the Milice were rarely evoked.
In the 1950s, a less heroic interpretation of the Résistance to the occupation gradually began to emerge.[190] In Claude Autant-Lara's La Traversée de Paris (1956), the portrayal of the city's black market and general mediocrity revealed the reality of war-profiteering during the occupation.[191] In the same year, Robert Bresson presented A Man Escaped, in which an imprisoned Résistance activist works with a reformed collaborator inmate to escape.[192] A cautious reappearance of the image of Vichy emerged in Le Passage du Rhin (1960), in which a crowd successively acclaim both Pétain and de Gaulle.[193]
After General de Gaulle's return to power in 1958, the portrayal of the Résistance returned to its earlier résistancialisme. In this manner, in Is Paris Burning? (1966), the role of the resistant was revalued according to [de Gaulle's] political trajectory.[194] The comic form of films such as La Grande Vadrouille (1966) widened the image of Résistance heroes to average Frenchmen.[195] The most famous and critically acclaimed of all the résistancialisme movies is Army of Shadows (L'Armee des ombres), which was made by the French film-maker Jean-Pierre Melville in 1969. The film was inspired by Joseph Kessel's 1943 book, as well as Melville's own experiences, as he had fought in the Résistance and participated in Operation Dragoon. A 1995 television screening of L'Armee des ombres described it as the best film made about the fighters of the shadows, those anti-heroes.[196]
The shattering of France's résistancialisme following the events of May 1968 emerged particularly clearly in French cinema. The candid approach of the 1971 documentary The Sorrow and the Pity pointed the finger on anti-Semitism in France and disputed the official Résistance ideals.[197][198] Time magazine's positive review of the film wrote that director Marcel Ophüls tries to puncture the bourgeois myth—or protectively askew memory—that allows France generally to act as if hardly any Frenchmen collaborated with the Germans.[199]
Franck Cassenti, with L'Affiche Rouge (1976); Gilson, with La Brigade (1975); and Mosco with the documentary Des terroristes à la retraite addressed foreign resisters of the EGO, who were then relatively unknown. In 1974, Louis Malle's Lacombe, Lucien caused scandal and polemic because of his absence of moral judgment with regard to the behavior of a collaborator.[200] Malle later portrayed the resistance of Catholic priests who protected Jewish children in his 1987 film Au revoir, les enfants. François Truffaut's 1980 film Le Dernier Métro was set during the German occupation of Paris and won ten Césars for its story of a theatre production taking place while its Jewish director is concealed by his wife in the theatre's basement.[201] The 1980s began to portray the resistance of working women, as in Blanche et Marie (1984).[202] Later, Jacques Audiard's Un héros très discret (1996) told the story of a young man's traveling to Paris and manufacturing a Résistance past for himself, suggesting that many heroes of the Résistance were imposters.[203][204] In 1997, Claude Berri produced the biopic Lucie Aubrac based on the life of the Résistance heroine of the same name, which was criticized for its Gaullist portrayal of the Résistance and over-emphasis on the relationship between Aubrac and her husband.[205]
In the 2011 video game Call of Duty: Modern Warfare 3, in which a hypothetical World War III is depicted, a French resistance movement is formed to act against Russian occupation. The playable characters of many factions in-game receive assistance from this Resistance . This is in line with previous, World War II-based Call of Duty games, which often featured involvement with the Resistance of that era.
NYSTV - Nephilim Bones and Excavating the Truth w Joe Taylor - Multi - Language
Joe Taylor is an artist, musician, sculptor, paleontologist and founder creator of Mt. Blanco Fossil Museum, the largest working non-evolutionist fossil museum the world.
The talk delves into forbidden archeology, the manipulation and control of the educational system, especially when it comes to paleontology, elongated skulls, giant skeletons, the knowledge of which is being suppressed.
Subscribe here:
freetruthproductions.com
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